Posts Tagged ‘Singer-MD’
Beet gaye din par din beet gaye
Posted on: February 9, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6415 | Post No. : | 19910 | Movie Count : |
5187 |
‘Mahabharat’ (1988), the TV Serial produced by B R Chopra and directed by Ravi Chopra was telecast on Doordarshan in 94 episodes from October 2, 1988, to June 24, 1990. The screenplay and dialogues were written by Rahi Masoom Raza. There were 20 main actors and about 60 actors in supporting roles apart from some actors appearing specifically for one or two episodes.
The episodes were telecast every Sunday and I have watched almost all the episodes when these were telecast. Those who have watched the episodes would recall that each episode used to start with the title song, ‘ath shree Mahabharat kathha’ and to end with a theme song of each episode which were rendered by Mahendra Kapoor. But there were many other songs in some episodes which I have almost forgotten except a few, that too, only the context and not the songs. Fortunately, Wikipedia has listed the songs of TV Serial, Mahabharat (1988) numbering 22 songs (including the title song) rendered by eight playback singers which include Mahendra Kapoor, Rajkamal, Anuradha Paudwal, Sadhana Sargam, Kavita Krishnamurthy, Nitin Mukesh, Suresh Wadkar and Roopa Ganguly. The songs were written by Pandit Narendra Sharma apart from songs with traditional lyrics. All the songs were set to music by Rajkamal.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6414 | Post No. : | 19904 |
Today’s song is a 2-part Triade from the film Panghat-1943.
From their initial C grade stunt /costume films, Prakash Pictures of Vijay and Shankar Bhatt turned to Mythological films after the mammoth success of Bharat Milap-1942 and occasionally made a few social films too. In the end Prakash made exclusively social films only till closing down the studio in 1971. In their busy times in the first half of the 1940s, they made today’s film as a quicky.The entire film was shot in 45 days. This was possible as they had taken mostly B grade artists who had plenty of free time for shootings.
Film Panghat-1943 was directed by K.J.Parmar and Mahesh Chander- both Cinematographers with Prakash Pictures.The music was by S.N.Tripathi, favourite of Prakash Pictures. The Lyricists were Pt. Indra and Ramesh Gupta. The cast included Ratnamala, Umakant, Susheel Kumar, Alaknanda, Jeevan, Leela pawar, Rajkumari Shukla, Baby Tara and many others.
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Man hauley hauley gaaye
Posted on: February 4, 2026
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6410 | Post No. : | 19886 |
#the Decade of Forties – 1941 – 1950 #
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Today’s song is from the movie ‘Rangeen Kahaani-1947’. This “social” movie was directed by Anjum Hussaini for ‘New Roshan Art Productions, Bombay’. The cast of this movie had Surekha, S. Irshad, Dulari, Agha Mirza, Sayyad Ahmed, Bibi Jaan, Khursheed Parvez, P.D. Lal, Maqbool, M.K. Hasan, Ghulam Mohiddin, Sarita, Faiyyaz Begam, Mehrunnisa, Azim Hyderabadi, Mahshar Shirazi and others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6408 | Post No. : | 19877 |
Today’s song is from the Mythological film Bhagwat Mahima-1955.
The film was made by Filmistan. It was directed by veteran all-rounder Vithaldas Panchotiya. The Music Director was Hemant Kumar, who was famous for creating excellent Bhajans in films. Cast of the film was Prem Adib, Navin Yagnik, Sunder, Chaman Puri, Madan Puri, Parshuram, Vithaldas Panchotiya, Indira Bansal and a host of other actors.
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Ham mast hawa ke jhonke se
Posted on: January 24, 2026
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6399 | Post No. : | 19850 |
“Dhadkan” (1947) was directed by Zahoor Raja for Raja Movietone, Bombay. This by now forgotten movie had Zahoor Raja, Jyoti, Mishra, Murad, Chandrika etc in it.
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Saare jag mein pet ka dhandha
Posted on: January 10, 2026
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6385 | Post No. : | 19801 |
Today’s song is one of the very few songs sung by the Music Director Anil Biswas. Today’s film is Bhookh-1947.
In olden days, there were 3 major film centres-Bombay, Lahore and Calcutta. After 1947, all the Hindi film activity at Lahore shifted to Bombay. By mid 50’s even Calcutta almost stopped making Hindi films. Many Hindi speaking artistes in various disciplines of film making shifted to Bombay and finally Bombay became the only and the main Hindi film making Centre.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6383 | Post No. : | 19795 |
“Kavi”(1954) was directed by Debki Bose for sunrise Pictures, Bombay. The movie had Bharat Bhushan, Geeta Bali, Nalini Jaywant, Chandrashekhar, B M Vyas, Jankidas, Om Prakash etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6380 | Post No. : | 19785 |
Today, January 5, 2025, is the 44th Remembrance Day of Ramchandra Narhar Chitalkar, popularly known as C Ramchandra as a music director and Chitalkar as a playback singer. He regaled the connoisseurs of Hindi film music with his melodious musical compositions in the 1950s and 1960s. He was the pioneer of introducing popular foot-tapping songs with western musical influence and western musical instruments like saxophone and guitar in his compositions as early as in the 1940s. At the same time, he was composing classical raag-based as well as folk-based songs. He was trained in Hindustani classical music for six years first under Vinayakbua Patwardhan and later Shankarrao Sapre.
Despite producing many melodious songs especially in the 1950s, it is unfortunate that C Ramchandra did not get any award – whether National Film Award or Filmfare Award as a music director. The first Filmfare Awards were announced in April 1954 for films released in 1953. But his film, ‘Anarkali (1953) was not in the reckoning for the best music director’s award. His film, ‘Aazaad’ (1955) and ‘Paighaam’ (1959) were nominated for the Filmfare Award in best music director category but did not win. But the fact remains that many of his melodious and rhythmic songs of 1950s are still popular among the current generation which itself is a great award to a creative genius.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6371 | Post No. : | 19761 | Movie Count : |
5174 |
A few weeks back while going through Deepti Naval’s filmography on her Website, I found the mention of one of her films, ‘Anant’. I have never heard of this film. I did not find the mention of this film on any regular film/song-based websites, like IMDb, myswar.in etc. Fortunately, a video clip of the film was available on one of the video sharing platforms which was uploaded by the producer of the film. I watched the film in one sitting and liked it immensely.
Anant (1999) was a tele film which was produced by Project Smita Society and Voluntary Health Association of India and was directed by Raman Kumar. The cast included Deepti Naval, Kanwaljeet Singh, Seema Biswas, Satyadev Dube, Bhakti, Javed Khan, Nanda and Avtar Gill. The story of the film was written by Alok Mukhopadhyay mainly to create an awareness about AIDS/HIV+ . Vinta Nanda wrote the screenplay and dialogues. The film was premiered on Star TV on December 1, 1999, on World Aids Day. Later, it was dubbed in nine languages for being telecast on the regional TV channels. The film was produced in mainstream cinema format with the focus on creating the awareness of AIDs for the people at large. The film is of 70 minutes’ duration.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6357 | Post No. : | 19712 |
Ta’areef uss khuda ki jis ne jahaan banaaya – Non-Film Song (Jagjit & Chitra Singh)
तारीफ़ उस ख़ुदा की जिस ने जहां बनाया
कैसी ज़मीं बनाई क्या आसमां बनाया
पांव तले बिछाया क्या ख़ूब फ़र्श-ए-ख़ाकी
और सर पे लाजवर्दी इक साएबां बनाया
मिट्टी से बेल-बूटे क्या ख़ुशनुमा उगाए
पहना के सब्ज़ ख़िलअत उन को जवां बनाया
ख़ुश-रंग और ख़ुशबू गुल फूल हैं खिलाए
इस ख़ाक के खंडर को क्या गुलिस्तां बनाया
मेवे लगाए क्या क्या ख़ुश-ज़ाएक़ा रसीले
चखने से जिन के मुझ को शीरीं-दहां बनाया
सूरज बना के तू ने रौनक़ जहां को बख़्शी
रहने को ये हमारे अच्छा मकां बनाया
प्यासी ज़मीं के मुंह में मेंह का चुवाया पानी
और बादलों को तू ने मेंह का निशां बनाया
ये प्यारी प्यारी चिड़ियां फिरती हैं जो चहकती
क़ुदरत ने तेरी उन को तस्बीह-ख़्वां बनाया
तिनके उठा उठा कर लाईं कहां कहां से
किस ख़ूब-सूरती से फिर आशियां बनाया
ऊंची उड़ें हवा में बच्चों को पर न भूलें
इन बे-परों का उन को रोज़ी-रसां बनाया
क्या दूध देने वाली गाएं बनाईं तू ने
चढ़ने को मेरे घोड़ा क्या ख़ुश-इनां बनाया
रहमत से तेरी क्या क्या हैं नेमतें मयस्सर
इन नेमतों का मुझ को है क़द्र-दां बनाया
आब-ए-रवां के अंदर मछली बनाई तू ने
मछली के तैरने को आब-ए-रवां बनाया
हर चीज़ से है तेरी कारीगरी टपकती
ये कारख़ाना तू ने कब राएगां बनाया
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Ismail Meerathhi writes the above “Hamd”. The above is the full Hamd in ghazal format, in devnagari script.
“Tarif us Khuda ki jisne jahan banaya” is a famous Urdu poem (Nazm) by Ismail Merathi (1844-1917), a pivotal figure in modern Urdu literature known for awakening intellect through simple, descriptive verses, particularly for children, focusing on nature, God’s creation, and moral lessons, making this poem a classic praise of the Creator’s artistry in making the world.
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