Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘NFS’ Category


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

After these three NFS included in this blog I am continuing this series of songs from the album ‘Varsha Ritu’.

S N Song Singer
1. Naach Re Mayura Manna Dey
2. Ghiri Ghataayen Lata Mangeshkar
3. Beet Jaat Barakha Ritu Lakshmi Shankar

Suman Kalyanpur (nee Suman Hemmady) remains one of the best-loved voices of Hindi and Marathi songs — almost more than 20 years after she stopped singing full-time.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

According to Wikipedia, “Born in 1926, Lakshmi Shankar started her career in dancing. In 1939, when Uday Shankar brought his dance troupe to Madras, (recently renamed Chennai), she joined the Almora Centre to learn Uday Shankar’s dance style based on the Indian classics, and became a part of his troupe. She later married Uday Shankar’s brother, Rajendra (with nickname Raju).
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Varsha Ritu (1969) an album in an LP form was released by HMV to the delight of music lovers. Non-Film songs (NFS) were very much in vogue those days. Lata, Manna Dey, Begum Akhtar, Mukesh, Talat Mehmood, Mahendra Kapoor, Lakshmi Shankar, Sudha Malhotra and Mubarak Begum had each one NFS in that album. Music for all except the first three in this list was composed by an HMV staff artist Murli Manohar Swarup.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This article is the 8800th song post in the blog.

Today (2 october 2013) is a special day- both for our country and for our Blog.

For the country, because today is the Birth Anniversary of Mahatma Gandhi. For the Blog, because it completes 8800 songs today, with this song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In September 1988, Doordarshan National channel started telecasting what was to become the stupendously popular serialization of the renowned epic ‘Mahabharat’. And for a period of almost two years (94 Sundays), an audience of almost 20 crore Indians would be glued to the TV sets. And in every episode, the audience was greeted with the rendition of the title song and shlokas, and the every episode was bid good bye with a verse that summarized the story, the state of affairs, and the learnings from the particular episode. These opening and ending title song and verses came through the telecast riding on the booming voice of the one and the only singer who could have made the impact with his voice. His rendition of the opening word ‘Mahaaa-Bhaaarat’ is now etched in the aural memory of the viewers. The voice that had the power to shake a thunder. Mahendra Kapoor – the only voice that could make it happen.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When he passed away twenty four years ago, in 1989, it was just one year after that he had received the national award for the Best Male Singer (1988). This was despite the fact that he had suffered a major heart attack in 1980, after which, many reviewers said that he was not his original self, and had lost the quality of his voice.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Some days back, I had posted an NFS song by Asha ji celebrating her birth anniversary. In the discussion that followed in the comments, Kirit ji Bhatt wrote about his memories of NFS songs of yet another front line singer that have probably gone unnoticed and unheard for decades. Of course our blog does not yet have any NFS song by this singer. The comment had jolted my memory banks too, and has been in the back of my mind since that day. A couple of days ago, I sat down to search in my collection, only to so happily realize that I have a set of NFS songs of this artist. And yes, it is time that these songs were aired once again, to acknowledge him.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

pal chin
kaliyaan gin gin
tera har din
tab tak rangon se khele
rang jab tak baaki hain bahaaron mein

Ah Asha, the everlasting hope of fresh, pristine melodies. Hearty greetings on this significant milestone in the journey of music. And wishing you many more such milestones of good health and musical times – so that we all may be blessed with the tinkle of you lovely voice, for many more years to come.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Jaganmoy Mitra – that is the name behind the voice of such incredible gems as “Ye Na Bataa Sakoonga Main, Dil Ko Hai Tum Se Pyaar Kyun”, “Aankhon Mein Basaa Mann Hai Mera, Mann Mein Basaa Kaun”, “Meri Aankhen Bani Deewaani” , “Sapnon Mein Mujhko Pyaar Milaa”, and so many more non-film and film songs, that will never fail to tickle the heart and move the listener to feel the emotion behind the words. For more than seven decades, the treasures of his voice have pleased discerning listener’s of many generations. A voice that always kept to classical and semi classical consistency, and then faded away from the mainline singing for films, around the mid 50s. Yet, his popularity has not waned. Limited maybe, the treasure of his singing gems, but his name evokes a pleasant attachment, whenever his songs are played.

Remembering Jagmohan ‘Sursagar’ on the anniversary of his birth today (6th September).
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