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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Yogesh


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

3738 Post No. : 14691 Movie Count :

4015

Missing Films of 1960s – 80
– – – – – – – – – – – – – – –

Aha, good going at 80. If I am lucky, I may get to a century with this series. 🙂

Today’s film is just about at the bottom of the decade. The film name is ‘Ye Khoon Rang Laayega’ from 1970. Considering the alphabetic listing scheme by year, you will find this film at the second last position in GK volume no. 4 (of the regular set of Hindi films of that decade).

Once again, a song that has been sitting in my collection for oh so long. Picked it up today and listened to it for the first time. Music director – Robin Bannerji. And I just do not seem to be getting enough listen of this song. What a wonderful twin dance duet – voices are Usha Mangeshkar and Krishna Kalle. K Kalle’s voice seems to be somewhat subdued in the company of the razor sharp voice of Usha M. But together, they are a magic weaved by the music director. Listening to such songs, one always is left with a craving – wish Robin Bannerji had done more films in his career. But that was not to be. Most of the decade of the 1970s and part of 1980s, was lost in battling ill health, compounded by two unfortunate accidents. He passed away on 27th July, 1986.

The film is from the banner of Sanjay Films, Bombay and is directed by Roshan Bhardwaj. The six listed songs are penned by two lyricists – Anjaan and Yogesh – honor shared equally. This song is written by Yogesh. The star cast of the film is interesting – Helen, Randhawa, Mukri, SK Prem, Uma Dutt, Gul Hamid, Shaam Kumar, Saudagar Singh, Dhanraj, Ridku, Ratnamala, Lalita Desai, Sushma, Poonam Kapoor, Ishwar Bhai, Khurshid Khan, Kesari, Madhumati, Rani, and Lakshmichaya amongst others.

Let’s listen to this wonderfully crafted all female duet. And let’s continue to wonder – about these lesser known but highly talented artists.

Song – Qayaamat Hai Teri Nigaahon Ka Jaadu  (Ye Khoon Rang Laayega) (1970) Singer – Usha Mangeshkar, Krishna Kalle, Lyrics – Yogesh, MD – Robin Bannerji
Usha Mangeshkar + Krishna Kalle

Lyrics

qayaamat hai teri nigaahon ka jaadu..oo..oo

qayaamat hai teri nigaahon ka jaadu..oo..oo

qayaamat hai teri nigaahon ka jaadu

qayaamat hai teri nigaahon ka jaadu

hai tauba tauba khuda jaane dil ko kya hoga
kya hoga
tauba
tauba

nahin jab raha mujhko khud pe hi kaabu
nahin jab raha mujhko khud pe hi kaabu

hai tauba tauba khuda jaane dil ko kya hoga
kya hoga

aap ki har adaa
marhabaa marhabaa
ik nasha saah mein
ho gaya ba-khuda
haaye ye kya baat hui
khoob mulaqaat hui
dhadke mera dil deewaana
qayaamat hai teri nigaahon ka jaadu..oo..oo
qayaamat hai teri nigaahon ka jaadu..oo..oo
hai tauba tauba khuda jaane dil ko kya hoga
kya hoga
tauba
tauba

aap ki shokhiyaan
hain ghazab meharbaan
aap kya hans padey
gir gayin bijliyaan
haaye meri jaan gayi
main tujhe maan gayi
chhodo bhi ye muskuraana
qayaamat hai teri nigaahon ka jaadu..oo..oo
qayaamat hai teri nigaahon ka jaadu..oo..oo
hai tauba tauba khuda jaane dil ko kya hoga
kya hoga
tauba
tauba

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ

क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ

क़यामत है तेरी निगाहों का जादू

क़यामत है तेरी निगाहों का जादू

हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा
तौबा
तौबा

नहीं जब रहा मुझको खुद पे ही काबू
नहीं जब रहा मुझको खुद पे ही काबू
हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा

आप की हर अदा
मरहबा मरहबा
इक नशा साह में
हो गया बा-खुदा
हाए ये क्या बात हुई
खूब मुलाक़ात हुई
धड़के मेरा दिल दीवाना
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा
तौबा
तौबा

आप की शोखियाँ
हैं ग़ज़ब महरबाँ
आप क्या हंस पड़े
गिर गईं बीजलियाँ
हाए मेरी जान गई
मैं तुझे मान गई
छोड़ो भी ये मुसकुराना
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
क़यामत है तेरी निगाहों का जादू॰॰ऊ॰॰ऊ
हाए तौबा तौबा खुदा जाने दिल को क्या होगा
क्या होगा
तौबा
तौबा

 

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3587 Post No. : 14340

Missing Films of 1960s – 70
– – – – – – – – – – – – – – –

Almost like a déjà-vu happening today.

The year is 1968, one more than the previous episode – we had the film ‘Jungle Ki Hoor’ from `1967 yesterday. Today, the film is ‘Lutera Aur Jaadugar’. The word ‘Jaam’ appears in the song title. And the word ‘tauba-aashiqan’ appears in the body of the song. Other similarities – well they go without saying.  A perfect gem of a song from an unknown film, composed by an equally obscure and unfamiliar music director – Suresh Kumar.

Suresh Kumar – a name that is not easily remembered as a music director. But on checking the Geet Kosh, we find that his outings in the field, in terms of films and songs is not trivial. We are talking here about a career that starts around early 1950s and continues well into the 1980s. Till 1980, the data available in GK, he as about sixty songs from 10 films to his credit as an independent solo music director. And then we also find out that he paired up with another music director M Talwar, and the two composed music under the duo name of Suresh-Talwar. As a duo there are another 80 odd songs from another additional 12 films. That certainly is not an ignorable size of body of work.

The film comes from the banner of Zubi Films, Bombay and is directed by D Raman. The cast of actors is listed as – Azaad, Nishi, Jagdeep, Tabassum, Mohan Choti, Rajan Haksar, Sherry, Meenakshi, Heera Sawant, Ram Raseela, Noorjahan, Zeb Sultan, Bibi Bai, Ghulam Sabir, Jilani, Gopu, Luckyram, Prince Arjun, Nadir, Rajrani, and Praveen Bano. Reading this list, it is clear that this is a B/C grade stunt cum fantasy film.

Seven songs are listed for this film. Two songwriters – Yogesh and Anjaan. This song is from the pen of Yogesh. The song is apparently a twin dance song. The singing voices are of Krishna Kalle and Usha Khanna. Ah yes, the MD appearing as a singer for another MD. Plus another claim to rarity – a very rare combination of singing voices.

Listening to the song, the image comes to mind of two dancers on screen, dancing in a king’s court or in a pub. And possibly one of the on screen dancers may be Nishi herself. A typical ‘maikhaana’ song, done really well, I am sure you will enjoy this discovery.

Song – Jaam Bhar Bhar Ke Pila De Mere Saaqiya  (Lutera Aur Jaadugar) (1968) Singer – Krishna Kalle, Usha Khanna, Lyrics – Yogesh, MD – Suresh Kumar
Both

Lyrics

jaam bhar bhar ke pila de mere saaqiya
mujhko deewaana bana de mere saaqiya
mere saaqiya
aisi pila naa utre nasha
jaam bhar bhar ke pila de mere saaqiya
mere saaqiya
aisi pila naa utre nasha
jaam bhar bhar ke pila de mere saaqiya

berukhi se tumhari sitamgar
hamen kab tak shikaayat rahegi
dekh le le duaaen hamaari
teri mehfil salaamat rahegi
teri mehfil salaamat rahegi
oo oo oo oo
yun bula ke na dagaa de mere saaqiya
mujhko deewaana bana de mere saaqiya
mere saaqiya
aisi pila naa utre nasha
jaam bhar bhar ke pila de mere saaqiya

haaye tauba-aashiqan baankpan ye
hum hain qurbaan teri adaa pe
jaam kab se hamaara hai khaali
bhar de bhar de zaraa muskuraa ke
bhar de bhar de zaraa muskuraa ke
oo oo oo oo
thodi aankhon ki mila de mere saaqiya
mujhko deewaana bana de mere saaqiya
mere saaqiya
aisi pila naa utre nasha
jaam bhar bhar ke pila de mere saaqiya
mujhko deewaana bana de mere saaqiya
mere saaqiya
aisi pila naa utre nasha
jaam bhar bhar ke pila de mere saaqiya. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

जाम भर भर के पीला दे मेरे साकीया
मुझको दीवाना बना दे मेरे साकिया
मेरे साकिया
एसी पीला ना उतरे नशा
जाम भर भर के पीला दे मेरे साकीया
मुझको दीवाना बना दे मेरे साकिया
मेरे साकिया
एसी पीला ना उतरे नशा
जाम भर भर के पीला दे मेरे साकीया

बेरुखी से तुम्हारी सितमगर
हमें कब तक शिकायत रहेगी
देख ले ले दुआएं हमारी
तेरी महफिल सलामत रहेगी
तेरी महफिल सलामत रहेगी
ओ ओ ओ ओ
यूं बुला के न दग़ा दे मेरे साकीया
मुझको दीवाना बना दे मेरे साकिया
मेरे साकिया
एसी पीला ना उतरे नशा
जाम भर भर के पीला दे मेरे साकीया

हाए तौबा-आशिकन बांकपन ये
हम हैं क़ुर्बान तेरी अदा पे
जाम कब से हमारा है खाली
भर दे भर दे ज़रा मुस्कुरा के
भर दे भर दे ज़रा मुस्कुरा के
ओ ओ ओ ओ
थोड़ी आँखों की मिला दे मेरे साकीया
मुझको दीवाना बना दे मेरे साकिया
मेरे साकिया
एसी पीला ना उतरे नशा
जाम भर भर के पीला दे मेरे साकीया
मुझको दीवाना बना दे मेरे साकिया
मेरे साकिया
एसी पीला ना उतरे नशा
जाम भर भर के पीला दे मेरे साकीया॰ ॰ ॰


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3571 Post No. : 14308

“Bada Kabootar”(1973) was produced and directed by Deven Verma for Navratna Films, Bombay. It was a light hearted movie (routinely categorirised as “social” movie in HFGK) which had Ashok Kumar, Rehana Sultan, Nikhilesh, Deven Verma, Keshto Mukherji, Subroto, Ashoo, Pinchoo Kapoor, Leela Mishra, Paul Sharma, Jal Parvez, Helen etc with lots of “new discoveries” viz Saajan, Kailash Sharma, Sameena, Master Ashwin and Master Ramesh, who quickly reverted back to remain undiscovered.

The movie had five songs in it. Here is the first song from “Bada Kabootar”(1973) in the blog. this song is the title song of the movie which appears gets played in the background while credits roll on the screen. The credits finish off soon enough and so this song has no chance to get played fully in the movie and only the first stanza of the is there in the movie. So one needs to listen to the record version of the song in order to listen to the full song.

Here is this title song of “Bada Kabootar”(1973). It is sung by Bhupinder Singh and chorus. Yogesh is the lyricist of this song whose lyrics are quite un Yogesh like. 🙂

Music is composed by R D Burman.

With this song, “Bada Kabootar”(1973) makes its debut in the blog.


Song-Bada kabootar ud jaayegaa (Bada Kabootar)(1973) Singer-Bhupinder Singh, Lyrics-Yogesh, MD-R D Burman

Lyrics

bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega
bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega
bada kabootar
kabootar
bada kabootar
kabootar

koi na samjha koi na jaana
haaye ye gorakh dhandha
pehle jag mein aaya kabootar
ya phir aaya anda
koi na samjha koi na jaana
haaye ye gorakh dhandha
pehle jag mein aaya kabootar
ya phir aaya anda
papapa aa
papapa
papapapa
papapapapa
aur ulajh jaayega
arrey jo isko suljhaayega
bada kabootar
kabootar
ho bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega
bada kabootar
kabootar
ho bada kabootar
wa aa wa aa
wa aa wa aa

dekh samay ka shokh(?) kabootar
chalta hai yoon ud ke
jaise tez hawa ka jhonka
dekhe na phir mud ke
oo dekh samay ka shokh(?) kabootar
chalta hai yoon ud ke
jaise tez hawa ka jhonka
dekhe na phir mud ke
papapa aa
papapapa
papapapa
papapapa
sath chala chal iske varna hath nahin kuchh aayega
bada kabootar
kabootar
ho bada kabootar ud jaayega
haath mein anda rah jaayega
phoot jaayega anda ik din
bada kabootar ud jaayega bada kabootar
kabootar
ho bada kabootar
kabootar
ho bada kabootar
kabootar
ho bada kabootar
kabootar


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3569 Post No. : 14306

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 66# Singer – Mukesh
———————————————–——————–

Just few days back I came across this song that I am presenting today. After listening to it I was feeling like maybe I had heard it on ‘radio’ many many years back. When I listened to it once I just kept listening to it again and again and with every new day this song is growing on me, on and on. The song is from the 1978 movie ‘Pal Do Pal Ka Saath’ and it is sung by Mukesh ji.

‘Pal Do Pal Ka Saath’ was directed by BR Ishara for Kaveri Films, Bombay. The cast of actors includes Shekhar Kapoor, Rama Vij, Shamli (New Discovery), Asit Sen, Paintal, Johny Whisky, Aarti, Tiger, Mishri Lal, Mohammad Ali, Amal Sen, Narayan Gwalani, Hameed, Sitaram, Jasbir, Prakash Joshi, Vijay Nangia, Bhaiyalal Sharma, Kashi Prasad Chaurasia and others.

This movie has four songs penned by Naqsh Lyallpuri, Yogesh, Balkavi Bairagi and Dev Kohli. Music for this movie is composed by Shyam Saagar. One song from this movie had been posted on the blog earlier in 2014 i.e. four years back and it was introduced by Sudhir ji – ‘Chupke Se Peechhe Se Aa Ke’ sung by Rafi Saab and lyrics of this song are by Dev Kohli.

As mentioned by Sudhir ji in his post this movie seems to be an ‘obscure movie’ though it contains ‘gems of songs’ (‘veritable gems’ as Sudhir ji has mentioned in his post) as we can say for the earlier song and the today’s song after listening to them. I don’t remember to have heard about this movie earlier and not gone through its information before. It was only after listening to the today’s song that I searched for its details in HFGK Vol V and also read the earlier post on the blog. This movie was passed by censor board on 07.04.1978.

Almost forty years have passed since the movie and its music had been created, however listening to its songs revives the memories of the music of those years and Mukesh ji’s singing of the many other songs for Yogesh ji. Yes, today’s song is penned by Yogesh.

Since the movie was an obscure movie I think its songs were also forgotten easily. I am not able to locate online, the other two songs of this film. As per Geet Kosh, these are solo songs in the voices of Asha Bhosle and Manna Dey. We have to search for them and need to bring them here for our listening pleasure. Till then let us listen to this wonderful composition of Shyam Saagar and savour the magic Yogesh ji’s words and Mukesh ji’s singing…

Only the audio of this song is available as of now. I would request knowledgeable readers to throw more light on this movie and its songs please.

Song – Anuraagi Mann Sab Kuchh Seh Le (Pal Do Pal Ka Saath) (1978) Singer – Mukesh, Lyrics – Yogesh, MD – Shyam Saagar

Lyrics

anuraagi mann sab kuchh sah le
anuraagi mann sab kuchh sah le
har uljhan mein
hans ke tu rah le
anuraagi mann sab kuchh sah le

ik sang tera
parichay gehra
janam janam ka ye naata re
ik sudh kho kar
besudh ho kar
geet tumhaare hi gaata re
do chehron ka tu ik darpan
anuraagi mann sab kuchh sah le

mita’ti nahin hai prem ki rekha
toofaanon ke bhi aane se
tripti adhoori
rah jaati hai
saagar ko bhi
paa jaane se
ho na ho poora tera samarpan
anuraagi mann . . .
har uljhan mein
hans ke tu rah le
anuraagi mann sab kuchh sah le

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अनुरागी मन सब कुछ सह ले
अनुरागी मन सब कुछ सह ले
हर उलझन में
हंस के तू रह ले
अनुरागी मन सब कुछ सह ल

इक संग तेरा
परिचय गहरा
जनम जनम का ये नाता रे
इक सुध खो कर
बेसुध हो कर
गीत तुम्हारे ही गाता रे
दो चेहरों का तू इक दर्पण
अनुरागी मन सब कुछ सह ले

मिटती नहीं है प्रेम कि रेखा आ
तूफानों के भी आने से
तृप्ति अधूरी
रह जाती है
सागर को भी
पा जाने से
हो न हो पूरा तेरा समर्पण
अनुरागी मन. . .
हर उलझन में
हंस के तू रह ले
अनुरागी मन सब कुछ सह ले


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3548 Post No. : 14238

“Dillagi”(1978) was Produced by Kanwar Ajit Singh andBikram Singh Dehal and directed by Basu Chatterjee for BikramJeet Films International, Bombay. This movie had Dharmendra, Hema Malini, Mithu Mukherjee, Devan Verma, Asrani, Urmeela Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali Paigankar, Manjita,Poornima Jairam, Dulari, Lalita Kumari, Rajan Kapoor,Shobhana Shah,Geetanjali,Manik Chowdhury,Guffi Paintal, Qamar Khan, Bina Bawa etc in it with Friendly appearance by Keshto Mukherjee and Brahmachari and unfriendly Special appearance by Shatrughan Sinha. 🙂

It was described as a “social” movie but it was a romantic comedy bordering on soft erotica. That is what I felt about this movie when I watched it in 1978 (duly bunking my college 🙂 ).

I was perhaps a bit too young and immature for a movie with this story line at that time. With the benefit of hindsight, now I feel that it is a nice movie to be watched with one’s lover/ spouse, rather than a movie to be watched with one’s siblings/ parents etc.

The movie had four songs in it. Three of these songs have been covered in the past. Here are the details of these songs :-

Song Title

Post No.

Post Date

Main kaun sa geet sunaaun 8137 27-may-13
Kar gayee mast mujhe phaagun ki hawaa 9584 17-Mar-14
Baadal to aaye lahra ke chhaaye 14234 4-Apr-18

With time, the movie, and moreso its songs have ended up becoming obscure.

The fourth and final song, the song under discussion is perhaps the most obscure out of the four songs of the movie. This song is sung by Lata and Nitin Mukesh. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised as a romantic stage performance song on Hema Malini and Dharmendra dressed like Shakuntala and Dushyanta, immortalised by Kalidas in his Sanskrit epic “Abhigyan Shakuntala”. Lyrics by Yogesh are in pure Sanskritised Hindi, as befitting the genre, and they sound quite appropriate for the picturisation.

Mithu Mukherjee, Preeti Ganguly, Poornima Jairam etc are also visible in the picturisation as backstage support persons. 🙂

Lyrics of this song as well as other details were provided by Prakashchandra, who informed me that the audio version of the song is longer than the video version.

With this song, “Dillagi”(1978) joins the list of movies that have all their songs covered in the blog.

Video

Audio (Longer)

Song-Prem hai prem hai (Dillagi)(1978) Singer-Lata, Nitin Mukesh, Lyrics-Yogesh, MD-Rajesh Roshan
Both

Lyrics (of audio link)(Provided by Prakashchandra)

prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piya mann ki madhur ik bhaawnaa
anbujhi pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
be-sudh apni
inn saanson mein
ghul jaaye
jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi ee
aisey hi
har ghadi ee
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa

aaj pranay ki
is belaa mein
mera har adhikaar mujhe do
main naa bhooloon
tum na bhoolo
aisa kuchch uphaar mujhe do
tum yeh angoothhi meri sajni
lo sweekaar karo o o

kam kabhi ee
ho nahin
kam kabhi ee
ho o nahin
preet ki apni aaraadhnaa

piyaa mann ki madhur ik bhaawna
prem hai
prem hai
prem hai
prem hai
piya mann ki madhur ik bhaawnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi
pyaas mein
ik doobi huyee si kaamnaa
ik doobi huyee si kaamnaa
prem hai ae ae

aao aaj likhein
adharon se
adharon par hum
aisi kavitaa
besudh apni inn saanson mein
ghul jaaye jiski maadaktaa

saagar ki baahon mein jaisey
bandhti hai saritaa aa
har ghadi
aisey hi
har ghadi
aisey hi
apni baahon mein mujhko baandhnaa
piyaa mann ki madhur ik bhaawnaa
anbujhi
pyaas mein
anbujhi pyaas mein
ik doobi huyee si kaamnaa

prem hai ae ae ae ae ae


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3547 Post No. : 14234

“Dillagi” (1978) was directed by Basu Chatterji for Vikramjeet Films, Bombay. It was a romantic comedy which had Dharmendra, Hema Malini, Mithu Mukherji, Deven Verma, Asrani, Urmila Bhatt, Ritu Kamal, Preeti Ganguly, Kajri, Anjali, Manjeeta, Poornima Jairam, Dulaari, Lalita Kumari, Rajan Kapoor, Shobhana Shah, Geetanjali, Manik Chaudhary, Goofy Patel, Qamar Khan, Bina Bawa etc, with special appearnce by Shatrughan Sinha and friendly appearances by Keshto Mukherji and Brahmchaari in it.

The movie had four songs in it. Two songs have been covered in the past.

Here is the third song from “Dillagi” (1978) to appear in the blog. The song is sung by Lata. Yogesh is the lyricist. Music is composed by Rajesh Roshan.

The song is picturised on Hema Malini as a “missing the beloved” genre of song that plays in the background.

Lyrics of this song were sent to me by Prakashchandra.


Song-Baadal to aaye lahra ke chhaaye (Dillagi)(1978) Singer-Lata, Lyrics-Yogesh, MD-Rajesh Roshan

Lyrics(Provided by Prakashchandra)

baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye

tum zindagi mein kyun meri aakar
gum ho gaye ho aise mujh ko bhulaa kar
main pyaar tera dil mein sajaa kar
baithhi hoon kab se aas laga kar
dukh mere dil se honthon pe aaye
o aane waale par tum to na aaye

aawaaz meri aa jaao sun ke
todo na sapne haaye mere nayan ke
is baar tumse kisi bhi jatan se
main raaz apne saare kah doongi man ke

khaamosh rah ke ye dard paaye
o aane waale par tum to na aaye
baadal to aaye lahra ke chhaaye
o aane waale par tum to na aaye
tum to na aaye


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3494 Post No. : 14041

My movie watching spree was at its peak during the year 1975 – 76. Mind you, in 1976 I had to appear for my school leaving certificate (the SSC board exam). But being a street smart teen with a knack for remembering most of the things that I came across, I always used to score good marks in my exams. Not that I stood in the top three in my class, but I was not in the bottom three as well. Hope you get my drift.

During the several morning shows I saw, missing my classes, I distinctly remember seeing Mazaaq because it was the movie which I saw on the penultimate day before the school closed for my half yearly exams. It was not a great movie that one can remember (as you can see from the synopsis below), but I had to see it as it was the new release on that day (Friday) and watching movies was my staple diet, so any movie would do.

It was only in my twenties that I heard this sweet song and was floored by it. This song has Asha Bhonsle and Pancham at one of their best. I hope many of you remember this song and those who haven’t can marvel at this beautiful melody.

The movie synopsis:

The movie story deals with Vinod who is in search for job. One day he rescues Dr. Aruna (Irani) from a fire, and when she recovers, he steals a certificate in the name of Heeralal Mehta, certifying that the person is medically mentally challenged. He changes the name on the certificate, goes around acting mad, getting food & clothing for free. He also involves his down and out friend, Raja (Mehmood) in this scheme.

The Police are informed about Vinod, and in order to escape he re-locates to Bangalore. Once there he applies and gets a job as a Manager with the Narang family business, meets with Moushumi and both fall in love with each other. One day Moushumi’s dad comes across the certificate, and also a newspaper notice about Vinod’s escapade and his mental condition. He fires Vinod and asks him never to meet Moushumi again.

Vinod returns to Bombay, gets another certificate from Dr. Irani, this time certifying that he is sane, and he past actions were just a joke, and returns to Bangalore – only to find that Moushumi is about to married to another man her dad has chosen for her. The rest of the movie is about what happens next?

The movie stars Vinod Mehra, Moushami Chatterji, Aruna Irani, Iftekhar, Asrani, Mukri, Keshto Mukherjee, Agha, Bhagwan, Shobha Khote, Viju Khote, Paintal, etc. It is directed by Kumar for producers Jayantha Mukherjee, Ritesh Mukherjee (Moushami’s husband in real life). The music is composed by Rahul Dev Burman and the songs are penned by Yogesh Gaud.

“Takra Gaye Do Baadal Ambar Pe” by Asha Bhonsle with monologues in the interludes by Vinod Mehra, composed by R D Burman and penned by Yogesh Gaud from “Mazaaq 1975”.


Song-Takra gaye do baadal ambar pe (Mazaaq)(1975) Singer-Asha Bhonsle, Lyrics-Yogesh, MD-R D Burman
Vinod Mehra

Lyrics

Takraa gaye do
Baadal ambar pe ae
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o
Baadal ambar pe ae ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o

Maushami,
Kitna pyaaraa naam hai
Is naam ka saath toh
Har mausam se hai
Chaahe woh sardi ka ho
ya garmi ka
Patjhad ka ho
ya saawan ka

Ahh Chhodo
Jaao
Bade woh ho tum m
Naam mera
Jod diya
Mausam se sanam m
Mausam
Phir bhi
Mausam hai sanam m
Naam mera
Joda na bataa
Khud se kyun balam
Mujhse milaao yeh nain to
Aise na jalaao mere mann ko o o o
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae ae
Takraa gaye do

Yeh saawan ka mausam to khoobsoorat hai hi
Lekin tumhaari is khubsoorat umar ne
Ise aur bhi khubsoorat bana diya hai

Jaane
Aayi
Kaisi yeh umar
Ban ke kali
Khilne lagi
Sooni raah par r
Tan mein
Mann mein
Uthhi yeh lehar r
Tujhse sajan
Takraaye mann
jaaoon main bikhar
Aag lage re saawan ko o
Chhoo gaya mere daaman ko o o
Takraa gaye do o
Baadal ambar pe ae
Toh barasne lagi
Boondein bikhar ke ae
Takraa gaye do o


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3463 Post No. : 13900

Exactly one month and a day – from the time that we hit the last century milestone. The 13800th song had come on to the blog on 10th Dec. And today, 10th Jan, we arrive at the 13900th station of this musical journey. Many congratulations to all members of the bandwagon. We are into another year now, and folks keeping tabs will agree, the pace of postings, and pace of participations has really picked up in the past 10 days. Or to put a positive twist – in the first 10 days of the year. The mind goes back to the whatsapp message on the group – that new year resolutions are but a matter of interest for about a week into the new year. After that, the crowds on the morning walk are back to the thin normal expected for those early hours of the day. 🙂

But so far, so good – the going has been good in these ten days. And quite truthfully, as of now, we have ready posts from many contributors waiting in the wings to come on board. The limitations are at times either just a specific anniversary or a milestone must be covered, or that a debut and a yippeee song must be part of the day’s menu. On all these counts, we seem to be doing really well so far. But, oh then, it is just 10th Jan as yet. Maybe we will create a new record of determined sustenance this year. Or then, maybe we won’t. Time, as they always say, will tell. 🙂

Welcome all to the 13900th पड़ाव on this long and interesting journey of Hindi film music. On this, 3643rd day of the existence of this blog. For such significant milestones, we conventionally attempt to bring together important milestones for artists or anniversaries of artists. Today, the 10th Jan, is the birth anniversary of two living luminaries of the Hindi film industry.

First we have Basu Chattejee, who turns 87 today. Basu Chatterjee, a name that is synonymous with what is termed as the middle-of-the-road genre of Hindi films. Films that are not big star high budget bonanzas of formulaic composition, and neither they are at the extreme end of the avant-garde. If you think of ‘Rajnigandha’ (1974) and ‘Baaton Baaton Mein’ (1979), then that is the genre termed as middle-of-the-road. I remember those were the school days, and it was films like this that none in the family had any objections for us kids to go and watch with friends. For almost a decade, Basu Da’s films were a routine. If it is directed by him, then it is a must watch film.

I have seen almost all of his films as they appeared, during my student years, first school and then college. I was not very familiar with Basu Da as a personality. But his films carried / still carry such an enchanting charisma of natural flow, natural performances, and stories that are closer to real life, but are close in a very endearing sense. The romanticism is nurtured in very natural surroundings. The lead actors are seen waiting at public bus stops, and eating at known regular restaurants. The characters appear to be closer to life – vulnerable, defeat-able, more real than the ‘macho’ heroes of the mainline cinema. The humor is simple, expressed in everyday language. And the story lines – quite natural and rarely getting overdramatic.

That was the cinematic diet that challenged the supremacy of the mainline big budget cinema. Yes, there were other companions of Basu Da on this journey, who share the same penchant for clean and happy entertainment. Of course, Basu Da stands out as the one who has given us wonderful hits year after year, for almost a decade. A quiet sampler of his films from his first decade – ‘Baton Baton Mein’ (1979), ‘Do Ladke Dono Kadke’ (1979), ‘Dillagi’ (1978), ‘Tumhare Liye’ (1978), ‘Swami’ (1977), ‘Safed Jhoot’ (1977), ‘Priyatma’ (1977), ‘Khatta Meetha’ (1977), ‘Chhoti Si Baat’ (1976), ‘Chitchor’ (1976), ‘Rajnigandha’ (1974), ‘Us Paar’ (1974), ‘Piya Ka Ghar’ (1972), ‘Sara Akash’ (1969). And of course the list does not end here. It continues well into the early 2000s, albeit that it then gets mixed with mainline, big stars films also.

Each of the films listed above merits an individual write up, in as of itself. Many would remember the songless ‘Sara Akash’ – a tale of a newly wed couple and their tribulations of adjusting with each other and with the families. Ascending forward from this, Basu Da has given us delightful fare to watch year in and year out. A dear salute to this master of the understatement of the middle-of-the-road cinema.

The second birthday we celebrate today is Yesudas. At 77 today, exactly 10 years younger to Basu Da, this young man is the owner of that home grown sound of singing that has adorned many a films by Basu Da. We frequently see his presence in Basu Da’s films, starting with ‘Chit Chor’ and ‘Chhoti Si Baat’ both in 1976, almost becoming the ghost voice of Amol Palekar for many of his films. Although he recorded his first song for Hindi cinema in 1971, for the unreleased film ‘Jai Jawaan Jai Kisan’, the first released films for him were the two mentioned, in 1976.

Born in 1940 in Cochin, Yesudas started his singing career with Malayalam films in 1961. He made a siginificant contribution to the films in south Indian regional cinemas, before heading north to Hindi cinema in early 1970s. His debut in the popular Hindi cinema with Basu Da’s films quickly earned him an important recognition as a playback singer of significant merit.

Yesudas has been honored seven times as the Best Playback Singer at the National Awards. About him, music director Ravindra Jain has said that if he ever regains his vision, the first person he wants to see is Yesudas.

Today’s song brings together these two luminaries. The film ‘Apne Paraaye’  (1980) is directed by Basu Da. In the film, Yesudas is the playback voice for Amol Palekar, yet once again. The song is a duet with Asha Bhosle, and on screen this is performed by Amol Palekar and Shabana Azmi.

Ed Note: Our dear Pratap ji has added this information. The story of this film is based on the novel titled ‘Nishkriti’ written by Sharat Chandra Chattopadhyay. ‘Nishkriti’ means ‘chhutkaara’.
Ed Note: Dear Arun ji has further added that this novel is the last work of Sharat Chandra, and also his shortest novel. Further, the more appropriate flavor of the meaning of the word ‘Nishkirti’ is ‘deliverance’ or ‘setting free’.

In the story line, the couple and their two children have fallen on hard times, due to machinations and misunderstanding within a family of brothers. Utpal Dutt and Girish Karnad are brothers, both lawyers. Amol Palekar is their younger cousin, who stays in the same household. The envy between the wives of Amol Palekar and Girish Karnad forces Amol to leave the household and go to live in the village home of the family. The misunderstandings between the families reach a high pitch with legal action being initiated by Girish Karnad, at the behest of his wife, against Amol. Eventually, the eldest brother, Utpal Dutt, steps in, to iron out the problems. The family is reunited, with the caveat that Girish Karnad and his wife leave the household and move to another city.

The song is placed in the time when Amol and his family are relegated to the servant’s hut of the family’s village home, and the dishonest and unscrupulous supervisor of their family estate reduces the family to a hand-to-mouth situation. Amol has played the role of the youngest brother who is not perturbed even in the extreme circumstances. In this song, he is telling his ‘mann’, his own self, and also his two sons, that one should be happy and have a song on the lips, no matter what are the difficulties facing oneself.

The sensitive lyrics are from the pen of Yogesh and the softly paced and oh so relaxing composition is tuned by Bhappi Lahidi. A wonder strike that is so different from the ‘disco’ Lahidi that we are more familiar with.

Wishing both Basu Da and Yesudas, many more such celebrations to follow in the coming years.

And once again, congratulations to all members of this bandwagon, on the 139th century song. Surely, we have come a long way. And equally surely, we still have a long way to go. . .  Cheers.


Song – Gaao Mere Mann  (Apne Paraaye) (1980) Singer – Yesudas, Asha Bhosle, Lyrics – Yogesh, MD – Bhappi Lahidi

Lyrics

gaao mere mann
chaahe suraj chamke re chaahe
laga ho grahan
gaao mere mann
chaahe suraj chamke re chaahe
laga ho grahan
gaao mere mann

job bhi miley yahaan
jitna miley
usi mein khush ho le
job bhi miley yahaan
jitna miley
usi mein khush ho le
poora nahin hota kisi ka
yahaan har sapan
gaao mere mann
chaahe suraj chamke re chaahe
laga ho grahan
gaao mere mann

miley jo gham
to kya hua
bahaaron ke deep saja le
miley jo gham
to kya hua
bahaaron ke deep saja le
bujhe koi aasha ka diya
to phir se jala le
dukhon se tu haar na raahi
kiye ja jatan
ho oo
gaao mere mann
chaahe suraj chamke re chaahe
laga ho grahan
gaao mere mann

ro kar chalta hai
hans ke tu chal
chalna tujhe hoga
ro kar chalta hai
hans ke tu chal
chalna tujhe hoga
rukenge na tere liye re
samay ke charan
gaao mere mann
chaahe suraj chamke re chaahe
laga ho grahan
gaao mere mann

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
गाओ मेरे मन
चाहे सूरज चमके रे चाहे
लगा हो ग्रहण
गाओ मेरे मन
चाहे सूरज चमके रे चाहे
लगा हो ग्रहण
गाओ मेरे मन

जो भी मिले यहाँ
जितना मिले
उसी में खुश हो ले
जो भी मिले यहाँ
जितना मिले
उसी में खुश हो ले
पूरा नहीं होता किसी का
यहाँ हर सपन
गाओ मेरे मन
चाहे सूरज चमके रे चाहे
लगा हो ग्रहण
गाओ मेरे मन

मिले जो ग़म
तो क्या हुआ
बहारों के दीप सजा ले
मिले जो ग़म
तो क्या हुआ
बहारों के दीप सजा ले
बुझे कोई आशा का दिया
तो फिर से जला ले
दुखों से तू हार ना राही
किए जा जतन
हो ओ
गाओ मेरे मन
चाहे सूरज चमके रे चाहे
लगा हो ग्रहण
गाओ मेरे मन

रो कर चलता है
हंस के तू चल
चलना तुझे होगा
रो कर चलता है
हंस के तू चल
चलना तुझे होगा
रुकेंगे ना तेरे लिए रे
समय के चरण
गाओ मेरे मन
चाहे सूरज चमके रे चाहे
लगा हो ग्रहण
गाओ मेरे मन

 

 


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3459 Post No. : 13880

hullo Atuldom

This post features the YYIIPPEEEE song of the movie called “Agni Pareeksha” (1981). Produced by B. R. Chopra and directed by Kamal Majumdar. The star cast had Amol Palekar- Parikshit Sahni- Rameshwari in the lead and the supporting cast was of Veena, Dr. Shreeram Lagoo, Utpal Dutt and Dinesh Thakur. Music was by Salil Choudhry and Yogesh was the lyricist. Kishore Kumar, Asha Bhonsle and Lata Mangeshkar were the singers used. The movie had four songs, all solos no duets, three have been posted with a brief idea about the movie being in this post.

I had held back sending this post to Atulji as I wanted it to coincide with Rameshwari’s birthday. She is a graduate from the Film and Televison Institute Pune. She has appeared in many movies in varied languages – Malayalam, Bengali, Bhojpuri, oriya etc. she met her husband at TFII. Together they produced “Hum farishtey nahi” in hindi and “mein tunn assi tussi” in Punjabi… but she is best remembered for “Dulhan wahi jo piya man bhaaye”, “Sunayana”, “Asha” etc. and a few serials. She took a break to raise her family and was back in 2002 with “Kuch Tum Kaho Kuch Hum Kahe” as Vikram Gokhale’s sister and from then began her 2nd innings.

Today’s song will remind the viewer of songs like “aaj se pehle aaj se zyada” from “Chitchor” and “dil toh hai dil dil ka aitbaar kya kije” from “Muqqadar Ka Sikandar”. Meaning the heroine is singing blissfully unaware that both the heroes are fantasising about her. 🙂 also as in the Chitchor song she is unaware of the changed relations between her and Parikshit Sahni. Remember in the Cgtchor song Amol Palekar was unaware of the situation until Zarina Wahab informs him about why Vijendra has made an appearance in their life.

Editor’s note- I had originally planned to cover this song three years ago on this date in 2015 and that writeup is still there with me. I have no idea how I missed posting it on that date as post number 10650. Lyrics and other details for the song were provided by Prakashchandra for the song. So the lyrics of this song are by Prakashchandra and my observations on Rameshwari that I had then noted down were like this:

Today (6 january) is the birthday of Rameshwari. Many people among younger generation may look askance on the mention of her name. But there was a time during 1977-78 when she was one of the hottest properties in Hindi movies when she made her debut in Rajshree Production’s endearing movie “Dulhan wahi Jo Piya Man Bhaaye” (1977). This movie turned her into an overnight sensation. People (especially women) would throng to watch this movie. When this movie was released in my town, I did not take any notice of it because the title of the movie did not appeal to me and in any case I was more into watching Amitabh Bachchan movies those days. But when I noticed that this movie was having a longer run in the town that what even “Sholay” (1975) managed, then I was intrigued and I bunked my college to watch this movie. And I was bowled over ! I then watched this movie four more times, and it was only for Rameshwari.


Song-Pyaar hai pyaar aur kuchh bhi nahin (Agni Pareeksha)(1981) Singer-Asha Bhonsle, Lyrics-Yogesh, MD-Salil Chaudhary

Lyrics(Provided by Prakashchandra)

pyaar hai pyaar aur
kuchch bhi nahin een
raaz jiskaa
na koi ee jaanaa hai
koi samjhaaa ise
haqeekat hai ae
koyee samjhaa ise
fasaanaa hai ae
pyaar hai pyaar aur
kuchch bhi nahin een

pyaar khud raastaa hai
manzil bhi ee
pyaar toofaan bhi hai
saahil bhi ee
pyaar khud raastaa hai
manzil bhi ee
pyaar tofaan bhi hai
saahil bhi ee
pyaar khushiyon kaa
ik naghmaa hai
dard kaa bhi
yahi taraanaa hai ae
pyaar hai pyaar aur
kuchch bhi nahin ee

ahha aa
ahhaa aa
ahhaaa aa aa aaa

pyaar pehli ghataa hai
saawan ki ee
pyaar pehli fizaa hai
gulshan ki ee
pyaar pehli ghataa hai
saawan ki ee
pyaar pehli fizaa hai
gulshan ki ee
iskaa aaghaaz khoobsoorat hai ae
iska anjaam bhi suhaanaa hai
pyaar hai pyaar aur
kuchch bhi nahin ee

pyaar aasaan bhi hai
mushqil bhi ee
pyaar maasoom bhi hai
qaatil bhi ee
pyaar aasaan bhi hai
mushqil bhi ee
pyaar masoom bhi hai
qaatil bhi ee
pyaar ik imtihaan
hai khud ko
aazmaa le jo aazmaanaa hai ae

pyaar hai pyaar aur
kuchch bhi nahin ee
raaz jiskaa
na koi jaanaa hai ae
pyaar hai pyaar aur
kuchch bhi nahin ee


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Salil Chowdhury or Salilda as he was known in the Indian Film industry…mind the term Indian here and not Bollywood—would have been about 94 years old (on 19th November) if he had been there. He was an active music composer for Malayam, Bengali and Hindi movies. That is the reason for me using the term “Indian Film Industry”. Born in West Bengal he spent his childhood in the Tea Gardens of Assam. He came to Calcutta (Kolkata) for his graduate studies and that is when he joined IPTA. His musical career had a take off from here when he wrote and set songs to tune for IPTA. His film debut came in the Bengali film of 1949 “Paribortan” and his Hindi debut was Bimal Roy’s “Do Bigha Zamin” in 1952. His Malayalam debut was “Chemeen” in 1964. He did about 75 Hindi. 40 Bengali and 27 Malayalam movies. We can find his music in a few Tamil, Kannada, Marathi, Gujarati, Oriya and Assamese films too.

As I was going through the blog I found that “Agni Pareeksha” (1981) had music by Salilda. On further hunting I came across a very hummable song in the vocals of Kishore Kumar that was written by Yogesh. The song has Amol Palekar singing for a puppet show and Rameshwari and Parikshit Sahani squirming very much like Rajendra Kumar and Vyjayanthimala in “Dost dost na raha, pyar pyar na raha,” style. Seeing this I resolved to see the movie to get the song in context.

After having sat through 2 hours and 15 minutes of the movie “Agni Pareeksha” this is what I learnt or deduced:-

Sometimes even the best intentions of the producer (this movie is produced by B.R. Chopra death anniversary was on 5th November) and good acting by an able actor meaning Amol Palekar (24th November birthday i.e. today) are not enough to save a movie with a bad story and script no matter who the director is (Kamal Majumdar). Added to that one has to tolerate an actor who hams -Parikshit Sahni and an actress (Rameshwari) who has nothing much to do.

The story revolves around the estate and business of a rich lady (Veena) who has a son (Amol Palekar) undergoing treatment in psychiatric’s (Iftikhar) nursing home to get over a trauma. The son has seen his father commit suicide by jumping off a bridge into a river prompted by his wife- Veena’s ex-love’s (Dr.Shreeram Lagoo) return. This is the cause of the son’s trauma.

Meanwhile, Veena takes the responsibility of looking after the upbringing of an orphan girl (Rameshwari) -who turns out to be a good student and eventually a good companion to the now-aged Veena. She also assists the aged lady in handling her factories and other businesses after they find that the manager (Utpal Dutt in a negative role) is not liked by the workers of the factory.

The workers prefer to toe the line of their engineer (Parikshat Sahni), so Veena puts the engineer and Meeta (Rameshwari) in charge of the factories etc. In addition, she assigns the engineer a job to convince her son to return home plus to add confusion to the story she starts toying with the idea of having Meeta for a daughter-in-law.

As luck would have it Meeta and the engineer have fallen in love, and the son (Amol Palekar) also develops a liking for Meeta the instant he sees her. Then follows the usual round of sacrifices between the lovers so that ‘Maalkin’ and her son are happy; the son is instigated by the ex-manager to doubt the lovers; Meeta runs away to marry the engineer and the son shoots himself with a gun that has the engineer’s fingerprints enough to accuse the engineer of the murder. What follows is the family and Meeta trying their level best with the help of Dr. Shreeram Lagoo to save the engineer from the gallows.

So that my friends is the “Agni Pareeksha” that the audience is put to.

After having graduated from J.J. School of Arts Mumbai, and working in a bank alongside being active on stage, Amol Palekar made his movie debut in Satyadev Dubey’s Marathi movie “Shantata! Court Chalu Aahe!” and Basu Chatterjee’s Rajnigandha was his first Hindi release. This led to many other ‘middle-class boy next door’ roles for almost the entire 70s and he did his act so well that when he did a serial-killer in Vinod Chopra’s “Khamosh” or a grey-shaded Kishan Lal in Anil Ganguly’s “Aanchal” it came as a shock to the audience.

He had done a grey-shaded character very early on in his career in Shyam Benegal’s 1977 release “Bhumika” too; but essentially, he was always the friendly-neighborhood good boy. On running through his filmography, it is seen that his movie career started around the same time as the Amitabh Bachchan’s but they got to act together only in the 2001 releases “Aks” where Amol had a brief role of a defence minister though AB did a friendly appearance in “Golmaal” (1979).

Today he has returned to his first love – painting though he says he is still open to doing movies if he finds them interesting.

Wishing our Ram Prasad alias Laxman Prasad alias Amol Palekar a happy and healthy life- and a very Happy Birthday.

(audio)

(I think we can hear salilda in this )

Video


Song-Mil gayi achaanak mujhe har khushi (Agni Pareeksha)(1981) Singer-Kishore Kumar, Lyrics-Yogesh, MD-Salil Chaudhary

Lyrics

mil gayi achaanak mujhe har khushi
aa gaye meri baahon mein donon jahaan

mil gayi achaanak mujhe har khushi
aa gaye meri baahon mein donon jahaan
yaar paas hai
pyaar bhi paas hai
taqdeer sabki hoti hai aisi kahaan
mil gayi achaanak mujhe har khushi
aa gaye meri baahon mein donon jahaan

main thha akela nahin
koi kahin thha mera humsafar
jeewan ki sooni si thhi ye dagar
main thha akela nahin
koi kahin tha mera humsafar
jeewan ki sooni si thhi ye dagar
tumne jo pyaar se apnaaya mujhe
tumne jo pyaar se apnaaya mujhe
raah saji manzil ki
mil gayi achaanak mujhe har khushi
aa gaye meri baahon mein donon jahaan
yaar paas hai pyaar bhi pas hai
taqdeer sabki hoti hai aisi kahaan

do do mujhe toh dekho paaras patthar chhoo gaye
sone ke rang mein range khwaab naye
do do mujhe toh dekho paras pathar chhoo gaye
sone ke rang mein range khwaab naye
jhoome dil magan
jeene ki lagan
jhoome dil magan
jeene ki lagan
phir se mere man mein basi
mil gayi achaanak mujhe har khushi
aa gaye meri baahon mein donon jahaan
yaar pass hai
pyaar bhi pas hai
taqdeer sabki hoti hai aisi kahaan
taqdeer sabki hoti hai aisi kahaan


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

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