Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sarshar Sailaani


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My younger days were made more enjoyable by Talat’s songs. Though I was born and brought up in Hyderabad state- a Muslim ruled state(The Nizam was the king ruling on 85 % Hindu population….exactly opposite of Raja Harisingh of Kashmir ruling on 85% Muslims ! ), initially I was not much interested in Urdu Gazals etc. My interest in Urdu Gazals was ignited and further nurtured by by the way Talat sang them.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Guru Dutt is one of the few Hindi film personalities on whom one can find tonnes of information by way of articles, books and film documentaries. Within a short span of 13 years as a producer, director and actor, he left us with his rich legacy in about a dozen films. Under his own banner, Guru Dutt Films, he covered almost all the main genre of films – crime thriller, comedy, romance, social, melodrama and period. As an actor, his eyes spoke more than the dialogues. As a director, he was known for taking shots with unusual camera angles. The songs in his films narrated the story of the films on the continuum. His films were artistic within the ambit of what is called as popular commercial cinema. Even 48 years after his death, I guess, he has more fan followings than when he was alive. His films are the subject matter of intellectual discussions and they are a part of some film institutes’ curriculum.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Greetings all readers, for the celebration of the festival of Raksha Bandhan, or Raakhi as it is more popularly known.

Today is the full moon day, i.e. the last day of the month of Shravan (Saawan) of the Hindu calendar. Traditionally, the monsoon rains have already set in. The fields that were ploughed and upturned, after the last harvest and before the arrival of rains, are now fully prepared for sowing. For the farmers and their families, this is the auspicious beginning of the sowing season – another crop to tend to, another harvest to look forward to. In most of North India, the farmers will start to sow the wheat crop from this day.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Directed by M.L. Anand, Bewefa (1952) was a Raj Kapoor-Nargis-Ashok Kumar love triangle. Both versions of its iconic song “Dil matwaalaa laakh sambhaalaa” rendered separately by Talat Mahmood and Lata Mangeshkar are already on this blog. Video clips of its most others numbers too are on YouTube. But the video clip of a superlative Lata number Badnaseebi kaa gilaa ai dil-e-naashaad na kar has gone missing. I am not sure if this number was only recorded but not included in the movie itself. But if it was shot, it would be reasonable to assume that it was on Nargis herself exhorting herself to desist lamenting her ill-fate.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song under discussion is from the film “Birha ki Raat”(1950). Another song I discussed from this film the other day “bahut purdard hai aye sunnewaale”” starts with the sh’er :

jahaan mein jin ki ummeedon ke bede
paar hote hain
woh khush qismat hazaaron mein kahin
do chaar hote hain

‘Beda paar lagaana’ is a saying in hindi/urdu meaning ‘achieving the ambition or reaching ones destination. The word ‘Beda’ literally means a “Fleet of big ships”. The opposite of this saying in a curse “Beda garq ho teraa” or a lament “beda garq hogayaa”. “Garq’ is drowning in water. The special thing about these sayings or muhaavra’s which are used in urdu/hindi, is that they can be used backwards, forwards, in singular/plural,past/present tense, negative/positive and in varied situation they can be applied.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This movie “Birha ki Raat” (1950) had Dev Anand and Nargis playing lead roles, which is a rare occurance. Video links are not available on youtube for the songs of this film, so we make do with only the audio links. Only one song, a duet by Rafi-Lata is posted in the blog so far. When I heard this Rafi solo “bahut purdard hai ae sunnewaalon daastan meri” for the first time, it touched me. Then on second hearing I found it to be a very endearing ghazal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When one would sit down to list and compile a gold collection of Asha Bhonsle, this ghazal is a ‘must have’ in such a compilation. It is a short ghazal, by many standards. Just three verses, but the words are like sharp stilettos of passion that twist and wrench inside the heart. The composition is fairly simple yet emphatic, and the rendition that sounds apparently casual to start with, carries the words with a resounding conviction – almost a categorical statement of resignation to the wiles of fate. There is a compelling question that the singing voice asks at the end of each verse, and one is forced to absorb and contemplate and empathize and feel the restless, and yet a resigned passion that dominates this poetic expression. What a creation this one is !
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Regulars of this blog may be wondering why I have discussed only one post today and then nothing ! The reason is, today my wife has all the time to supervise over me and sitting at the computer is proving out to be difficult for me. I somehow managed to post one writeup today when she was not looking. Now it is afternoon and she has gone out for her favourite pastime, viz shopping. I refuse to have anything to do with shopping so I have dropped her (and the daughter) to a shopping complex and come back. Assuming that they will be there for three hours, I need to make the most of these three hours to make up for lost time. 🙂
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