Posts Tagged ‘1999’
Saawan Barse Tarse Dil
Posted on: August 4, 2023
- In: "saawan" song | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Happy song | Hariharan Song | Hriharan - Sadhna Sargam Duet | joie de vivre | Love song | Lyrics contributed by readers | Post by Sadanand Kamath | Rain song | Sadhna Sargam Songs | Songs of 1990s (1991 to 2000) | Songs of 1999 | Yearwise breakup of songs
- 3 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5495 | Post No. : | 17935 | Movie Count : |
4794 |
‘Dahek’ (1999) was produced by Milan Jhaveri and was directed by Lateef Binny. The cast included Akshay Khanna and Sonali Bendre in the lead roles supported by Danny Denzongpa, Dalip Tahil, KK Raina, Anang Desai, Achala Sachdev, Anjana Mumtaz, Heena Qureshi, Achyut Potdar, Anil Nagrath, Rahul Singh etc. For both the producer, Milan Jhaveri and the director, Lateef Binny, this was their maiden film. According to director, Lateef Binny, the film took over 3 years to complete and another 2 years to get released.
Milan Jhaveri is the son of film financier, Chandrasen Jhaveri. After this film, he turned writer and director under a new name – Milap Milan Zaveri. He directed ‘Jaane Kahaan Se Aayi Hai’ (2010), ‘Mastizaade’ (2016), ‘Raakh’ (2016) and ‘Satyamev Jayate (2018). Lateef Binny came from the theatre background as an actor and director. He has assisted Rajkumar Santoshi for 8 years.
The film is about the inter-faith romance and the obstacle the boy and the girl faced from their family. The political and religious elements in both the religious groups create a divide between two communities even though the boy and the girl fall in love without the knowledge of the religion of each other. Their end is tragic. The gist of the film’s story is as under:
Sameer Roshan (Akshay Khanna), a Hindu and Neelima Bakshi (Sonali Bendre), a Muslim fall in love with each other when they first meet at the post office. They have a common interest in becoming the doctors. Their love is blossomed after they frequently meet, unmindful of their religion as their names are deceptive to get any clue to their respective religion. After a few meetings, they get to know each other’s religion and decide to break the relationship as their parent would not accept the marriage. However, they soon realise that they cannot live apart. They decide to get married.
Neelima is afraid to reveal her intention to her uncle Jabbar Bakshi (Danny Denzongpa), the head of the family. For, he is an orthodox Muslim who will not approve the marriage. Also, Jabbar has recently returned from jail after serving 12 years of imprisonment for killing the husband of his sister, Sabina (again the role played by Sonali Bendre) for marrying without his consent, even though her husband was a Muslim. Sameer’s father Bhushan (Dalip Tahil) has reservation about this marriage as he does not want a showdown with Jabbar.
Jabbar comes to know about Neelima’s affairs with Sameer. He is infuriated as Neelima is planning to get married to Sameer who is a Hindu. His attempt to get Neelima married to a Muslim boy proves futile. Having failed in his intimidating tactics with Sameer, Jabbar decides to get rid of both of them in the same way as he had done with his sister’s husband 12 years back for violating the family’s code of conduct. Jabbar’s younger brother Naseem (KK Raina) and Sameer’s father Bhushan mend ways but Jabbar is adamant. Sameer and Neelima elope from the city to an unknown place. The next morning, their elopement becomes the headline in the newspapers.
The elopement triggers the communal violence and riots turning the family issues into a political conspiracy by the interested groups. In the meanwhile, Jabbar is able to get the whereabouts of Sameer and Neelima and proceeds to kill them with a sword. Nassem, his younger brother, follows him to avoid the bloodshed. He tries to prevent Jabbar from killing them by his sword. But he is accidentally killed by Jabbar. Jabbar is arrested and put in the police custody. In the night when Sameer and Neelima come out from their hiding to meet each other, they are shot dead by those who are opposed to their relationship. The love story of Sameer and Neelima results in a tragic end.
The story of the film is contemporary and would have been great if it was handled better. It may be due to delay in the completion of the film as the director has limited options fulfilling his requirements in the delayed project. As a result, the film does not create an aura of sensitivity on the subject as it should have generated. Incidentally, the screenplay was written by the director himself. By the time the film was released, films with more or less similar theme, ‘Bombay’ (1994) and ‘Zakhm’ (1998) got released. The result was that ‘Dahek’ (1999) failed at the box office.
There are six songs in the film of which one song has two versions. The songs were written by Majrooh Sultanpuri (2), Dev Kohli (2), Madan Pal (1) and Shyam Raj (1). The songs written by Majrooh Sultanpuri were set to music by Anand-Milind. Rest of the 4 songs were composed by Aadesh Shrivastava.
I present the first song “Saawan Barse Tarse Dil” from the film to appear on the Blog to time with the Hindu calendar month of Saawan. The song is rendered by Hariharan and Sadhana Sargam which is written by Majrooh Sultanpuri and set to music by Anand-Milind.
The background of the song is that Sameer (Akshay Khanna) sends a letter to Neelima (Sonali Bendre) asking her for a date. Though it is raining, both set out from their respective houses and are determined reach their destination with whatever the mode of transport available. Sameer travels even on road roller and handcart to finally reach their meeting point.
According to an article, ‘The Stories Behind Five of the Best Rain Songs in Hindi Cinema’ which appeared in scroll.in, the film’s director, Lateef Binny has been quoted as saying that the song under discussion was shot over three years and was shot all over Mumbai – in Goregaon, Andheri and South Mumbai. At the time of the shooting of the song, both Akshay Kumar and Sonali Bendre were newcomers. Being unrecognized faces, it was possible to shoot them in live rains in Mumbai. While Sonali Bendre did the shooting in the rains enthusiastically, Akshay Khanna was the reluctant participant. Nearly 70 percent of the song was shot in live rains, while the rest was shot indoor due to the delay by which time, the actors became the known faces.
This song reminds me of, more or less. a similar scene in the iconic rain song in Lata Mangeshkar’s version, “Rimjhim Gire Saawan Sulag Sulag Jaaye Mann” in ‘Manzil’ (1979).
Video
Audio
Song – Saawan Barse Tarse Dil (Dahek) (1999) Singer – Hariharan, Sadhna Sargam, Lyrics – Majrooh Sultanpuri, MD – Anand Milind
Male Echo
Female Echo
Lyrics
saawan barse tarse dil
kyun na nikle ghar se dil
barkha mein bhi dil pyaasa hai
ye pyaar nahi to kya hai
dekho kaisa beqraar
hai bhare baazaar mein
yaar ek yaar ke intezaar mein
saawan barse tarse dil
kyun na nikle ghar se dil
barkha mein bhi dil pyaasa hai
ye pyaar nahi to kya hai
dekho kaise beqraar
hai bhare baazaar mein
yaar ek yaar ki intezaar mein
ek mohabbat ka deewaana
dhoondhata sa phire
koi chaahat ka nazaraana
dilruba ke liye
ho ek mohabbat ka deewaana
dhodhata sa phire
(dhoondhate sa phire)
koyi chaahat kaa nazaraana
dilruba ke liye
(dilruba ke liye)
chham chham chale paagal pawan
aaye maza bheege balam
bheege balam
phisle kadam
barkha bahaar mein
saawan barse tarse dil
kyun na nikle ghar se dil
barkha mein bhi dil pyaasa hai
(barkha mein bhi dil pyaasa hai)
ye pyaar nahi to kya hai
(ye pyaar nahi to kya hai)
dekho kaise beqraar
hai bhare baazaar mein
yaar ek yaar ke intezaar mein
ek haseena idhar dekho
kaisi bechain hai
raaste par lagey kaise
uske do nain hai
ho ek haseena idhar dekho
kaisi bechain hai
(kaisi bechain hai)
raaste par lagey kaise
uske do nain hai
(uske do nain hai)
sach poochhiye to mere yaar
dono ke dil beikhtiyaar
beikhtiyaar
hain pehli baar
pehli bahaar mein
saawan barse tarse dil
kyun na nikle ghar se dil
barkha mein bhi dil pyaasa hai
(barkha mein bhi dil pyaasa hai)
ye pyaar nahin to kya hai
(ye pyaar nahin to kya hai)
dekho kaisa beqraar
hain bhare baazaar mein
yaar ek yaar ki intezaar mein
saawan barse tarse dil
kyun na nikle ghar se dil
barkha mein bhi dil pyaasa hai
(barkha mein bhi dil pyaasa hai)
ye pyaar nahi to kya hai
(ye pyaar nahi to kya hai)
dekho kaise beqraar
hai bhare baazaar mein
yaar ek yaar ke intezaar mein
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
सावन बरसे तरसे दिल
क्यों ना घर से निकले दिल
बरखा में भी दिल प्यासा है
ये प्यार नहीं तो क्या है
देखो कैसा बेक़रार
है भरे बाज़ार में
यार एक यार के इंतज़ार में
सावन बरसे तरसे दिल
क्यों ना घर से निकले दिल
बरखा में भी दिल प्यासा है
ये प्यार नहीं तो क्या है
देखो कैसा बेक़रार
है भरे बाज़ार में
यार एक यार के इंतज़ार में
एक मोहब्बत का दीवाना
ढूँढता सा फिरे
कोई चाहत का नज़राना
दिलरुबा के लिए
हो एक मोहब्बत का दीवाना
ढूँढता सा फिरे
(ढूँढता सा फिरे)
कोई चाहत का नज़राना
दिलरुबा के लिए
(दिलरुबा के लिए)
छम छम चले पागल पवन
आए मज़ा भीगे बलम
भीगे बलम
फिसले कदम
बरखा बहार में
सावन बरसे तरसे दिल
क्यों ना घर से निकले दिल
बरखा में भी दिल प्यासा है
(बरखा में भी दिल प्यासा है)
ये प्यार नहीं तो क्या है
(ये प्यार नहीं तो क्या है)
देखो कैसा बेक़रार
है भरे बाज़ार में
यार एक यार के इंतज़ार में
एक हसीना इधर देखो
कैसी बेचैन है
रास्ते पर लगे कैसे
उसके दो नैन हैं
एक हसीना इधर देखो
कैसी बेचैन है
(कैसी बेचैन है)
रास्ते पर लगे कैसे
उसके दो नैन हैं
(उसके दो नैन हैं)
सच पूछिए तो मेरे यार
दोनों के दिल बेइख्तियार
बेइख्तियार
हैं पहली बार
पहली बहार में
सावन बरसे तरसे दिल
क्यों ना घर से निकले दिल
बरखा में भी दिल प्यासा है
(बरखा में भी दिल प्यासा है)
ये प्यार नहीं तो क्या है
(ये प्यार नहीं तो क्या है)
देखो कैसा बेक़रार
है भरे बाज़ार में
यार एक यार के इंतज़ार में
सावन बरसे तरसे दिल
क्यों ना घर से निकले दिल
बरखा में भी दिल प्यासा है
(बरखा में भी दिल प्यासा है)
ये प्यार नहीं तो क्या है
(ये प्यार नहीं तो क्या है)
देखो कैसा बेक़रार
है भरे बाज़ार में
यार एक यार के इंतज़ार में
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5306 | Post No. : | 17390 | Movie Count : |
4684 |
Govind Nihalani joined Hindi film industry as a Cinematographer in 1974. In the initial period, he mainly worked with Shyam Benegal as a Cinematographer, both for his documentary and feature films. In 1980, he turned director and directed some socially relevant films such as ‘Aakrosh’ (1980), Vijeta (1982), ‘Ardha Satya’ (1983), ‘Aghaat’ (1985), ‘Drishti’ (1990), ‘Drohkaal’ (1994), ‘Hazaar Chauraasi Ki Maa’ (1998). Almost all his films, both as a Cinematographer and the Director were critically acclaimed.
With ‘Thakshak’ (1999), Govind Nihalani made his first attempt (and probably the last) in producing and directing a commercial genre of Hindi film, also called ‘the mainstream Bollywood’ film. In his interview held sometime in December 1999 which was published on the ‘Rediff On The Net’, Govind Nihalani revealed that Ajay Devgan was keen to work with him and he had a script ready to fit the role for him. Manmohan Shetty, who had produced some of Govind Nihalani offbeat films, was requesting him to make a film for the wider audience also. The eagerness of Ajay Devgan to work with him, getting Manmohan Shetty to finance the film and an opportunity to experiment with a different genre of film, prompted him to make ‘Thakshak’ (1999). Ajay Devgan and Tabu were the lead pair with Amrish Puri, Rahul Bose, Govind Namdev, Nethra Raghuraman, A K Hangal, Ravi Patwardhan, Uttara Baokar etc. in supporting roles.
As revealed by Govind Nihalani in a separate interview, producing and directing a commercial film was a new experience for him. His earlier films were made with a small budget, and he did not have the pressure of box office success. Hence, he made his earlier films without interference from any quarters. While making ‘Thakshak’, though he did not have any problem with his main actors, there were pressures from the distributors to make some changes in the script of the film with their own suggestions when they were shown the rushes of the film. That the film took 2 years to complete (as against his earlier films which he completed in less than one year) would indicate that he had to compromise on his script which Govind Nihalani had originally written.
I had not watched the film when it was released. In fact, I did not have any idea about the story of the film. The only thing I knew about the film at that time was a dance song picturised on Tabu which I liked and therefore had watched the song on TV music channels a few times. Sometime back, that dance song came back to my mind and I refreshed my memory by watching the video clip of the song. I liked the song so much that I marked in my mind to write an article on this song for the Blog. Subsequently, I also watched the film on You Tube.
‘Thakshak’ (1999) is a romantic crime thriller. The story of the film was in keeping with the socio-political situations in the country, particularly in Mumbai of Builders-Underworlds-politicians nexus. Ishaan (Ajay Devgan), is the son of Nahar Singh (Amrish Puri), the partner in the real estate business of Jodha Bhai (Ravi Patwardhan) who in reality is a gangster. Sunny (Rahul Bose), the grandson of Jodha Bhai and Ishaan are great friends. But their temperament is quite different. Sunny believes that the power flows from the barrel of a gun. Ishaan reminds him that that the one who thrives on the power of gun can also get killed by the same gun. The subtle temperament of Ishaan is further soften when he meets his lady love Suman (Tabu). The influence of Suman on Ishaan turns him to shed the violent life of the underworld to the decent life of a common man. But Ishaan is in dilemma as his oath of allegiance to Sunny to remain with him as his partner in crime and his conscious telling him to follow the life like a common man like his idealistic romantic partner, Suman. A further complications in these relationship – Ishaan and Sunny and Ishaan and Suman develops when Suman is the witness to the crime committed by Sunny in killing the owner of an old house to grab the plot where Ishaan is the partner in the crime. How the emerging situations themselves force Ishaan to come out of his moral obligations toward Sunny and follow the path of humanity is the finale of the film.
Now my 2 cents on the film. The story of a criminal trying to live a decent life like a common man has been tried in Hindi films many time. But in ‘Thakshak’, Govind Nihalani has given somewhat different treatment in that he has projected Ishaan caught in a moral dilemma of protecting his gangster friend, Sunny against whom his lady love, Suman has testified. The emotional upheaval Ishaan goes through has been well presented. All the three main actors – Ajay Devgan, Tabu and Rahul Bose have performed very well. However, the momentum of the story slows down due to 8 songs in the film most of which do not fit into the story of the film. Also, in my view, there was no need for the role of Nethra Raghuraman as a night club dancer on whom 2 songs have been picturised. I guess these are the additions which may have been suggested by the distributors. I feel that the story, screenplay, and dialogues with the exclusions of some songs and some unwarranted scenes would have turned the film into an absorbing thriller. Nonetheless, the film is interesting to watch at least once.
‘Thakshak’ (1999) has 8 songs, written by Mehboob (6) Sukhwinder Singh (1) and Sukhwinder Singh-Tejpal Kaur (1) which were set to music by A R Rahman. None of the songs has been represented on the Blog. I present the first song to appear on the Blog which is my most favourite song from the film. The song is ‘mujhe rang de range de mujhe rang de’ which is a semi-classical dance song. At the same time, the music composition sounds like that of a qawwali song.
The song is written by Sukhwinder Singh jointly with Tejpal Kaur and rendered by Asha Bhosle. There are some Punjabi words in the lyrics.
There is an interesting trivia as to how Sukhwinder Singh got to write this song as well as one more song for the film. He had come to ‘Chennai to meet A R Rahman for the first time. He was composing tunes for ‘Thakshak’ (1999). A R Rahman asked him whether he can write songs. Sukhwinder Singh promptly nodded and wrote the song under discussion. When Rahman asked him to pen one more song, Sukhwinder Singh told him that he has come to get some singing assignments from him. Rahman kept his promise and gave him to sing chal chhainyya chhainyya chhainyya chhainyya from ‘Dil Se’ (1998).[Source: The Asian Age, May 16, 2016].
While listening to this song, I felt that there is some spiritual feel in the opening lines of the songs as it is repeated several times. I remembered that Hazrat Amir Khusrow had written a Sufi Kalam, ‘mohe apne hi rang mein rang de’. This has become inspiration for some lyricists of Hindi films to include this spiritual element. One example is the song, o rangrez, tere rang dariya mein from ‘Bhaag Milka Bhaag’ (2013).
According to Sukaina Nagpal, the song was choreographed by her mother, Saroj Khan. [Source: Rediff interview appeared on July 3, 2020]. It is a 7+ minutes dance song picturised on Tabu who is not a trained dancer. Yet, she has performed the dance gracefully. The confidence of the Choreographer in the dancing ability of Tabu can be judged from the fact that she was covered in mid-shot frame to capture her hand gestures, expressions, and steps most of the time. Some of her shots were of longer durations, which is possible only when it is picturised on a trained dancer. Note Tabu’s expression and hand gestures at 5:36-5:42 in line with the lyrics. Probably, she must have toiled a lot during the rehearsals. All the supportive dancers did very well in synchronization of dancing steps as well as expressions and gestures. For example, watch 3:52 – 4:22 of the video clip. This is, in my view, one of the best dances choreographed by Saroj Khan in Hindi films.
I think after S D Burman, A R Rahman is one among the current music directors who is expert in picking the right playback singer suitable to his style of songs. In this film, he has used Hema Sardesai, Sujata Trivedi, and Alisha Chinoy among female playback singers for other songs. It is said that A R Rahman selects a playback singer only after he has composed the tune and the music for a song. His musical compositions decide the playback singer. For the song under discussion, he has used Asha Bhosle’s voice. And it turned out to be the right choice. Note how Asha Bhosle takes the octave leap from lower to higher pitch effortlessly. Towards the end of the song, her aalaaps are mesmerising. The song ends with Tabu going into a trance true of a Sufi singing.
Lastly, I must make a special mention of the flute interlude in the song from 2:58 to 3:34. I guess, it was played by Flautist, Naveen Kumar who has been continuously associated with A R Rahman since ‘Roja’ (1992) until he moved to Mumbai in 2003. Thereafter, Naveen Kumar played flute for A R Rahman, albeit occasionally.
I can watch the video clip of this song umpteen time because all those who are associated with song have done exceedingly well to make it a classic dance song.
Video Clip:
Audio Clip:
Song-Mujhe rang de rang de mujhe rang de (Takshak)(1999) Singer-Asha Bhonsle, Sukhwinder Singh-Tejpal Kaur, MD-A R Rahman
Male chorus
Female chorus
Lyrics
Mujhe rang de…….ae
rang de
mujhe rang de rang de
mujhe rang de ae
mujhe rang de
rang de
mujhe rang de rang de mujhe rang de
ho o o o ho o
ho o o o ho o
ho o o o ho o
ho o o o ho o
mujhe rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
haan mujhe rang de mujhe rang de
mujhe rang de rang de mujhe rang de
haan rang de haan rang de
haan apni preet vich rang de
ho o o o ho o
ho o o o ho o
mujhe rang de mujhe rang de
mujhe rang de rang de mujhe rang de
haan rang de haan rang de
haan apni preet vich rang de
mujhe rang de mujhe rang de
mujhe rang de rang de mujhe rang de
haan rang de haan rang de
haan apni preet vich rang de
main ban ke savera jaag uthhi
main jaag uthhi…ee ee
main banke savera jaag uthhi
main jaag uthhi
jee jaag uthhi
main banke morni naach uthhi
main naach uthhi
channa naach uthhi
tere naina mere naina
mere nainon mein rang de
haan rang de haan rang de
haan apni preet vich rang de
ho o o o ho o
tere naina mere naina
mere nainon mein rang de
haan rang de haan rang de
mujhe apni preet vich rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de mujhe rang de
rang de rang de mujhe rang de
rang de rang de mujhe rang de
rang de rang de mujhe rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de
rang de rang de mujhe rang de
rang de
rang de rang de mujhe
rang de rang de mujhe
rang de rang de mujhe
rang de
rang de
tere sapnon ke aangan mein chham chham chaloon
main chaloon main chaloon tere sang sang chaloon
aaja aaja ve aaja tu ban ke hawa
tere sadke jaawaan
tere vaare jaawaan
aaja aaja ve aaja tu banke hawa
tere sadke jaawan tere vaare jaawan
mujhe rang de mujhe rang de
mujhe rang de rang de mujhe rang de
haan rang de haan rang de
haan apni preet vich rang de
mujhe rang de mujhe rang de
mujhe rang de rang de mujhe rang de
haan rang de haan rang de
aa apni preet vich rang de
rang de……ae
rang de
[Sargam]
main bhi tanha hoon
tu bhi hai tanha kahin
main adhoori yahaan
tu adhoora kahin
ik aahat si hoti hai mujhko yahaan
tu kahaan hai kahaan hai kahaan hai kahaan
mujhe le chal tu
le chal tu
le chal wahaan…aan aan
jahaan tak aasmaan aasmaan aasmaan…aan aan
ho mohobbat ki duniya nasheman jahaan
mujhe le chal tu le chal tu le chal wahaan
ho mohobbat ki duniya nasheman jahaan
mujhe le chal tu le chal tu le chal wahaan
tu le chal wahaan
tu le chal wahaan
tu le chal wahaan
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
aa aa aa aaa aaaa
(rang de rang de)
aa aa aa aa aaaa
(rang de rang de mujhe rang de)
ae ae ae ae ae ae ae
(rang de rang de)
ae ae ae
(rang de rang de mujhe rang de)
ae ae ae ae ae ae
(rang de rang de)
rang de……….
(rang de rang de mujhe rang de)
de……….ae
(rang de rang de)
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
rang de rang de
(ho o o o ho o)
rang de rang de mujhe rang de
rang de rang de
(ho o o o ho o)
rang de rang de mujhe rang de
rang de rang de
rang de rang de mujhe rang de
Dhoom Dhoom Lak Lak
Posted on: June 20, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5085 | Post No. : | 17010 | Movie Count : |
4608 |
Today, 20th June, 2022 is the birthday of our Respected Dear Atul ji. On this occasion we wish him a very happy birthday and a healthy, wealthy, peaceful and ‘full of musical life’ ahead. . .
Previously while selecting a song for this occasion we were specially looking for songs having ‘geet, safar, gaanaa, gaata chal, gaaye jaa, gungunaata chal, gaata chalaa gaya, etc. and words like these and/or similar words like these woven in a ‘philosophical’ song set up to convey the ‘musical journey’ of Atul ji and this blog. However today I am presenting a totally different song to celebrate this occasion with a rocking song and music, once again in a ‘Jat Yamla’ style. 😀
Also today I will not repeat again what I usually like to mention about Atul ji and my feelings for him and feelings for the blog. I would only like that today he listens to and enjoys this song presented with this post here 🙂
I would once again say ‘Many Happy Returns of the Day to Atul ji’ and move forward to today’s song and its movie.
Today’s song is from the ‘1999’ movie ‘Dillagi’. Today this movie is making its debut on the blog. This film was produced and directed by Sunny Deol for his home production company Vijayta Films. It was presented by Dharmendra.
The movie has Sunny Deol, Bobby Deol, Urmila Matondkar, Dara Singh, Zohra Sehgal, Harish Patel, Kulbhushan Kharbanda, Reema, Vijay Kashyap, Sushmita Mukherjee, Deepshikha, Vaibhavi Raut, Rajshri Solanki, Dimple Inamdar, Goldie Choudhary, Raj Zutshi, Alistar Woodham, Pervinder Gujral, Kanika Shivpuri, Tora Khasgir, Narinder Kaur, Shefali Ganguly, Mac Singh, Raspal Virdee, Steve Nijjar, Bebz Jetha, Col. Kapoor, Jasbir Thandi, Prakash Agarwal, Nirmal, Master Anand, Master Mayank, Master Deepak, Master Arbaaz, and others. New actors introduced in this movie are Praveen Dabas, Amrik Randhawa, Apsara Iyengar, Denise Butler. The movie also has Surekha Sikri in a Guest Apprearance and Preity Zinta in a Special Appearance.
Screenplay of this movie was written by Sutanu Gupta. Dialogues of this movie were written by Sanjay Masoom. Editing of this movie was done by Keshav Naidu. This movie was passed by Censor Board on 08.11.1999.
This movie has as many as eleven songs . Lyrics for this movie are written by Javed Akhtar, Sukhwinder Singh, and Tejpal Kaur. Music for this movie is composed by Jatin-Lalit, Shankar-Ehsaan-Loy, Sukhwinder Singh, and Anand-Milind. We will know more about this movie in the future when the other songs of this movie are discussed on the blog.
Lyricist for the today’s song is Sukhwinder Singh who has also composed this song. The singing voices are Mahendra Kapoor, Shankar Mahadevan, Sukhwinder Singh, Mridula Desai, Mohini Brahmabhatt and chorus. It is picturised on Sunny Deol, Dara Singh, Bobby Deol, Zohra Sehgal and many other artists are also present there during the picturisation of this song.
Let us now listen to the today’s song and welcome this musical movie on the blog.
Once again wishing our Atul ji a very happy birthday today !!!
Dhoom Dhoom Luck Luck
Audio
Video
Song – Dhoom Dhoom Lak Lak (Dillagi) (1999) Singers – Mahendra Kapoor, Shankar Mahadevan, Sukhwinder Singh, Mridula Desai, Mohini Brahmabhatt, Lyrics – Sukhwinder Singh, MD – Sukhwinder Singh
Chorus
Lyrics
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
aaja bhangech maarke
chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
ho o tere chehre pe laakhon sitaare mitra
tujhe dekh ke dilon ki ho jaaye dhak dhak
i want to step in for good luck
and let me try this dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
aaja bhangde ch maar ke chhadaappa pair rakh
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom lak lak
dhoom dhoom lak lak
ho o o o
ho o ho o o
dhoom dhoom lak lak
dhoom dhoom lak lak
putt jattan di bhangde de jad sajnaa raunak lag di
sajnaa raunak lag dii
rut mastaani khol ke zulfaan mehfil de vich nachdi
mehfil de vich nachdi
dola ve dola
haay dola
aaja dove nachiye
haay dola
dola ve dola
haay dola
aa ha aaja dove nachiye
haay dola
he rut mastaani
haay dola
husn ki raani
haay dola
hoy halle ta jawaani
haay dola
he he ae ae
badi deewaani
haay dola
ho ho o o o ho ho
laa laa laa laa laa laa laa
ho o o o o
laa laa laa laa laa laa laa
ho ho o o o o
ho ho ho o ho ho o
kehte hain duniyawaale
daulat ka rang sunehra
daulat ka rang sunehra
par dil waalon ki duniya ka hai
rang badaa hi gehraa
rang badaa hi gehraa
hey jaadugar jaadu kar jaayega
jaadugar jaadu kar jaayega
haa
pi ke gulaabi tar jaayegaa
jaadugar jaadu kar jaayegaa
sun patli patang
chal mere sang sang
patli patang
chal mere sang sang
ik baat kahe dilwaala
ke ghoonghtaa
ke ghoonghtaa aa
ke ghoonghtaa khol zaraa
main bhi dekhoon til kaala
ke ghoonghtaa khol zaraa aa
aa
dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
hoye hoye hoye hoye
dhoom dhoom lak lak
dhoom dhoom lak lak
yaari yaari yaari
dhoom dhoom lak lak
aari aari aari
bruuaah
ke aj main pi leni
ke aj main pi leni
ye saari ki saari
ke aj main chak leni
aj main chak leni
pisti naar kunwaari
mujhe koyi naa roke ae
mujhe koyi naa roke
naa roke duniyaadaari
ke aj main chak leni
pisti naar kunwaari
ke aj main chak leni
paa ji ee ee ee ee
tussi top ho
top ho
top ho
top ho
main keya kaka ji
tussi India di hope ho
o o o o o o
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dha tirkit dha …
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dha tirkit dha ….
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
ho o o o
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
dhoom dhoom lak lak
o o o o
Ishq binaa kya marna yaaron
Posted on: January 25, 2022
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4939 | Post No. : | 16791 |
A. R. Rehman – The musician of 21st century – 2
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64th Birthday of Kavita Krishnamurthy
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Once upon a time, in our office, the crowd was more interfering in each other’s lives. There would be judgmental comments about each other, if someone works very hard, there was gossip about them. If someone is not very hard working there would be gossip and snide comments about them. 90’s and early 2000’s was a time when all had more time to bother about other people. Interference is one way to look at it. We were in one corner of Mumbai, and there were very few people who travelled long distances to arrive, and most of us were from nearby areas. There was less of anonymity or disregard of big city atmosphere. Come to think of it, most of us used to think of the office as a second home. As the working day would be full of work, talking to people and friends. We were more open to all sort of talk, discussions and even gossip. The office building would be like a small village, where everyone knew everything about everyone. That was an atmosphere, where, every new day was a new beginning. And come weekend, we would be full of plans for the next week. On Monday, we will do this or start on that work.
I don’t know, it feels as if things have gradually changed over the decades. Now every Friday, most of us actually feel joy that there will be no office for 2 days. Long weekend is more joyous, we all wish each other happy weekend. Whereas earlier it was, ‘see you on Monday’.
There was no A.C. in the office, nor fancy blinds or fancy name plates on the cabins, not much eating out and very few snack parties. But those were the happier days. Today, I have more money to spend, more authority to assert, freer to shop what ever the sales persons bring to sell, more snacks and lunch to order from outside eateries, as the office canteen is still is very bad. But the comradery of old days is absent. For sure, not all is ingenuine, but still the happiness quotient is gone. Or maybe I am simply bored.
Yeah, change is a part of life. Colleagues and friends of the older generation have all retired. Some of the dear friends have moved away, or transferred to different places. One corner of Mumbai has begun to feel and behave like a city. I am ready to admit, that I may have also changed. As we mature, it brings a certain discretion, in how we deal with new people. What was working and meeting with other people, has now become more of a dealing with people. Or having learnt from so many experiences, I have learnt to have superficial contact with people. I thought being superficial is just not my nature. But recently, I am introspecting, that maybe I have become like everyone else. Not a good sight.
I have seen some people in my life, and every time I have resolved, never to be like them. Some times we encounter people with really ugly mindset. I have a friend, who would always be looking for excuses, why certain person behaves like that, or has such type of manner. For a longish time, I also tried to look the other way, whenever such ugliness showed its face. I became so adept at ignoring things, that it would take a new person coming into the set up and that person would show me with examples, that such and such things are happening and I am not even aware. So, this was actually a sort of tuning out, from the atmosphere, so the bad things are totally ignored.
The reason I went into the flashback and into those good old days is the song from the film ‘Taal’. In early 2000’s we used to have lot of extra curricular activities in the office. One of the favourite events was ‘antakshari’. In one of those competitions, I had my friend as my partner. This one was a serious competition, very serious with all the contestants very keen to win. The hosts had done lot of hard work, to prepare for the tough rounds. One such tough rounds were picking up chits of a set of words, and recognize the song, which I found to be very easy. We did very well in that round. We did well in the round for recognizing the mukhda from the stanza also. Then there was the round of ‘dumb-charade’ where the chit was for movie name. My partner, picked up the chit and it was ‘Taal’. She made the suitable ‘Taal’ action and I knew the name. But unfortunately, I could not sing any song, none would come to mind. Both me and my friend were repeating ‘taal se taal milaa’, but that is not mukhda. So, we lost those crucial points, despite recognizing so many of the songs in stanza/mukhda round and the ‘set of word’ round, we finished second.
The movie ‘Taal’ was produced and directed by Subhash Ghai, who celebrated his birthday on 24/01/2022. Now it is the birthday of Kavita krishnamurthy today, so the second version is by Kavita Krishnamurthy and Sukhwendra Singh with Chorus. First version is actually a group song, which has Sonu Nigam with ARR, Anuradha Sriram, and Sujata Mohan. This song has long been in the list of Sonu Nigam songs, which I want to post. No better occasion, then Kavita Krishnamurthy’s birthday and post no. two of series on ARR. The Kavita Krishnamurthy version is listed as a separate song actually, but the same mukhda of first version is part of this song too, so it is a version song. The songs are picturized on Aishwarya Rai, Anil Kapoor and Akshaye Khanna.
Those were cable TV days, so I have seen this movie on cable TV. Some Sundays were spent watching movies on cable TV, 2-5 and then 6-9 shows. They would show the newer movies at 11-2 also sometimes. Like all Subash Ghai movies, this was also a musical, teaming up with ARR for the first time, who teamed up with Anand Bakshi as lyricist for the first time. I find this score of a purely hindi film much more attractive then, the dubbed songs in Mani Ratnam films.
More on ARR in coming posts, so we can listen to this wonderful sufiana/situational song.
Part I Audio:
Part – I video:
Part – II video
Song-Ishq bina kya marna yaaron (Taal)(1999) Singers-Sonu Nigam, A R Rahman, Anuradha Sriram, Sujata Mohan/ Kavita Krishnamurthy, Sukhwinder Singh, Lyrics-Anand Bakshi, MD-A R Rahman
Lyrics
———————-
Part I
———————-
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq a….
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq a….
Ooo oooo
Oooo ooooo
Ooooo oooo
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Waada yeh pakka
Ishq ishq
Dhaaga yeh kachchaa
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
Neeche ishq hai
Upar rab hai
In donon ke
beech mein sab hai
ek nahin sau
baatien kar lo
sau baaton ka
ek matlab hai ea
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….
rab sab se sonaa
ishq ishq
rab se bhi sonaa
ishq a….
ho oo oooo
oooo ooooo
ho ooo oooooo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
(Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa)
Heera na panna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq
Bas ek tamanna
Ishq ishq
Ishq hai kya
Yeh kis ko pataa
Yeh ishq hai kyaa aaa
Sab ko pataa aa
Yeh prem nagar
Anjaan dagar
Saajan ka ghar
Kya hai kis ko khabar
Chhotti si umar
Yeh lamba safar
Yeh ishq hai kya
Yeh kis ko pataa aa
Yeh dard hai ya
Dardon ki dawaa
Yeh koyi sanam
Ya aap khudaa
Yeh koyi sanam
Ya
aap khudaa
aap khudaa aaa
Ishq bina kya marna yaaraan
Ishq binaa kya jeenaa aa
Tum ne ishq ka naam sunaa hai ea
Ham ne ishq kiya hai ea
Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…
Phoolon ka gulshan
Ishq ishq
Kaanton ka daaman
Ishq a…
Ooo oooo
Oooo ooooo
Ooooo oooo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Gud se meethha
Ishq ishq
Imli se khatta
Ishq ishq
Ooo oooo
Ishq ishq
Oooo ooooo
Ishq ishq
Ooooo oooo
Ishq ishq
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo
Ooo oooo
Oooo ooooo
Ooooo oooo
———————————
Part II
———————————
Kisi ko ishq ke ea
Waade ea
Kahin tum tod aaye hain
Magar yeh dil
Yeh jaan
Shayad wahin een ham
Chhod aaye hain ean
Ishq binaa aaa
Ishq binaa aaa aaaa
Aaaa aaa
Ishq binaa kya jeena yaaran
Ishq binaa kya marna
Aa aaaa
Ishq
Ishq
Ishq
Gud se meethha
Imli se khatta
Ishq
Waada yeh pakka
Ishq
Dhaaga yeh kachchaa
Ishq
Ooo oooo
Oooo ooooo
Ooooo oooo
Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye
hain
Iss se pehle ea
iss raste mein
Kitne hi ee
mehboob gaye hain ea
raste mein dariyaa hai koyi ee
raste mein ea
dariyaa hai koyi ee
iss mein saare ea
doob gaye ea hain en
har sach se sachcha
har jhoot se jhoota aa
waada yeh pakka aa
dhaaga yeh kachchaa
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa main
oo oo
ishq binaa wo
oo oo
ishq binaa aa
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
Mansi…
I love you mansi
I love you
Aaa aaaaaaaa
Aaaaaaaa
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
Ishq binaa kya jeena yaaron
Ishq binaa kya marna yaaron
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
ishq binaa aa
oo oo
Rabba tera main shukr manaaoon
Posted on: September 27, 2021
- In: expression of love | Feelings of heart | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Series of articles | Song sung by three or more singers | Songs of 1990s (1991 to 2000) | Songs of 1999 | Udit Narayan Song | Vinod Rathod Song | Yearwise breakup of songs | Yearwise review of Lata Mangeshkar HF songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4819 | Post No. : | 16591 | Movie Count : |
4521 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part LIII: Year 1999
———————————————————————————————————
In this episode, the 53rd episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1999.
In 1999, 90 Hindi movies containing 548 songs were released. Lata Mangeshkar got to sing in 7 of these movies and she sang 14 songs in these movies. So Lata Mangeshkar’s voice was heard in 8 % of the movies released in 1999. Her voice was heard in 2.5 % of the songs appearing in the movies of 1999.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1999 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Dulhan Banoon Main Teri | Ram Laxman | 0 | 1 | 0 | 0 | 0 | 1 | Dev Kohli |
| 2 | Godmother | Vishal Bhardwaj | 0 | 1 | 1 | 0 | 0 | 0 | Javed Akhtar |
| 3 | Hu Tu Tu | Vishal Bhardwaj | 2 | 4 | 2 | 2 | 0 | 0 | Gulzar |
| 4 | Hum Tum Pe Marte Hain | Uttam Singh | 0 | 2 | 0 | 2 | 0 | 0 | Anand Bakshi |
| 5 | Jahaan Tum Le Chale | Vishal Bhardwaj | 0 | 1 | 1 | 0 | 0 | 0 | Gulzar |
| 6 | Kachche Dhaage | Nusrat Fateh Ali Khan | 0 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 7 | Manchala | Ram Laxman | 0 | 1 | 1 | 0 | 0 | 0 | Ravindar Rawal |
| Total | 7 movies | 4 MDs | 2 | 14 | 6 | 7 | 0 | 1 | 5 lyricists |
Lata Mangeshkar worked with 4 music directors and 5 lyricists in these 7 movies released in 1999. Laxmikant Pyarelal were the most prolific music directors with Lata, with 664 songs in HFM with Lata Mangeshkar by the end of 1999. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 332 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 275 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (146), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Bappi Lahiri (112), Rajesh Roshan (111), Salil Chaudhary (109), Husnlal Bhagatram (108), and Vasant Desai (104). Together these seventeen music directors composed 3733 songs out of 5200 songs that Lata Mangeshkar had sung in Hindi movies till end of 1999. Anand Bakshi with 724 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (406), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (156). These ten lyricists had penned 3244 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1999 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 17 movies | 51 | 57 | 42 | 8 | 4 | 3 | |
| 1949 | 40 movies | 140 | 160 | 105 | 35 | 13 | 7 | |
| 1950 | 36 movies | 115 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 150 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 142 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 172 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 174 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 132 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 104 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 189 | 211 | 131 | 68 | 12 | 1 | |
| 1960 | 48 movies | 142 | 166 | 102 | 50 | 9 | 5 | |
| 1961 | 44 movies | 128 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 119 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 105 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 123 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 84 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 105 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 94 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 84 | 84 | 59 | 19 | 5 | 1 | |
| 1969 | 43 movies | 78 | 97 | 67 | 27 | 2 | 1 | |
| 1970 | 54 movies | 91 | 130 | 84 | 39 | 3 | 4 | |
| 1971 | 52 movies | 107 | 126 | 71 | 52 | 3 | 0 | |
| 1972 | 62 movies | 99 | 151 | 86 | 60 | 3 | 2 | |
| 1973 | 60 movies | 93 | 138 | 94 | 37 | 3 | 4 | |
| 1974 | 55 movies | 71 | 104 | 66 | 33 | 0 | 5 | |
| 1975 | 45 movies | 61 | 90 | 50 | 35 | 3 | 2 | |
| 1976 | 41 movies | 58 | 97 | 53 | 39 | 1 | 4 | |
| 1977 | 50 movies | 50 | 96 | 59 | 27 | 8 | 2 | |
| 1978 | 46 movies | 59 | 90 | 48 | 34 | 3 | 5 | |
| 1979 | 42 movies | 38 | 66 | 37 | 25 | 2 | 3 | |
| 1980 | 43 movies | 28 | 71 | 43 | 21 | 3 | 4 | |
| 1981 | 46 movies | 40 | 88 | 48 | 34 | 2 | 4 | |
| 1982 | 45 movies | 28 | 82 | 41 | 37 | 1 | 3 | |
| 1983 | 33 movies | 29 | 73 | 36 | 37 | 0 | 0 | |
| 1984 | 39 movies | 11 | 70 | 32 | 33 | 4 | 1 | |
| 1985 | 40 movies | 21 | 72 | 39 | 31 | 0 | 2 | |
| 1986 | 27 movies | 3 | 41 | 22 | 17 | 0 | 2 | |
| 1987 | 12 movies | 4 | 21 | 13 | 8 | 0 | 0 | |
| 1988 | 21 movies | 9 | 43 | 24 | 17 | 1 | 1 | |
| 1989 | 19 movies | 10 | 38 | 20 | 16 | 1 | 1 | |
| 1990 | 9 movies | 4 | 12 | 3 | 9 | 0 | 0 | |
| 1991 | 16 movies | 6 | 57 | 35 | 20 | 1 | 1 | |
| 1992 | 12 movies | 3 | 25 | 12 | 13 | 0 | 0 | |
| 1993 | 14 movies | 3 | 49 | 22 | 23 | 2 | 2 | |
| 1994 | 12 movies | 5 | 39 | 9 | 28 | 0 | 2 | |
| 1995 | 4 movies | 2 | 8 | 3 | 4 | 0 | 1 | |
| 1996 | 5 movies | 2 | 14 | 7 | 7 | 0 | 0 | |
| 1997 | 5 movies | 1 | 21 | 2 | 14 | 4 | 1 | |
| 1998 | 3 movies | 4 | 11 | 3 | 7 | 0 | 1 | |
| 1999 | 3 movies | 2 | 14 | 6 | 7 | 0 | 1 | |
| Total upto 1999 | 1864 movies | 3741 | 5200 | 3371 | 1496 | 213 | 120 |
It can be seen from the table of 1999 that Lata Mangeshkar sang 14 songs in 7 movies released in 1999.
Two songs sung by Lata Mangeshkar in movies of 1999 have been covered in the blog. So 12 songs from 7 movies of 1999 sung by Lata Mangeshkar are yet to be covered in the blog.
Alphabetically “Dulhan Banoon Main Teri”(1999) is the first movie of 1999 that offers us a Lata Mangeshkar song to be covered in the blog.
“Dulhan Banoon Main Teri”(1999) was produced and directed by B Subhash. The movie had Faraz Khan (Late), Deepti Bhatnagar, Kashmira Shah, Johny Lever, Dilip Tahil, Pramod Moutho, Arun Bakshi, Vishwajit Pradhan, Anil Nagrath, Beena, Raj Kiran, Johny Whisky, Madhu Malti, Babban Lal, Sheetal, Dhirendra, Anand Jog, Madhu Acharya, Deep Dhillon, Subhash Rajpoot, Satyam Chauhan, Sheeba Bhakri, Vicky Borade, Geeta, Karan Verma(child artiste), Ajit Srivastava, Roop gagan Kang, Ajit Kumar, Vinny Kumar, Vivek Pande etc in it.
The movie had 9 songs in it. One song had the voice of Lata Mangeshkar in it.
Here is that one song from the movie.
This song is sung by Lata Mangeshkar, Udit Narayan, Vinod Rathod and chorus. Dev Kohli is the lyricist. Music is composed by Ram Laxman.
Only the audio of the song seems to available. A video (apparently fake) is in circulation, so that does not count.
The audio is more than ten minutes long. Prakashchandra, who sent the lyrics as well as other details, guesses that this song was picturised on Deepti Bhatnagar, Faraaz Khan(Late) and Vishwajeet Pradhan.
PS;THe video, whose link was pointed out by Mahesh Mamadapur, shows that the song is picturised on Deepti Bhatnagar and Faraaz Khan.
With this song, the movie makes it’s debut in the blog.
Audio
Video
Song-Rabba tera main shukr manaaoon (Dulhan Banoon Main Teri)(1999) Singers-Lata, Udit Narayan, Vinod Rathod, Lyrics-Dev Kohli, MD-Ram Laxman
All chorus
Female chorus
Male chorus
Lata Mangeshkar + Udit Narayan
Lata Mangeshkar + Vinod Rathod
Lyrics(Provided by Prakashchandra)
aaa aaa aaa aaaaa aaa aaa aaa
aaa aaa aaa aaaaa aaa aa aa aaa aa
o o o o o o o o o oo
ho o o o o o o o o oo
aa aa aa aa aaa
aa aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa aa
rabbaa tera main shukr manaaoon oon oon oon
ho o oo ho oo
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa aa
yaar mil gayaa aaa aaa aa
yaar mil gayaa aaa haayye ae ae
yaar mil gayaa aaa aa
yaar mil gayaa
usek qadmon ki dhool bann jaaoon
ke mujhe meraa yaar mil gayaa
rabbaa teraa main shukar manaaoon
ke mujhe mera yaar mil gayaaa
mera jaanam hai
jaan se pyaaraa
main hoon jism to woh hai meri jaan aan aan
dil kehtaa hai
yaar pe kar doon
main to apnaa sab kuchch qurbaan
saari umr main
yaari nibhaaoon oon oon oon
ho o o o
saari umr main yaari nibhaaoon
ke mujhe mera yaar mil gayaa
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa
yaar mil gayaa aaa aa aa aa
yaar mil gayaaa aa haayye ae
yaar mil gayaa aaa aa aa yaar mil gayaa
maula sadqe main tere ho jaaoon
ke mujhe dildaar mil gayaa
uske sajdey mein sar ko jhukaaoon
ke mujhe dildaar mil gayaa aa aaa aa
yaaraa yaaraa
o dildaaraa
oo ooo ooo ooo oo
ooo ooo oooo ooo ooo
oo ooo ooo ooo oo
ooo ooo oooo ooo ooo
oo oo oo oo oooo
yaaraa yaaraaa
o dildaaraa
oo ooo ooo ooo oo
ooo ooo oooo ooo ooo
oo ooo ooo ooo oo oo
ooo ooo oooo ooo ooo
yaar meraa hai
tera karishmaa aa aa
sohney yaar dee sohnee deed
jab dekhoon main chaand saa chehraa aa
tab ho jaati hai ae ae meri Eid
yaaraa roz main
Eid manaaoon oon oon oon oon
ho o o ho o o o o
yaaraa roz main
Eid manaaoon
ke mujhe dildaar mil gayaa
rabbaa teraa main shukr manaaoon
ke mujhe mera yaar mil gayaa
ho o o ho oo oo yaar mil gayaa aa aa aaa
yaar mil gayaa haayye
yaar mil gayaa aa aa yaar mil gayaa
devaa jag mein main dhoom machhaaoon
ke mujhe mera pyaar mil gayaa
uske pyaar ke main geet main gaaoon
ke mujhe meraa pyaar mil gayaa aa aa aa
aa aa aa aa aa aa
aaa aaa aaa aaaaa aaa
aaa aaa aaa aaaa aaa
ho o o o o o o o o oo oo oo
ho o o o o o o o o oo oo o oo o oo
dil kartaa hai gagan pe likh doon oon
main to apni sajni kaa naa..aaam
mera saajan hai
aisaa salona aa
jaisey Raadhaa ka ho o ghanshyaam
main to pyaar ki dhoonee ramaaoon oon oon oon
ho o o ho o o
main to pyaar ki dhoonee ramaaoon
ke mujhe mera pyaar mil gayaa aa
rabbaa teraa main shukar manaaoon
ke mujhe mera yaar mil gayaa
yaar mil gayaa aaa aa
yaar mil gayaaa aa haayye ae ae
yaar mil gayaa aaa aa aa yaar mil gayaa
uske qadmon ki dhool bann jaaoon
ke mujhe meraa yaar mil gayaa
rabbaa teraa main shukar manaaoon
ke mujhe mera yaar mil gayaa
uske qadmon ki dhool bann jaaoon
ke mujhe meraa yaar mil gayaa aa aa aa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4748 | Post No. : | 16479 | Movie Count : |
4475 |
Today’s song is from the movie ‘Taal’ which was released in ‘1999’.
I was staying at Bareilly (1998-2004) at that time. I remember to have watched this movie with my family and enjoyed it a lot. I liked it so much that I watched this movie twice. First time with my office colleague and second time with my family. I liked this movie and specially its music too. As was usual for a Subhash Ghai movie, this movie too had a good music scored by A.R. Rehman (who was collaborating with Subhash Ghai for the first time).
‘Taal-1999’ was Subhash Ghai’s home production and it was distributed under his company ‘Mukta Arts’ and ‘Tips International’.
Subhash Ghai was the producer and director of this movie. He co-authored writing with Javed Siddiqui (dialogues), and in writing screenplay with Sachin Bhowmick.
Story of this movie was written by Subhash Ghai.
The star-cast of this movie included Anil Kapoor, Aishwarya Roy, Akshay Khanna, Amrish Puri, Alok Nath, Jividha Ashta, Mita Vashisht, Saurabh Shukla, Supriya Karnik, Prithvi Zutshi, Manoj Pahwa, Rajesh Khera, Bobby Darling, and many others.
This movie had twelve soundtracks including ten songs and two instrumental tracks. Lyrics for this movie were written by Anand Bakshi and music was composed by A.R. Rehman.
The music of this movie was well appreciated and successful.
Today’s song is sung by Sukhwinder Singh and Alka Yagnik. On screen Alok Nath lip-syncs in Sukhwinder Singh’s voice and Aishwarya Roy lip syncs in Alka Yagnik’s voice.
10th July 2021 was the sixty-fifth birthday of actor Alok Nath (born on 10th July’1956). We all know him as an established character actor and the various roles he had enacted in the Hindi movies. He made his film debut with 1982 English movie “Gandhi” directed by Richard Attenborough. Later on, he went to act in many ‘TV Soaps’ and Hindi movies. His notable works came in Rajshri Productions’ ‘Maine Pyaar Kiya-1989’, ‘Ham Aapke Hain Kaun-1994’ and ‘Ham Saath Saath Hain-1999’.
On this blog we belatedly wish Alok Nath a very happy birth anniversary and a healthy and peaceful life ahead.
To mark this occasion, we listen to today’s song.
But before that, we also wish the singer of today’s song i.e., Sukhwinder Singh a very happy birthday on 18th July.
Sukhwinder Singh was born on 18th July’1971 (18.07.2021 will be his fiftieth birthday). He belongs to Amritsar Punjab. He started his musical career by releasing a Pop song album in Punjabi. Later on, he joined Laxmikant-Pyarelal’s troupe and also got an opportunity to sing under them for the movie ‘Khilaaf-1991’. He went on singing in some other movies which got unnoticed till he sung the song ‘Chhaiyya Chhaiyya’ in the 1998 movie ‘Dil-Se’. That also brough him his first ‘Filmfare Award’.
After ‘Chhaiyya Chhaiyya’ he became a household name. And with ‘Jai-Ho’ in the 2008 movie ‘Slumdog Millionaire’ Sukhwinder Singh got an international acclaim. He has also sung in Kannada, Tamil, Telugu, Marathi, and Urdu languages other than Hindi and Punjabi language.
Let us now enjoy today’s wonderful song composed by A.R. Rehman from the movie ‘Taal-1999’.
As mentioned above today’s song is sung by Sukhwinder Singh and Alka Yagnik. Lyrics are by Anand Bakshi and music is composed by A.R. Rehman.
With today’s song the movie ‘Taal-1999’ makes its debut on the blog.
Over to the song now …
Audio Full
Video Partial
Song-Kariye na koyi waada kisi se kariye naa(Taal)(1999) Singers-Sukhwinder Singh, Alka Yagnik, Lyrics-Anand Bakshi, MD-A R Rahman
Chorus
Lyrics
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ho ga ma ga re re saa re saa saa
yaaraa yaaraa
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
yaaraa
yaaraa ho
yaaraa
yaaraa
yaaraa ho
kariye naa aa aa aa
kariye naa aa
kariye naa aa aa
ho kariye na
kariye naa haa
kariye naa koyi waadaa kisise kariye naa
kariye naa aa
kariye naa aa
koyi waadaa kisise kariye naa
kariye kariye
ho o o o o
kariye kariye
to waadaa phir todiye naa
to waadaa phir todiye naa aa aa
to waadaa phir todiye naa aa
ho o o o o
kariye naa aa
kariye naa
koyi waadaa kisise kariye naa
kariye naa aa aa
kariye naa
koyi waadaa kisise kariye naa
kariye kariye
o o o o o
kariye kariye
to waadaa phir todiye naa aa
aa aa aa
to waadaa phir todiye naa aa aa
to waadaa phir todiye naa aa
haath kisi kaa aa
pakdiye naa aa
pakdiye to phir
chhodiye naa aa
chhodiye naa
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
mainu khich paindi ae
seene vich paindi ae
ho mainu khich paindi ae
hoye
hoye
hoye
seene vich paindi ae
haaye
haaye
haaye
ho mainu kuchh ho gayaa
ho mainu kuchh ho gayaa
ho mainu kuchh ho gayaa
duniya kaindi ae
ho mainu khich paindi ae
hoye
hoye
hoye
seene vich paindi ae
haaye
haaye
haaye
ho o o o o o o o o
ho is kuchh ka naam
jawaani hai
ye umr badi deewaani hai
tum tanananaa
tum tanananaa
tum tanananaa
nananaa
naa
sachche sab sapne lagte hain
begaane apne lagte hain
apnon se munh modiye naa aa
sapnon ke peechhe daudiye naa
kariye naa haa
haan kariye naa haa
kariya na
koyi waadaa kisise kariye naa aa
kariye naa haa
kariye naa
koyi waadaa kisise kariye naa
kariye kariye
ho o o o o
kariye kariye
to waadaa phir todiye naa aa
to waadaa phir todiye naa aa aa aa
to waadaa phir todiye naa aa
ae naa badlaa de naal
ae naa badlaa de naal main jud jaawaan
ban jaawaan patang main
ho ban jaawaan patang main
ud jaawaan
koyi pardesi aavegaa
teri doli le jaavegaa
main saari rasmein todoongi
baabul ka ghar nahin chhodoongi ee
taqdeeron ka munh kholiye naa
chup rahiye bas kuchh boliye naa
kariye naa aa
ho o o
kariye naa aa
kariye na
koyi waadaa kisise kariye naa aa
kariye naa aa
kariye naa
koyi waadaa kisise kariye naa
kariye kariye
ho o o o o
kariye kariye
to waadaa phir todiye naa aa
to waadaa phir todiye naa aa aa aa
to waadaa phir todiye naa aa
haath kisi kaa aa
pakdiye naa aa
pakdiye to phir
chhodiye naa aa
chhodiye naa
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
(sa dha ma …)
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
(sa dha ma …)
saa saa re saa saa
ga ma ga re re saa re saa saa
saa saa re saa saa
ga ma ga re re saa re saa saa
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4472 | Post No. : | 15973 | Movie Count : |
4377 |
This is the last song and culmination of a short series of posts about inspired/copied songs. The team of creators of this song from Sangharsh(1999) is Jatin-Lalit, Sameer and Sonu Nigam. This inspiration behind this song is the OPN song from “Ek Musaafir Ek Hasina”.
This is the list of the five songs posted so far in this series:
| Song | Posted on |
|---|---|
| Tu meri zindagi hai | 21 Sep 2020 |
| Bhoori bhoori aankhon waala ek ladka hai | 28 Sep 2020 |
| Love ki ghanti baj gayi meri | 28 Sep 2020 |
| Raaja ko raani se pyaar ho gaya | 1 Oct 2020 |
| Saathiya tu mere sapnon ka meet hai | 6 Oct 2020 |
Before internet and Youtube, it may have been easy to simply copy or lift a song created by someone else and pass it off as your own. Lay persons who are not actually conversant with music and composition process would not be able to find a link.
There is the famed instance of Madan Mohan doing this sort of thing, and using the tune from Sajjad Hussain’s “Sangdil” song “Ye hawa ye raat ye chaandni”, for his song “Tujhe kya sunaaun main dilruba” in “Aakhri Daao” (1958). In fact Madan Mohan went on to use the same tune for the song “hai isi mein pyar ki aabroo” in Anpadh (1962).
In fact, the tune is also very similar for this ghazal rendition in Laal Qila.
Coming back to the song from Sangharsh(1999), the singer Sonu Nigam is trying to sing the style of Kishore Kumar, which he does in many songs, but here the precedent is a Rafi rendition. It appears to a deliberate attempt to make the song sound different from the “Ek Musafir Ek Haseena” song.
I have seen this movie on cable TV, so can try to give a bit of the background. It was about the horrors of ‘child sacrifice’ and black magic like issues that are a part of ancient dogmas prevalent in some parts. Practices like child sacrifice for attaining immortality. Ashutosh Rana played the character of the tantric/fanatic, which is looking to sacrifice a particular child of certain physical attributes, at a particular time and hour determined by some principles of black magic on a full moon night. The takeaway of the film was Ashutosh Rana’s performance as the tantric.
Priety Zinta is a police officers who is assigned to solve this case of case of saving the child kidnapped by the tantric.
Akshay Kumar is a professor in jail, the crime is unclear. Priety Zinta needs Akshay’s help to solve the case and save the child from being sacrificed.
The topic was certainly unique, never dealt before in hindi films. Priety Zinta visits Akshay Kumar in jail and he manages to spook her so much that she calls her friend Aman Verma in Delhi to share her fear and insecurity. Aman Verma is trying to reassure her divert her attention from her fears of past and present by singing this song on the phone.
So this is a phone song too. The funny part is Aman Verma’s phone goes dead while is song is still going on, he goes to a public phone booth to complete the song. Complete it does, with the donkeys surrounding the phone booth 🙂 🙂
Audio :
Video :
Song-Mujhe raat din bas mujhe chaahti ho (Sangharsh) (1999) Singer – Sonu Nigam, Lyricist – Sameer, Music Director – Jatin-Lalit
Lyrics
hmmm
hmmm hmmm hmm
hey ae ae
La la la
mujhe raat din
bas mujhe ae
chaahti ho
mujhe raat din
bas mujhe ae
chaahti ho
kaho na kaho
mujh ko
sab kuchh pataa hai
haan
karoon kya mujhe
tum bataati nahin ho
chhupaati ho mujh se yeh
tumhaari khataa hai
haan
mujhe raat din
bas mujhe
chaahti ho
meri beqaraari ko
hadd se badhaana
tumhen khoob aata hai
baaten banaana
nigaahen milaa key yoon
mera chain lenaa
sataa ke mohabbat mein
yoon dard denaa
mujhe dekh ke
aise palken jhukaanaa
sharaarat nahin hai to
phir aur kya hai
haan
mujhe raat din
bas mujhe
chaahti ho
la la la la la
la la la la la
la la la la la
tumhen neend aayegi
ab na mere bin
mujhe hai yaqeen
aisa aayegaa ek din
khuli teri zulfon mein
soyaa rahoongaa aa
tere hi khayaalon mein
khoyaa rahoongaa aa
kabhi gaur se
meri aankhon mein dekho
meri jaan tumhaara hi
chehra chhupaa hai
haan
mujhe raat din
bas mujhe
chaahti ho
kaho na kaho
mujh ko
sab kuchh pataa hai
haan
karoon kya mujhe
tum bataati nahin ho
chhupaati ho mujh se yeh
tumhaari khataa hai
haan
mujhe raat din
bas mujhe
chaahti ho
hmmm mmm
hey he ae
la la laa aa
Chhai chhapa chhai chhapaak chhai
Posted on: August 18, 2020
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4414 | Post No. : | 15818 |
This is Gulzar !
— KITAABEN —
Kitaaben jhaankti hain band almaari ke sheeshon se
badi hasrat se takti hain
mahinon ab mulaqaaten nahin hotin
jo shaamen unn ki sohbat mein kata karti thhin, ab aksar
guzar jaati hain computer ke pardon par
badi bechain rehti hain kitaaben
unhen ab neend mein chalne ki ‘aadat ho gayi hai
badi hasrat se takti hain
jo qadren wo sunaati thhin
ke jin ke cell kabhi marte nahin thhe
wo qadren ab nazar aati nahin ghar mein
jo rishte wo sunaati thhin
wo saare udhde udhde hain
koyi safha palat-ta hoon to ik siski nikalti hai
kayi lafzon ke ma’ani gir pade hain
bina patton ke sukhe tund lagte hain vo alfaaz
jin par ab koyi ma’ani nahin ugte
bahut se istelaahen hain
jo mitti ki sakoron ki tarah bikhri padi hain
gilaason ne unhen matruk kar daala
zaban par zaiqa aata thha jo safhe palatne ka
ab ungli click karne se bas ek
jhapki guzarti hai
bahut kuchh tah-ba-tah khultaa chalaa jaata hai parde par
kitaabon se jo zaati raabta thha kat gayaa hai
kabhi seene pe rakh ke let jaate thhe
kabhi godi mein lete thhe
kabhi ghutnon ko apne rehal ki soorat bana kar
neem sajde mein padha karte thhe, chhute thhe jabeen se
wo saara ilm to milta rahegaa ‘aayinda bhi
magar wo jo kitaabon mein milaa karte thhe sookhe phool aur
mehke huey ruq’ae
kitaaben maangne, girne utthaane ke bahane rishte bante thhe
unn ka kya hogaa
wo shayad ab nahin honge !
—– GULZAR
I think the above poem is enough as introduction and ta’aruf of Gulzar Sahab.
Faced with such ‘qalaam’, what does it matter when and where he was born. Yes, Gulzar sahab has turned 86 today. May he live to be 186 or more, as long as he creates such ‘naayab nageene’ as nazmen and naghme.
— Urdu zabaan —-
Ye kaisa ishq hai urdu zaban kaa,
mazaa ghultaa hai lafzon ka zuban par
ki jaise paan mein mehenga qimaam ghultaa hai
ye kaisa ishq hai urdu zaban kaa….
nasha aataa hai urdu bolne mein
gilauri ki tarah hain munh lagi sab isltelaahen
lutf deti hai, halaq chhooti hai urdu to,
halaq se jaise mai ka ghunt utarta hai
badi aristocracy hai zaban mein
faqeeri mein nawaabi ka mazaa deti hai urdu
agarche ma’ani kam hote hain urdu mein
alfaaz ki ifraat hoti hai
magar phir bhi buland awaaz padhiye
to bohat hi mu’atabar lagti hain baaten
kahin kuchh dur se kaanon mein padhti hai agar urdu
to lagtaa hai ke din jaadon ke hain khidki khuli hai,
dhoop andar aa rahi hai
ajab hai ye zaban urdu
kabhi kahin safar karte agar koyi musaafir
sher padh de ‘mir’, ‘ghalib’ ka
wo chaahe ajnabi ho,
yahi lagtaa hai wo mere watan ka hai
badi sha’ista lehje mein kisi se urdu sun kar
kya nahin lagtaa ki ek tehzeeb ki awaaz hai urdu.
—– GULZAR ——-
How true the above thoughts are, so inherently accurate for urdu, the spoken language.
Thanks dear ‘Peevesie’s Mom’, for reminding me of Gulzar Sahab birthday and this movie ‘Hu Tu Tu’ and its deeply meaningful songs, written by Gulzar sahab.
Also a well composed and picturised song. Composer is Vishal Bharadwaj and singers are mainly Lata Mangeshkar and Hariharan. There are more voices singing some goan rhythm at the start and koli folk song in the middle.
But the star of the show is Gulzar sahab’s unmatched poetry.
Audio :
Video :
Song-Chhai chhappa chhai chhapaak chhai (Hu tu tu ) (1999) Singers- Hariharan, Lata, Lyrics-Gulzar, MD-Vishal Bhardwaj
Lyrics (As per audio)
Rum chirapiraira
Rumm chirapiraira
Rummp
Rai rai rummp…
Chirapiraira rai rai
Rum chirapiraira
Rumm chirapiraira
Rummp
Rai rai rummp…
Chirapiraira rai rai
Chhai chhappa chhai
chhapaak chhai
Paaniyon pe chheeten udaati hui ladki
Chhai chhappa chhai
chhapaak chhai
Paaniyon pe chheeten udaati hui ladki
Dekhi hai ham ne
Aati hui lehron pe jaati hui ladki
Chhai chhappa chhai
chhapaak chhai
kabhi kabhi baaten teri achhi lagti hain
Chhai chhappa chhai
chhapaak chhai
kabhi kabhi baaten teri achhi lagti hain
phir se kehna aa
aati yui lehron pe
jaati hui ladki he
dhoondhaa karenge tumhen saahilon pe ham mmm
ret pe ye pairon ki mohren na chhodnaa aa aa
nahin ee
dhoondhaa karenge tumhen saahilon pe ham mmm
ret pe ye pairon ki mohren na chhodnaa aa aa
saara din lete lete sochegaa samandar
aate jaate logon se puchhegaa samandar
sahib rukiye zara aa
arrey dekhi kisi ne
aati hui lehron pe jaati hui ladki hey
Chhai chhappa chhai
chhapaak chhai
kabhi kabhi baaten teri achhi lagti hain
Chhai chhappa chhai
chhapaak chhai
la la la la
la la la la
la la la
la la la
oo dol doltai wareyavar
baai maajhi
dol dotai warryavar
………
Dol doltai paanyawar
bai maajhi dol doltai paanyawar
———-
likhte rahen hain tumhen roz hi magar
khwaahishon ke khat kabhi bheje hi nahin
nahin..
ha ha ha aaa
likhte rahen hain tumhen roz he magar
khwaahishon ke khat kabhi bheje hi nahin
ainak lagaa ke kabhi padhna wo chitthiyaan
aankhon ke paani mein rakhnaa wo chitthiyaan
tayrti nazar aayegi janaab
gote khaati
aati hui lehron pe jaati hui ladki
Chhai chhappa chhai
chhapaak chhai
Paaniyon pe chheete udaati hui ladki
Chhai chhappa chhai
chhapaak chhai
Paaniyon pe chheeten udaati hui ladki
Dekhi hai ham ne
Aati hui lehron pe jaati hui ladki hey
Chhai chhappa chhai
chhapaak chhai
kabhi kabhi baaten teri achhi lagti hain
hey Chhai chhappa chhai
Chhai chhappa chhai
chhapaak chhai
Aati hui lehron pe jaati hui ladki hey
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4414 | Post No. : | 15817 | Movie Count : |
4360 |
Hullo Atuldom
At the outset I must admit that I am a little confused as I write this post. The person/ celebrity/ actress/ star for whose birthday this is, has aged gracefully and looks fabulous even now. But I am confused about her year of birth. When I wrote this post Phir Bhor Bhayee Jaaga Madhuban in 2018 I found information on various sites on the internet by which I had mentioned that she was turning 64. Over the last few weeks I am finding information by which she would be 74 this year. Can a person age 10 years in two years?
Let me explain. In the past few weeks, during this lockdown, one of the satellite channels, showed an old episode of one their dance reality shows where Bindu and Aruna Irani were guests of honour (found out today that they are cousins). This must have been one of the episodes which was originally telecast in the last two years. And I told my husband (bless him for enduring all these re-runs with me) that Bindu turns 69 this year and Aruna Irani is a few years younger and how well she has looked after herself and maintained herself. Then as I was googling to confirm the dates of birth of the two, I was surprised to see that the year of birth is given as 1946. Anyways there is a saying “not to ask a lady her age and a man his wage.” So, let us just wish our dear Aruna Irani a very Happy and healthy life.
She has had along wait before she could settle in life with a man who loved her. She made her debut in movies at a young age of 8 or 9 playing the young Azra in “Gunga Jamuna”. She had to give up on schooling so that she could help support the family which had financial problems and could not educate all eight children. I find that this is the story of many actors of that time. Her father was an Irani and mother a Hindu. Her brothers Indra Kumar (who made the Aamir Khan Madhuri Dixit starrer DIL), Adi Irani (plays mainly character roles in movies and television), Firoz Irani (also an actor. producer, writer, director) are all well settled in the entertainment industry and she has had a major hand in setting them up.
She claims that she was a bad dancer who learnt dancing on-the-job. We have seen her comic side in movies where she had paired with Mehmood in the 70s and later in movies where she was with Asrani and Kadar Khan. She was the topmost actress in Gujarati movies even as she played supporting characters in Hindi, Marathi, Kannada etc. I remember seeing her in the Tamil remake of “Deewar” essaying the same mujra as she had done in Hindi- the song “koi mar jaaye kisi pe yeh kahan dekha hai”. She has produced and directed a few serials and acted in them too.
Today, for her birthday we will be seeing her as a not-so-young bua to Karisma Kapoor and Pooja Batra who are elated that she has finally found someone and likes him enough to think of marrying him. The song is at the engagement of the bua with Pooja’s fiance’s (Sanjay Dutt) uncle/ chachaji Rai Bahadur (Govinda). This movie has the two heroes trying to woo the heroines only Govinda has to double up as chacha and bhatija. In the process, before the niece the bua gets wooed.
The song is from David Dhawan directed “Haseena Maan Jaayegi” (1999) which had Anupam Kher playing the father of the girls, Kadar Khan played father of the boys. A part of the movie is inspired by “Pyaar Kiye Jaa” and we have Govinda donning a grey wig and beard and playing his own chacha. Paresh Rawal, Ashish Vidyarthi adding spice to this all round comedy.
The song is in the voices of Sonu Nigam, Kavita Krishnamurthy and Ravi Shankar (hearing this name for the first time). Anu Malik is the music director and Sameer the lyrics in-charge.
Audio
Video
Song-Dulha bhi laajawaab hai dulhan bhi laajawaab (Haseena Maan Jaayegi)(1999) Singers-Sonu Nigam, Kavita Krisnamurthy, Ravishankar, Lyrics-Sameer, MD-Anu Malik
Lyrics
aaaaa aaaaaa
aaaaa oooooo
rab ne bhi khoob jodi haye
rab ne bhi khoob jodi banaayi hai janaab
dulha bhi laajawaab hai
dulhan bhi laajawaab
rab ne bhi khoob jodi banaayi hai janaab
rab ne bhi khoob jodi banaayi hai janaab
dulha bhi laajawaab hai
dulhan bhi laajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
ni sa sa re sa sa
ga sa sa re sa sa
ni sa sa re sa sa
ga sa sa re sa sa
pa pa pa ma ma ma
ga ga ga re re
ma ma ma
ga ga ga re re re sa
dulha hai laal peda
dulhan hai rasmalai
dulhe ne aise dekha
dulhan ko sharm aayi
besharm choodiyon se
aati hai ye sadayein
na der kar o dulhe
jaldi se tham baahein
dulha jo chale tan ke
dulhan ki choodi khanke
dono ka milan hoga
lagta hai aaj jam ke
dulhan chunar ke peeche
sharmaake chupti jaaye
dulhe ki nazar se woh
lagta hai bachhti jaaye
ho oo
honthon pe halka halka
honthon pe halka halka
aane laga hai jaam
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
baaghon mein bhi na hoga
koi gulaab aisa
dulhe pe aaj dekho
aaya shabab kaisa
foote hai dil me laddu
armaan machal rahe
pyaasi jawaaniya hai
tan man pighal rahe hai
haaaaaan haaaaaye ae ae ae
haw haw haw haw
haw haw hawww
kaisa hai haal mera
yaaron mai kya bataaoo
maare khushi ke dekho
paagal na main ho jaaoon
kaajal se rang kaala
jaa ke zara churaalo
logo buri nazar se
mujhko zara bachha lo
hooo
poori huyi tamanna aaaa hoo
poori hui tamanna
sach ho gaye hai khwaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
rab ne bhi khoob jodi banayi hai janaab
rab ne bhi khoob jodi banayi hai janaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
aaaa aaaaaaaa
aaaaaaaa aaaaaa
aaaaaaaa
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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