Archive for the ‘NFS’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS (song No. 5)
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Somewhere in the late 2011, AK ji of Songsofyore, had written on this Blog about the importance of NFS. After reading his views, I too wrote a rather lengthy comment supporting the inclusion of NFS on this Blog. Our contention was that, prior to the Hindi Film Music becoming popular all over India, it was those gazals, Geets and Bhajans, privately sung and recorded by various artists which had ruled the tastes of music lovers. In fact many famous singers had recorded NFS in the beginning phase of their singing careers. Some names are Talat Mehmood, Saigal, Pankaj Mullik, Jagmohan and JUTHIKA ROY !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS (Song No. 4)
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From my house towards Juhu, there is a building at the corner of Gulmohar Circle which has a board- ‘Karachi Residents’ Association’. On enquiry I discovered that this was a building owned by Sindhi speaking Hindu and Muslims people who resided in Karachi before Partition. I was told that 5-6 such buildings exist all over Mumbai. On further enquiries, I was informed that there were a few buildings of ‘Lahore Residents Association’ also (Punjabi speaking Hindus and Muslims). When I met one of the residents of ‘Lahore’ wala building, that old gentleman was speaking so lovingly about old Lahore that I was surprised. Even after 65 years of partition, these people had such fondness for Lahore. . . or Karachi, for that matter.
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Naina ban gaye saawan bhaadon
Posted on: June 20, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS (Song No. 3)
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Believe it or not, but there is some kind of an unseen hand of Destiny that shapes Human life. In film industry, one can see very strange cases. Some people gracefully retire, when they are on Top of their careers and some have to retire because there is no work for them. Some people join the industry in a department of their choice,but Destiny changes their life and they end up working and succedding in an entirely different field of activity.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS (Song No. 2)
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When films started ‘ Talking’, the industry needed actresses who could look good and sing well. Already hard pressed to get girls from educated respectable families, the producers turned to professional singers (Tawayafs) or the Courtesans. These girls knew Hindi/Urdu well, were trained in singing and were experts in handling people. They could and actually did replace the Anglo Indian girls, who had been in the industry since the Silent era, but who found it difficult to talk or sing in Hindi/Urdu. There were some enterprising Anglo Indian girls like Sabita Devi or Irina Gasper, who learnt speaking Hindi and singing just to continue their careers successfully. Later on she made a Hit pair with Motilal in many films, starting with Shehar ka jaadu-1934.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE JOY OF NFS (Song No. 1)
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MUSIC is an integral part of every Indian. From birth to death, we are drenched in music. During Vedic times, the Rishis used to teach their students verses in Taal and Sur, so that the students would remember them easily. You will have observed that whenever there is a Mahapooja or an Yadnya, the Purohits will recite the Mantras in a typical rhythm and sur.
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Jaa re papeeha piyu ke des
Posted on: April 20, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
For an average music lover in India, music means film music. The fact that there is a vast body of non film music as well is missed out by most. The non film music has its own audience, though sadly this niche audience is far smaller in number. Established fim movie singers have sung a few non fim songs. On the other end of the spectrum, there were singers who were primarily non film singers and who occasionally sang a few movie songs as well.
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Hamri atariya pe aao sanwariya
Posted on: March 5, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
hamri atariya pe aajaa re saanwariya dekha dekhi tanik hoi jaaye
This is the mukhda of the song from the film ‘Dedh Ishqiyaa’ (2014) which I partly heard for the first time during the promotion of the film on various TV channels in December 2013. I was very happy that in the era of Hindi film music where loud songs with high velocity instrumentation and the meaningless lyrics are the order of the day, this semi-classical song had also found a place in the scheme of things of the modern day movie makers.
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Tumne ye kya sitam kiya
Posted on: February 24, 2014
- In: Artist century song in blog | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Ghazal | Guest posts | Lyrics contributed by readers | NFS | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1970 | Talat Mehmood NFS | Talat Mehmood solo | Talat Mehmood songs | Yearwise breakup of songs
- 22 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9500th song post in the blog.
OK, so it is 9500 today. Goodness, the Doppler effect that I discussed, oh just three short weeks ago, seems to be working just as told. The actual pace of posting songs is fairly normal and consistent. And yet, it seems we are speeding up, and will be reaching the magic number, faster than we thought we would get there.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today, February 8th 2014 is the 73rd birth anniversary of Jagjit Singh ( 08/02/1941 – 10/10/2011) who is regarded as a catalyst in reviving ghazals as a form of singing not only in India but across the world. He transformed ghazal singing into an easier and acceptable form to suit the taste of masses. And what a coincidence! When Malika e ghazal, Begum Akhtar passed away in October 1974, Jagjit Singh was on the way up of becoming a popular ghazal singer when his first LP disc ‘The Unforgettable’ (1976) became commercially successful. So there was a sort of change of guard and handing over the baton of sorts in that Jagjit Singh took over the mantle of ghazal singing after the demise of Begum Akhtar.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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