Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Calling the beloved’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5897 Post No. : 18493

Today’s song is from the film Laxmi Narayan-1951.

In the Hindi Film Geet Kosh (HFGK), you find mention of the Genre of every film like Social, Mystery, Family, Historical etc etc. During the 50’s decade 2 types of films were common, which were categorised as भक्ति प्रधान (Religious) and पौराणिक (Mythological). Most people do not know what the difference is between these 2 categories. Films made on stories from the Holy Scriptures like Ramayan, Mahabharat, Puranas and Vedas are called पौराणिक (Mythological) e.g. Ram Rajya, Bharat Milan, Ghatotkach, Shri Ganesh Vivah etc. Films made on the events connected with or the life of Saints or Bhakts are categorised as भक्ति प्रधान (Religious) e.g. Bhakta Dhruv, Mahatma kabir, Sant Tukaram, Bhakta Pundalik etc etc. One has to remember that Bhakti Pradhan or Religious films are not from Mythology, but Pouranik or Mythological films are religious films as they are connected with the principles of Religion.Laxmi Narayan is considered as the most ideal couple wherein Beauty and Wealth are combined with the Supreme Power. In our day to day life, a couple with very good looks and matching to each other is called a “Laxmi- Narayan” joda.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5885 Post No. : 18474

“Daastaan e Laila Majnu”(1974) was produced and directed by R L Desai for Chandra Art, Bombay. The movie had Anaamika, Kanwaljit, Dheeraj Kumar (special appearance), Jayshree.T., Satyajeet, K.N. Singh, B.M.Vyas, S.N.Tripathi, Dulari, Mohan Sherry etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5844 Post No. : 18392 Movie Count :

4974

(12th Remembrance Anniversary Day of Rajesh Khanna – 18th July’2024)

Today on the occasion of actor Rajesh Khanna’s 12th Remembrance Anniversary we pay our tributes to him by posting songs from the movies he acted in.

In this post I am presenting a song from the ‘1990’ movie ‘Swarg’. Trying to recollect now, I think this was the last movie of Rajesh Khanna which I watched in the theatres. I was staying at Kota (Rajasthan), and we had watched this movie on a holiday with colleagues from the company I was working in. Later on, as I progressed in my professional career, I had to shift to Bareilly (UP) where I stayed from 1999 to 2004. During this period the movie ‘Aa Ab Laut Chalen 1999’ was released, but I do not remember why I failed to watched it at that time. Subsequently I watched some movies of Rajesh Khanna on TV or on various channels. The latest Rajesh Khanna movies (for me) that I watched a few months ago were ‘Ajnabi-1974’ and ‘Amar Prem-1971’.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5775 Post No. : 18301

‘Lehren’ (1953) was produced by C Ramchandra and directed by HS Rawail for New Sai Productions, Bombay. The movie had Kishore Kumar, Shyama, Shakuntala, Bipin Gupta, Om Prakash, Sunder, Leela Mishra, Iftikhar etc. in it.  Raj Kapoor made a guest apperance in the movie.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5735 Post No. : 18257

Today’s song is from the film Mahasati Tulsi Vrinda-1947.

1947 was a landmark year for India. We got our Independence on 15th August 1947. It was a matter of joy and sorrow, because on one hand we threw off the British rule, but before leaving, the British divided our country on religious line, creating Pakistan for Muslims. This not only affected the lives of Muslims who left India to settle in and develop their own country, it also disturbed almost all forms of business in India, wherever Muslims were involved.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5731 Post No. : 18253

Today’s song is from the stunt film – Hunterwali ki Beti-1943.

This is perhaps the only film in a Hindi cinema,so far, where the same actress has done the role of a young woman in a film and again did the role of her daughter in the same film. There are some Hindi films which double roles have been done by a few actresses, of mother and daughter in the same film. What makes today’s film different is its Title.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5697 Post No. : 18215

“Hamaara Watan”(1956) was produced by Ramesh Vyas and directed by Jayant Desai for Navkala Niketan, Bombay. The movie had Bina Rai, Premnath, Agha, Ram Singh, S N Tripathi, Kumkum, Jagdish Kamal, Ramesh Sinha, S Azeem, Habeeb, Nazeer Kashmiri, Md Rafi, Md Ali, M. Sandow, Hanuman, Md Hussain, Bela Sarkar, Jaya Rao, Maya Das etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5672 Post No. : 18182 Movie Count :

4947

#the Decade of Eighties – 1981 – 1990 #
————————————————————————
(“The Musical Mehtas” – Neena Rajendra Mehta)

In my journey of listening of music and collection of cassettes there was a phase in 1986 when I was introduced to ghazals. I may have been listening ghazals from films but then I was not aware more about this genre and also of the many non-film ghazals already making their foray in the music industry. It was because of my boss who was from Punjab and a great admirer of ghazals that I got to listen to the so many gems from this genre. I was staying at Parli Vaijnath then. It would be appropriate here that I reproduce some part of the text (edited) which I had written earlier in my post for the song “Sarakti Jaaye Hai Rukh Se Naqaab Aahista Aahista” here on the blog which will give a background for today’s article too.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5662 Post No. : 18164

Shakespeare’s plays have been one of the important sources for adapting them in Hindi films since the beginning of the Indian film industry in 1913. However, since very few films produced and released during the silent film era survived, it is difficult to say how many silent films were based on Shakespeare’s plays. A research paper on Shakespeare on Screen by Dr. Joseph Koyippally has identified 8 silent films based on Shakespeare’s plays that were released between 1923-30.
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This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5528 Post No. : 17981

Today, I learnt the importance of checking things on the blog before starting to write. I wrote a whole post with full detail. Very Happy, I sent it to Amma for proofreading. She replied – “I think I have already written about this song” and what do you know, “Dil Mein Jaagi Dhadkan” was already on this blog. But I had, already, written a post extolling how the song made me feel and why I loved it. The song was full of love & joy and always made me stop and give it attention. I had heard the song again because it was part of today’s polls in the bracket I mentioned in the “Ande ka Funda” song. And it inspired me to write.
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