Posts Tagged ‘Lata Mangeshkar’
Nazar Ne Loota Hai, Ada Ne Maara Hai
Posted on: July 9, 2018
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lata song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Lata duet | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3643 | Post No. : | 14471 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 20
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘न’ – नज़र ने लूटा है, अदा ने मारा है ॰ ॰ ॰
– – – –
फूलों से दोस्ती है, काँटों से यारी है ॰ ॰ ॰
ऐसी मज़े की प्यारे ज़िंदगी हमारी है ॰ ॰ ॰
ज़िंदगी हो भी तो जैसी तुम्हारी थी, वैसी हो॰ ॰ ॰ कोई अच्छा था तो वो भी दोस्त था, कोई अच्छा नहीं था तो भी यार ही था। A big heart such as yours is a rarity in humans.
– – – –
The first line of the song and the mind is tuned in for another gem of a creation from Chitragupt. This next song in this series is vintage Chitragupt.
The film is ‘Police Detective’ from 1960. The melody was still the reigning empress, and the creators of the likes of Chitragupt were still at their inspired best. Such a lovely playful song of two hearts in love, expressing their hearts to each other.
The film is a production from the banner of Neo Light Films, Bombay and is produced by Balwant Bhatt and Ram Kamlani. It is directed by Nanabhai Bhatt. The cast of actors listed for the film is impressive and includes Shyama, Sudesh, David, Jaishri Gadkar, Lilian, Ram Kamlani, Helen, Anwar, Shammi, Bhagwan, Meena, Genius, Susheel Kumar, Jai Kumar, Nisar, Roshanlal, Ramesh Roy, Saleem, Ghulam Rasool, Gani, Mohammad Ali, Sevanand, Ameer, Douglas, Tiger (Dog), and Pedro, the human chimpanzee. Hmm. . . Sevanand – interesting, would have liked to see an image of this actor. . . whether any similarity to Dev Anand. 🙂
Six songs are listed for this film, all from the pen of Prem Dhawan. Two of these songs are already showcased here on our blog. This is the third one to come on board from this film. The singing companion of Rafi Sb in this song is Lata Mangeshkar. Given the list of actors, this song is most likely picturized on the lead pair of Shyama and Sudesh Kumar. I request other readers and friends to please comment on this guess.
Listen to this lovely tête-à-tête between two hearts in love – complaints of hearts stolen through deceit and ripostes of challenges that if this is deceit, then welcome to take back the heart. Wonderful play of words, and a lovely tune that ties them together. A pleasure to listen.
Song – Nazar Ne Loota Hai, Ada Ne Maara Hai (Police Detective) (1960) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Prem Dhawan, MD – Chitragupt
Lyrics
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
agar ye dhokha tha
to kis ne roka tha
laga ke dil ye kehte ho
ke dil bechaara hai
nazar ne loota hai
hamaare haal pe to ye zamaana hansta hai
ke jiske paas dil ho wo kabhi to phansta hai
hamaare haal pe to ye zamaana hansta hai
ke jiske paas dil ho wo kabhi to phansta hai
to phir kyon rotey phirtey ho
ke dil nazron ka maara hai
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
nazar ne loota hai
hamaare naaz bhi sehne padenge ulfat mein
likhe hain sainkdo chakkar
tumhaari kismat mein
hamaare naaz bhi sehne padenge ulfat mein
likhe hain sainkdo chakkar
tumhaari kismat mein
jo hum pe guzregi seh lenge
jab dil tum pe waara hai
agar ye dhokha tha
to kis ne roka tha
laga ke dil ye kehte ho
ke dil bechaara hai
nazar ne loota hai
ada ne maara hai
haseenon ka
ye dhokha bhi
bada hi pyaara hai
nazar ne loota hai
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
अगर ये धोखा था
तो किस ने रोका था
लगा के दिल
ये कहते हो
के दिल बेचारा है
नज़र ने लूटा है
हमारे हाल पे तो ये ज़माना हँसता है
के जिसके पास दिल हो वो कभी तो फँसता है
हमारे हाल पे तो ये ज़माना हँसता है
के जिसके पास दिल हो वो कभी तो फँसता है
तो फिर क्यों रोते फिरते हो
के दिल नज़रों का मारा है
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
नज़र ने लूटा है
हमारे नाज़ भी सहने पड़ेंगे उलफत में
लिखे हैं सैकड़ों चक्कर
तुम्हारी किस्मत में
हमारे नाज़ भी सहने पड़ेंगे उलफत में
लिखे हैं सैकड़ों चक्कर
तुम्हारी किस्मत में
जो हम पे गुज़रेगी सह लेंगे
जब दिल तुम पे वारा है
अगर ये धोखा था
तो किस ने रोका था
लगा के दिल
ये कहते हो
के दिल बेचारा है
नज़र ने लूटा है
अदा ने मारा है
हसीनों का
ये धोखा भी
बड़ा ही प्यारा है
नज़र ने लूटा है
Yun Lagne Lagi Aajkal Zindgaani
Posted on: June 27, 2018
- In: Devnagri script lyrics by Avinash Scrapwala | Duet | expression of love | Feelings of heart | Guest posts | Lata - Nitin Mukesh Duet | Lata song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Nitin Mukesh songs | Party song | Post by Avinash Scrapwala | Romantic song | Songs of 1980s (1981 to 1990) | Songs of 1989 | Yearwise breakup of songs
- 7 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3631 | Post No. : | 14459 |
# The Special Voices of the Decade (1971-1980) – 4 # Nitin Mukesh #
———————————————–———————————–——————
Welcome all to this fourth article in this series where we are discussing the ‘special voices of the seventies’ and the nostalgia and memories associated with the songs of these ‘special voices’ from Hindi Movies.
As Gulzar Sahab has said in one of his famous albums. . .
door kahin jab wo pahaad ka tilaa baadlon se dhhak jaata tha
to ek aawaaz sunaayi deti
Zaahir si baat hain ki umr ke jis padaav par aap honge, aur jo yaadein aapke zehan mein bas gayin hongi, aap ko bhi kuchh aawaazein sunaayi deti hongi, aur ho sakta hai unka andaaz shaayad kuchh alag sa hota hoga, jaise ki mujhe lagta hai ki ye aawaaz. . .
Noorie. . . Noorie. . .
Lekin ye aawaaz to mere dil ki gehraaiyon mein tab se hi utar gayi thi. . .
Since, and so far, I vaguely remember to have heard this song playing on the radio in home and too on a dark rainy night. Maybe I was in half sleep when this song was playing on radio. Even today whenever I get to listen to this song, I have the same nostalgic feeling always
teri jheel si gehri aankhon mein
kuchh dekha hamne, kya dekha
May be that time I didn’t even have this knowledge of who was singing but as I grew up and this voice also grew up over the years leaving behind very few yet unforgettable gems in the history of HFM. The most popular of them all, I think, must be this,
zindagi kin aa toote ladi ee
pyaar kar le ghadi do ghadi
Yes!! Today we are discussing Nitin Mukesh under this series of ‘Special Voices’. As I took this journey through his biography and filmography (or discography), as usual, I am filled with ‘nostalgia’ and the years and those songs which brings back many memories. Maybe he has sung very less songs in numbers but almost all of them are so special and unique that one cannot forget them easily.
Nitin Mukesh was born on 27th June, 1950, to a celebrity father who by then had established himself in HFM. There were days he saw his father struggling and they didn’t have enough money to pay even his school fees. And on the other hand, Mukesh, who unlike him wanted that his children get good higher education, sent Nitin to the London School of Economics. However, like his father Nitin was also not interested and not good in studies and hence requested his father to allow him to come back home and leave studies and pursue singing. There after Nitin used to accompany his father on all of his musical tours and stage programmes. He was doing this since he was nine.
As his father Mukesh used sing his own songs in these programmes he asked his son that he should sing other singers’ or specifically Rafi Saab’s songs. Nitin Mukesh remembering this has talked about how great his father was and how much both of them respect and loved Rafi Saab’s singing. It is said that Raj Kapoor wanted that Mukesh’s son should sing a song for his son Rishi in the movie ‘Mera Naam Joker’ (1970) and so Nitin had given his voice for Rishi Kapoor in this song.
Earlier Nitin Mukesh was mainly interested in singing and doing stage programmes only, however on insistence from his father he took on to singing in his movies and thus make a debut in singing with this song from ‘Dhuen Ki Lakeer’ (1974), a duet with Vani Jairam,
teri jheel si gehri aankhon mein
kuchh dekha hamne, kya dekha
Moving forward with ‘Gaapoochi Gaapoochi Gam Gam’ (‘Trishul’, 1978) and ‘Wo Aurat hai tu mehbooba’ from ‘Satyam Shivam Sundaram’ also of 1978. And reaching the popular heights with ‘Zindagi ki naa toote ladi’ in ‘Kranti’ (1981). He continued the same magic with two songs from the movie ‘Nakhuda-1981’ of which “Suno Ik Baat Bolen” is already posted on the blog. After that very few playback songs, as I think he mainly got involved with doing stage shows only and singing ‘bhajans’.
During those years I was in Kota (Rajasthan) and I had bought his album on cassette, ‘Nehanjali’ by HMV which had ‘bhajans’ composed by Shekhar Sen. This album was released in 5/89 and it was added to my collection on 28.10.1989 (may be around ‘Diwali’ festival, if I am correct).
However the songs of ‘Eeshwar’ (1989) especially “Ram ji Ne Dhanush Toda” and one song in particular from the movie ‘Clerk’ (1989) – “Rakh Gita Par Haath”, are those which were quite good and were appreciated well, with ‘Ye Paisa Bolta Hai” from ‘Kaala Baazaar’ being the most popular. Other favorites that I want to list are – “Tu Mujhe Suna Main Tujhe Sunaaun’ from ‘Chaandni’ (1989), and ‘So Gaya Ye Jahaan’ topping the popularity charts in the previous year of 1988. Among his other songs I like ‘Zindagi Ka Naam Dosti’ from ‘Khudgarz’ (1987}, and “Dil Ne Dil Se Kya Kahaa” from ‘Aaina’ (1993). However, as said earlier Nitin Mukesh had been continuing with his stage shows, and we can find the details of his latest tours on his website here.
On our blog so far, we have only four of Nitin Mukesh songs (all duets) posted. Out of the many of his songs that are yet to make it on the blog, and taking a ‘liberty’ for this series I have selected a song not from the decade of 1971-80 but, for this today’s post I have selected a ‘very special and lovely song’ from a 1989 movie, for this today’s special day too. This is a song from the 1989 movie ‘Santosh’, which is also making a debut on the blog today.
This song was lying dormant in my memory and got revived in 2010-2011, after many years, during a discussion with a friend.
Thereafter, when I joined this blog as a ‘lyrics contributor’ I had shared this song with Atul ji in 2012. In fact, thereafter I have shared all the songs of this movie with him. However they are yet to be posted. It is opportune that Nitin Mukesh’s birth anniversary is on 27th June’ which incidentally is a ‘special day’ for me too. 🙂
‘Santosh-1989’ was an East-n-West Movies presentation. It was produced and directed by Balbir Wadhawan. Hansraj Wadhawan was the production controller of this movie. The star cast includes Manoj Kumar, Rakhee, Hema Malini, Shatrughan Sinha, Prem Chopra, Nirupa Roy, Kamini Kaushal, Amjad Khan, Madan Puri, Sarika, Abhi Bhattacharya, Krishna Dhawan, Pichoo Kapoor, Om Shivpuri, Praveen Kumar and others. The story of this film was written by Kaushal Bharti. Editing of this movie was done by VV Kamat, assisted by Ashok Naik. Cinematography was done by Radian Kinagi. Lyrics of this movie were written by Santosh Anand and Manoj Kumar. Music was composed by Laxmikant Pyarelal. The film Was passed by Censor board on 28.02.1989.
A brief about this movie from IMDB is reproduced here below;
Cold-hearted and manipulative Kamla has fallen in love with a poor man and marries him and has a child named Santosh. She soon realizes that life is not fun living in poverty, and abandons her child and husband, and returns back to her father and his wealth. She re-marries millionaire Kailashpathi, and has a child named Kundan from him. Years pass by, Kundan and Santosh have both grown up. Kundan is the owner of the mill with his mom, while Santosh is a struggling mill worker, and a union leader. A confrontation ensues between the mill and the workers, and Kamla is able to negotiate a settlement and get the workers back to work. But then, she fails to keep her promise to the workers. Santosh opposes this, and she sets her goons and Kundan against him. Santosh is abducted and held prisoner by Kamla and Kundan, and the only way he can be released is when he compromises with them.
The today’s song is a duet song sung by Nitin Mukesh and Lata Mangeshkar. On screen it is lip-synced by Manoj Kumar and Herma Malini respectively, while many other artists are present and can be seen in the picturization of this song. One can easily spot Sarika in this crowd of party-goers.
Song – Yun Lagne Lagi Aajkal Zindgani (Santosh) (1989) Singer – Nitin Mukesh, Lata Mangeshkar , Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Nitin Mukesh + Lata Mangeshkar
Chorus
Lyrics
hmm hmm hmm hmm
yoon lagne lagi
hmm hmm hmm
aaj kal
hmm hmm hmm
zindgaani
yoon lagne lagi aaj kal zindgaani
ke jaise kahin chhod aaye jawaani
yoon lagne lagi aaj kal zindgaani
yoon lagne lagi aaj kal zindgaani
ke jaise kahin chhod aaye jawaani
yoon lagne lagi aajkal zindgaani
kahaan se kahaan aa gaye chalte chalte
kahaan se kahaan aa gaye chalte chalte
ke dil ban gayaa
haan
ke dil ban gayaa dard ki rajdhaani
yoon lagne lagi aaj kal zindgaani
badi cheez hai pyaar mein doob jaana
badi cheez hai pyaar mein doob jaana
badi baat hai
haan
badi baat hai roop ki meherbaani
yoon lagne lagi aajkal zindgaani
la laa aa
la laa aa aa
la laa aa
aa aa aa
chalo pyaar ki aag mein jal ke dekhen
chalo pyaar ki aag mein jal ke dekhen
bahot ho chuki zindagi
zindagi paani paani
yoon lagne lagi aajkal zindgaani
kabhi kya kisine suni dhyaan dekar
kabhi kya kisine suni dhyaan dekar
tumhaari zubaani
hamaari. . .
hamaari kahaani
yoon lagne lagi aaj kal zindgaani
o o o o o
ho ho o o o o
bade pyaar se sun rahaa hai zamaana
(bade pyaar se sun rahaa hai zamaana)
bade pyaar se sun rahaa hai zamaana
hamaari zubaani tumhaari
tumhaari kahaani
yoon lagne lagi aajkal zindagaani
ho la la la laa laa laa laa laa laa aa
kabhi ek santosh hota tha shaayar
kabhi ek santosh hota tha shaayar
(aa aa aa aa aa aa)
ghazal ban gayi haan
ghazal ban gayi
haaye
uski kahaani
yoon lagne lagi aaj kal zindgaani
ke jaise kahin chhod aaye jawaani
yoon lagne lagi aaj kal zindgaani
(yoon lagne lagi aaj kal zindgaani)
zindgaani
zindgaani
zindgaani
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
हम्म हम्म हम्म हम्म
यूं लगने लगी
हम्म हम्म हम्म
आज कल
हम्म हम्म हम्म
जिंदगानी
यूं लगने लगी आज कल ज़िंदगानी
के जैसे कहीं छोड़ आये जवानी
यूं लगने लगी आज कल ज़िंदगानी
यूं लगने लगी आज कल ज़िंदगानी
के जैसे कहीं छोड़ आये जवानी
यूं लगने लगी आज कल ज़िंदगानी
कहाँ से कहाँ आ गए चलते चलते
कहाँ से कहाँ आ गए चलते चलते
के दिल बन गया
हाँ
के दिल बन गया दर्द कि राजधानी
यूं लगने लगी आज कल ज़िंदगानी
बड़ी चीज़ है प्यार में डूब जाना
बड़ी चीज़ है प्यार में डूब जाना
बड़ी बात है
हाँ
बड़ी बात है रूप कि मेहरबानी
यूं लगने लगी आज कल ज़िंदगानी
ल ला आ
ल ला आ आ
ल ला आ
आ आ आ
चलो प्यार कि आग में जलके देखे
चलो प्यार कि आग में जलके देखे
बहोत हो चुकी ज़िन्दगी
ज़िन्दगी पानी पानी
यूं लगने लगी आज कल ज़िंदगानी
कभी क्या किसीने सुनी ध्यान देकर
कभी क्या किसीने सुनी ध्यान देकर
तुम्हारी जुबानी
हमारी
हमारी कहानी
यूं लगने लगी आज कल ज़िंदगानी
ओ ओ ओ ओ ओ
हो हो ओ ओ ओ ओ ओ
बड़े प्यार से सुन रहा है ज़माना
(बड़े प्यार से सुन रहा है ज़माना)
बड़े प्यार से सुन रहा है ज़माना
हमारी जुबानी तुम्हारी
तुम्हारी कहानी
यूं लगने लगी आज कल ज़िंदगानी
हो ल ल ल ला ला ला ला ला ला आ
कभी एक संतोष होता था शायर
कभी एक संतोष होता था शायर
(आ आ आ आ आ आ )
ग़ज़ल बन गयी हाँ
ग़ज़ल बन गयी
हाय
उसकी कहानी
यूं लगने लगी आज कल ज़िंदगानी
के जैसे कहीं छोड़ आये जवानी
यूं लगने लगी आज कल ज़िंदगानी
यूं लगने लगी आज कल ज़िंदगानी
ज़िंदगानी
ज़िंदगानी
ज़िंदगानी
Chhaila Mera Chhaila
Posted on: June 20, 2018
- In: Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics contributed by readers | Missing the loved ones | mother-child song | Multiple version song | Post by Avinash Scrapwala | Rajesh Khanna songs | Rajesh Khanna songs by Kishore Kumar | Songs of 1970s (1971 to 1980) | Songs of 1977 | Theme song | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3624 | Post No. : | 14445 |
Greetings to dear Atul ji, and best wishes for many many happy returns of today.
The 1977 film ‘Chhaila Baabu’ is joining the ‘Yippeee Club’ of movies or ‘movies having all their songs covered’ on the blog. Indeed, a long wait for me and particularly for this song which was the first that I shared when I was still only a ‘year-old’ contributor on the blog. Other songs of this movie which I shared later were lucky and got posted before the today’s song. This song is the one which I cannot forget since my childhood, may be because this being a ‘mother-son’ song. I must be 9-10 years old when I had watched this movie with my parents in my childhood.
The part-I of this song and even the part-II is on screen performed by Achala Sachdev whom we mainly remember for playing a mother or thereafter grandmother in Yash Raj films. When I glance through the list of the films she acted in I realized that I have watched many of them but cannot recollect now.
Also I found that not much information is available about her on the domain (except there is page on wiki about her) and mainly other articles which were posted after she passed away on 30.12.2012 , and about how she was ignored by the film personalities in her last days. May be our seniors can do a detailed post on her with one of the songs performed by her on screen. Or maybe it is there and I am not aware, if so, please forgive me.
As I am not aware of her initial films and whether she got a lead role or second lead and if at all there are any songs which she performed on screen, except the another one, that I know, is from the 1970 film ‘Heer Ranjha’, where all the Bhabhi’s dance on their devar’s (Rajkumar’s) marriage preparations – ‘Naache Ang Ve . . .’ a beautiful composition by Madan Mohan ji.
Achala Sachdev was born in Peshawar (now in Pakistan) on 3rd May 1920. She acted in over 130 films (as per info on wiki). She began her filmi career with ‘Fashionable Wife’ in 1938 and ‘Na Tum Jaano na Ham’ (2002) was her last film. She died on April 30, 2012 at Pune. She was 91 then.
The move ‘Chhaila Babu’ was Produced by Shomu Mukherjee and Directed by Joy Mukherjee. It was a ‘suspense thriller’. It had Rajesh Khanna in title role of ‘Chhaila Babu’, accompanied by Zeenat Aman, Asrani, Ranjeet, Padma Khanna, Achala Sachdev, Macmohan, P Jairaj, Ravindra Kapoor and Om Shivpuri. Since in my earlier write ups about the songs of this movie I have already mentioned about the details of this movie and my nostalgia associated with its’ songs, and so I will not repeat it here.
But something that I would like to mention here is about Joy Mukherjee as a ‘director’ of this movie. Earlier I had read about his directing the movie ‘Humsaaya’ (1968), but I had forgotten about it. Though I must mention here that I had watched many of Joy Mukherjee’s movie in my teen years when I was studying in 11th -12th. And I liked all his movies very much and have watched them repeatedly; especially ‘Shagird’ (1967), ‘Phir Wohi Dil Laaya Hoon’ (1963), ‘Door Ki Aawaaz’ (1964), and ‘Love In Tokyo’ (1966). In those days i.e. 1983-85, old movie were still being screened in theatres sometime in four shows or noon shows only and they used to run packed houses. Specially in the city of Akola (Maharashtra) (CP & Berar circuit for movies) many old movies used to run packed houses and I watched many old movies during those years there. ‘Ziddi’ (1964) I think I watched on Doordarshan.
I got the VCD of ‘Ek Baar Muskuraa Do’ (1972) just four-five years back from an ‘online’ store. Then I had also watched ‘Love in Shimla’ (1960) during my school days during the weekly screening of movie in our ‘colony recreation club’. And its song ‘Alif Zabar Aa Alif Zer Ae Alif Pesh O ’ has been in my memory since then. I do not remember correctly now if I had watched his ‘Ek Musaafir Ek Haseena’ (1962), but since I have the cassette of this movie, as I like the songs of this movie very much, and maybe I had watched some of its songs on TV, it also remains one of my favorites.
Coming to the songs of his movies – which was another main factor for me to watch his movies repeatedly. Our in house Encyclopedia Shri Arun ji had already done a detailed post on Joy Mukherjee here , while presenting a song from his movie ‘Love In Bombay’ (2013(1971)). This was Joy’s third directorial venture after ‘Humsaaya’ & ‘Chhaila Babu’.
HFGK Vol V mentions that today’s song in three parts and it noted down the first part as a ‘happy version’, whereas from the song one can guess and take it as a ‘sad song’ or ‘missing the beloved song. The first part in its picturization shows the mother (Achala Sachdev) remembering the ‘happy memories’ while singing this song searching for her lost son (Rajesh Khanna). And the in the second part while only the ‘mukhda’ of the first version is repeated only, the third part is in the voice of Kishore Kumar and starts with different lines. However, since HFGK mention this song in three version it was required to watch this movie again and clear the confusion.
[Ed Note: In this presentation, the parts 2 and 3, as mentioned in HFGK, are together presented as part II, as per the video clips.]
When Atul ji was in a ‘Yippeeee’ mode again during the first four months of this year I had sent him reminder for this song and also with a request to throw light on this song if possible. Finally, a week before I watched this movie online (most uncomfortable way to watch a movie for me, but then … we have to 😊).
The 1st part of the song is where the mother, Achala Sachdev is searching for her son, who ‘bachpan mein bichhad gaya’. It includes flashback of the mother-child playing – ‘happy memories’ included 😊. Now when this child grows up as Rajesh Khanna, he remembers this song and use to sing it on the ‘mouth organ’ gifted to him by his mother on his birthday. The second part of Lata for this song is only a repeat of first few lines of the earlier part 1 of this song. And the third part is the Kishore Kumar version of this song, in which the mother-son get re-united.
The earlier songs from the movie are posted on our blog, as per the details given below;
| Song Title | Post Date |
| Yaar dildaar tujhe kaisa chaahiye | 08.12.2008 |
| Kal raat sadak par ik ladki | 29.12.2014 |
| Hamko nikaaloge ghar se sajan pachhtaaoge | 04.02.2015 |
| Main Baaboo Chhailaa | 29.12.2017 |
Let us now listen and enjoy the today’s song. . . “Chhaila Mera Chhaila”.
Part I (Lata Solo)
Part II (Lata – Kishore Duet)
Song – Chhaila Mera Chhaila (Chhaila Babu) (1977) Singer – Lata Mangeshkar, Kishore Kumar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lyrics
Part I
chhaila mera chhaila
chhaila mera chhaila
maa ko badaa sataaye
aangan mein chhup jaaye
kho jaaye to kya ho mere raam
chhaila mera chhaila
maa ko badaa sataaye
aangan mein chhup jaaye
kho jaaye to kya ho mere raam
chhaila mera chhaila
shaam savere mere naina
dhoondhte rahe
kahaan hai kahaan hai
kahaan hai kahaan hai
sabse poochhte rahe
kahaan hai kahaan hai
sabse poochhte rahe
aa ke peechhe
aankhen meeche
aanchal kheenche mera ghanshyam
chhaila mera chhaila
chhaila mera chhaila
deewaani huyi main aisa laage
laage re mohe
jisko dekhoon chhaila jaisa laage re mohe
jisko dekhoon chhaila jaisa laage re mohe
bichhda hai jo
mil jaaye to
vyaakul mann ko aa jaaye aaraam
chhaila mera chhaila
chhaila mera chhaila
maa ko badaa sataaye
aangan mein chhup jaaye
kho jaaye to kya ho mere raam
chhaila mera chhaila
chhaila mera chhaila
chhaila mera chhaila
Part II
chhaila mera chhaila
chhaila mera chhaila
chhaila mera chhaila
chhaila mera chhaila
mera chhaila
mera chhaila
chhaila
chhaila
chhaila
naa ro maa naa ro
sun li hain maine
teri pukaar
teri pukaar
aaj mila hai
waapas maa bete ko
khoya pyaar
khoya pyaar
duniya saari
tujhse haari
maa tu jeeti ye jeewan sangraam
chhaila tera chhaila
chhaila tera chhaila
chhaila tera chhaila
chhaila tera chhaila
jee chaahe main
tere charnon mein
sar rakh ke roun
sar rakh ke roun
aa jaaye waapas
bachpan main teri
god mein soun
god mein soun
phir na kabhi main tujhko sataaun
tujhe manaaun
maa tujhko parnaam
chhaila tera chhaila
chhaila tera chhaila
chhaila tera chhaila
chhaila tera chhaila
chhaila tera chhaila
chhaila tera chhaila
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
भाग १
छैला मेरा छैला
छैला मेरा छैला
माँ को बड़ा सताए
आँगन में छुप जाए
खो जाए तो क्या हो मेरे राम
छैला मेरा छैला
छैला मेरा छैला
माँ को बड़ा सताए
आँगन में छुप जाए
खो जाए तो क्या हो मेरे राम
शाम सवेरे मेरे नैना
ढूढ़ते रहे
कहाँ है कहाँ है
कहाँ है कहाँ है
सबसे पूछते रहे
कहाँ है कहाँ है
सबसे पूछते रहे
आ के पीछे
आँखें मिचे
आँचल खींचे
मेरा घनश्याम
छैला मेरा छैला
छैला मेरा छैला
दीवानी हुई मैं ऐसा लागे
लागे रे मोहे
जिसको देखूं छैला जैसा लागे रे मोहे
जिसको देखूं छैला जैसा लागे रे मोहे
बिछड़ा है जो
मिल जाए तो
व्याकुल मन को आ जाए आराम
छैला मेरा छैला
छैला मेरा छैला
माँ को बड़ा सताए
आँगन में छुप जाए
खो जाए तो क्या हो मेरे राम
छैला मेरा छैला
छैला मेरा छैला
छैला मेरा छैला
भाग २
छैला मेरा छैला
छैला मेरा छैला
छैला मेरा छैला
छैला मेरा छैला
मेरा छैला
मेरा छैला
छैला
छैला
छैला
ना रो माँ ना रो
सुन ली हैं मैंने तेरी पुकार
तेरी पुकार
आज मिला है
वापस माँ बेटे को
खोया प्यार
खोया प्यार
दुनिया सारी
तुझसे हारी
माँ तू जीती ये जीवन संग्राम
छैला तेरा छैला
छैला तेरा छैला
छैला तेरा छैला
छैला तेरा छैला
जी चाहे मैं
तेरे चरणों में
सर रख के रोऊँ
सर रख के रोऊँ
आ जाए वापस
बचपन मैं तेरी
गोद में सोऊं
गोद में सोऊं
फिर न कभी मैं तुझको सताऊं
तुझे मनाऊं
माँ तुझको प्रणाम
छैला तेरा छैला
छैला तेरा छैला
छैला तेरा छैला
छैला तेरा छैला
छैला तेरा छैला
छैला तेरा छैला
Tumhen Kaise Kahoon O ji O O O
Posted on: June 17, 2018
- In: "teasing" song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Happy song | Lata song | Love song | Lover's tête-à-tête | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Lata duet | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3621 | Post No. : | 14432 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 16
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘त’ – तुम्हें कैसे कहूँ, ओ जी ओ ओ ओ ॰ ॰ ॰
– – – –
फिर तेरी याद नए गीत सुनाने आई ॰ ॰ ॰
Never a day passes when your memories don’t pay a visit. . . bringing with them wonderful songs, heard and unheard. . . a treasure that keeps on playing in the alleys of the mind. . .
– – – –
Today’s episode features a wonderful breezy duet from the 1959 film ‘Naach Ghar’. This film is a social drama produced and directed by TS Tara, for the banner of Quality Pictures, Bombay. As the name suggests, the film has a theme that is built around a stage dance group, i.e. a nautanki group. It involves characters for whom dance and music is the drive in life; it also has others who would like to usurp and manipulate these passions for their own advantage; and then there are good hearted people who want to bring happiness to all. The cast of actors is very impressive – Ashok Kumar, Shobha Khote, Gopikrishan, Helen, Kamla Lakshman, Anoop Kumar, Dhumal, Iftikhar, Maya Das, Mirza Musharraf, Jamaal, Sujata, Bismillah, and Vivek.
As I check for details online, I come across a poster that shows Helen dancing in accompaniment with Gopi Krishan. Now this should be a veritable treat to watch – Helen dancing with an acknowledged master of classical dance. One of the websites https://bombaymann2.blogspot.com/ has reproduced a brief introduction of the film from the information booklet of the film, as below,
The whole worlds a stage – a Naachgar. Its impossible to tell its whole story in a small space like this. But we are glad here to introduce a few interesting characters whose strange doings give this story its fasicnation. . Radha: A simple village maiden who is in love with Mohan and eventually effaces herself in order that Mohan should be happy. . Mohan: A simple village youth, struck first by paralysis and then by a Raja’s bullet. He is dazzled by city life and, forsaking Radha, develops a strong infatuation for Renu, a city dancer. . Mohini: A young girl, orphaned by a storm. She finds her way into a Nautanki troupe and daydreams of happiness with Gopi, its organiser. But fate having decreed otherwise, she is ultimately forced into a Naachghar – away from her sweetheart. . Gopi: A Nautanki dancer, whose art show brilliantly in partnership with Mohini. They get lost to each other in the maze of city life – and take any knocks from fate in the process. . Shekhar: An opportunist, money-crazy couttier of the Raja of a state, who was the main barrier between Radha and Mohan and Gopi and Mohini. The only man he feared was Bihari. . Bihari: Orginally a guide in shikar-forest, he became the principal aide to the Raja Saheb and his chief confidant. . Raja Saheb: A large-hearted chief of a large state, who wanted to see everyone happy and prosperous. [Source: Booklet]
Geet Kosh lists 10 songs for this musical – all songs are created by the team of Sahir Ludhianvi and N Datta. The count of songs is like – one Rafi Sb solo, three Lata solos, four Rafi-Lata duets, and then one duet of Rafi Sb each with Asha and Geeta. Way back in September 2012, two songs of this film were posted in quick succession. Three more songs have followed in the interim. Today we get to the sixth song of this film. All songs are quite a treasure, and I hope the remaining songs will find their place on this blog shortly.
This song is one of the Rafi-Lata duets – kind of a teasing song, where in the lady requests not to be teased in public, and the gentleman wraps it up by stating that one should be open with one’s feelings – “दुनिया का डर क्या”.
A remarkable configuration of singing lines; the first two antaraas are all by Lata, with Rafi Sb making an appearance in the third. As the song progressed, I was almost thinking whether some error had been made and this was another solo. But then Rafi Sb’s voice appeared in the third antaraa. . . 🙂
Enjoy this quick paced and breeze tête-à-tête between lovers.
Song – Tumhen Kaise Kahoon O ji O O O (Naach Ghar) (1959) Singer – Lata Mangeshkar, Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta
Mohammed Rafi + Lata Mangeshkar
Lyrics
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o
aate jaate na yun
hamen chheda karo
aate jaate na yun
hamen chheda karo
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o
aate jaate na yun
hamen chheda karo
aate jaate na yun
hamen chheda karo
tumhen kaise kahoon
o ji o o o
log baaten banaayenge kya kya
be par ki udaayenge kya kya
log baaten banaayenge kya kya
be par ki udaayenge kya kya
hamen tak ke na yun
thandi aahen bharo
hamen tak ke na yun
thandi aahen bharo
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o
ham ne maana ke hum hain tumhaare
phir bhi achhe nahin ye ishaare
ham ne maana ke hum hain tumhaare
phir bhi achhe nahin ye ishaare
bairi duniya ki nazron se kuchh to daro
bairi duniya ki nazron se kuchh to daro
tumhen kaise kahoon
o ji o o o
tumhen kaise kahoon
o ji o o o
pyaar karna to kya jag se darna
baat kehna to phir kya mukarna
pyaar karna to kya jag se darna
baat kehna to phir kya mukarna
jo bhi karna hai duniya mein khul ke karo
jo bhi karna hai duniya mein khul ke karo
tumhen kaise kahoon
tumhen kaise kahoon
tumhen kaise kahoon
o ji o o o
aate jaate na yun
hamen chheda karo
aate jaate na yun
hamen chheda karo
tumhen kaise kahoon
o ji o o o
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
आते जाते ना यूं
हमें छेड़ा करो
आते जाते ना यूं
हमें छेड़ा करो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
आते जाते ना यूं
हमें छेड़ा करो
आते जाते ना यूं
हमें छेड़ा करो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
लोग बातें बनाएँगे क्या क्या
बे पर की उड़ायेंगे क्या क्या
लोग बातें बनाएँगे क्या क्या
बे पर की उड़ायेंगे क्या क्या
हमें तक के ना यूं
ठंडी आहें भरो
हमें तक के ना यूं
ठंडी आहें भरो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
हमने माना के हम हैं तुम्हारे
फिर भी अच्छे नहीं ये इशारे
हमने माना के हम हैं तुम्हारे
फिर भी अच्छे नहीं ये इशारे
बैरी दुनिया की नज़रों से कुछ तो डरो
बैरी दुनिया की नज़रों से कुछ तो डरो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
प्यार करना तो क्या जग से डरना
बात कहना तो फिर क्या मुकरना
प्यार करना तो क्या जग से डरना
बात कहना तो फिर क्या मुकरना
जो भी करना है दुनिया में खुल के करो
जो भी करना है दुनिया में खुल के करो
तुम्हें कैसे कहूँ
तुम्हें कैसे कहूँ
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
आते जाते ना यूं
हमें छेड़ा करो
आते जाते ना यूं
हमें छेड़ा करो
तुम्हें कैसे कहूँ
ओ जी ओ ओ ओ
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3505 | Post No. : | 14084 |
“Asen mi nasen mi. . . whether I’m there or not, I’ll be there forever.”
[Title of her biography, a quote by her own self, in a conversation with her biographer, Lalita Tamhane.]
She was just into 55th year when she passed away in 1991. Continuing to be active, even after having managed to get past an initial scare of cancer, the remission succeeded to claim her, much to the loss of the entire industry, and its heritage.
Remembering Nutan, on the anniversary of her passing away, today (21st February).
Starting her career at the age of 14 (‘Hamaari Beti’, 1950), she worked through the next four decades – as string of memorable roles that span the entire spectrum of emotions across from tragedy all the way to comedy. The understated emotions are conveyed through the eyes and expressions, much more powerfully than words. The Kalyani of ‘Bandini’ (1963), expressing her anger and turmoil, through actually saying and expressing very little, heightened the portrayal of a mute victim, who is driven by circumstances to murder. And then she lives out her internment, with the same silence and withdrawal; in the end, returning to her past, forsaking a promise of happiness and acceptance in a new world. Nutan remains in memory as the quintessential Kalyani, all the way from Gauri in ‘Seema’ (1956) and Sujata in ‘Sujata’ (1959), up to Anu Rai in ‘Anuraag’ (1972), living through the tragic last few months of the life of her only child; as Mahjubi in ‘Suadaagar’ (1973), betrayed with promises of false love and usurpation; and as Sanyukta in ‘Main Tulsi Tere Aangan Ki’ (1978), facing the ignominy of having a competitor for the affections of her own husband, come to live under the same roof.
But when given the opportunity to get into light comic roles – Shanti in ‘Paying Guest’ (1957), Jameela in ‘Dil Hi To Hai’, and Sulekha in ‘Tere Ghar Ke Saamne’ (1963) – another facet of her character comes through that seems unbelievable in the face of her image of the victimized woman having all the troubles and miseries foisted upon her. Oh how I wish the film ‘Chhabili’ (1960) was available; would have loved to see her role as a chhabili.
An unforgettable performer, who garnered a record six Filmfare awards (five as the leading lady, and one in supporting role); a record that stood for well over three decades. Into her forties, she still commanded leading roles contrary to the traditions of the industry. And into her fifties, she was still chiselled and stunning, continuing to command author backed roles in the films she appeared in.
The song for today is from the 1970 film ‘Maa Aur Mamta’. The film is produced under the banner of Suchitra Kala Mandir, and is directed by Asit Sen. The star cast is listed as Ashok Kumar, Nutan, Jitendra, Mumtaz, Rehman, Jayant, Nirupa Roy, Sujeet Kumar, Roopesh Kumar, Shabnam, Shivraj, Beerbal, Leela Mishra, Brahm Bhardwaj, Keshto Mukherjee, Karan Diwan, Paro, Bilkis, Dilip Dutt, Machchar, Madhu Apte. A social drama that has six songs written by Sarshaar Sailaani and Anand Bakshi, and are tuned to music by Laxmikant Pyaarelal. This song is written by Anand Bakshi. On screen, the song is performed by Nutan, as she is accompanied by Sujeet Kumar.
Three songs of this film are already showcased on our blog. This is the fourth song to find its place here. The lyrics for this song have been sent in by Prakashchandra ji.
It is terrible that she went away so young – depriving us of what could have been possible. But then maybe it is good for whatever transpired – the memories are as elegant and as preserved, as was she herself, into her fifties. Her biography records an episode from when she was an infant. As a baby, she would go into bouts of crying that lasted for many hours. All the medical consultation and advise could not locate any problems. Then, one astrologer read her horoscope and said that she is a delivered soul who has come back into this world quite unwillingly. The prophecy played itself out, when she decided to leave so early.
o re maanjhi
o mere maanjhi
. . . abki baar
le chal paar
le chal paar
Song – Baat Ye Anokhi Mere Meet Ho Gayi (Maa Aur Mamta) (1970) Singer – Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lyrics (Provided by Prakash Chandra)
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
laaj ka pehraa
maine
ho o o mann ke dwaar bithaayaa
laaj ka pehraa
maine
ho o o mann ke dwaar bithaaya
is ghoonghat mein
aise
ho o mukhda laakh chhupaayaa
haayye rey barjori
nindiyaa ho gayee chori
ho o haar gayee main
saiyyaan teri jeet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
teri najariyaa
sajnaa
ho o o mere sapnon ki doli
teri najariyaa
sajnaa
ho o o mere sapnon ki doli
baith main iss mein
chal dee
ho o tere sang humjoli
rokey jag naa maanoon
kaaran main na jaanoon
ho o log kehte hain mohey preet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
baat ye anokhi mere meet ho gayee
raat din dhadknaa dil ki reet ho gayee
ho raamaa kaahe rey mohey preet ho gayee
ho raamaa kaahe rey mohey
kaahe rey mohey
preet ho gayee
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
लाज का पहरा
मैंने
हो ओ ओ मन के द्वार बिठाया
लाज का पहरा
मैंने
हो ओ ओ मन के द्वार बिठाया
इस घूँघट में
ऐसे
हो ओ मुखड़ा लाख छुपाया
हाये रे बरजोरी
निंदिया हो गई चोरी
हो ओ हार गई मैं
सैंयां तेरी जीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
तेरी नजरिया
साजना
हो ओ ओ मेरे सपनों की डोली
बैठ मैं इस में
चल दी
हो ओ ओ तेरे संग हमजोली
रोके जग ना मानूँ
कारण मैं ना जानूँ
हो ओ लोग कहते हैं मोहे प्रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
बात ये अनोखी मेरे मीत हो गई
रात दिन धड़कना दिल की रीत हो गई
हो रामा काहे रे मोहे प्रीत हो गई
हो रामा काहे रे मोहे
काहे रे मोहे
प्रीत हो गई
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3501 | Post No. : | 14065 |
Missing Films of 1960s – 59
– – – – – – – – – – – – – – –
So, on the 3501st day on this blog, I introduce to you the debut film for today.
The film is ‘Sardaar’ from 1967. This year continues to be very fertile, and still another four, and maybe five more films from this year are next in line.
The production banner is M.U.N. films Bombay, and the film is directed by Babubhai Mistry. The film is categorized as a costume drama, with the cast of actors listed as Dara Singh, Sheikh Mukhtar, Ajit, Nishi, Helen, Jayant, Chandrashekhar, Tiwari, Maruti, Arvind Pandya, and Jeevankala. Now this is a very impressive ensemble – we have Sheikh Mukhtar, and Dara Singh, and Ajit, and Chandrashekhar, and Nishi, and Helen, and Jayant, and Tiwari – wow.
The film has seven songs listed. All the songs are written by Asad Bhopali, and the music is composed by Usha Khanna. As I scan the list of songs, some are very familiar and popular songs, and I wonder this film has managed to stay away from being represented on our blog so far.
Today’s song is about the memories of childhood love. It is sung by Lata Mangeshkar. Once you start listening to the song, I am sure the memory cells will respond – ok, well this one, yes, it is a familiar favorite from the radio listening days. Enjoy.
Song – Mera Tumhara Afsaana Hai Kitna Puraana (Sardaar) (1967) Singer – Lata Mangeshkar, Lyrics – Asad Bhopali, MD – Usha Khanna
Lyrics
mera tumhara afsaana
hai kitna purana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo
mera tumhara afsaana
hai kitna purana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo
kyon ji tumko yaad to hongi
pehli pehli pyaar ki baaten
pehli pehli pyaar ki baaten
chhoti si ik bhool pe laakhon
hoti then taqraar ki baaten
hoti then taqraar ki baaten
mera wo rooth ke jaana
tumhaara manaana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo
din mein sau sau baar tumhaare
paas aane ko ji kehta hai
paas aane ko ji kehta hai
in aankhon mein daal ke aankhen
kho jaane ko ji kehta hai
kho jaane ko ji kehta hai
chhod ke dil tadpaana
mohabbat nibhaana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo
mera tumhara afsaana
hai kitna purana
zara yaad karo
bachpan ka zamaana
piya yaad karo
zara yaad karo
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मेरा तुम्हारा अफसाना
है कितना पुराना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो
मेरा तुम्हारा अफसाना
है कितना पुराना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो
क्यों जी तुमको याद तो होंगी
पहली पहली प्यार की बातें
पहली पहली प्यार की बातें
छोटी सी इक भूल पे लाखों
होती थीं तक़रार की बातें
होती थीं तक़रार की बातें
मेरा वो रूठ के जाना
तुम्हारा मनाना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो
दिन में सौ सौ बार तुम्हारे
पास आने को जी कहता है
पास आने को जी कहता है
इन आँखों में दाल के आँखें
खो जाने को जी कहता है
खो जाने को जी कहता है
छोड़ के दिल तड़पाना
मोहब्बत निभाना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो
मेरा तुम्हारा अफसाना
है कितना पुराना
ज़रा याद करो
बचपन का ज़माना
पिया याद करो
ज़रा याद करो
Mujhe Nazar Se Utaar Kar Bhi
Posted on: February 9, 2018
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata song | Lover's Complaint | Lyrics contributed by readers | Missing the loved ones | Post by Sudhir | sad song | Songs of 1950s (1951 to 1960) | Songs of 1955 | Vagaries Of Love | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3493 | Post No. : | 14036 |
Noted film director and story / screenplay writer OP Dutta, passed away this day five years ago. He was 90 years when he passed away in 2012.
OP Dutta was born in the town of Gujranwaala in Punjab (now in Pakistan), in 1922. No information is available online about his early years and his education. In 1948, when he was just 26 years old, he directed the film ‘Pyar Ki Jeet’. This film was a major success, and it established Suraiya, the singer-actress as a super star.
He continued to direct films till the end of 1950s. The Hindi films directed by him are – ‘Hamaari Manzil’ (1949), ‘Surajmukhi’ (1950), ‘Ek Nazar’ (1951), ‘Parbat’ (1952), ‘Maalkin’ (1953), ‘Lagan’ (1955), and ‘Aangan’ (1959).
In the early 1950s he travelled to Pakistan and helped to set up a studio in Karachi. Till then, Lahore was the only center of film production in Pakistan. As a part of this effort, he also produced and directed the film ‘Anokhi’ from the studios in Karachi. Regulars may be familiar with this film, that has recently been discovered and is available in public domain. The heroine of this film is Sheela Ramani, and the music director is Timir Baran. This film was probably the earliest and maybe the only significant effort of collaboration between he film industries of India and Pakistan.
From 1960s onward, OP Dutta gave up direction and started writing for films – stories, screenplays, dialogues etc. Notable films from this phase of his career are ‘Chiraagh’ (1969), ‘Do Raaste’ (1969), ‘Mastaana’ (1970), ‘Jeet’ (1972), etc. Later on, he wrote stories and screenplays for some of the big hits – ‘Kshatriya’ (1993), ‘Border’ (1997), ‘Refugee’ (2000), ‘LOC Kargil’ (2003), and ‘Umrao Jaan’ (2006).
Today’s song is from the 1955 film ‘Lagan’. From the first phase of his career, this film is the only one that OP Dutta had produced and directed (as opposed to the other films which he only directed for other production banners). The film was produced under the banner of OP Films, Bombay. The star cast of this film includes Nalini Jaywant, Sajjan, Shammi, Randhir, Om Prakash, David, Raj Mehra, Ram Avtar, Baij Sharma, Pandit Iqbal, Baby Naaz, Pappu, Shaam Lal, Uma Dutt, Shivraj, Parshuram, and Kanwar Kesho amongst others. The songs of this film are penned by Rajendra Krishan and the music is by Hemant Kumar. Interesting to note that Ravi is the assistant music director with Hemant Da.
One song of this film has already been showcased on our blog. Today’s song is a song of sadness and separation sung so wonderfully by Lata Mangeshkar. Listen and enjoy.
Song – Mujhe Nazar Se Utaar Kar Bhi (Lagan) (1955) Singer – Lata Mangeshkar, Lyrics – Rajendra Krishan, MD – Hemant Kumar
Lyrics
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
chalo ye maana bagair mere
tumhaari raaten jawaan rahengi
magar jo bhoole se mere khwaabon ne
aa jagaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
tumhaari mehfil mein roz hogi
nai kahaani naya fasaana
jo baaton baaton mein naam mera
zubaan pe aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
jisey bhula ke chaley ho dil se
jisey bhula ke chaley ho dil se
wo yaad aaya to kya karoge
to kya karoge
mujhe nazar se utaar kar bhi
na chain paaya to kya karoge
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
चलो ये माना बगैर मेरे
तुम्हारी रातें जवां रहेंगी
मगर जो भूले से मेरे ख्वाबों ने
आ जगाया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
तुम्हारी महफिल में रोज़ होगी
नई कहानी नया फसाना
जो बातों बातों में नाम मेरा
ज़ुबां पे आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
जिसे भुलाने चले हो दिल से
जिसे भुलाने चले हो दिल से
वो याद आया तो क्या करोगे
तो क्या करोगे
मुझे नज़र से उतार कर भी
ना चैन पाया तो क्या करोगे
Zara Sa Us Ko Chhua To
Posted on: February 3, 2018
- In: "roadside tamaasha" song | Devnagri script lyrics by Sudhir | fun timepass song | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Songs of 1970s (1971 to 1980) | Songs of 1972 | Street singing | Theme song | Title song | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3487 | Post No. : | 14008 |
The yippeee film for today the 1972 production by Manoj Kumar – ‘Shor’.
There was a period in the career of Manoj Kumar, where every film he touched has either been a hit, or it has commanded a cult status over the years. Starting with ‘Shaheed’ in 1965, and right up to ‘Kranti’ in 1981, he produced, directed and acted in a string of hit films, that have become memorable icons over the years. It was ‘Shaheed’ in 1965, then ‘Upkar’ in 1967, then ‘Poorab Aur Pashchim’ and ‘Yaadgar’ in 1970, then ‘Shor’ in 1972, ‘Roti Kapda Aur Makan’ in 1974, and then ‘Kranti’ in 1981. Of these, the 1972 production of ‘Shor’ is kind of the odd one out – it is not really a patriotic / nationalist theme, that is Manoj Kumar’s forte, that earned him the nickname of Mr Bhaarat. After 1981, Manoj Kumar seemed to have lost his touch, and after a string of indifferent productions – ‘Painter Babu’ (1983), ‘Kalyug Aur Ramayan’ (1987), and ‘Clerk’ (1989), he kind of let go the production / direction stance.
Coming back to ‘Shor’, not just that it was a little different from the normal ‘nationalist’ genre of Manoj Kumar, it is also counted as the least successful film, commercially, in his career as a producer / director – from the period of ‘Shaheed’ to ‘Kranti’. And then, like a few other handful of examples, this film gained a cult status over the decades. And that was, not in the least due to the fantastic songs and music of this film.
Having said that, it surely needs to be recognized and acknowledged that – looking at the list of his films from ‘Shaheed’ to ‘Kranti’ – he belongs to that select band of producers/directors that have had a Midas touch as far as music and songs are concerned. A quick review of his films listed above will lend credence to this statement. Even if, for the sake of argument only, if this set of films is viewed for quality features and box office attractions, then even if one wants to discount other aspects related to the film, one will not be able to discount these films for the sake of the music and songs.
One reason that ‘Shor’, after its initial lukewarm reception at the box office, continued to build into a cult film status, is its wonderful, and even powerful, music and songs. Let’s take look at the list of songs of this film. It seems to be short in the list, but the impact and profundity of these songs, stands out all by itself.
|
Song Title |
Post No. |
Post Date |
| Paani re paani teraa rang kaisaa | 1658 | 21-Jul-09 |
| Ik pyaar ka naghmaa hai | 1675 | 24-Jul-09 |
| Jeewan Chalne Ka Naam | 5555 | 1-Mar-12 |
| Shehnaai Baje Na Baje | 14003 | 2-Feb-18 |
My favorite amongst these is of course the one that talks about the colors of water – “Paani Re Paani Tera Rang Kaisa”. The words of this song are just so dear. Every line, every stanza has its own flavor, and impact. In the three stanzas, the question posed in the mukhda is answered in different ways. And the last one – which will touch a chord of the life’s hope within each human being – is simply the best – “Sau Saal Jeene Ki Ummeedon Jaisa”.
Then we have the supremely inspirational song of hope and progress – “Jeevan Chalne Ka Naam” – a song that plays through the days of the hopeful endaeavor, as the hero attempts to break a record of continuous cycling effort. An event and a song that bring together an entire community – a pinnacle of synthesis of emotions coming together as one.
And then the song that has, along with “Paani Re Paani. . .”, garnered the cult status – this time in the genre of love songs. Every time I listen to this line – “Zindagi Aur Kuchh Bhi Nahin, Teri Meri Kahaani Hai”, it sends shiver down my spine. The sheer simplicity of words, put together to express one of the most profound essays in the multiplicity of human existence. In eventual analysis, actually in this life, there is nothing more than the self. And practically every tale is eventually a tale of the self. But love changes all that. When there is love, then the tale is of ‘you and me’ put together – and there really is nothing else in life actually. “Ik Pyaar Ka Naghma Hai” – life is but simply a song of love, yours and my love. One of THE best expressions that puts in a definitive and ultimate response to the query of “what is love”.
Another aspect of his musical expression I would like to discuss. What we see here is the shades of Raj Kapoor and Goldie Anand – as far as the construction and the presentation of the song is concerned. Manoj Kumar really has that Midas touch to get the best out of the team of songwriter + music director + singers. The songs of his films are some of the best-in-class creations that will be listed right up there with the ones that are considered as top creations, as well as presentations. He also has a knack of putting together the most appropriate scenario, and most convincingly, to bring the song in and merge it quite so seamlessly with the flow of the story line. His song presentations are simply out of the ordinary, in a special category all by themselves. Take your thoughts back to the songs like “Jogi Hum to Lut Gaye Tere Pyaar Mein” from ‘Shaheed’; “Aayee Jhoom Ke Basant” from ‘Upkar’; “Main Na Bhoolunga. . .” from ‘Roti Kapda Aur Makaan’; “Ab Ke Baras Tujhe. . .” and “Zindagi Ki Na Toote Ladi” from ‘Kranti’. And the one that is the closest to my heart as a special favorite – “Hai Preet Jahaan Ki Reet Sada” from ‘Purab Aur Paschim”. That I am picking these songs as a sampler does not mean that the remaining songs do not jell. Each one does. Just that the space does not permit me to write about each one of them, what all I wish to write.
The song presented today, comes on to the screen with an already prefaced history, in the film. The three stanzas in this song are directed towards three men who are coincidentally present and watching the dance performance, Rani (role played by Jaya Bhaduri), is a worldly wise young lady, and a street urchin at that. To compete with and to secure herself in this most perilous environment in which she exists, she has to become one of them, with a tongue that can abuse an curse the most evil, and hands that are adept in swinging the blade of a deadly knife. Her standard masquerade to cheat people, i.e. men, and rob them, is to appear on a less traversed road in the late evening, and pose as a helpless damsel looking for help. And when a victim gets interested, she will start screaming to draw the attention of whatever is the sparse crowd, crying for help against the man. The poor victim, is painted as a trying to outrage her modesty. She blackmails them to cough up some money, in exchange for her to keep quiet.
Prior to this song, these three men are each party to such encounters with her. The first one – a regular junior artist whose name I am not able to recall right away, is a meek fellow who gets conned by Rani. The second one is Shankar (role played by Manoj Kumar), who turns the tables on her, and dares her to shout and gather attention. And the third one is also local street smart mawaali (role played by Manmohan), who fancies Rani to be easy meat for his spurious intentions. For a change, as Rani does a street dance performance, striving also to make some honest money, the three gentlemen appear one by one, to be dealt with appropriately.
Jaya’s performance as Rani is just superb. In 1972, she is very fresh from IFTI, Pune, and her portrayal of a near vagabond and street smart character is quite so convincing. We also see Premnath as the Pathan friend of Shankar, Master Satyajeet as Deepak, the mute son of Shankar, and Manmohan as the local mawaali. Once again, I request help from the more knowledgeable readers to help identify the very familiar junior artist behind the bespectacled thin old man who appears in the first stanza.
So with this post, we bring to a close, the discussion on this cult classic film from Manoj Kumar. Wonderful songs and music galore from his films. Welcome ‘Shor’ to Yippeee-land.
Song – Zara Sa Us Ko Chhua To (Shor) (1972) Singer – Lata Mangeshkar, Lyrics – Santosh Anand, MD – Laxmikat Pyaarelal
Unidentified Male Voice
Lyrics
zara sa
us ko
chhua to
us ne
haaye us ne macha diya shor
zara sa
us ko
chhua to
us ne
haaye us ne macha diya shor
shor
shor
maine samjha tha ke chal jaayega zor
maine samjha tha ke hongi baaten aur
aur
phir
jaise hi
zara sa
us ko
chhua to
us ne
haaye us ne macha diya shor
zara sa
us ko
chhua to
us ne
haaye us ne macha diya shor
roop ki thandi chhaon mein
armaanon ke gaaon mein
laga hua tha mela re
raahi mila akela re
maari aankh
maari aankh
gaya bhaanp
na us ne ki bas
bas
na maine ki bas
bas
na us ne ki bas
bas
na maine ki bas
bas
aur
phir
jaise hi
zara sa
us ko
chhua to
us ne
haaye us ne macha diya shor
dhum dhum dhum dhum
dhum dhum dhum
dhum dhum dhum dhum
dhum dhum dhum
ta ra ra
ra ra ra
ra ra ra ra ra ra
o jiyo raani jiyo
oo ho oo oo
oo ho oo oo
ho
ho
ho
ho
chalte chalte raah mein
kuchh paane ki chaah mein
maine us ko roka tha
aage badh ke toka tha
phenka daav
phenka daav
bola jaao
na us ne ki tas
tas
na maine ki bas
bas
na us ne ki tas
tas
na maine ki bas
bas
aur
phir
jaise hi
zara sa
us ko
chhua to
us ne
haaye us ne macha diya shor
dhan dhan dhan dhan
dhan dhan dhan
da da da
da da da
koi chhaila mod pe
haath donon jod ke
bola raat ki rani
maan le mujh ko jaani
diya phool
diya phool
gayi bhool
na maine ki tas
tas
na us ne ki bas
bas
na maine ki tas
tas
na us ne ki bas
bas
aur
phir
jaise hi
zara sa
us ne
chhua to
maine
haan maine macha diya shor
zara sa
us ne
chhua to
maine
haan maine macha diya sho..o..o..or
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
ज़रा सा
उसको
छूआ तो
उसने
हाय उसने मचा दिया शोर
ज़रा सा
उसको
छूआ तो
उसने
हाय उसने मचा दिया शोर
शोर
शोर
मैंने समझा था के चल जाएगा ज़ोर
मैंने समझा था के होंगी बातें और
और
फिर
जैसे ही
ज़रा सा
उसको
छूआ तो
उसने
हाय उसने मचा दिया शोर
ज़रा सा
उसको
छूआ तो
उसने
हाय उसने मचा दिया शोर
रूप की ठंडी छांव में
अरमानों के गाँव में
लगा हुआ था मेला रे
राही मिला अकेला रे
मारी आँख
मारी आँख
गया भाँप
ना उसने की बस
बस
ना मैंने की बस
बस
ना उसने की बस
बस
ना मैंने की बस
बस
और
फिर
जैसे ही
ज़रा सा
उसको
छूआ तो
उसने
हाय उसने मचा दिया शोर
ढुम ढुम ढुम ढुम
ढुम ढुम ढुम
ढुम ढुम ढुम ढुम
ढुम ढुम ढुम
ता रा रा
रा रा रा
रा रा रा रा रा रा
ओ जियो रानी जियो
ओ हो ओ ओ
ओ हो ओ ओ
हो
हो
हो
हो
चलते चलते राह में
कुछ पाने की चाह में
मैंने उसको रोका था
आगे बढ़ के टोका था’
फेंका दांव
फेंका दांव
बोला जाओ
ना उसने की टस
टस
ना मैंने की बस
बस
ना उसने की टस
टस
ना मैंने की बस
बस
और
फिर
जैसे ही
ज़रा सा
उसको
छूआ तो
उसने
हाय उसने मचा दिया शोर
ढन ढन ढन ढन
ढन ढन ढन
ढ ढ ढ
ढ ढ ढ
कोई छैला मोड़ पे
हाथ दोनों जोड़ के
बोला रात की रानी
मान ले मुझको जानी
दिया फूल
दिया फूल
गई भूल
ना मैंने की टस
टस
ना उसने की बस
बस
ना मैंने की टस
टस
ना उसने की बस
बस
और
फिर
जैसे ही
ज़रा सा
उसने
छूआ तो
मैंने
हाँ मैंने मचा दिया शोर
ज़रा सा
उसने
छूआ तो
मैंने
हाँ मैंने मचा दिया शो॰॰ओ॰॰ओर
- In: Devnagri script lyrics by Sudhir | Duet | Farewell song | Feelings of heart | Guest posts | Happy song | Hospital Song | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics contributed by readers | Post by Peevesie's mom | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3485 | Post No. : | 13998 |
“Piya Tune Kya Kiya Re, Tere Bin Laage Na Jiya” – this post in 2008 by Atul ji inspired me to sit through an otherwise serious (read boring) movie. In the post Atul ji had written 3 postscripts each after different stages of movie watching and getting more gyaan about the movie. There is nothing more to add about the movie if one reads that particular post.
We just have one more song left of this movie – the song which Deb Mukherjee sings in the voice of Kishore Kumar and Farida Jalal in Lata’s voice. The song comes close to the climax as Deb Mukherjee bids farewell to the doctor, nurses, ward boys (through the movie I didn’t see a single nurse or ward boy; they appear for this song), compounder and the other patients of the hospital. The song is supposed to inspire the patients that they will also recover from their illnesses. The patients have been depressed after Ashok Kumar dies in the hospital – not the doctor’s fault mind you, he didn’t obey the doctor.
The song also expresses Waheeda’s and Sunil Dutt’s feelings towards each other as they can’t sing and dance themselves. She is a widow and the mother of a child, who is being treated by the doctor (Sunil Dutt). Here I will also add that they were in love before Waheeda’s chacha (Gajanan Jagirdar) and chachi (Shyama) objected to their marriage as they belong to different castes. Waheeda gets married to some railway engineer; whose face is never shown and who dies in a freak railway accident.
The film is directed by Tapan Sinha for John Pictures, Bombay. The film has seven songs, all penned by Anand Bakshi. The music is given by SD Burman. The earlier posted songs of this film are,
| Zindagi Ae Zindagi Tere Hain Do Roop | 45 | 29-Aug-08 |
| Piya Toone Kya Kiyaa | 47 | 30-Aug-08 |
| Mera Sab Kuchh Mere Geet Re | 6131 | 25-Jun-12 |
| Toone Hamen Kya Diyaa Ree Zindagi | 12301 | 4-Aug-16 |
| Teri Meri Meri Teri Zaat Kyaa Hai | 13311 | 6-Jun-17 |
| Kaun Sachcha Hai Kaun Jhoothha Hai | 13992 | 30-Jan-2018 |
This is the ideal song to announce the Yippeee status of this film. ‘Zindagi Zindagi’ now joins the tribe of movies on our blog that has all its songs represented here.
Song – Khush Raho Saathiyo Tumhen Chhod Kar Hum Chale (Zindagi Zindagi) (1972) Singer – Kishore Kumar, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – SD Burman
Kishore Kumar + Lata Mangeshkar
Lyrics
khush raho saathiyo
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhen chhod ke hum chale
hamen chhod ke gham chale
haaye
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
mujhe tere dukh ne saiyaan kitna rulaaya hai
mujhe tere prem ne gori maut se bachaaya hai
mujhe tere dukh ne saiyaan kitna rulaaya hai
mujhe tere prem ne gori maut se bachaaya hai
behte behte magar ye aaj aansoo tham chale
haaye
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhein hum nahin bhoolenge hamein tum bhulaana na
milenge kabhi asha ke deepak bujhaana na
tumhein hum nahin bhoolenge hamein tum bhulaana na
milenge kabhi asha ke deepak bujhaana na
hanste hanste tumhari ankhen kar ke nam chale
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
aaaa
aaaaa
gayi re judaai aayi prem ki ratiaan
gayi re judaai
gayi re
gayi re judai aayi prem ki ratiaan
kisi aur ke mukhde pe thehre na akhiyaan
tere mukh pe saanwariya mere naina jam chale
he
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhen chhod ke hum chale
hamen chhod ke gham chale
khush raho saathiyo
tumhen chhod ke hum chale
khush raho saathiyo
tumhen chhod ke hum chale
tumhen chhod ke hum chale
tumhen chhod ke hum chale
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुश रहो साथियो
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
हमें छोड़ के ग़म चले
हाए
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
मुझे तेरे दुख ने सैंय्यां कितना रुलाया है
मुझे तेरे प्रेम ने गोरी मौत से बचाया है
मुझे तेरे दुख ने सैंय्यां कितना रुलाया है
मुझे तेरे प्रेम ने गोरी मौत से बचाया है
बहते बहते मगर ये आज आँसू थम चले
हाए
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें हम नहीं भूलेंगे
हमें तुम भुलाना ना
मिलेंगे कभी आशा के दीपक बुझाना ना
तुम्हें हम नहीं भूलेंगे
हमें तुम भुलाना ना
मिलेंगे कभी आशा के दीपक बुझाना ना
हँसते हँसते तुम्हारी आँखें करके नम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
आ॰॰॰
आ॰॰॰
गई रे जुदाई आई प्रेम की रतियाँ
गई रे जुदाई
गई रे
गई रे जुदाई आई प्रेम की रतियाँ
किसी और के मुखड़े पे ठहरे ना अखियाँ
तेरे मुख पे साँवरिया मेरे नैना जम चले
हे
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
हमें छोड़ के ग़म चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
खुश रहो साथियो
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
तुम्हें छोड़ के हम चले
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