Archive for the ‘Manna Dey solo’ Category
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
When the song “baat koi matlab ki” from Apradhi Kaun (1957) was posted here yesterday, one of the comments on it – from Arunji – referred to another song, “phir wohi dard hai”, from this film that had not yet been posted.
I immediately responded to that comment, saying I would post this song too at the earliest.
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Aao aao sooni re sajariya
Posted on: July 9, 2014
This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations – 10
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10,000 songs! I’m very glad, that Atul asked me to supply a post for the countdown. Moreover I think it is a very good idea to let us introduce each other, this way, I think the Atulblog family comes to know each other better and also thus come closer. A family, which knows each other better, sings better.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS(Song No. 9)
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Manna Dey never achieved the kind of popularity that some of his more commercially successful contemporaries (Rafi, Kishore Kumar, Mukesh etc) enjoyed, but that in no way is a reflection on Manna Dey’s calibre as a singer. As a singer he had perhaps the widest range of them all. He could sing songs ranging from philosophical to comical with equal felicity. In his case, passage of time has helped enhance his reputation.
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Jaago hey bajrang bali
Posted on: June 8, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHAJAN MALA – GOLDEN 50s (Pushp- 10)
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The first bhajan from film ‘ Pawanputra Hanuman’-57 was posted on 24th may. Today we will enjoy yet another melodious bhajan from this film, this time sung by the great Manna Dey. In hindi films, bhajans sung by Mohd.Rafi, Hemant Kumar and Manna Dey were very popular. Not that other singers did not sing any bhajan- even G.M.Durrani has sung a bhajan with few Sanskrit lines in the beginning, for the film Veer Arjun-52. If possible, I wish to post that bhajan also here, in future sometime.
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Gaaon se chala door
Posted on: May 3, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Till the 1970s, people in India typically were far less cynical that what they are today. Youngsters typically got to read inspirational books, which meant reading the biographies of great men and also mythological tales viz “Ramayana”, “Mahabharat” etc. In typical Indian households, one could find framed photos/ calenders depicting Gods as well as Great people/ National leaders. I have seen pictures of Lord Ram/ Krishna/ Shiv as well as pictures of Mahatma Gandhi/ Jawaharlal Nehru/ Dr Rajendra Prasad/ Dr S Radhakrishnan/ Subhash Chandra Bose in almost all typical households.
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Albeli naar preetam dwaare
Posted on: May 2, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
When the going gets completely traditional and classical, then the music directors always turn to that voice, which simply never ceases to amaze with its range and its control over the notes and the ragas. It is the voice of Manna Dey, the last of the old school classical singers, with a firm grounding in the traditional art form of music of the sub continent. A singer whose voice is the natural resting place for such classical icons as “Bhay Bhanjanaa Vandanaa Sun Hamaari”, “Laaga Chunri Mein Daag”, “Sur Na Saje Kya Gaaun Main”, “Kaun Aaya Mere Mann Ke Dwaare”, “Poochho Na Kaise Main Ne Rain Bitaai”, “Tere Naina Talaash Karen Jise”, “Aayo Kahaan Se Ghanshyam”, “Udd Jaa Bhanwar”, “Chali Raadhe Raani Akhiyon Mein Paani”, “Banaawo Batiyaan Haaye Kaahe Ko Jhoothi”, “Tu Chhupi Hai Kahaan” – and many more such fabulous classical creations.
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Bhus bhar diya meri chaahat mein
Posted on: May 1, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Amaanat” (1975) was produced and directed by Shatrujit Paul. The movie had Manoj Kumar, Sadhana, Balraj Sahni, Mehmood, Achala Sachdev, Shashikala, Keshto Mukherji etc in it. This movie began in 1960s and its songs got released much before the movie. The movie itself had a very delayed release. It finally got its censor certificate on 31 december 1975 and thus qualified as a movie of 1975!
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Mast mayuraa naache
Posted on: April 27, 2014
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Raag Maalikaa in Hindi Films – 10
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Dil Ki Raahein (1973) was produced by Majjeda Movies and directed by B R Ishara. The star cast included Rakesh Pandey, Rehana Sultan, Sulochana, Johny Whisky, Dilip Dutt, Amrit Pal etc. Naqsh Llayalpuri provided the lyrics and the music was by Madan Mohan. The music of this film did not impress the masses and it was one of the least popular music amongst Madan Mohan’s films. However, one Lata’s song ‘Rasm-e-Ulfat Ko Nibhaayen’ became a collector’s item amongst Madan Mohan’s fans.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Gajre” (1948) was an Allied Arts Production movie. It was directed by R D Mathur. The movie had Motilal, Suraiya, Agha, Nihal, Sangeeta, Geeta Nizami, Sankatha Prasad, Murad etc in it.
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Raag bhairav pratham
Posted on: April 12, 2014
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Raag Maalikaa in Hindi Films – 8
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Very recently Atul-ji posted a classical song by Ustad Ameer Khan from Baiju Bawara. He has wonderfully written about the minority of film music listeners, who likes and could appreciate classical music.(I wish I had a small portion of his ability to put forward the ideas like him.) Being in that minority, I am thankful again to Atul-ji to post my classically based offerings, without my asking or making a stir for a quota of reservation for such minorities.
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