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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1999


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3963 Post No. : 15041

It is human nature that on every important occasion and event in life, we recall all the people who had ever crossed our lives and made a difference to it. I had a similar experience during the last year. I felt like I wanted to get in touch with people from way back as far as my childhood. I met people who were our neighbours when my daughter was born. I wanted to invite all those who knew her when she was very little and had showered prayers on her when she was not even aware of those blessings. Sometimes we lose touch with people as they move away or we move away. People who were neighbours and our kids used to play together. All of them had touched our lives, affected us in a good or bad way. Mostly in the essential goodness of human nature it was well intentioned.

For us working women, there is this space in the heart for those who looked after our children when we are away at work. Some such people, neighbour and acquaintances, I was able to contact and invite for the wedding. One of such who were neighbour of my parents and distantly related to my father, attended my daughter’s wedding with her extended family. Sometimes the bonds of shared memories and events in life transcend all constraints of time and distance. When that aunty came on stage to meet the bride and groom, that moment the day of my daughter’s birth flashed in my eyes.

Early in the morning that day the aunty was there to see us off when I was leaving for the hospital. Later on my daughter was born in caesarean section. That evening she came to see us in the hospital. I remembered talking to her about my daughter and the scary experience when the doctor told us that she cannot find the baby’s heartbeat which resulted in caesarean section. I started crying and she also started crying and comforting me. I also remember telling her that all I want from the Almighty now is that “mere bachche ka naseeb achha ho”.

A few weeks after the delivery I had high fever and suffered an epileptic fit. My daughter was a few weeks old, and my mother who had not seen anything like this thought I was dead. She says she kept looking at me and my daughter and wailing. Thankfully, I survived the fit with the timely help of doctors in the neighbourhood and basic first aid given by neighbours. Even during this time this aunty and her family was there on hand to lend a helping hand any which way.

Actually, the above memories had a trigger. I had a five day training schedule in the second week of April. During the training we were made to listen to all the same routine work procedure, rules and regulations, which we have been finding, using and following since day one 🙂 . Actually these procedures are all basically based on common sense and logic, I feel. Difficulty comes when something out of the ordinary crops up then we have the facility of looking up in the proper book and finding the instructions to deal with the situation in the appropriate manner.

During the training one day, a fellow participant suffered an epileptic fit, while the session was going on. A friend of her said that it happens to her from time to time. With the first aid, which thankfully some ladies knew, she was all right after a while. But all this reminded me to my experience of which I personally have no recollection. I know only what I was told afterwards. Seeing it happening to another person is actually more scaring.

The training got over on Friday just in time to enable me and my husband to leave for the trip to Rajasthan as planned on the Saturday. Since this was a first time for us, we had a lot to cover, see and enjoy in one week. It was not enough certainly with so many placed to see. We managed to see quite enough to want do the touristy thing again sometime and see the rest of the places. With so many historical places, forts, palaces and museums etc. it really is the tourists delight as Avinash ji has said in his post – “Mhaare Rajasthan Maa. . .“. I was really delighted to see the various red stone carved palaces and embellishments and some of those inlay work in ‘Sang-e-marmar’ is also visible in places. I have not seen too many such historical places so far, but I was able to detect some superimposition inside the monuments and outside the museum or palace areas. Sadly that is modernity or commercialisation for you. There is an influx of shops and touristy restaurants too, which might be commercial necessity for all I know.

You see the historical monuments are not humans and have no sense of self preservation. From what I learnt most of those places are private property and the owners are free to utilise them. The most well preserved buildings have been converted to star hotels. Good for them as they become commercially viable and will survive longer. At least the superbly carved Mehrangad Fort is a World Heritage site and deservedly.

In a palace shop in Rajasthan I saw a bottled ‘Mitti Ki Khushboo’ fragrance. ‘Mitti ki khusbhboo’ bottled and patented:) . I heard a guide saying that ‘when the first rain drops fall on the earth, this is that mehek”. Indeed…. we should get ‘Shameem’ also in the bottle one day I hope. After all hopes and aspirations are totally free of cost.

Since the day this trip was planned and looked like it will finally happen, I have been remembering the song – “Nainon Mein Badra Chhaaye“.

Without actually going to Udaipur it is possible to visualise it through these songs. I came back from the place humming this song. The panorama surrounding the lake still looks exactly the same as is seen in the song. That is something at least. Since than I have found another song from ‘Mera Saaya’ (1966) – “Nainon Waali Ne Haaye Mera Dil Loota” featuring the scenes of Lake Pichchola of Udaipur. This is no exaggeration, the lakes and surrounding Aravali range is real beautiful site.

I found a song which is like revisiting the places /forts and music and sounds of Rajasthan in the film ‘Ham Dil De Chuke Sanam’ (1999). The majestic Mehrangadh fort is visible in some frames in the song. This amalgamation of folk and classical music is composed by Ismail Darbar and lyricists is Mehboob. The singers are Ustad Sultan Khan, Shankar Mahadevan and Kavita Krishnamoorthy. Quite a ‘bhaari bharkam’ trio what with the heavy voices and names :). In the video of the extended song many members of the cast are seen, notably the late Zohra Sehgal. Vikram Gokhle, Salman Khan and Aishwarya are singing it on screen.

Last word: What I brought back from Rajasthan is the sights and sounds of the locals talent and motivated enough in preserving the originality of the folk music and songs. I want to write more about Rajasthan, but this post is quite long now, so will keep the rest of my thoughts for some other post.


Song – Albelaa Sajan Aayo Ree (Hum Dil De Chuke Sanam) (1999) Singers – Ustad Sultan Khan, Kavita Krishnamurthy, Shankar Mahadevan , Lyrics – Mehboob Kotwal, Music Director – Ismail Darbar
Ustaad Sultan Khan + Kavita Krishnamurthy
Ustaad Sultan Khan + Shankar Mahadevan
Ustaad Sultan Khan + Kavita Krishnamurthy + Shankar Mahadevan
Chorus

Lyrics

albelaa sajan aayo ri
albelaa sajan aayo ri
mora hathwar sookh paayo ri
albelaa sajan aayo ri
albelaa aa
albelaa aa
albelaa aa aaaaa
albelaa aa aaaaa
albelaa aa
albelaa aa
dhi ga ma pa pa
pa pa na dha nee dha
dhi ga ma pa pa
pa pa na dha nee dha
ma ga re sa nee ra sa
ga ma pa re sa
ma ga re sa nee ra sa
ga ma pa re sa
albelaa sajan aayo ri

albelaa sajan aayo ri
dheera nanna nanna
dheera aanna
dheera nanna nanna
dheera aanna

chokh puraao mangal gaavo
tana na tana na
nanna na nanna
chokh puraao mangal gaavo
man rang nitta paayo ri
albelaa sajan aayo ri

aa aaaa aaa
aaaaa aaaaa
aa aaaa aaa
aaaaa aaaaa
aa aaaa aaa
aaaaa aaaaa
aa aaaa aaa
aaaaa aaaaa

chokh puraao mangal gaavo
chokh puraao mangal gaavo
man rang nitta paayo ri
albelaa sajan aayo ri

tana na nana na
tana na naana na aa aao
aaaa aaaaaao
dheera nanna nanna
dheera nanna nanna
nanna aaoo
na na na na na naaooo
aa aa aa aa aa aaaaaoo

tana na nana na
tana na nana na
tana na nana na
tana na nana na

albelaa sajan aaayeeoooo
ri. . .

albelaa sajan aayo ri
albelaa sajan aayo ri
mora hathwar sookh paayo ri
albelaa sajan aayo ri
albelaa sajan aayo ri

dheera nanna nanna
dheera nanna
dheera nanna nanna
dheera nanna

albelaa sajan aayo ri
albelaa sajan aayo ri

aa aa aa aa aa aaaa

ta ta ta ni re ra tara te
ta ta ta ta ta

sa sa sa sa
sa ri ga sa sa sa
sa ri ga pa dha ni sa 

re ga ta ta sa ga re ga
re ga sa ga re ga
ta ta sa ri ga sa sa sa
albelaa sajan aayo ri
albelaa sajan aayo ri
aa aa aa aa aa aaaa
aa aa aa aa aa aaaa
albelaa
albelaa
albelaa
albelaa
albelaa
albelaa
albelaa
albelaa sajan
albelaa
albelaa
albelaa
aa aa aa aa
aa aa aa aa

——————————————-
Devnagri script Lyrics (Provided by Nahm)
——————————————-
अलबेला सजन आयो री
अलबेला सजन आयो री
मोरा हथ्वर सूख पायो री
अलबेला सजन आयो री
अलबेला आ आ
अलबेला आ आ
अलबेला आ आ……..
अलबेला आ आ……..
अलबेला आ आ
अलबेला आ आ
धी ग म प प
प प न ध नि ध
धी ग म प प
प प न ध नि ध

म ग र स नि र स
ग म प र स
म ग र स नि र स
ग म प र स

अलबेला सजन आयो री

अलबेला सजन आयो री
धीरा ननना ननना
धीरानना
धीरा ननना ननना
धीरानना

चोख पुराओ मंगल गाओ
ताना न ताना ननना
ननना ना ननना

चोख पुराओ मंगल गाओ
मन रंग नित्ता पायो री
अलबेला सजन आयो री

आ आ आ आ
आ आ आ आ
आ आ आ आ

आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ

चोख पुराओ मंगल गाओ
चोख पुराओ मंगल गाओ
मन रंग नित्ता पायो री

अलबेला सजन आयो री

ताना न ननना
ननना ना ननना न आ आओ
आ आ आ आ
आ आ आ आ
धीरा ननना ननना
धीरानना ननना ना

ननना न आ आओ
ना ना ना ना ना न आ आओ
आ आ आ आ आओ

ताना न ननना
ताना न ननना
ताना न ननना
ताना न ननना

अलबेला सजन आयीऊ
री. . .

अल बेला सजन आयो री
अलबेला सजन आयो री
मोरा हथ्वर सूख पायो री
अलबेला सजन आयो री
अलबेला सजन आयो री

धीरा ननना ननना
धीरानना
धीरा ननना ननना
धीरानना

अलबेला सजन आयो री
अलबेला सजन आयो री

आ आ आ आ
आ आ आ आ

त त त त त नि रे रा तारा ते
त त त त त

स स स स
स री ग 
स स

स र ग प ध नि सा

र ग त त स ग र ग
र ग स ग र ग
त त स र ग स स

अलबेला सजन आयो री
अलबेला सजन आयो री
आ आ आ आ
आ आ आ आ
अलबेला
अलबेला
अलबेला
अलबेला
अलबेला
अलबेला
अलबेला
अलबेला सजन 
अलबेला

अलबेला
अलबेला
आ आ आ आ
आ आ आ आ

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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3752 Post No. : 14717 Movie Count :

4021

Hullo to Atuldom

October was slightly busier than normal. I have missed a few birthdays -dates which I always try to write for. I missed Kishore Kumar’s anniversary, and birthdays of Hema Malini, Ashok Kumar, Vinod Khanna, Smita Patil, Shammi Kapoor and a few for which I had made mental notes for – Sunny Deol, Kadar Khan etc. But unless I write oops! type, mental notes remain in the mind. And even mere typing is not enough I should send it as email too, technology has not yet advanced to the level that one person can read another’s thoughts and convert it into a post. Thank god that there is a small amount of privacy left in these modern technological times.

But my post today (26 october 2018) is not to cry about technology. Today is one of those dates in October which I don’t like to miss; at least for the last 3 years.

It is important for me that I write at least a few words to wish this dear friend of ours on his birthday. I may not be as eloquent as Atulji was in this post of his last year, or as emotional as Archanaji was in this post. I have not known our today’s birthday boy for as long as Pamir Harvey but I agree to everything that he had written in this post and have expressed it a few times in this last few years. He is among those friends with whom there has been a comfort level wherein I just message him or pick up the phone and talk for long without any particular topic (sometimes we do get topical).

As he has said last year in one of his comments and I quote “this blog might have started as a repository for HFM, but over the years, it has spawned close friendships amongst some of us, co-travellers.”

Here is wishing this co-traveller, friend, and fellow Atulite- Rajaji “A very very Happy birthday”. May we see more of you on the blog. And don’t mind if you can’t feed us with your essays even your twit-style writing is thought provoking.

The song with this post is from a rather new movie (by the standards of the blog) considering it released on 5th November, 1999. It was directed by Eeshwar Nivas, for a story by Ram Gopal Verma. The movie tried to portray the criminal-politician nexus using Bihar as the backdrop and its effect on the life of an honest police officer. The movie starred Manoj Bajpai and Sayaji Shinde on the two sides of the law. It won a National Award for best feature film, and represented India at various international film festivals. The songs were penned by Sameer and Amar Akbar Anthony were the music directors. OOPS, Sorry! I mean Shankar- Ehsaan- Loy (I have Shankar Mahadevan call the trio as Amar- Akbar- Anthony in one of his interviews).

Today’s song is sung by Baby Anagha, Kavita Krishnamurthy, and Shankar Mahadevan. It is a typical scene-in-a-middle class home in the morning before the father prepares to leave for work. A very familial situation where Raveena Tandon plays the homemaker – one of the many deglamourized roles she played.

Oh, it is also Raveena Tandon’s birthday today. Let us wish Raveena a long and healthy life and enjoy her in this song.


Song-Mere papa ka gussa (Shool)(1999) Singers-Baby Anagha, Kavita Krishnamurthy, Shankar Mahadewan, Lyrics-Sameer, MD-Shankar Ehsan Loy

Lyrics

mere papa ka gussa
tam tadam

ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka gussa kaisa
hai darasingh jaisa
dekho dekho
dekho dekho
ayya tere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka gussa kaisa
hai darasingh jaisa
dekho dekho
dekho dekho
ayya tere papa ko gussa jab aata hai

jaldi savere main uthti hoon
kya kya ghulaami karti hoon
socho socho
socho socho
jaldi savere main uthti hoon
kya kya ghulaami karti hoon
socho socho
socho socho
inko uthaake
chaai banaake doon main
kapde saare dhoti hoon
main naashta deti hoon
poore ghar ka bojh
apne sar pe main
leti hoo
tumhe bhi main sambhaaloon
inhe bhi main sambhaaloon
kaise bolo,
ho bolo bolo
ayya tere papa ko ghussa jab aata hai

mere papa ka ghussa
tam tadam

main hoon police mein
choron ka peechha
din bhar main karta hoon
aage peechhe
ae daudoon bhaagoon
main hoon police mein
choron ka peechha
din bhar main karta hoon
aage peechhe
ae daudoon bhaagoon
meri majboori koi nahin samjhe yahaan

arre main bhi ghar mein cockroach aur choohon se ladhti hoon
saara din inke main peechhe padti hoon
tum bhi the mere pichhe
lekin shaadi se pehle
main hoon main hoon
boss ghar ki

ayya mere papa ko gussa jab aata hai
dar ke maare tv aur kapaat hil jaata hai
papa ka ghussa kaisa
hai darasingh jaisa

dekho dekho
dekho dekho
dekho dekho
haan dekho dekho
mere papa ka gussa
tam tadam


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

At the outset I should wish everyone a very Happy New Year 2018.

Hope everyone had a good time in 2017.

Our blog also went from song post number 12750 to song post number 13851 during 2017. We had our ring-leader, sutradhar, Atulji touching his personal milestone of 10000 posts on 22nd April 2017, today he stands at 10429. We celebrated 3400 days of existence in cyberland on 8th November 2017 with the 3400th song of the decade of 1960s being posted on that date (Atulji says this was a coincidence). The 13600th post coincided with Sudhirji touching 1100 posts which also happened to be Sahir Ludhianvi’s 600 on the blog.

Added to all this we had our usual milestone of 100 posts every four to five weeks. (Only one set of 100 was slow in coming. Right Atulji?) We were left waiting for the first- farmaisher’s double centurieth (I know this word doesn’t exist in English language) post. If this had been a cricket match I am sure he- the first farmaisher Rajaji- would have hit hard to the boundary for a four and reached the milestone. But this isn’t cricket, here we go one post at a time and so we wait, till his next four posts appear- to celebrate. Of course, in the manner of Tendulkar’s 100 100s (49 in ODIs and 51 in Test Matches) Rajaji has already touched 200 -196 posts and 4 as lyrics contributor.

Now today on day 1 of the new year, 2018, here is my first post. The song I have zeroed in on is a party song. It is a party of the street-side type. We have an unusual jodi- Amitabh Bachchan and Nana Patekar. Amitabh is playing a Bhaiyya or simply put a person from UP and Nana is playing a Bangali. By the story of the movie both are in disguise. Amitabh is an ex- army man, on the run from the law, with the whole and sole aim of taking revenge (what else!) from Danny’s character of corrupt minister who was responsible for the death of an army officer. Nana Patekar is an officer sent on a mission to uncover he truth about Dadabhai/ Devraj Hathoda alias Amitabh in disguise. On discovering the truth, the Bangali- BBC (some name ending with Chattopadhyay) Nana, joins hands with Dadabhai to bring the minister to justice and terminate some terrorist activities. So that then is the gist of the movie. It released in August of 1999 to mixed reviews. It was a treat for Nana Patekar and Tabu fans. It was an average grosser.

Now the regular followers of this blog need not wonder why I chose this song. It features today’s birthday boy – Vishwanath Patekar- birth name of Nana Patekar. He turns 67 (unbelievable). He has been on the Bollywood firmament from 1978 (Gaman). I was impressed when I saw him for the first time in “Ankush” (1986) as an unemployed young man. He was too good in the role of Anna Seth in “Parinda” (1989) which won him an award for Best Supporting actor both at Filmfare and National Awards. He is perhaps the only person to have a Filmfare best actor award – Krantiveer; best supporting actor- Parinda and best villain award -Angaar. He is also a Padmashri winner. He is a silent philanthropist have donated more-than generously to the cause of rebuilding flood ravaged villages of Bihar and drought- hit villagers of Marathwada and Vidarbha. He is one of the few actors with a simple life style.

Today’s song is penned by Dev Kohli and Dilip Sen- Sameer Sen are the music directors who got Sudesh Bhonsle to sing for Amitabh and Amit Kumar for Nana Patekar. We have Mukul Dev and Ayesha Julka playing the romantic young jodi and Tabu making a fleeting appearance. The scene after the song is hilarious with a supposedly drunk Nana mouthing the sher – “na geela karenge, na sookha karenge, tu salaa mat raho yehi bad dua karenge”. And Amitabh understands it correctly as “na gila karenge na shikwa karenge tum salaamat raho yehi bas dua karenge”
I also give the same ‘dua’ for all ASAD followers.

Here is wishing a joyous and musical ride to every follower of Atulsongaday in 2018. And a very Happy Birthday to Nana Patekar.


Song-Ham hain Banaras ke bhaiyya (Kohraam)(1999) Singers-Amit Kumar, Sudesh Bhonsle, Lyrics-Dev Kohli, MD-Dilip Sen Samir Sen
Male chorus
Female chorus

Lyrics

ho o
Ek mashooka hai yeh zindagi
tum ho isspe shaida
aaj tumhaara janam divas hai
hic
arre lo tum ho gaye paida
ha ha
waah bhai waah
kya sher maaraa hai
zara humri bhi toh suno
ain

haan haan sunaao

hum hain banaras ke bhaiyya
ho mere bhaiyya
jissko bhi chaahe nacha den
haan
arre hum hain banaras ke bhaiyya
ho mere bhaiyya
jissko bhi chaahen nacha den
arre chadh ke na utregi bhaiyya
o bade bhaiyya
hum aisi masti pila den

shuno baabu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manva dole jaane
aami tere deewaane
aami tere deewaane

ham hain banaras ke bhaiyya
ho mere bhaiya
jissko bhi chaahen nacha den
arre chadh ke na utaregi bhaiyya
o bade bhaiyya
ham aisi masti pila den haan

shuno baabu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manva dole jaane
aami tere deewaane
aami tere deewaane
ham hain banaras ke bhaiyya
ho bade bhaiyya
jissko bhi chaahen nacha den

ho ho ho ho ho ooooo
yaiyai yaiyai yo oooo
ho ho ho ho ho hoooo
yaiyai yaiyai yo oooo

laakhon yahaan dilwaale hain
kuchh gore hain kuchh kaale hain
koyi nahin hamse badhke
sabse juda hum niraale hain

tu mast hai
main hoon mastaana
haay
mashoor hai apna yaaraana
haay
paagal hai tu
main hoon di di di di deewaana
karna hai koyi hungaama
hey ae ae ae
arre aisa na karna tu bhaiyya
hum hain banaras ke bhaiyya
ho ta tha thaiyya
jissko bhi chaahen nacha de
arre chadh ke na utaregi bhaiyya
o mere bhaiyya
hum aisi masti pila den haan

shuno babu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manava dole jaane
aami tere deewaane
aami tere deewaane

eeya eeya eeya
eeya eeya eeya
eeya eeya

eesh
baanshuri

ham josh mein jab aayenge
phir dekhna rang jamaayenge
chakkar ham aisa chalaayenge
sab dekhte rah jaayenge

ham kaun hain yeh bata denge
hey
pal mein nazaara dikha denge
hey
ham hosh sabke uda denge
hey
parda agar jo uthha denge
hey ae ae ae
arre doobegi phir kisski naiyya
hum hain banaras ke bhaiya,
o ta tha thaiya
jissko bhi chaahe nacha den
arre chadh ke na utaregi bhaiyya
o mere bhaiyya
ham aisi masti pila den haan

shuno babu moshaay
aami tere deewaane
tumi goshti bole mishti ghole
manwa dole jaane
aami tere deewaane
aami tere deewaane


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There have been lots of articles (in this blog and elsewhere) about the festival of Deepaawali. They mostly deal with the history of the festival, stories associated with it, how it is celebrated etc.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all the ek din ka gods

My salutation is such because Indian culture (as seen in Indian movies) has taught us that Pati Parmeshwar hota hai. i.e. husbands are to be treated as Gods. I am sure no lady will object to this if the husbands also treat their wives as devis- meaning Goddesses. But we will not get into this discussion on this auspicious day.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The song that is appropriate for today as far as western India is concerned is Kai Po che from “Hum Dil De Chuke Sanam”. There will be lot of kites littering the skies starting today. But the main attraction will be in Gujarat where there are kite flying competitions etc. and sounds of “Kai Po Che” resound from all corners.
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I have mentioned it in a previous post that there are two sites that are blatantly copying the contents of this blog for the last several days. I had avoided mentioning these sites by name, hoping that better sense would prevail and I had acted in the manner advised on internet. Under such situations, the advise is to find the hosts of these sites and inform the hosts. I had informed the hosts of these two sites. One host seemed to be responding somewhat but the other host would only respond by sending an automated response everytime I emailed that host.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

So I have been trying to get the words of this Gulzar number for the last one year. Hope I have got it right. Actually I began writing it for Gulzar’s birthday last year and then found that there are too many words coming out of Roop Kumar Rathod who had to keep up in pace with Nana Patekar’s style of speaking. So I let go of the song last time. And sent another song Itna lamba kash lo yaaron from the same movie. Then I had completely forgotten the whole thing.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The quest for songs picturized in the desert location, brings me back to this movie ‘Ham Dil De Chuke Sanam’ (1999).

The name is a handful, so its is shortened to HDDCS. This song is named mostly as ‘man mohini teri adaa’. As I typed the lyrics, no where are the these lines repeated, so that line is not a mukhdaa. I thought it better to name it by first line.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here comes song no. 4 of ‘desert’ songs series. This is a personal favorite from the film “Ham dil de chuke Sanam”(1999). Since the story was in Rajasthan, so there are a few songs in the film picturized in desert location. This is a qawwali type sad song. First part of the song is in desert. The second stanza plays in the film right at the end. The video link I have found is only the first part of the song. However the audio link has full audio of the song.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over TEN years. This blog has over 15000 song posts by now.

This blog is active and online for over 3900 days since its beginning on 19 july 2008.

Total number of songs posts discussed

15070

Number of movies covered in the blog

Movies with all their songs covered =1171
Total Number of movies covered =4135

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Blog Start date: 19 july 2008

Active for more than 4000 days.

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