Archive for the ‘Guest posts’ Category
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6389 | Post No. : | 19815 |
ہوا جو پیوند میں زمیں کا تو دل ہوا شاد مجھ حزیں کا
بس اب ارادہ نہیں کہیں کا کہ رہنے والا ہوں میں یہیں کا
قریب ہے یارو روز محشر چھپے گا کشتوں کا خون کیوں کر
جو چپ رہے گی زبان خنجر لہو پکارے گا آستیں کا
ہوائے مے میں ہوں محو ایسا چمن میں گھر کر جو ابر آیا
سیہ مستی میں میں یہ سمجھا جہاز ہے آب آتشیں کا
امیرؔ دیکھا جو اس کا نقشہ تو نقشہ یوسف کا دل سے اترا
کہ نقش ثانی کے آگے ہوتا فروغ کیا نقش اولیں کا
हुआ जो पैवंद मैं ज़मीं का तो दिल हुआ शाद मुझ हज़ीं का
बस अब इरादा नहीं कहीं का कि रहने वाला हूँ मैं यहीं का
क़रीब है यारो रोज़-ए-महशर छुपेगा कुश्तों का ख़ून क्यूँ-कर
जो चुप रहेगी ज़बान-ए-ख़ंजर लहू पुकारेगा आस्तीं का
हवा-ए-मय में हूँ महव ऐसा चमन में घिर कर जो अब्र आया
सियह-मस्ती में मैं ये समझा जहाज़ है आब-ए-आतशीं का
‘अमीर’ देखा जो उस का नक़्शा तो नक़्शा यूसुफ़ का दिल से उतरा
कि नक़्श-ए-सानी के आगे होता फ़रोग़ क्या नक़्श-ए-अव्वलीं का
(Ameer Minai)
The above is the complete ghazal by Ameer Minai. The famous line “Jo chup rahegi zubaan e khanjar, lahu pukaregaa aasteen ka” is partly used in the last stanza of this song posted recently. Since the famous line is the crux of the matter, and full ghazal is the complete story, so given above as food for thought.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6388 | Post No. : | 19814 |
Hullo Atuldom
Back after a year of inactivity. My last post was on 27th December 2025. Since then the calendar has changed and we are into 2026- a New Year. Even if the gap has been of only a few days, it feels like I have been away forever- feels like an Year of Inactivity. 🙂
“Inspector” (1956) was a film that had 9 songs with the song ‘dil chhed koi aisa naghma’ having two versions – in Hemant Kumar’s & Lata Mangeshkar’s voices. The following songs of the film are present on the blog:-
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Kehna hee kya
Posted on: January 13, 2026
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6388 | Post No. : | 19813 |
A R Rahman – The Musician of 21st Century – 11
Finally, I come to this wedding song, semi-qawwali from the 1995 film Bombay. It is an essential song in the ARR series, as a personal favourite for all these years. The essence of this composition is undoubtedly K. S. Chitra’s rendition of this Hindi version. I can’t say much about the Tamil version, as the words are not comprehendible to me. Each language has its own sounds, and nuances of them. An ignorant person cannot fathom them. May be the regulars knowing Tamil will be able to describe, what I am unable to say here.
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Dard e dil tu hee bataa
Posted on: January 13, 2026
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6388 | Post No. : | 19811 |
Naa to kaarwaan ki talaash hai,
naa to hamsafar ki talaash hai
Clickbait?
Not really.
The above qawwali couplet from Barsaat ki Raat (1960) is quite viral these days. This post is however on the genius music director who composed the well-known qawwali.
Roshan Lal.
I have provided the qawwali link above, so that readers can enrich their knowledge regarding the origins and making of the popular number. There are many comments by knowledge readers in the article which give a lot of information.
And, as is my habit, here is a digression.
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Mil ke bichhad mat jaana
Posted on: January 12, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6387 | Post No. : | 19807 |
‘Daasi’ (1944) was produced under the banner of Pradhan Pictures and was directed by Hiren Bose. The cast included Najam-ul-Hasan and Ragini in the lead roles supported by Kalavati, Khairati, G N Butt, Charlie, Om Prakash, Gyani, Fazal Shah, Manzoor etc. The story of the film was written by Dalsukh Pancholi. I have strong reason to believe that Pradhan Pictures was Dalsukh Pancholi’s ‘ghost’ banner as I find his name on the Censor Certificate as applicant.
The film’s lead actor, Najam-ul-Hasan (in the credit title of the film, his name is spelled as Najam Hussain) became well known for an incidence while working in the Bombay Talkies film, ‘Jeevan Naiyya’ (1936) as a lead actor opposite Devika Rani, wife of Himanshu Rai, the founder of the Bombay Talkies. During the making of the film, Najam-ul-Hasan eloped with Devika Rani to Calcutta (Kolkata). While Devika Rani was convinced by Sashadhar Mukerjee to return to Bombay Talkies, Ashok Kumar who was working in the Bombay Talkies as a laboratory assistant got a chance to work as a lead actor opposite Devika Rani, replacing Najam-ul-Hasan.
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Ujiyaara bhor ka
Posted on: January 11, 2026
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6386 | Post No. : | 19805 | Movie Count : |
5178 |
‘Bandhan Baahon Kaa’ (1988) was produced by O P Bajaj and Mahendra Mansinghka and was directed by Govind Munis. The cast included Raj Kiran, Swapna, Brahmachari, Hullad Muradabadi, Rajesh Puri, Avnish Pratap, Manoj Tiwari, Rita Katyal etc. The film was based on a short story, ‘Kariye Chhima’ by Hindi novelist, Shivani (real name: Gaura Pant). In Kumaon language, ‘Chhima’ is a derived word from ‘Kshama’ (forgiveness). It appears that the film had a delayed release as the song album was released in 1985 with the film’s original title, ‘Kariye Kshama’.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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