Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar solo’ Category


Normally it is believed that old songs are obscure songs and new songs are better known songs. But that is not always the case. I find that several recent songs (anything created in 1970s and later are recent by the standards of this blog. 😀 ) have been forgotten in double quick time.
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Like any young pre teen kid growing up in late 1960s and early 1970s, I was learning new things every day. I would listen to songs blaring from loudspeakers and from radios. It was one fine evening in 1960s that I heard a song coming out from the radio. I had never heard this song before, and I loved the song instantly and unconditionally, as kids tend to do.
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This article is written by Sudhir, a fellow enthusisat of Hindi movie music and a regular contributor to this blog.

The enticement of the tinsel world of films has fostered many real life stories of people from all walks of life giving up their professions and jobs, with an aspiration to make it a success in the film world. The story of the famous composer Chitragupt (full name Chitragupt Stivastava) is also of this kind. Born in 1917 in Karmaini (Chhapra District), Bihar, Chitragupt did a double MA in Economics and Journalism, and was working as a lecturer in Patna. In the early 40s, he gave it all up and came to Bombay with a dream to make it big, not as an actor, but as a singer and music director. He worked as an assistant with SN Tripathi, who became his mentor. In 1946, Chitragupt got his first independent assignment as a composer for the movie Toofan Queen. Not a success on the box office, the film did nothing much to help progress Chitragupt’s career. He would do another 20 odd films between 1946 and 1952, before coming into his own in the early 1950s. The 1952 film Sindbad the Sailor, though not a huge success in itself, its music was very successful. In 1955, SD Burman recommended him to the AVM studios (in Madras), which started an association that lasted for many years. During this time, he composed music for many hit films from AVM viz., Mein Bhi Ladki Hoon, Barkha, Mein Chup Rahoongi, Bhaabhi etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Reading about the Atul ji’s description of the tresses and curls of Indian film heroines, as he discussed yesterday in the song Zulfon ko hataa le chehre se (Saawan Ki Ghata) , I am reminded about this wonderful Kishore da song from the movie Paayal Ki Jhankaar.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

With this post, we celebrate the 3900th song on this blog. Congratulations all. And wow, what a lovely musical journey it has been since the blog was started as a result of an online conversation between two cricket enthusiasts, Atul ji and Raja ji. After having sampled 3900 gems, the large ocean of Hindi film music still beckons for many many more songs to be discovered and re-discovered.
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Regular visitors of this blog may have been noticing that I was discussing lots and lots of songs composed by Anil Biswas these days. And a few regulars may also be aware of the reason behind that. These days I am quite particular to see that major artists who have less than 100 of their songs in this blog reach their century of songs as quickly as I can help it.
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