Archive for the ‘Post by Sudhir’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Now how come this song has not yet made it to the blog? Well I think the main reason could be that there are so many such wonderful gems still out there that I am sure we are going to continue rediscovering them and posting them here, for a long time still to come. And yet, on listening to this particular song, memories of the radio listening days are revived and the mind says, where has this song be sitting for all these years.
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Aisa hota to nahin
Posted on: July 17, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Sannaata’ is a film from 1966 that has simply sublime music composed by Hemant Da. The film has only 4 songs, and all of them are absolute gems of melody.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The personality personified in these two lines “Dil Hai Hamaara Phool Se Naazuk, Baazu Hain Faulaad” – that is the image of Dara Singh that I have always carried with me. A childhood hero, a super powerful man, who was always friendly and helpful for the needy, and was a scourge for the baddies.
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Main hoon Atom bomb
Posted on: July 10, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is the 400th writeup by him in this blog
The peculiarity of the choice of words and themes of songs in Hindi films will probably never cease to surprise. As we continue to unearth more and more unheard songs, we continue to come across songs that will make one wonder and bring a laugh at the same time. Looking for something else, I bumped into this song just a little while ago. I had not heard this song before. And in just one listen, I am completely bowled over.
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Dekho zara ulfat ka asar
Posted on: July 10, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Taatarstan is an autonomous republic within the Russian Federation, which is situated along the banks of the River Volga, and to the west of the Ural Mountains. Historically, this is a small kingdom that was absorbed into the USSR after the Bolshevik Revolution in 1917, as an autonomous republic. The original inhabitants, called the Tataar or Taatari people, belong to the ethnic Taatar group from the old Turkistan (modern day Turkey), who spread out over a large part of East Europe in the eighth century AD. As a part of this migration, a group of enthnic Taatari people settled down at the banks of River Volga, and established the original Taatari kingdom.
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Jo dil ki baat hoti hai
Posted on: July 9, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The haunting image of a worn-out, white bearded face, with lines of age alluding to maybe a century of anguish, haltingly climbing down the service staircase in the deserted studio, wanting to reach the chair with ‘Director’ imprinted on its back. Or the vision of a decrepit man standing in the theatre doorway, his hands out flung across the entrance, and the sharp lighting from behind giving an impression of a phoenix rising from the ashes. These two celluloid illustrations are probably two of a handful of very gripping, compelling and spellbinding images that have left a lasting imprint on the minds of the cinema viewers and more importantly, a telling statement that redefined the very cultural fabric of the society and of film making itself.
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Baadal dal sa nikal chalaa
Posted on: July 7, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Anil Biswas, a name that is associated with the Hindi film music, almost from its inception in the early 30s – an association that lasted all the way into the decade of 60s. It is almost as if the golden age of film music came to an end when this hugely talented composer decided to call it a day, and retired from film music in the late 60s. Today is the 98th birth anniversary of this doyen of Hindi film music.
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Hamen yaad kabhi tum kar lena
Posted on: July 6, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The year is 1972, and Salil Da has completed two decades in the film industry. Making his debut with the 1953 Bimal Roy production, ‘Do Bigha Zameen’, he continues to be a fairly busy music director in the early 70s. Somewhat unassuming, somewhat low key, his creations continue to catch one’s ear as well as one’s fancy. During the 50s and 60s, he has made his mark with such films that have become memorable on account of his music – ‘Biraj Bahu’ (1954), ‘Jaagte Raho’ (1956), ‘Musaafir’ (1957), ‘Ek Gaon Ki Kahaani’ (1957), ‘Madhumati’ (1958), ‘Parakh’ (1960), ‘Chhaayaa’ (1961), ‘Kabuliwaala’ (1961), ‘Half Ticket’ (1962), ‘Poonam Ki Raat’ (1965) etc. The seventies have emerged and Salil Da already has films like ‘Anand’ (1971) and ‘Mere Apne’ (1971) under his belt. In 1972, his melodies from ‘Annadaata’ are making waves on the radio. In 1972, Salil Da will also compose for two more films that did not get retained on the memory cards of the listening public. One is ‘Sabse Bada Sukh’ that has two wonderful songs. And the second is an even more obscure film, ‘Anokha Daan’, which carried as many as five superb melodies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A wonderful ghazal, presented in qawaali style of singing, and sung and performed by Kishore Kumar. Some combination you might say. Yes, the results are appealingly captivating. Well at least for Meena Kumari on screen, who appears to be completely bowled over by this roadside performance by the simple looking and freewheeling Kishore Kumar.
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Mast nazar ke paimaane chhalke
Posted on: July 6, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Many online sources of information indicate that Khaiyyaam made his debut in 1953 with the film ‘Footpath’. This information is erroneous. Zahur Khan, better known as Khaiyyaam, has actually been active as a music director since 1947/48. During the years from 1947 to 1953, he was using a different pseudonym. In this period, he composed music under the name of ‘Sharma ji’. He once shared in an interview, the reason for why he used the name ‘Sharma ji’. His strong interest was music and he moved to Bombay to make a career in films. The years of 1946-47 were very intense with the issues of independence and also the partition of India. A deep divide had occurred between the communities, and a large contingent of film wallahs opted to move to Pakistan.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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