Posts Tagged ‘N Datta’
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4602 | Post No. : | 16229 |
Yearwise discussion of Lata Mangeshkar songs in HFM: Part XXII: Year 1968
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In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1968.
In 1968, 72 Hindi movies containing 458 songs were released. Lata Mangeshkar got to sing in 33 of these movies and she sang 84 songs in these movies. So Lata Mangeshkar’s voice was heard in 45.8 % of the movies released in 1968. Her voice was heard in 18.3 % of the songs appearing in the movies of 1968.
Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1967 :-
| S N | Movie | Music director | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Lyricists |
|---|---|---|---|---|---|---|---|---|---|
| 1 | Aadmi | Naushaad | 2 | 2 | 2 | 0 | 0 | 0 | Shakeel Badayuni |
| 2 | Aankhen | Ravi | 3 | 3 | 3 | 0 | 0 | 0 | Sahir Ludhianvi |
| 3 | Aashirvaad | Vasant Desai | 2 | 2 | 2 | 0 | 0 | 0 | Gulzar |
| 4 | Abhilaasha | R D Burman | 2 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 5 | Anokhi Raat | Roshan | 1 | 1 | 1 | 0 | 0 | 0 | Indeevar |
| 6 | Apna Ghar Apni Kahaani | N Datta | 0 | 1 | 1 | 0 | 0 | 0 | Qamar Jalalabadi |
| 7 | Aulaad | Chitragupta | 3 | 3 | 1 | 2 | 0 | 0 | Majrooh Sultanpuri |
| 8 | Baazi | Kalyanji Anandji | 2 | 2 | 1 | 0 | 1 | 0 | Shakeel Badayuni |
| 9 | Bahaaron ki manzil | Laxmikant Pyarelal | 4 | 4 | 4 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 10 | Do Kaliyaan | Ravi | 6 | 6 | 3 | 3 | 0 | 0 | Sahir Ludhianvi |
| 11 | Ek Kali Muskaayi | Madan Mohan | 3 | 3 | 3 | 0 | 0 | 0 | Rajinder Krishan |
| 12 | Gauri | Ravi | 1 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 13 | Haay Mera Dil | Usha Khanna | 1 | 1 | 1 | 0 | 0 | 0 | Anand Bakshi |
| 14 | Haseena Maan Jaayegi | Kalyanji Anandji | 2 | 2 | 0 | 2 | 0 | 0 | Akhtar Romani (1) Qamar Jalalabadi (1) |
| 15 | Izzat | Laxmikant Pyarelal | 3 | 3 | 2 | 1 | 0 | 0 | Sahir Ludhianvi |
| 16 | Jhuk Gaya Aasmaan | Shankar Jaikishan | 3 | 3 | 2 | 1 | 0 | 0 | Hasrat Jaipuri (2) Shailendra (1) |
| 17 | Juaari | Kalyanji Anandji | 3 | 3 | 0 | 3 | 0 | 0 | Anand Bakshi |
| 18 | Kahin Aur Chal | Shankar Jaikishan | 3 | 3 | 3 | 0 | 0 | 0 | Shailendra (2) Hasrat Jaipuri (1) |
| 19 | Kanyaadaan | Shankar Jaikishan | 2 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 20 | Mere Hamdam Mere Dost | Laxmikant Pyarelal | 4 | 4 | 4 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 21 | Mere Huzoor | Shankar Jaikishan | 2 | 2 | 1 | 1 | 0 | 0 | Hasrat Jaipuri |
| 22 | Nadir Shah | S N Tripathi | 2 | 2 | 1 | 1 | 0 | 0 | Majrooh Sultanpuri |
| 23 | Paayal Ki Jhankaar | C Ramchandra | 1 | 1 | 1 | 0 | 0 | 0 | Rajinder Krishan |
| 24 | Padosan | R D Burman | 3 | 3 | 2 | 0 | 1 | 0 | Rajinder Krishan |
| 25 | Raaja Aur Rank | Laxmikant Pyarelal | 4 | 4 | 2 | 2 | 0 | 0 | Anand Bakshi |
| 26 | Saathi | Naushaad | 3 | 3 | 3 | 0 | 0 | 0 | Majrooh Sultanpuri |
| 27 | Sangharsh | Naushaad | 3 | 3 | 3 | 0 | 0 | 0 | Shakeel Badayuni |
| 28 | Sapnon Ka Saudaagar | Shankar Jaikishan | 2 | 2 | 2 | 0 | 0 | 0 | Hasrat Jaipuri |
| 29 | Saraswati Chandra | Kalyanji Anandji | 4 | 4 | 3 | 1 | 0 | 0 | Indeevar |
| 30 | Shikaar | Shankar Jaikishan | 1 | 1 | 0 | 0 | 1 | 0 | Hasrat Jaipuri |
| 31 | Suhaagraat | Kalyanji Anandji | 3 | 3 | 2 | 0 | 1 | 0 | Akhtar Romani (1) Qamar Jalalabadi (1) Indeevar (1) |
| 32 | Teen Bahuraaniyaan | Kalyanji Anandji | 1 | 1 | 0 | 0 | 0 | 1 | Anand Bakshi |
| 33 | Vaasna | Chitragupta | 4 | 4 | 2 | 1 | 1 | 0 | Sahir Ludhianvi |
| Total | 33 movies | 11 MDs | 83 | 84 | 59 | 19 | 5 | 1 | 11 lyricists |
Lata Mangeshkar worked with 14 music directors and 11 lyricists in these 33 movies released in 1968. Shankar Jaikishan with 382 songs in the voice of Lata Mangeshkar were the leading music directors for her followed by C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (216), Madan Mohan (162), Roshan (144), Laxmikant Pyarelal (129), Kalyanji Anandji (126), Naushad (126), Hemant Kumar (121), Anil Biswas (120), S D Burman (116), Husnlal Bhagatram (108) and Vasant Desai (104). Together these thirteen music directors composed 2128 songs out of 3156 songs that Lata Mangeshkar had sung in Hindi movies till end of 1968. The top eight lyricists till end of 1967 for Lata Mangeshkar were Rajinder Krishan (467), Shailendra (360), Hasrat Jaipuri (259), Majrooh Sultanpuri (201), Shakeel Badayuni (186), Prem Dhawan (185), Bharat Vyas (180), Sahir Ludhianvi (108). These eight lyricists had penned 1946 songs sung by Lata Mangeshkar till that time.
Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1968 :
| Year | Movie count | Lata song in the blog | Lata HFM songs recorded in the year | Lata solo songs | Male duet | Female duet | Other songs | Remarks |
|---|---|---|---|---|---|---|---|---|
| 1946 | 3 movies | 4 | 4 | 4 | 0 | 0 | 0 | |
| 1947 | 3 movies | 5 | 5 | 3 | 1 | 0 | 1 | |
| 1948 | 16 movies | 50 | 50 | 37 | 6 | 4 | 3 | |
| 1949 | 38 movies | 134 | 157 | 103 | 35 | 12 | 7 | |
| 1950 | 36 movies | 114 | 143 | 93 | 32 | 14 | 4 | |
| 1951 | 49 movies | 189 | 223 | 158 | 52 | 10 | 3 | |
| 1952 | 43 movies | 149 | 177 | 138 | 31 | 4 | 4 | |
| 1953 | 45 movies | 170 | 195 | 149 | 35 | 5 | 6 | |
| 1954 | 43 movies | 140 | 172 | 144 | 23 | 4 | 1 | |
| 1955 | 50 movies | 165 | 218 | 177 | 30 | 10 | 1 | |
| 1956 | 49 movies | 168 | 204 | 153 | 35 | 13 | 3 | |
| 1957 | 47 movies | 129 | 160 | 110 | 38 | 7 | 5 | |
| 1958 | 35 movies | 102 | 132 | 95 | 25 | 10 | 1 | |
| 1959 | 58 movies | 188 | 211 | 130 | 68 | 12 | 1 | |
| 1960 | 48 movies | 139 | 166 | 102 | 50 | 12 | 1 | |
| 1961 | 44 movies | 125 | 152 | 88 | 55 | 5 | 4 | |
| 1962 | 40 movies | 118 | 129 | 84 | 40 | 5 | 0 | |
| 1963 | 37 movies | 103 | 111 | 62 | 38 | 8 | 3 | |
| 1964 | 46 movies | 122 | 133 | 91 | 31 | 8 | 3 | |
| 1965 | 42 movies | 83 | 91 | 71 | 17 | 1 | 2 | |
| 1966 | 49 movies | 104 | 133 | 110 | 14 | 8 | 1 | |
| 1967 | 44 movies | 92 | 106 | 67 | 38 | 8 | 3 | |
| 1968 | 33 movies | 83 | 84 | 59 | 19 | 5 | 1 | |
| Total upto 1968 | 898 movies | 2693 | 3156 | 2228 | 713 | 165 | 58 |
It can be seen from the table of 1968 that Lata Mangeshkar sang 84 songs in movies released in 1968. As many as 83 of these songs are already covered in the blog ! Out of 33 movies of 1968 here Lata Mangeshkar sang, all songs of 32 movies are already covered.
There is only one movie of 1968 containing a Lata Mangeshkar song thatis not yet covered in the blog.
This movie is “Apna Ghar Apni Kahaani”(1968). This movie was directed by Phani Majumdar fr Rachna Films, Bmbay. This “social” movie had Shekhar, Bina Rai, Mumtaz, Sudhir, Bela Bose, David, Brahm Bhardaj, Madhumati, Keshto Mukherjee, Keshav Rana, Baby Farida etc in it.
This movie was originally named “Pyaas”. Its records were issued under this name. So one should not be confused if this song is mentioned as belonging to “Pyaas” by some people.
The movie had six songs in it. Three songs have been covered in the past.
The movie had one Lata solo in it which is not covered so far.
I had come across this song some time back. The song was wonderful to listen to and I had earmarked it for some special occasion. Now that I have to discuss a Lata Mangeshkar sng from 1968, this is the ONLY Lata Mangeshkar song available for me to discuss !
This song is penned by Qamar Jalalabadi. N Datta is the music director.
The song is picturised on Bela Bose as a roadside tamasha song. Bela Bose is dancing joyously hile the lyrics of the song are meant to express the feelings of separation that Bina Rai, playing a dukhiyaari naari and listening to the song from the cofines of her home.
Some people, including I are immediately reminded of the “Zanjeer” (197) roadside tamasha song Deewaane hain deewaanon ko na ghar chaahiye . That song had a female dancer dancing joyously hile lip syncing the feelings of the lead pair watching from their residence.
Both these songs had another thig in common, viz a male dholak player ho is better known in other capacity. The “Zanjeer” dholakiya was played by lyricist Gulshan Bawra. Here the dholak player is Prem Dhawan, better known as a lyricist cum music director.
In my view, that I had expressed during the earlier days of this blog, 1968 was a year that gave us a large mumber of immortal songs and so I describe this year 1968 not as a golden year but as a Platimun year for HFM. This year had quality songs even though quantity was less-only 458 songs which was the loest number of songs composed for movies of a calender year during the entire Golden era of HFM (spanning from 1949 till 1980.
ith this song, each and every Lata Mangeshkar song sung by her for movies of 1968 have been covered in the blog. So Lata Mangeshkar songs of 1968 get YIPPEED in the blog, so to say. It is a matter of time when all 458 songs of 1968 too get covered in the blog. Right no we are at 316 songs for the year with just over 150 songs to go for 1968.
Video
Audio
Song-Chhod gaye bedardi hamka lai na gaye (Apna Ghar Apni Kahaani)(1968) Singer-Lata, Lyrics-Qamar Jalalabadi, MD-N Datta
Lyrics
aaa
aa aa aa aa aa
kat’ti nahin ik raat sanwariya aa aa
kaise kategi
saari
umariyaa aa aa
chhod gaye bedardi
haaye
chhod gaye bedardi
hamka lai na gaye
chhod gaye bedardi
hamka lai na gaye
lai na gaye beimanvu
hamka lai na gaye ae
chhod gaye bedardi
hamka lai na gaye
chaar maheena ke garmi howat hai
chaar maheena ke garmi howat hai
birha ki maari sudh budh khowat hai
taptap choowe paseenwaa
haaye
taptap choowe paseenwaa
hamka lai na gaye
chhod gaye bedardi
hamka lai na gaye
lai na gaye beimanvu
hamka lai na gaye ae
chhod gaye bedardi
hamka lai na gaye
chaar maheena ke barkha howat hai
chaar maheena ke barkha howat hai
badri ke sang sang manwaa rowat hai
tiptip tapke bangalnaa
haaye
tiptip tapke bangalnaa
hamka lai na gaye
chhod gaye bedardi
hamka lai na gaye
lai na gaye beimanvu
hamka lai na gaye ae
chhod gaye bedardi
hamka lai na gaye
chaar maheena ke jaada howat hai
chaar maheena ke jaada howat hai
nindiya na aaye saari nagri sowat hai
thhar thar kaanpe badanwaa
haaye
thhar thhar kaanpe badanwaa
hamka lai na gaye
chhod gaye bedardi
hamka lai na gaye
lai na gaye beimanvu
hamka lai na gaye ae
chhod gaye bedardi
hamka lai na gaye
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4548 | Post No. : | 16130 |
Remembrance Day of N Datta on 30.12.2020
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Geeta Dutt – Solos and duets (01)
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This is a tribute post for Datta Naik, also known as N Datta, on his 33 death anniversary. It looks as if, N Datta formed a successful team with Sahir Ludhianvi as most of his popular songs are with Sahir in the period 1957-1959. He has composed a sizeable 349 songs in 54 films, out of which 221 are already in the blog.
A few weeks aga I inadvertently ended up with a short list of Geeta Dutt’s song links, which included different genre of songs, duets, solos and female duets. They are mostly so sweet and pleasing songs. Sometimes melancholy, but still sweet.
So here is the first song in the series, combined with the remembrance day tribute post of N. Datta. It is a Mohammed Rafi- Geeta Dutt duet from the 1960 film “Rickshawala”. The lyricist here is Jan Nisar Akhtar. The song actually is a sales pitch song. The sale of the humble fruit called “Chikoo”. It is called “Sapota” too. Both singers along with chorus are enthusiastically promoting it, even offering it for free, in exchange of a heart. The celebrity names are also freely taken for encouraging people to buy the fruit. So it is a fruit vendors song, who say that :
‘chehre ka ye husn badhaaye,
Nargis khaaye,
Nimmi khaaye,
khaaye madhubala”
‘ Chikoo’ is supposed to be rich in iron, so may be, it is useful in increasing ‘chehre ka husn’. I had early experience of buying ‘chikoo’ in, believe it or not Mumbai local trains. The price was unbelievable, 5-6 chickoos for Rs. 2/- only. Those were the cheap 80’s.
Only two songs from this film are posted so far :
| Song | Date of posting |
|---|---|
| Neeli saadi sunahra jumper | 14 February 2012 |
| Jawaani mein to ik dil ki | 18 December 2018 |
Title of the film is ‘Rickshawala’, but there is no riksha or tonga song here. There are these marathi words repeated in the song ‘aga saku, ghe chikoo’. It means ‘O saku, buy chikoo’. ‘Saku’ may be a slang or a nickname of sort, where girls are called ‘saku’ in a teasing way.
I could find only the audio link for the song, but it is filmed on Johnny Walker and Anita Guha. Another film with only Mohammed Rafi male singer, with Lata Mangeshkar, Asha Bhosle and Geeta Dutt.
Song-Pandit ho ya lala ya Gandhi topi waala (Rickshawala) (1960) Singers-Geeta Dutt, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-N Datta
Chorus
Rafi + Geeta Dutt
Lyrics
Pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
pandit ho ya laala
ya Gandhi topi waala
hoy pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
aga sakoo oo
ghe chikoo oo
joru kehti khaaoon na khaana
bhool gaye kyun chikoo laanaa
arrey joru kehti khaaoon na khaana
bhool gaye kyun chikoo laanaa
isi ki sab farmaaish karte
ho o o o o o
isi ki sab farmaaish karte
saali ho ya saalaa
kehlaaye matwaalaa aa
pandit ho ya laala
ya Gandhi topi waala
hoy pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
aga sakoo oo
ghe chikoo oo
chehre ka yeh husn badhhaaye
saari duniyaa shauq se khaaye
chehre ka yeh husn badhaaye
saari duniyaa shauq se khaaye
Nargis khaaye Nimmi khaaye ea ea
oo oooo oo ooo
Nargis khaaye Nimmi khaaye
khaaye Madhubalaa
kehlaaye matwaalaa aa
pandit ho ya laala
ya Gandhi topi waala
arey pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
aga sakoo oo
ghe chikoo oo
(aye aye ayen)
le ja jholi bhar bhar le jaa
daam na ho to dil hi de jaa
haay haaye
le ja jholi bhar bhar le jaa
daam na ho to dil hi de jaa
jaise chaahe sauda kar le ea
oo o ooo
jaise chaahe sauda kar le
kar na gadbad jhaala
kehlaaye matwaalaa a
pandit ho ya laala
ya Gandhi topi waala
oye pandit ho ya laala
ya Gandhi topi waala
jo bhi khaaye chikoo bhaiyya
kehlaaye matwaala aa
hey Bhikoo
ab to khaa chikoo oo
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4548 | Post No. : | 16129 |
‘Naach Ghar-1959’ was directed by R.S. Tara for ‘Quality Pictures, Bombay’. R.S. Tara was also the producer of this movie.
It had Ashok Kumar, Shobha Khote, Gopikrishna, Helen, Kamala Laxman, Anup Kumar, Dhumal, Iftekhar, Maya Das, Mirza Musharraf, Jamal, Sujata, Bismillah, Vivek and others.
This movie was passed by the Censor Board on 23.01.1959.
‘Naach Ghar-1959’ had ten songs as listed in HFGK Vol-III (1951-1960) as given below;
| SNo | Song Title | Singer/s |
|---|---|---|
| 01 | Tumhe kaise kahoon o jee, o o o | Lata Mangeshkar, Mohd Rafi |
| 02 | Main banjaaraa door ka …teri adaa pe qurbaan | Mohd Rafi |
| 03 | Dil tujhko diya tha dildaar maan ke | Lata Mangeshkar |
| 04 | Meri sune to o pardesi dil se dil takraane de | Lata Mangeshkar, Mohd Rafi |
| 05 | Dukh jo diye hain duniya ne … | Lata Mangeshkar, Mohd Rafi |
| 06 | Ae dil zubaan na khol sirf dekh le | Lata Mangeshkar |
| 07 | Main hoon Mr John, watan mera … | Mohd Rafi, Geeta Dutt |
| 08 | Jaaneman jaaneman chilman uthha kar dekh le | Asha Bhonsle, Mohd Rafi |
| 09 | Door se yoon na tarsaao, roshni ban ke aa jaao | Lata Mangeshkar |
| 10 | Tere shehron se raaja hamen ban hi bhaley* | Lata Mangeshkar, Mohd Rafi |
*(HFGK mentioned this song as ‘one’ single song only and so the other resources. However, this song is available on internet as ‘part-1’ and ‘part-2’, of which one part has been posted in the comment section by me, and to be updated in main post.
I would request knowledgeable readers to throw more light on this song and other songs of this movie).
All the songs for this movie were written by Sahir Ludhianvi and music was composed by N. Datta.
As mentioned above lyrics are by Sahir Ludhianvi and music is composed by N. Datta.
With this song, all the songs of “Naach Ghar”(1959) are covered and the movie joins the list of movies that have been YIPPEED in the blog.
(audio)
Song-Jaaneman chilman uthha kar dekh le (Naach Ghar)(1959) Singers-Rafi, Asha Bhonsle, Lyrics-Sahir Ludhianvi, MD-N Datta
Male chorus
Female chorus
Lyrics
aa aa aa
aa aa aa
aa aa aa aa
jaaneman
jaaneman chilman uthha kar dekh le ae
dekh le ae
diljalon se dil lagaakar dekh le ae
dekh le ae
jaaneman chilman uthhakar dekh le ae
dekh le ae
diljalon se dil lagaa kar dekh le ae
dekh le ae
jaaneman chilman uthhakar dekh le
ishq hai sahib
zabardasti nahin ee ee ee ee ee ee ee ee
kyun koyi ee ee ee ee
kyun koyi
chilman uthhakar dekh le ae
dekh le ae
kyun koyi
chilman uthhakar dekh le ae
dekh le ae
kyun koyi
chilman uthhakar dekh le
dekh le
aazmaaye honge toone saikdon
ab hamen bhi aazmaa kar dekh le ae
dekh le ae
ab hamen bhi aazmaa kar dekh le ae
dekh le ae
ab hamen bhi aazmaa kar dekh le ae
dekh le
mera jalwaa dekhnaa aasaaan nahin
ee ee ee ee ee ee
apnaa munh oon oon
apnaa munh aayeenaa laa kar dekh le ae
dekh le ae
apnaa munh aayeenaa laa kar dekh le ae
dekh le ae
apnaa munh aayeenaa laa kar dekh le ae
dekh le
ye haseen surat hai jab tak saamne ae
kaun uthhe aayeene ko thhaamne ae
aur phir aayeenaa dikhlaayega kya
tere deewaanon ke kaam aayegaa kya
apni soorat se to wahshat hai hamen
tere jalwon se mohabbat hai hamen
jo teri soorat dikhaa de jaaneman
hamko wo aayeenaa laa de jaaneman
taake ye aashiq ye matwaalaa tera aa
muddaton ka chaahnewaalaa tera
muddaton ka chaahnewaalaa tera
tujhko duniya aa aa aa aa
tujhko duniya se chhupaa kar dekh le ae
dekh le ae
tujhko duniya se chhupaakar dekh le ae
dekh le ae
jaaneman chilman uthha kar dekh le ae
dekh le ae
diljalon se dil lagaakar dekh le ae
dekh le ae
(aa aa aa aa aa aa aa aa aa )
jaaneman chilman uthhakar dekh le ae
dekh le ae
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4530 | Post No. : | 16090 |
Today 12th Dec’2020 is the ninety-third birth anniversary of Datta Naik also known as N. Datta. He was born on 12th December’1927 in Goa, and he passed away on 30th December’’1987 at Mumbai (then Bombay).
On this occasion here is a song from the movie ‘Naach Ghar-1959’.
‘Naach Ghar-1959’ was directed by R.S. Tara for ‘Quality Pictures, Bombay’. R.S. Tara was also the producer of this movie. It had Ashok Kumar, Shobha Khote, Gopikrishna, Helen, Kamala Laxman, Anup Kumar, Dhumal, Iftekhar, Maya Das, Mirza Musharraf, Jamal, Sujata, Bismillah, Vivek and others.
This movie was passed by the Censor Board on 23.01.1959.
‘Naach Ghar-1959’ had ten songs as listed in HFGK Vol-III (1951-1960).
These songs are :-
| SNo | Song Title | Singer/s |
|---|---|---|
| 01 | Tumhe kaise kahoon o jee, o o o | Lata Mangeshkar, Mohd Rafi |
| 02 | Main banjaaraa door ka …teri adaa pe qurbaan | Mohd Rafi |
| 03 | Dil tujhko diya tha dildaar maan ke | Lata Mangeshkar |
| 04 | Meri sune to o pardesi dil se dil takraane de | Lata Mangeshkar, Mohd Rafi |
| 05 | Dukh jo diye hain duniya ne … | Lata Mangeshkar, Mohd Rafi |
| 06 | Ae dil zubaan na khol sirf dekh le | Lata Mangeshkar |
| 07 | Main hoon Mr John, watan mera … | Mohd Rafi, Geeta Dutt |
| 08 | Jaaneman jaaneman chilman uthha kar dekh le | Asha Bhonsle, Mohd Rafi |
| 09 | Door se yoon na tarsaao, roshni ban ke aa jaao | Lata Mangeshkar |
| 10 | Tere shehron se raaja hamen ban hi bhaley* | Lata Mangeshkar, Mohd Rafi |
*(HFGK mentioned this song as ‘one’ single song only and so the other resources. However, this song is available on internet as ‘part-1’ and ‘part-2’, of which one part has been posted in the comment section by me, and to be updated in main post.
I would request knowledgeable readers to throw more light on this song and other songs of this movie).
All the songs for this movie were written by Sahir Ludhianvi and music was composed by N. Datta.
On the blog we have covered one hundred and one songs of ‘N. Datta-Sahir Ludhianvi’ collaboration.
Sahir Ludhianvi and N. Datta collaborated in as many as sixteen movies (list given below). They have given us many unforgettable songs including some gems of Hindi Film Music.
| Sno | Movie | Year |
|---|---|---|
| 1 | Marine Drive | 1955 |
| 2 | Milaap | 1955 |
| 3 | Chandrakaanta | 1956 |
| 4 | Light House | 1958 |
| 5 | Sadhna | 1958 |
| 6 | Bhai Bahan | 1959 |
| 7 | Dhool Ka Phool | 1959 |
| 8 | Didi | 1959 |
| 9 | Naach Ghar | 1959 |
| 10 | Dharamputra | 1961 |
| 11 | Dilli Ka Daada | 1962 |
| 12 | Kaalaa Samandar | 1962 |
| 13 | Chaandi Ki Deewaar | 1964 |
| 14 | Nayaa Raasta | 1970 |
| 15 | Chehre Pe Chehra | 1980 |
| 16 | Sachche Moti | 1962/1967 |
We will be going through a number of songs from each movie (that are not yet covered) and other details in the regular post of ‘Sahir Ludhianvi and His Music Directors’ to be posted separately. 😊
Let us now enjoy today’s song sung by Lata Mangeshkar and Mohd Rafi …
As mentioned above lyrics are by Sahir Ludhianvi and music is composed by N. Datta.
Song-Meri sune to o pardesi dil se dil takraane de (Naach Ghar)(1959) Singers-Lata, Rafi, Lyrics-Sahir Ludhianvi, MD-N Datta
Lyrics
Meri sune to o pardesi
Dil se dil takraane de ae
Meri sune to o pardesi
Dil se dil takraane de ae
Are bhalaa lage to gale se lag jaa
Buraa lage to jaane de ae
Bhalaa lage to gale se lag jaa
Buraa lage to jaane de ae
Bhalaa lage to gale se lag jaa
O o o o o o o o
Mukh pe bhor ki laali jhhalke
Chhagal chhanke paaon mein ae
Mukh pe bhor ki laali jhhalke
Chhagal chhanke paaon mein
Saawan rut ki bijli ban kar
Saawan rut ki bijli ban kar
Chali hai tu kis gaaon mein
Chali hai tu kis gaaon mein
Bhalaa lage to tu bhi chalaa chal
Bura lage to jaane de ae
Aha ha ha ha
O
Bhalaa lage to gale se lag jaa
Buraa lage to jaane de
Bhalaa lage to gale se lag jaa
O o o o o o o o
Khoya khoya kyun ghoome hai
Mere nagar ki raahon mein
Khoya khoya kyun ghoome hai
Mere nagar ki raahon mein
Ulajh gayaa dil kis zaalim ki
Ulajh gayaa dil kis zaalim ki
Jaadu bhari nigaahon mein
Jaadu bhari nigaahon mein
Are bhalaa lage to dil se poochh le
Buraa lage to jaane de ae
Meri sune to o pardesi
Dil se dil takraane de
Meri sune to o pardesi
Bhalaa lage to gale se lag jaa …
- In: "Please don't go" song | Beggar's song | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by nahm | Rafi solo | Rafi songs | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
- 6 Comments
This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4481 | Post No. : | 15991 |
Mohammed Rafi: The incomparable (II) – Song No. 20
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25/10/2020 – Remembrance Day of Sahir Ludhianvi
“Koyi shaayar ta’aaruf ka mohtaaj ho saktaa hai lekin uss ki shaayari kisi ta’aaruf ki mohtaaj nahi honi chaahiye, chaahe wo shaayari doosri zubaan mein tarjuma shudaa hi kyun na ho”.
So began the article published in the Urdu magazine ‘Fann Aur Shakhsiyat’ (Sahir number), dated 22nd July 1958, written by Khwaaja Ahmed Abbas.
Sahir. . . ba-zubaan e khud
(Answering a question asked by Nida Fazli)I am the youngest among my contemporaries except Kaifi considering my age. Faiz, Sardar, Niyaaz all are senior. When Majaz’s ‘Aahang’ was published I was a student in Matric (Xth std) and at the time of publication of Faiz’s collection I was studying in BA. There are really effects of Faiz in some of my poems. Majaaz is more classical, which I like. Maybe it is more impressive in ‘Chaklay’. Every poet is impressed by his senior poets. But there is a difference in vinegar and its affects. Many of my poems tackle different topics like, Taj Mahal, chakla, avoidance (garez), and beautiful turn (khoobsurat mod) etc. No one’s 100% and perfect. In Faiz’s work there are more of comparisons (Anthropomorphization). The adjectives in my poems create an atmosphere. The personality of the poet also has an impact on his art and expression. There is an inner circle, the subject and vivid representation takes shape accordingly. By nature I belong to the middle class. Maybe I have still not managed to de-class myself. Years ago my poems were heard silently among the labourers. But Kaifi would generate more claps. Some people have an opinion that Sahir is more liked the college going boys and girl, this is poetry of an immature brain. But I do doubt the maturity of brains of the people who think like this. I am product of this very circumstances and it is natural to be affected by it. But the poetry’s subjects and their treatment is also bound to change with the age of the poet, as in our times Hafeez and A’dam were very popular among elderly poets. We used to take part is these Mushaa’ire, recited our poems which were well liked by all. Firaaq says this even today that “Mushaa’iron ke ticket to Sahir ke naam par hi bikte hain”.
I know there are very few people who understand Urdu and fewer are interested in it in India. But the revived interest in Urdu poetry, contemporary as well as some poets belonging to the earlier generations, and other literary works, which is raising its head frequently, is heartening. Urdu poetry in itself is a strong statement. It is very important and significant in the 21st century and new millennia also, as it was in 19th and 20th centuries.
And Sahir is a big part of this strong statement. For his content and creative flexibility. There may be a way of looking at his poetry apart from his roots in leftist ideology. I don’t think he died with, as strong sense of his ideology as he began his active poetic life.
I am fascinated by the impact of Allama Iqbal on his poetry. He wrote this in early 40’s :
ye kooche ye neelaam ghar dilkashi ke
ye lut’te huye caaravan zindagi ke
kahaan hain, kahan hain, muhafiz khudi ke
sana-khwaan-e-taqdees-e-mashriq kahan hain
Very few poets have used the word ‘khudi’ after Iqbal so immediately after him. In fact the philosophy of ‘khudi’ is the inherent identity of Iqbal’s literary and poetic work. Here if Sahir is speaking of ‘khudi’ it must be a reference to glorification and paeans of the civilizational progress of the ‘mashriq’ sung by Iqbal. The question by Sahir is still valid, as it was 80 years ago. The question is much bigger than ever, exactly when and how much more, the personal integrity, conscience of each one of us singing praises of cultural, civilizational and religious values are going to go and face this shameful reality.
Allama Iqbal left this world in 1939. For the impressionable youth, a rebellious one like Sahir, the impressive content and complete logical values in Iqbal’s considerable poetic output, could have felt like the shackles. So he hits out, at the reality of society, more in self-defence to stop his own slide into the spirituality. He wants to stay in the realm of the material and spirituality seems like a cave to him, with no way out.
But it is a fact that he ventured into the cave, with a parody too :
cheen-o-arab hamaara, hindostaan hamaara
muslim hain ham watan hai saara jahan hamaara
Bringing it down to the basic issues of survival with:
Cheen-o-arab hamaara, hindostan hamaara
Rehne ko ghar nahin hai, saara jahan hamaara
He takes this She’r of Iqbal ;
Na tu zameen ke liye hai na aasmaan ke liye
Jahaan hai tere liye tu nahin jahaan ke liye
And makes it;
Na tu zameen ke liye hai na aasmaan ke liye
Tera wajood hai ab sirf daastaan ke liye
He does satire, demoralise and ridicule the concept of humans being the supreme creation, and degenerates it. Not that he has any answers or solutions to the angst expressed in “jinhen naaz hai hind par. . .”. How the ideology he wore on his sleeve, must have been time and again, weighed against the religiosity and convictions of Iqbal. He challenges Iqbal’s concepts and thrives on it.
tere ishq ki intehaa chaahta hoon
meri saadgi dekh kya chaahta hoon
He takes the above ghazal of Iqbal and writes this as college bait-baazi song “Tere Pyaar Ka Aasra Chaahta Hoon“.
In relation to the saga called ‘chaklay’, I am reproducing a portion of the article ‘Sahir aur Us ki Sha’iri’, by Kaifi Azmi, originally published in 1948, in ‘Naye Adab Ke Ma’emaar’ (‘Ma’emaar’ – builders or constructors, derived from ta’ameer or ‘imaarat’):
The hapless and hungry nation in reverence towards which glorious paeans are sung with closed eyes, houses brothels at every step. Hence brothels are entrenched in Indian literature too.
The rank intensity, hatred and sincerity with which saahir has shaken up the ‘sanakhwan-e-tasdeeq-e-mashriq’ are simply incomparable.
In ‘chaklay’ (brothels), Sahir’s dignity, his soul and the restlessness of his conscience can be seen at the acme of eminence; I get goose bumps when I read this poem. The feelings that might have stimulated him to write it are so intense that here his characteristic melancholy transforms into an overwhelming deluge.
[Source – ‘Yeh Un Dinon Ki Baat Hai’, selected and translated by Yasir Abbasi].
One wonders if Sahir ever gave a thought to Rafi sahab’s rendition of the songs of ‘Pyasa’, as he got into a controversy over credit and remuneration. It is 40 years since both of them left the temporary abode called life. We are into 100th year of Sahir and no closer to finding the reply to his call. . .
sana-khwaan-e-taqdees-e-mashriq ko laao
sana-khwaan-e-taqdees-e-mashriq kahan hain
I wonder if any literary work of this world, or any research paper is there, that offers solutions, shows the way out, of this socio-economic problem. But it is a sad state of affairs that this civilization has ceased to view this as a degenerating parasite of a problem in society. It exists only in Sahir’s poetry as an issue.
I am presenting a Rafi song on this occasion. This is a solo song written by Sahir Ludhianvi for the film ‘Naach Ghar’ (1959). N Datta is the composer for this film. The song is a prayer, banjaara song, and overlay of a mujra. As if the mujra is going on and the viewer is singing the song. I can only guess at it as the video is not available. The rendition by Rafi Sahab is again out of this world, especially the starting one minute, before the mujra part begins. I am at a loss, ke sahir ki baat karun ya Rafi ki.
The movie ‘Naach Ghar’ has 10 songs with Rafi being the only male singer, singing four duets with Lata Mangeshkar, one with Asha Bhosle and one with Geeta Dutt. The only solo song by Rafi in this film the present post. I had never heard this song before March 2020, when I decided to post this as the birthday post for Sahir’s birth anniversary. But since it could not be posted, I have revised the post for the death anniversary.
This is the 20th song in the series of ‘Mohammed Rafi – The Incomparable (II)’. The first two differing portions of the song are too brief; one wants them to go on and on. But the song moves on to beyond the dance music to chhed-chhaad mode, romantic and pardesi. 3:15 duration is too short to pack so much, and it ends too soon. Only the audio is available of the song which is picturized on Gopi Krishna. This could be a stage song or road-side tamasha song.
Song – Teri Ada Pe Qurbaan, O Jaane Waale (Naach Ghar) (1959) Singer – Mohammed Rafi, Lyrics – Sahir Ludhianvi, MD – N Datta
Lyrics (Provided by Avinash Scrapwala)
main banjaara
door ka aa
ghoomun dagar dagar
base rahen is nagar ke baasi
basaa rahe ye nagar
ho ho oo ooooooo
allah ke naam pe
maula ke naam pe
allah ke naam pe
maula ke naam pe
de de o jaanewaale
allah ke naam pe
allah ke naam pe
maula ke naam pe
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
teri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan
ho jaayenge
hum deewaane
ho jaayenge
hum deewaane
lut jaayenge
khwaab suhaane
lut jaayenge
khwaab suhaane
o zaalim tarsaane waale
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
teri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan
pardesi ke dil ki duaa le
pardesi ke dil ki duaa le
khud ruk jaa yaa
hum ko bula le
khud ruk jaa yaa
hum ko bulaa le
ghaayal chhod ke jaane waale
teri adaa pe qurbaan
o jaanewaale
na ja na ja na ja na jaa
yeri adaa pe qurbaan
o jaanewaale
na ja re
na ja na ja na jaa
na ja na ja na jaa
teri adaa pe qurbaan
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Hindi Script Lyrics (Provided by Sudhir)
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मैं बंजारा
दूर का
घूमूँ डगर डगर
बसे रहें इस नगर के बासी
बसा रहे ये नगर
हो हो ओ ओssssss
अल्लाह के नाम पे
मौला के नाम पे
अल्लाह के नाम पे
मौला के नाम पे
दे दे ओ जाने वाले
अल्लाह के नाम पे
अल्लाह के नाम पे
मौला के नाम पे
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
हो जाएँगे
हम दीवाने
हो जाएँगे
हम दीवाने
लुट जाएँगे
ख्वाब सुहाने
लुट जाएँगे
ख्वाब सुहाने
ओ ज़ालिम तरसाने वाले
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
परदेसी के दिल की दुआ ले
परदेसी के दिल की दुआ ले
खुद रुक जा या
हमको बुला ले
खुद रुक जा या
हमको बुला ले
घायल छोड़ के जाने वाले
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
ओ जानेवाले
ना जा रे
ना जा ना जा ना जा
ना जा ना जा ना जा
तेरी अदा पे क़ुर्बान
- In: "Aankh" song | "Helen" song | "This Week That Year" | "tied at a stake" song | Asha Bhonsle solo | Asha Bhonsle songs | Blog ten year challenge (2010-2020) | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Raj darbaar song | Series of articles | Songs of 1960s (1961 to 1970) | Songs of 1964 | Yearwise breakup of songs
- 5 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4445 | Post No. : | 15895 |
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This Week, That Year – 3
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13Sep – 19Sep, 2010
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Blog ten year challenge (2010-2020)- Song Number 81
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OK, so finally ‘Anmol Ghadi’ got yippeee’d this week, on the very first day of the week. And Atul ji, still waiting for you to clear the mystery behind this yippeee.
Once again, a very prolific week, the pace of post updates continues in full swing. Except that one day this week, we scored only a single. But for the rest of the week, it was all sixes with one extra run from an overthrow.
The blog scored 38 posts this week. Of these 38, we had only one guest post for the week – by Santosh Ojha ji. A total of 36 films made their appearance, with two films scoring two appearances each. We had 1 film that reached yippeee status. A whopping 15 films made their debut this week. That is close to almost half the films that got featured that week. Since that week was done with, of the 36 films featured, 26 films have been formally and fully yippeee’d. Ten of them are still awaiting their numbers to be fully showcased. Given below is the detailed chart for the week. You will notice a new column and new notations today. I will explain them later in this write up.
| Blog Ten Year Challenge (2010-2020) Series | |||||||||
| Sl.No. | Movie Name | Year | HFGK NoS | ASAD NoS | Possible LFe | Deb/Yip | Milestone | Film Status | Pending |
| 13-Sep-10 | |||||||||
| 1 | Anmol Ghadi | 1946 | 12 | 12 | Y | Yippeee’d | |||
| 2 | Ghoonghat | 1960 | 10 | 6 | Pending | 4 | |||
| 3 | Aashiq | 1962 | 8 | 8 | Yippeee’d | ||||
| 4 | Around The World | 1967 | 9 | 9 | D | Yippeee’d | |||
| 5 | Night In London | 1967 | 7 | 7 | Yippeee’d | ||||
| 6 | Kismat | 1968 | 5 | 5 | Yippeee’d | ||||
| 14-Sep-10 | |||||||||
| 1 | Sagaai | 1951 | 9 | 9 | D | Yippeee’d | |||
| 15-Sep-10 | |||||||||
| 1 | Daastaan | 1950 | 9 | 9 | Yippeee’d | ||||
| 2 | Lakeerein | 1954 | 11 | 5 | D | Pending | 6 | ||
| 3 | Shama Parwaana | 1954 | 11 | 11 | Yippeee’d | ||||
| 4 | Sarhad | 1960 | 7 | 6 | D | Pending | 1 | ||
| 5 | Zabak | 1961 | 8 | 8 | Yippeee’d | ||||
| 6 | Kal Aaj Aur Kal | 1971 | 6 | 3 | D | Pending | 3 | ||
| 7 | Kaala Patthar | 1979 | 6 | 6 | D | Yippeee’d | |||
| 16-Sep-10 | |||||||||
| 1 | Daastaan | 1950 | 9 | 9 | Yippeee’d | ||||
| 2 | Mukhda | 1951 | 11 | 9 | 2 | D | Yc | ? 2 LFe | |
| 3 | Begunaah | 1957 | 6 | 6 | D | Yippeee’d | |||
| 4 | Jaal | 1967 | 6 | 6 | Yippeee’d | ||||
| 5 | Patthar Ke Sanam | 1967 | 7 | 7 | Yippeee’d | ||||
| 6 | Khushboo | 1975 | 4 | 4 | Yippeee’d | ||||
| 17-Sep-10 | |||||||||
| 1 | Vidyapati | 1937 | 13 | 13 | Yippeee’d | ||||
| 2 | Meena Baazaar | 1950 | 12 | 12 | D | Yippeee’d | |||
| 3 | Darwaaza | 1954 | 8 | 5 | D | Pending | 3 | ||
| 4 | Maai Baap | 1957 | 6 | 6 | D | Yippeee’d | |||
| 5 | Zindagi Ya Toofaan | 1958 | 10 | 9 | Pending | 1 | |||
| 6 | Andaaz | 1971 | 6 | 6 | D | Yippeee’d | |||
| 18-Sep-10 | |||||||||
| 1 | Paraayi Aag | 1948 | 8 | 8 | D | Yippeee’d | |||
| 2 | Poonam | 1952 | 9 | 9 | Yippeee’d | ||||
| 3 | Maai Baap | 1957 | 6 | 6 | Yippeee’d | ||||
| 4 | Hercules | 1964 | 6 | 1 | D | Pending | 5 | ||
| 5 | Dil Ne Phir Yaad Kiya | 1966 | 10 | 10 | Yippeee’d | ||||
| 6 | Ummeed | 1971 | 7 | 7 | D | Yippeee’d | |||
| 19-Sep-10 | |||||||||
| 1 | Shabnam | 1949 | 10 | 10 | Yippeee’d | ||||
| 2 | Aan | 1952 | 11 | 11 | Yippeee’d | ||||
| 3 | Milaap | 1955 | 8 | 8 | Yippeee’d | ||||
| 4 | Chaand Mere Aaja | 1960 | 7 | 6.5 | Pending | 1 | |||
| 5 | Sahib Bibi aur Ghulaam | 1962 | 8 | 7 | 1 | Yc | ? 1 LFe | ||
| 6 | Sharaarat | 1972 | 6 | 7 | Yippeee’d | ||||
You may notice that I used the phrase ‘formally and fully’ to qualify the yippeee status of the films. The reason I used this phrase is the following. As we are making progress towards our ideal of bringing on board all the Hindi film songs, we do find ourselves against certain difficult limitations. These have to do with – one, non availability of certain songs, and two, erroneous or missing information about some films and songs. I will highlight these situations as we progressively face them. For this week, here are the difficult situations that I came across.
The first one is the film ‘Mukhdaa’ from 1951. This film debuted on our blog on 16th Sep ten years back. The film has 11 songs, as per the Geet Kosh listings. We have located and posted 9 of them over the past decade. The remaining two are practically untraceable. Firstly, of the 11 songs listed, one was never put on a gramophone record, as the producers planned for and contracted with HMV for only 5 discs, which means 10 songs in all. The song at serial no. 6 – “Dekho Jee Pehli Baar, Kiya Hai Tumse Pyaar” was never released on a gramophone record. Then comes a footnote in the Geet Kosh which states that one record, N36900 was ordered, but then cancelled later on. It never got published, although the songs were recorded. This record was supposed to carry the two songs at serial no. 3 – “Mehlon Ke Rehne Waale Mehlon Mein Hans Rahe Hain” and serial no. 7 – “Poochhiye Na Haal Jee, Palle Nahin Maal Jee”. So that would mean that we should have 3 missing songs and not 2.
But wait, here is one more interesting twist in the story. It seems that after cancelling the publication of the record N36900, the producers went ahead and commissioned one more record, with number N50008. Looking at the huge gap in the series number of the records, it is clear that the latter record (N50008) was ordered much later than 1951. Strangely, this newly ordered record now carried the song at serial no. 7 – “Poochhiye Na Haal. . .” and the song at serial no. 10 – “Jaa Teri Meri, Meri Teri”. This latter song at serial no. 10 was already published and is available as one side of the record with number N36870, the flip side of which carries the song at serial no. 5 – “Neele Se Dupatte Pe Hain Peeli Peeli Dhaariyaan”. The net outcome of these, what I shall call – confusing decisions – is that the song at serial no. 10 – “Jaa Teri Meri. . .” is now available on two distinct published gramophone records for this film. And the song at serial no. 3 – “Mehlon Ke Rehne Waale. . .” has got lost, probably forever. The saving grace is that the song at serial no. 7 – “Poochhiye Na Haal Jee. . .” is now available. It might also have been lost forever, but for this confusing set of decisions, which saved this song for posterity. And so the songs at serial no. 6 (this one not planned at all for release on gramophone record) and the song at serial no. 3 (unpublished due to cancellation of one gramophone record), are likely never going to surface. They may still be existing on some original spool tapes from the original recordings, and/or they may be on the soundtrack of the film. However, since both these items are not yet available in public domain, and with very little likelhood that they will make an appearance in the future, we could label them as LFe (Lost Forever). That does leave us two songs short of ever declaring this film as yippeee’d.
Coming to the second similar instance, also from this week. The film is ‘Sahib Bibi Aur Ghulam’ from 1962. It had made its debut on our blog on 23rd Dec, 2008. The seventh song of this film was posted on 24th Sep, 2011. Geet Kosh lists 8 songs for this film. The missing song is the one at serial no. 5 – “Sahil Ki Taraf Kashti Le Chal, Toofaan Ke Thapede Sehna Kya”. As per the listing, this song was recorded in the voice of Hemant Kumar. This song never got published on a gramophone record. Now eight total songs will completely fit on 4 gramophone discs. But the producer seems to have taken a decision to completely omit this song. In fact, the song at serial no. 6 – “Bhanwra Bada Naadaan Haaye”, makes appearance on two gramophone discs nos. N54036 and N54038, while the above mentioned song in Hemant Kumar’s voice has been completely axed from any publication. It does not exist in the film. The film information booklet lists this song, and that is just about it. Here is one more case where a song qualifies to be labeled as LFe. And that also leaves the film ‘Sahib Bibi Aur Ghulam’ one song short of being declared as yippeee’d.
Based on the above discussed circumstances, these two films will never reach the Yippeee status. So I have a proposal here to address this situation. In the face of such stern circumstances, I propose that we introduce a Yippeee variant status – ‘Conditional Yippeee’ – to be indicated as ‘Yc’ in our charts and tables. In such cases, when we come to the conclusion that it is (almost) impossible that one or more songs of a certain film will ever be traced, we may declare that film to be Conditinally Yippeee’d, once all the possibly available songs are accounted for on our blog. The proposal is presented for consideration of the team, and I would request other members to please present their views and comments. In the table above of the week’s status ten years ago, I am provisionally marking these two films as ‘Yc’, pending agreement by the team,
This week we have one more case of a partial missing song in a multi part / multi version scenario. In the case of the film ‘Chaand Mere Aaja’ from 1957. The main theme song of the film – “Chaand Ko Dekho Ji” / “Chaand Mere Aa Ja Re” – has one additional part, identified as the sad version. Details of this part are provided by dear Prakash ji, including the additional lyrics. Just that we as editors have not yet gotten around to update the post itself. In fact, the HFGK listing shows 7 songs, which include this sad version of the song. This sad version of the song is not released on gramophone discs, and is available only from the film itself. My effort is to get this post updated within a day, and be able to change the pending status of this film from ‘0.5’ to ‘0’. And by the way, the Geet Kosh listing has one incomplete information relating to this song. It lists Lata Mangeshkar as the singer of this part. However, as we view the video, we find that this part is in the voices of both Rafi Sb and Lata ji.
Let me come to the song for today. This discussion on errors and limitations has become quite long. I also wanted to write about the film ‘Doctor’ of 1941 and the related info error in the Geet Kosh. I encountered this error the previous week. But I will write about it in the next episode of this series.
‘Hercules’ of 1964, has quite a dubious distinction to note. The first song, the debut of this film, came on board on 18th September, 2010. Today, I bring on board the second song of this film. Interesting that this film has been in hibernation for a full decade, despite the fact that there are some wonderful songs pending for this film. As is evidenced by the song in this post – a Helen dance song in a royal darbaar setting. The words come from the pen of Anand Bakshi, the music is from the mind of N Datta and the singing voice is Asha Bhosle. On screen we see Dara Singh, as Hercules, in chains, possibly being prepared for execution. Other actors we see in this not so clear a video clip, are Nishi, BM Vyas, Maruti Rao, Leela Misra, P Kailash and Indira Billi.
Helen’s performance is her usual self – so wonderfully elegant and graceful, even as she gives a sensuous performance. The ease with which she is coordinating the dance movements, the lip syncing, the facial expressions et al – she is a master class all by herself.
I request the readers to please do comment on the proposed ’Conditional Yippeee’ status and the associated notation introduced in this week’s chart. Thanks.
Video
Audio
Song – Na. . . Idhar Dekhna, Na. . . Udhar Dekhna (Hercules) (1964) Singer – Asha Bhosle, Lyrics – Anand Bakshi, MD – N Datta
Lyrics (Provided by Prakashchandra)
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
kaun jaane
ke kya hona hai
muskuraana
ke mujhe rona hai
aaj ki shab
soch le mehfil
jaagnaa hai
ke bas sona hai
aankh lag
jaaye naa
bekhabar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
hum ne maana
ke sau pehre hain
ye andhere
bade gehre hain
saamne tez aftaabon ke
ye andhere
kabhi thehre hain
muskuraa
ke rahegi
seher dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
aasmaan se
khabar aayi hai
ke qayaamat
idhar aayi hai
sab gunehgaar
kaanp utthe hain yoon
maut shaayad
nazar aayi hai
main jidhar
dekhoon saa..aare udhar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
naa..aaa..aaa..aaaa
idhar dekhnaa..aaa..aaa
naa..aaa..aaa..aaaa
udhar dekhnaa..aaa
kya ishaara
karegi
nazar dekhna
dekhna kya hota hai
dekhna kya hota hai
dekhna kya hota hai ae ae
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
———————————————–
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
कौन जाने
के क्या होना है
मुसकुराना
के मुझे रोना है
आज की शब
सोच ले महफिल
जागना है
के बस सोना है
आँख लग
जाये ना
बेखबर देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
हमने माना
के सौ पहरे हैं
ये अंधेरे
बड़े गहरे हैं
सामना तेज़ आफ़ताबों के
ये अंधेरे
कभी ठहरे हैं
मुस्कुरा
के रहेगी
सहर देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
आसमां से
खबर आई है
के क़यामत
इधर आई है
सब गुनहगार
काँप उठे हैं यूं
मौत शायद
नज़र आई है
मैं जिधर
देखूँ सा॰॰आरे उधर देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
ना॰॰आs॰॰आs॰॰आs
इधर देखना॰॰आs॰॰आs
ना॰॰आs॰॰आs॰॰आs
उधर देखना॰॰आs॰॰आs
क्या इशारा
करेगी
नज़र देखना
देखना क्या होता है
देखना क्या होता है
देखना क्या होता है ए ए
Mujhe dekho hoti der
Posted on: March 27, 2020
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day: | 4270 | Post No.: | 15498 |
“Mr John”(1959) was produced by Nigam and directed by Indar for N K Productions, Bombay. The movie had Shyama, Johny Walker, Helen, Lalita Pawar, Ifthikhar, Krishnakumari, Mumtaz, Tuntun, Mohan Choti, Kamal Mohan, Sampson, Uma Dutt, Ravi, Champal Lala, Rashid, Daraaz, Wahid, Genious, Tiwari, Ramlal, Anil, Singh, Jaani, Ghouse, Tarun Kumar, Ajay Kumar, Ajeet, B Fazl e Kareem, Mukhtaar, Pt Baijnath etc in it.
The movie had seven songs in it. Four of these songs have been covered in the past.
Here is the fifth song from “Mr John”(1959) to appear in the blog. The song is sung by Lata and Rafi. Jaan Nisaar Akhtar is the lyricist. Music is composed by N Datta.
Only the audio of the song is available. My guess is that this song is picturised on Shyama and Johny Walker. Nevertheless, I request our knowledgeable readers to throw light on the picturisation of this song.
Song-Mujhe dekho hoti der (Mr John)(1959) Singers-Lata, Rafi, Lyrics-Jaan Nisaar Akhtar, MD-N Datta
Lyrics
mujhe dekho hoti der
khade kyun mera rasta gher
sajan ghar jaane do o
sajan ghar jaane do
o karo haaye na ye andher
na lo yoon hamse nazren pher
ki dil bhar jaane do o o
ki dil bhar jaane do
sajan ghar jaane do o
na dekho din na dekho raat
karo kyun chhed mere saath
na dekho din na dekho raat
karo kyun chhed mere saath
kahin chhoona na mera haath
karoongi phir na tumse baat
karoongi phir na tumse baat
sajan ghar jaane do o
sajan ghar jaane do
ho karo haaye na ye andher
na lo yoon hamse nazren pher
ki dil bhar jaane do o
ki dil bhar jaane do
sajan ghar jaane do o
jo dekhen gorey gorey gaal
na bigde kaise dil ka haal
jo dekhen gorey gorey gaal
na bigde kaise dil ka haal
na baaton mein hamen do taal
raho aankhon mein aankhen daal
raho aankhon mein aankhen daal
ki dil bhar jaane do o
ki dil bhar jaane do
mujhe dekho hoti der
khade kyun mera rasta gher
sajan ghar jaane do o
sajan ghar jaane do
sajan ghar jaane do o
aji ye dil hai be-aaraam
zara to pyaar se lo kaam
aji ye dil hai be-aaraam
zara to pyaar se lo kaam
karoge kya mujhe badnaam
arre hone ko aayi shaam
arre hone ko aayi shaam
sajan ghar jaane do o
sajan ghar jaane do
mujhe dekho hoti der
khade kyun mera rasta gher
sajan ghar jaane do o
sajan ghar jaane do
ho karo haaye na ye andher
na lo yoon hamse nazren pher
ke dil bhar jaane do o
ke dil bhar jaane do
sajan ghar jaane do o o
Jaa re jaa sainyya bedardi
Posted on: February 22, 2019
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3871 | Post No. : | 14889 |
“Kaala Samundar”(1962) was directed by R P Ashq for Deepak Chitra Production. The movie had Jairaj, Chitra, Bir Sakuja, Maruti, Hiralal, Radhika, Tuntun etc in it.
“Kaala Samundar”(1962) had seven songs in it. Three songs have been covered in the past.
Here is the fourth song from “Kaala Samundar”(1962) to appear in the blog. This song is sung by Asha Bhonsle. Anand Bakshi is the lyricist. Music is composed by N Datta.
Only the audio of the song is available. I request our knowledgeable readers to throw light on the picturisation of the song.
Song-Ja re ja sainyya bedardi (Kaala Samundar)(1962) Singer-Asha Bhonsle, Lyrics-Anand Bakshi, MD-N Datta
Lyrics
ja re ja
ja ja re ja sainya bedardi
ja re ja sainya bedardi
mera chain churaa ke toone
aag si mere dil mein bhar di
ja re ja
ja ja re ja sainya bedardi
ja re ja sainya bedardi
mera chain churaa ke toone
aag si mere dil mein bhar di
ja re ja
kuchh aise dekha mujhe muskuraa ke
bas rakh diya dil deewaana banaa ke
kuchh aise dekha mujhe muskuraa ke
bas rakh diya dil deewaana banaa ke
ab na jata re jhoothhi hamdardi
ja re ja
ja ja re ja sainya bedardi
ja re ja sainya bedardi
mera chain churaa ke toone
aag si mere dil mein bhar di
ja re ja
guzroon gali se to jhuk jaaye ankhiyaan
ghar mein chhupoon to mujhe chheden sakhiyaan
guzroon gali se to jhuk jaaye ankhiyaan
ghar mein chhupoon to mujhe chheden sakhiyaan
muskil mein tune to jaan kar di
ja re ja
ja ja re ja sainya bedardi
ja re ja sainya bedardi
mera chain churaa ke toone
aag si mere dil mein bhar di
ja re ja
hum log to hain bade seedhe saade
sach maan baithe tere jhoothhe waade
hum log to hain bade seedhe saade
sach maan baithe tere jhoothhe waade
bas tere kadmon mein jaan dhar di
ja re ja
ja ja re ja sainya bedardi
ja re ja sainya bedardi
mera chain churaa ke toone
aag si mere dil mein bhardi
ja re ja
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