Posts Tagged ‘Talat Mehmood’
Apni naakaami se mujhko kaam hai
Posted on: July 18, 2012
“Subah Ka Taara” (1954) was a Rajkamal Pictures production. It was produced and directed by V Shantaram. The movie had V Shantaram,Pradeep Kumar, Jayshree, Rajshree, Amirbai Karnataki, Shakuntala, Neelam, Nimbalkar, Naaz, Chhagan, Romeo etc in it.
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Main tujhko agar ek phool kahoon
Posted on: July 10, 2012
“Salaam e Mohabbat” (1955) is a movie about which I know nothing about. I request our knowledgeable readers to throw light on this obscure movie.
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“Doraaha”(1952) was a Progressive Pictures Production. It was directed by Bal Chhabra. The movie had Shekhar, Nalini Jaywant, Agha, Jagdeesh Sethi, Murad etc in it.
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Ho gaye barbaad hum
Posted on: July 7, 2012
“Ramman” (1954) was a Metropolitan Films Production. It was produced by Gemini Dewan and directed by Hiren Bose. The movie had Karan Dewan, Meena, Cuckoo, Om Prakash, Purnima, Majnu, Gulab, Randhir, V. Panchotia etc in it. I wonder if the Meena of this movie is Meena Kumari or Meena Shorey. I request our knowledgeable readers to throw more light on this fact as well as on this obscure movie itself.
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“Khubsoorat” (1952) was a Fazli Brothers production. It was directed by S F Hussain. The movie had Nasir Khan, Suraiya, Yakub, Bhudo Advani, Zubeida, Jankidas etc in it.
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“Mangu” (1954) was produced by Sheikh Mukhtaar and directed by M A Ansari. The movie had Sheikh Mukhtar, Nigar Sultana, Aroon, Mukri, Ansari, Sheila Ramani etc in it.
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“Waaris” (1954) was a Minerva Movietone production. It was directed by Nitin Bose. The movie had Talat Mehmood, Suraiyya, Jagdish Sethi, Nadira, Sadat Ali, Meheli Modi, Yakub, Achla Sachdev, Roopmala etc in it.
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Shama par jalke bhi parwaana
Posted on: May 26, 2012
This article is written by Shekher Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
Without detracting one bit from her merit, capability and musico-longevity, I have to admit that I am not a fan of Asha Bhosle in the same manner as I am of Lataji. That said, there are quite a few of Ashaji’s evergreens – some of them lesser known than her racy raunchy numbers – which touch me more or less the same as some of Lataji’s best.
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