Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Actor-Singer song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6254 Post No. : 19342

Today’s song is from a film which is almost 90 years old – Chhaaya-1936.

This was the first Marathi/Hindi bilingual film made by Huns Pictures, Bombay – a banner owned by master Vinayak along with 2 others. The other partners were Baburao Pendharkar (actor/director) and Pandurang Naik (ace Cinematographer). The film was directed by Master Vinayak. Music was by Dhamman Khan. The film story, dialogues were translated by Pt. Indra, who also acted in this film. He wrote all the 14 songs of the Hindi version.

This was the period of tragic films by Saigal. His famous film Devdas, based on a story by Sharat Babu, became famous and popular all over the Indian subcontinent. This led to a trend in other languages to make tragedy films, in which the Hero dies. In the original Bangla language film, P.C.Barua had acted as Devdas. K.L.Saigal acted in its Hindi and Tamil version, singing 2 songs in the Tamil version. Barua directed the Bangla, Hindi and Assamese versions.

Film Chhaya-1936 was also based on this pattern, where the hero dies. Initially it was thought that such tragic films would not succeed, but film Chhaya became a Hit film. It won accolades from the public and the critics equally. It won many awards too. The cast of the film was Vinayak, Leela Chitnis, Ratnaprabha, Baburao Pendharkar, Indira Wadkar, Pt, Indra, Anant Marathe etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6253 Post No. : 19339

Today’s song is from a film of the first decade of Talkie films in India – Moti ka Haar aka Pearl Necklace-1937.

The year 1937 was a year of Revolution for the newly started Talkie Film. Initially the films were mainly based on Folk tales, Parsi dramas and Mythological stories. 1937 was a year in which the Film industry was trying to drop its old skin and don a New Avtar. From this year, a variety of subjects were used to make films. If we briefly look at some path breaking, landmark films using Novel themes, we will understand how the film industry was attempting to change itself.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6251 Post No. : 19333

Today’s song is from a very old film Anath Ashram-1937.

In the early era, when silent films were made, it was Maharashtra – especially Bombay which led the new medium as the production centre for silent films. Of course, some films were also being made in other places like Poona, Kolhapur, Coibtor, Nashik, Bangalore, madras, Calcutta and other occasional towns.

After the Talkie films started, Calcutta came up with one of the most organised, well equipped and big studios, making films in Bangla, Hindi and some other eastern languages. That was New theatres, Calcutta. In those days, Calcutta quickly rose as a busy centre for filmmaking in several languages and many studios and production houses came up, but no one could match the magnificence of New Theatres in terms of consistency, number of star actors, actresses and directors along with technicians. New Theatre ruled supreme till the rise of Bombay Talkies and Ranjit Studios in Bombay.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6241 Post No. : 19301

Today’s song is from a less known or rather unknown, obscure film- Mulaqat-1947.

This was one of the movies of 1947, which was made in great haste, adding only to the quantity of films. Actually the Music Director as well as the cast of the film was good, but somehow the film did not click.

This was a film with Muslim social background. The cast of the film was Naseem Banu, Prem Adib, Rama Shukla, Mumtaz Ali, Majid, Najma, Shah Nawaz and many others.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6232 Post No. : 19267

Today’s song is from an absolutely unknown film, Laaj-1946.

The film was directed by 3 people – Shehzada Ayyaz, Syed Munawwar and H.Qasim, under the banner of Ayyaz productions, Bombay- probably owned by one of the directors. The music was given by Ramchandra Pal and the cast was Shamim, Radha Rani,Ramesh, H.Prakash, Rajan, Rehana, Master Nissar and others.

I had never heard of this film, let alone seeing it. This was because neither the film nor any of its songs were famous. Even the cast did not boast of any of the famous or popular stars of that time. Only one of the cast members attracted the attention and that was the old time hero Master Nissar.

I tried hard to know more about this film but was not able to get anything. Then I wrote to Shri Harmandir Singh Hamraz ji and he, very kindly, promptly sent me the photograph of the film’s booklet. Thanks to Hamraz ji for this.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6229 Post No. : 19258

#the Decade of Forties – 1941 – 1950 #
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(Celebrating Saawan-2025-10)
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Today’s saawan song is from the movie ‘Krishna Leela-1946’. When I came across this song, I was surprised that it was still missing on this blog, because the singer of this song is none other than Kanan Devi.

‘Krishna Leela-1946’ was directed by Devki Bose for Geetanjali Pictures, Bombay. It had Kanan Devi, Paresh Bannerjee, Devi Mukherjee, Ranjeet Roy, Parvati, Suprabha, Kamal Mitra, Gokul Mukherjee, Tandon, Kapoor, Krushto Dhan and others.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6224 Post No. : 19241

#The Decade of Thirties – 1931 – 1940 #
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(Celebrating ‘Saawan’-2025-3)
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Today’s saawan song is from ‘Zamaanaa-1938’ a movie that was released nearly eightyseven yearago. It was directed by Ram Daryani for Krishin Movietone, Bombay. It had Padma Devi, Nazeer, Gope, Dar (Jeevan), and Majeed, Basant, Ameena, Gulab, Hansa Wadkar, Bansi Karnataki and others.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6211 Post No. : 19178

“Wasiyatnama”(1945) was directed by Soumen Mukherji for New Theatres, Calcutta. The movie had Asit Baran, Sumitra Devi, Bharati, Latika Bannerji, Ahindra Chaudhary, Hiralal, Devi Mukherji, Shor, Tandon, Natwar, Tulsi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6209 Post No. : 19169

If one looks at professions, we find that different professions have enjoyed popularity during different times. As new inventions were made, new professions came about. The profession of film actors, technicians etc were created when film making started. Singers have been there in the past as well but they typically used to be patronised in royal court. with the invention of gramophone recording, singers’ songs could be recorded and played even at remote locations where the singer would never go. That way this invention revolutionised the spread of music. As Radio was invented, these records could be played on radio stations and the same songs could reach a vast audience who did not need to possess these records themselves. So Radio, along with records, enabled dissemination of music, as well as news etc at a level that was revolutionary in human history.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6201 Post No. : 19148

Today’s song is from the film Baraat-1942.

The film was made by Kirti Pictures, Bombay and it was directed by Dada aka V.M.Gunjal (25-1-1904 to 16-11-1968). The music was by the brothers Ratanlal and Khemraj – a pseudonym taken by Khemchand Prakash to hide his identity legally, because at that time he was under contract with Ranjit Studios from 1940 to 1945. This was an attempt by Khemchand to help Ratanlal learn and become an independent Music Director. However, it helped in a very little way.
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