Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1986


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4835 Post No. : 16619 Movie Count :

4526

Hullo Atuldom

Remembering our very own Abhas Kumar Ganguly with this post on his death anniversary. It is 34 years since he bade goodbye to this mortal world but his works are still with us- his fans and followers.

He was a versatile singer, actor, writer, producer, director, composer etc. In short an all-rounder who was the voice of many generations of actors beginning with Dev Anand for whom his voice was first used in 1948. World over, lovers of Hindi film music just love and adore this artiste and he himself was a huge fan of the actor-singer of the early-talkies and films of the ’30s and ’40s- K.L. Saigal. Abhas Kumar Ganguly had a great respect for the poet/ musician Rabindranath Tagore.

He could sing an ‘eena meena deeka’ with the same ease as he sang ‘koi humdum na raha koi sahara na raha’. His fans loved his voice on Ashok Kumar, Dev Anand, Rajesh Khanna, Amitabh Bachchan, Dharmendra, Jeetendra and every single actor that graced the silver-screen from 1948 (when he made his debut) to 1987 (till death took him away from us). There were some actors of the older generation (meaning ’50s and ’60s) who had other singers as their permanent go-to voice; but Kishore Kumar (as Abhas Kumar Ganguly was popularly called) sang for these people in the later part of their careers- post 1970, I mean to say. Kishoreda’s voice was used for the next generation of actors too meaning Dharam’s son Sunny, Rajendra Kumar’s son Kumar Gaurav, Sunil Dutt’s son Sanjay Dutt , and all of Raj Kapoor’s sons etc. in addition to the new entrant actors of the ’70s and ’80s like Govinda, Anil Kapoor, Jackie Shroff etc. I have a feeling that if he had been around then the Khans of the ’90s would have sounded different but that was not to be.

It is Sharad Navaratri and so I searched for a song/mata bhajan to go with this post. I am not sure how many songs Kishoreda has sung in this genre, but I do remember there are a few under Bappi Lahiri and Laxmi Pyare’s music direction in some ‘made in South India’ films.
Today’s is from the 1986 release “Swarag Se Sundar”. On-screen Jaya Prada and Jeetendra lip-sync to Kishoreda and Lata didi and appeal to the Devi maa to cure the child of their family, of whatever ailment it is suffering from; the “dawa ki nahin, dua ki zaroorat hai” situation (I have seen this movie a few times over the years, the child is shown to have high fever).

“Swarag Se Sundar” was a movie directed by K. Bapaiah, had dialogues by Kadar Khan, songs written by Anand Bakshi and Laxmi-Pyare were the music composers. Asha Bhonsle, Lata Mangeshkar and Kishore Kumar were the playback singers used. Mithun Chakraborty and Padmini Kolhapure played the second couple with Shubha Khote, Aruna Irani, Shoma Anand, Kadar Khan, Prem Chopra, Asrani, Bharat Bhushan, Satyen Kappu etc in supporting cast.
Thinking of Kishoreda on his anniversary

Audio

Video

Song-Maata prakat ho door sankat ho (Swarg Se Sundar)(1986) Singers-Kishore Kumar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

maata prakat ho
door sankat ho
maata prakat ho
door sankat ho o o
ho devi maata raani toone sabki maani
ho devi maata raani toone sabki maani
hum pe bhi ho jaaye
hum pe bhi ho jaaye teri meharbaani

ho devi maata raani toone sabki maani
hum pe bhi ho jaaye
hum pe bhi ho jaaye teri meharbaani
ho devi maata raani toone sabki maani

maata tu mahaan hai
mamta ki pehchaan hai
maata tu mahaan hai
mamta ki pehchaan hai
lena teri shaan nahin
dena teri shaan hai
toot na jaaye aaj ye
toot na jaaye aaj ye teri reet puraani
ho devi maata raani
toone sabki maani
ho devi maata raani
toone sabki maani

tere dwaare pe maine deepak din raat jalaaye hain
tere dwaare pe maine deepak din raat jalaaye hain
isiliye kya maata toone mere haath jalaaye hain
isiliye kya maata toone mere haath jalaaye hain
sun le maata tu meri
sun le maata tu meri ye ankahi kahaani
ho devi maata raani toone sabki maani
ho devi maata raani toone sabki maani

tere mandir se hum khaali haath na vaapas jaayenge
tere mandir se hum khaali haath na vaapas jaayenge
teri chaukat pe sar takra takra ke ae mar jaayenge ae
teri chaukat pe sar takra takra ke ae mar jaayenge
jaan ke badle denge
jaan ke badle denge hum jaan ki kurbaani
ho devi maata raani
toone sabki maani
hum pe bhi ho jaaye
hum pe bhi ho jaaye teri meharbaani
ho devi maata raani toone sabki maani
maata prakat ho
door sankat ho
maata prakat ho
door sankat ho
maata prakat ho
door sankat ho


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4728 Post No. : 16446 Movie Count :

4464

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XL: Year 1986
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1986.

In 1986, 129 Hindi movies containing 585 songs were released. Lata Mangeshkar got to sing in 27 of these movies and she sang 41 songs in these movies. So Lata Mangeshkar’s voice was heard in 20.9 % of the movies released in 1986. Her voice was heard in 7.5 % of the songs appearing in the movies of 1986.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1986 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Aag Aur Shola Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
2 Aap Ke Saath Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
3 Adhikaar Bappi Lahiri 0 1 1 0 0 0 Indeewar
4 Allahrakhha Anu Malik 0 1 1 0 0 0 Prayagraj
5 Anubhav Rajesh Roshan 0 1 1 0 0 0 Indeewar
6 Devar Bhaabhi Khayyam 0 1 1 0 0 0 Naqsh Llayalpuri
7 Insaaf Ki Aawaaz Bappi Lahiri 0 1 0 1 0 0 Indeewar
8 Jumbish Jaidev 0 1 1 0 0 0 Salahuddin Parvez
9 Locket Bappi Lahiri 0 2 0 1 0 1 Gauhar Kanpuri
10 Love and God Naushad 0 5 1 3 0 1 Khumar Barabankvi
11 Maa Ki Saugandh Sapan Jagmohan 0 1 1 0 0 0 Anjaan
12 Makkaar Rajesh Roshan 0 1 0 1 0 0 Amit Khanna
13 Mangal Dada Kalyanji Anandji 0 1 0 1 0 0 Gauhar Kanpuri
14 Naache Mayuri Laxmikant Pyarelal 1 5 4 1 0 0 Anand Bakshi
15 Naam Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
16 Naasamajh Jeet Tapan 0 1 1 0 0 0 Sikandar Bharti
17 Nageena Laxmikant Pyarelal 1 1 1 0 0 1 Anand Bakshi
18 Paalay Khan R D Burman 0 3 2 1 0 0 Anand Bakshi
19 Preeti Usha Khanna 0 2 0 2 0 0 Saawan Kumar Tak
20 Pyaar Kiya Hai Pyaar Karenge Laxmikant Pyarelal 0 1 0 1 0 0 S H Bihari
21 Qatl Laxmikant Pyarelal 0 2 2 0 0 0 Anand Bakshi
22 Samundar R D Burman 0 2 0 2 0 0 Anand Bakshi
23 Shatru R D Burman 0 1 1 0 0 0 Anand Bakshi
24 Suhaagan Bappi Lahiri 0 1 0 1 0 0 Indeewar
25 Swarg Se Sundar Laxmikant Pyarelal 0 1 0 1 0 0 Anand Bakshi
26 Tere Shahar Mein Khayyam 0 1 1 0 0 0 Naqsh Llayalpuri
27 Zindagaani R D Burman 0 1 1 0 0 0 Anjaan
Total 27 movies 12 MDs 2 41 22 17 0 2 12 lyricists

Lata Mangeshkar worked with 12 music directors and 12 lyricists in these 27 movies released in 1986. Laxmikant Pyarelal were the most prolific music directors with Lata, with 632 songs in HFM with Lata Mangeshkar by the end of 1986. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 319 Lata Mangeshkar song was ahead of Kalyanji Anandji with 304 songs and C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108) and Vasant Desai (104). Together these fifteen music directors composed 3455 songs out of 4838 songs that Lata Mangeshkar had sung in Hindi movies till end of 1986. Anand Bakshi with 638 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (142). These ten lyricists had penned 3142 songs sung by Lata Mangeshkar till that time.

Lata Mangeshkar collaborated with music director duo Jeet Tapan for the first time in a movie released in 1986. She collaborated with Lyricists Prayagraj and Salahuddin Parvez for the first time in movies released this year.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1986 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 141 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 98 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 49 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 27 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 2 41 22 17 0 2
Total upto 1986 1721 movies 3676 4838 3205 1321 203 109

It can be seen from the table of 1986 that Lata Mangeshkar sang 41 songs in 27 movies released in 1986.

2 songs sung by Lata Mangeshkar in movies of 1986 have been covered in the blog. That leaves us with 39 songs from movies of 1986 that are yet to be covered.

All Lata Mangeshkar songs from 1 movie of 1986 (“Nageena”) has been covered in the blog. So 39 Lata Mangeshkar songs from 26 movies of 1986 are still available for discussion in the blog.

Alphabetically “Aag Aur Shola”(1986) is the first movie of 1986 that offers us a Lata Mangeshkar song to be covered in the blog.

“Aag Aur Shola”(1986) was produced by Prasann Kapoor (brother of Jeetendra) and directed by K Bappaiah for Tirupati Pictures, Bombay. The movie had Jeetendra, Sridevi, Mandakini, Shakti Kapoor, Shoma Anand, Suresh Oberoi, Kader Khan, Aruna Irani, Bindu, Jagdeep, Asrani, Mushtaq Merchant, Sunder, Guddi, Satish Shah, Imran(child),Dilip Tahil, Viju Khote, Raja Duggal, Umesh Khanna, Nitin Sethy, Krish,Waheed, Chotu, Walecha, Johny Mohamed etc. The movie introduced Ashish Chanana(Son of Politician Charanjit Chanana).

The movie had five songs in it. All five songs contained the voice of Md Aziz. Two were solo songs. Three were duets with three different singers (Lata Mangeshkar, Asha Bhonsle and Kavita Krishnamurthy).

Here is the duet containing the voices of Lata Mangeshkar and Md Aziz. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Jeetendra and Sridevi.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Aag Aur Shola”(1986) makes its debut in the blog.

audio link:

video link:

Song-Aaj subah jab main jagaa (Aag Aur Shola)(1986) Singers-Md Aziz, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics(Provided by Prakashchandra)

o o ho o
oho ho o o
oo oo hoo ho
o o o oho
oo ooo ooo
hmm…mmm..hmmm…mmm
o oo ho o oo ho o o o

(panting sound)

aaj subaha jab main jagaa
hho o hho o
aaj subah jab main jaga
o oo ooo o
teri qasam aisaa lagaa aa aaaa ha aa
ke tooney mujhey yaad kiyaa hai ae ae
tooney mera naam liyaa hai ae
ke tooney mujhey yaad kiyaa hai ae ae
tooney mera naam liyaa hai aey ae ae

hic
hich hich hichkee lagee
hich
hichki
hic
hich hich hichkee lagee
hich
hichki
aaj subah jab main jagee
hho ho ho
aaj subah jab main jagee
ho o o
mast hawaa kehney lagee..eee
ke tooney mujhey yaad kiyaa hai ae ae
tooney meraa naam liyaa hai ae
ke tooney mujhey yaad kiyaa hai ae ae ae
tooney meraa naam liyaa hai ae

lambee judaai tu dey gayaa thhaa aaa aaa
sab geet mere tu le gayaa thhaa
lambee judaai tu dey gayaa thhaa aaa aaa
sab geet mere tu le gayaa thhaa

ye main ya meraa rab jaantaa hai
kyaa le gayaa thhaa
kya de gayaa thhaa
kyaa le gayaa thhaa
kya de gayaa thhaa
jaan chalee jaati magar r r r
aisey mein
aisey mein
aisey mein aayee khabar r r
ke tooney mujhey yaad kiyaa hai ae ae
tooney meraa naam liyaa hai ae
ke tooney mujhey yaad kiyaa hai ae ae ae
tooney meraa naam liyaa hai ae

ho o o o
oo oo o o
ooo
aaa aaa aaa aaa aaa
aaaa aaa

ye hai qayaamat
rukti naheen hai
ye hai mohabbat
chhupti naheen hai
ye hai qayaamat
rukti naheen hai ae
ye hai mohabbat
chhupti naheen hai
kehti hai duniya
ye aag dil ki
lagti naheen yaa bujhtee naheen hai
tooney meraa naam liyaa aa aaa aa
maine wahi
haan haan
main wahi jaan liyaa aa aa
tooney mujhey yaad kiyaa hai ae ae
tooney meraa naam liyaa hai ae
ke tooney mujhey yaad kiyaa hai ae ae
tooney meraa naam liyaa hai ae ae

jab se gayaa hoon oon oon oon oon
main tujhse milkey
jab se gayaa hoon
main tujhse milkey
taubaa tamaashey poochho na dil ke
kitney dinon mein aaye ho waapas
murjhaa gaye kitney phool khil ke

meraa buraa haal rahaa aaa
meraa buraa haal rahaa aaa aaaa aaa
khair huyee
haayye haayye
khair huyee dil ne kahaa aa aaa aa aa
ke tooney mujhey yaad kiyaa hai aey ae ae
tooney meraa naam liyaa hai ae ae
ke tooney mujhey yaad kiyaa hai ae ae
tooney meraa naam liyaa hai

hic
hich hich hichkee lagee
hich
hichki
hic
hich hich hichkee lagee
hich
hichki
aaj subah jab main jagee

oh oh
aaj subah jab main jagaa
ho oo ho ooo o
teri qasam aisaa lagaa aa aaa aa
ke tooney mujhey yaad kiyaa hai ae ae ae
tooney mera naam liyaa hai ae
ke tooney mujhey yaad kiyaa hai aey ae ae ae
tooney meraa naam liyaa hai ae ae
haaan aaa aaan aan
aaan aaan aaan
aaan aaan aaan
aaan aaan aaan
aaan aaan aaan


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4656 Post No. : 16325

Today’s song is from the movie ‘Naam-1986’.

‘Naam-1986’ may be a recent movie by the standard of this blog, but it made it’s debut on the blog long time back or precisely in the initial months of the blog and that was on 03.11.2008.

Its’ most popular song Chitthi aayi hai aayi hai chitthi aayi hai was posted on the blog on 03.11.2008.

‘Naam-1986’ was directed by Mahesh Bhatt for ‘Aryan Films’.

It was produced by Kumar Gaurav and presented by Rajendra Kumar. It had Nutan, Kumar Gaurav, Sanjay Dutt, Poonam Dhillon, Amrita Singh, Pankaj Udhas with Paresh Rawal, Aakash Khurana, Ram Mohan etc in it.

Story, screenplay, and dialogues of this movie were written by Salim Khan. Editing of this movie was done by David Dhawan.

This movie was passed by Censor Board on 30.08.1986.

This movie had six songs (including one multiple version song) written by Anand Bakshi and music was composed by Laxmikant-Pyarelal.

Song Title Singer/s Posted On
Ameeron Ki Shaam Gareebon Ke Naam Mohammed Aziz Being discussed today
Chithi Aayi Hai, Aayi Hai, Chitthi Aayi Hai Pankaj Udhas 03.11.2008
Tere Dil Ki Tu Jaane Kavita Krishnamurthy
Tu Kal Chala Jayega” (Duet) Manhar Udhas, Mohammed Aziz
Tu Kal Chala Jayega” (Solo) Mohammed Aziz
Veriya Ve Kiya Kya Kasoor Maine Lata Mangeshkar

Lata Mangeshkar, Pankaj Udhas, Manhar Udhas, Mohammed Aziz and Kavita Krishnamurthy had given their voices to the songs of this movie.

Today we are going to listen the second song from this movie sung by Mohammed Aziz and lip-synced on screen by Kumar Gaurav.

I had watched this movie during my stay at Parli Vaijnath then in 1986. Though I do not remember much about this movie now. The today’s song seems to be a party song where paintings of ‘people suffering in poverty and hunger’ are seen to be displayed.

We can see Poonam Dhillon and others present their while Kumar Gaurav performs on this song.

I think all the songs from this movie are good songs to listen and they were all quite popular too, ‘chitthi aayi hai’ being the most popular among them.

Let us now listen to today’s song, the second song of this movie on the blog, appearing after a gap of twelve years, five months, and fifteen days (or 4550 days including 17.04.2021) since its first song on the blog.

Audio

Video

Song-Ameeron ki shaam gareebon ke naam(Naam)(1986) Singer-Mohammad Aziz, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

ye aansoo
ye jazbaat
tum bechte ho
gareebon ke haalaat
tum bechte ho
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
isi baat par
sabko mera salaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam

ye kya hai tamaashaa
ye kya hai sitam
ye kya hai tamaashaa
ye kya hai sitam
mazaa aa gayaa bas
khudaa ki qasam
khushi ki dukaanon pe
bikta hai gham
bikta hai gham
fidaa aise gham pe
hai khushiyaan tamaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam

ye fanqaar ki ik
haseen yaad hai
ye fanqaar ki ik
haseen yaad hai
kisi bhookhe nange ki
fariyaad hai
ye tasveer to qaabil e daad hai
qaabil e daad hai
ise deejiye aap
pehlaa inaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam

ye maasoom bachchaa
ye majboor maa
ye maasoom bachchaa
ye majboor maa
na choolhaa
na bartan
na ghar
naa dhuaan
na choolhaa
naa bartan
na ghar
naa dhuaan
gareebi ki munh bolti daastaan
ameeree ka munh boltaa intaqaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam
isi baat par
sabko mera salaam
ameeron ki shaam
gareebon ke naam
ameeron ki shaam
gareebon ke naam


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4574 Post No. : 16179

Today’s song is from the ‘1986’ movie ‘Begaanaa’. It may be a recent movie by the standards of the blog, but it had made its debut on the blog on 19.08.2008 with its nice touching song sung by Kishore Kumar.

Today we are adding the second song of this movie on 25 january 2021 that is 4542 days after the movie made its debut on 19 august 2008 !.

“Begaanaa-1986” was directed by Ambrish Sangal for ‘Murghan Enterprise’. It was produced by Shyam Sunder Shivdasani. It had Kumar Gaurav, Rati Agnihotri, Dharmendra, Raj Kiran, Deepti Naval, Amrish Puri, Manmohan Krishna, Arun Bakshi, Mohan Choti, Aruna Irani, Mac Mohan, Om Shivpuri, Sudhir, Kalpana Iyer, Leena Das, Arjun Thapar and others.

Story of this movie was written by Mushtaq Jalili.

This movie was passed by Censor Board on 30.01.1986

‘Begaanaa-1986’ had six songs (including one multiple version song, which has already been posted on the blog) penned by Anjaan and composed to music by Annu Malik. Asha Bhonsle, Kishore Kumar and Mohd Aziz were the singers for the songs of this movie.

Today we are going to listen to a duet song sung by Asha Bhonsle and Mohd Aziz. It is lip synced by Rati Agnihotri and Kumar Gaurav respectively on screen. This song happens on the ‘annual day’ function of their college where there is a music competition between the current students and ex-students of the college.

I have not watched this movie except the today’s song which happens immediately after the movie starts. I could not locate the video of the song;

Lyrics of the today’s song are by Anjaan and music is composed by Annu Malik.

let us now listen to today’s song which has some nice verses written by Anjaan.

(Note: -Today’s song has also broken the record of the ‘longest gap in days between the debut song and the second song of a movie’, which was 4540 days. 😊

Audio

Video

Song-Waqt ke saath har zakhm bharta nahin(Begaana)(1986) Singers-Md Aziz, Asha Bhonsle, Lyrics-Anjaan, MD-Anu Malik

Lyrics

chal rahaa hoon
dil mein mere phir
chalne ki khushi hai
aanewaale kal ki soorat meri
aankhon mein basi hai
mar chuke hain wo jo thhak kar
raaste mein baithh jaayen
waqt se ladtaa rahaa main
waqt ka maaraa nahin hoon

waqt ke saath har
zakhm bhartaa nahin
waqt ke saath har
zakhm bhartaa nahin
phir bhi jeete hain sab
koyi martaa nahin
phir bhi jeete hain sab
koyi martaa nahin
waqt ka zakhm sah jaayen
aise hain kam
waqt ka zakhm sah jaayen
aise hain kam
waqt warnaa guzaare guzartaa nahin

phir bhi jeete hain
koyi martaa nahin

waqt hotaa hai kyaa
ye usey hai pataa
waqt ki aag mein jo jalaa hai
waqt ka doosra naam taqdeer hai
zor qismat pe kiska chalaa hai
waqt ki thhokaren choor kar dein jise
wo bikhar ke sambhaltaa nahin ee ee
waqt ka zakhm sah jaayen
aise hain kam
waqt warnaa guzaare guzartaa nahin

phir bhi jeete hain sab
koyi martaa nahin

dhoop ban ke kabhi
chhaaon ban ke kabhi
waqt chehre badaltaa rahegaa
waqt ki thhokaren khaa ke bhi aadmi
yoon hi girtaa sambhaltaa rahegaa
wo hai kyaa aadmi
apni himmat se jo
waqt ka rukh badaltaa nahin ee ee
waqt ke saath har
zakhm bhartaa nahin
phir bhi jeete hain sab
koyi martaa nahin
phir bhi jeete hain sab
koyi martaa nahin

waqt ki dhundh se
ham jo guzren kabhi
raah soojhe naa koyi kahin
ho o o

aati jaati rahi
waqt ki aandhiyaan
chaand sooraj bujhe to nahin ee ee
chaand sooraj bujhe to nahin

waqt hai be-raham
kar le kuchh bhi sitam
waqt hai be-raham
kar le kuchh bhi sitam
waqt hamse judaa to nahin
jeete ji kyun maren ae
waqt se kyun daren
waqt apnaa khudaa to nahin ee ee
waqt apnaa khudaa to nahin ee ee
waqt apnaa khudaa to nahin ee
waqt apnaa khudaa to nahin


This article is written by Avinash Scrapala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4550 Post No. : 16135

The journey continues … with many miles to go …

‘जिस तरह सुबह के बाद शाम ढलती है, रात होती है, फिर सुबह आती है. आज का डूबा हुआ सूरज कल फिर नयी किरणें लेकर आता है, एक नयी भोर का सन्देश, नया उत्साह और नयी उमंग के साथ. उसी तरह आज जो रेल-गाडी रात को गुज़रती है वो सुबह फिर किसी स्टेशन पर आती है – सवेरे वाली गाडी बन कर’, नए जोश और नए उत्साह के साथ …

And here it arrives … our musical bandwagon …Wishing you all a very ‘Happy New Year-2021’!!!
Let us all be safe, healthy, peaceful and enjoying music wherever we are!!!

We start our journey with this lovely song which is saying ‘din pyaar ke aayenge’ and though here the expressions are of a lover for her love, the message we wish to convey is for all of us or rather for all on this globe – the mankind, the humanity, the nature, the environment, and for our ecological existence. Let the love blossoms and we all enjoy our stay here and do good for others as possible.

Trains have been part of our movies since long and there are many song sequences and scenes picturised on the trains or having trains at the back drop. It will be interesting to study those movies and how effectively trains/railways have been used in various movies. I had started to note down some movie names and looking for this subject landed me on this article here.

It was only during the ‘pandemic’ that this ‘lifeline of the nation’ was stopped, and passenger services had to be discontinued. It never happened earlier in the history of this nation not even during the ‘war’ period.
But now gradually things are coming back to normal and I wish that the ‘normal’ is restored soon in the months to come.

Let us hope that this ‘lifeline of the Nation’ is back to full swing again.

I have always loved the ‘train journeys’ since my childhood and even now I feel it very nostalgic to visit railway stations and travel by train. I wonder, if I still have these feelings that I am excited to see the trains, how the peoples who are staying in the hills and still have not travelled by train or not seen them would feel if they get this opportunity.

Let us also contribute to the safety our ‘lifeline’ and care for its assets. Let us protect it and discourage those who try to damage this national property.

Let us now enjoy this wonderful song composed by Pancham Da who have given us some gems of trains songs viz. ‘zindagi ke safar mein guzar jaate hai jo makaam’ and others. Lyrics are by Majrooh Sultanpuri and today’s song is sung by Lata Mangeshkar.
This is from the ‘1986’ movie ‘Sawere Waali Gaadi’ … ‘din pyaar ke aayenge sajaniyaa’

Video

Audio

Song-Din pyaar ke aayenge sajaniya (Sawere waali Gaadi)(1986) Singer-Lata, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye sawere waali gaadi se
Mere dildaar ka aa

Padi kankari aankhon se nikal jaayegi
Ho o
Padi kankari aankhon se nikal jaayegi
Ye maili chunariya meri
Badal jaayegi
Dekho mandlaaye kaise ban ki Titliyaan
Jaise main hoon phulwaa bahaar ka
Ho o o o
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa

Teri raah mein o saajan
Teri dhun mein choor
Ho o o
Teri raah mein o saajan
Teri dhun mein choor
Khuli dhoop mein ithlaati
phiri door door
Mil ke sunaaungi
kaise hans hans ke
Jhelaa maine dukh intezaar ka aa
Ho o o
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa

Suno ae hawaa koyi mera
Bulaaye mujhe ae
Ho o
Suno ae hawaa koyi mera
Bulaaye mujhe ae
Ye rut aur ye hariyaali
na bhaaye mujhe ae
Bas rahaa ab to hamaari ankhiyan mein
Sapnaa balamwa ke dwaar ka
Ho o o o
Din pyaar ke aayenge sajaniyaa
Teri bahaar laayenge sajaniyaa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa
Aaya hai sandesa ye severe waali gaadi se
Mere dildaar ka aa

—————————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
—————————————————–
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ

पड़ी कंकरी आँखों से निकल जायेगी
हो ओ
पड़ी कंकरी आँखों से निकल जायेगी
ये मैली चुनरिया मेरी
बदल जायेगी
देखो मंडलाए कैसे बन की तितलियाँ
जैसे मैं हूँ फुलवा बहार का
हो ओ ओ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ

तेरी राह में ओ साजन
तेरी धुन में चूर
हो ओ
तेरी राह में ओ साजन
तेरी धुन में चूर
खुली धूप में इठलाती फिरी दूर दूर
मिल के सुनाउंगी
कैसे हंस हंस के
झेला मैंने दुःख इंतज़ार का आ
हो ओ ओ ओ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ

सुनो अय हवा कोई मेरा
बुलाये मुझे ए
हो ओ
सुनो अय हवा कोई मेरा
बुलाये मुझे ए
ये रुत और ये हरियाली न भाये मुझे ए
बस रहा अब तो हमारी अंखियन में
सपना बलमवा के द्वार का
हो ओ ओ ओ
दिन प्यार के आयेंगे सजनिया
तेरी बहार लायेंगे सजनिया
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ
आया है संदेसा ये सवेरे वाली गाडी से
मेरे दिलदार का आ


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4501 Post No. : 16038 Movie Count :

4386

I am not well-informed about Hindi films of 1980s and beyond, except about those that I have watched in the theatres or on Video sharing platforms. Between the late 1960s and early 1970s, I used to watch almost one film every week either on Saturdays or Sundays. My ‘over-exposure’ to films, mostly masala films, during this period created an aversion in me that discuraged me from watch theese films in the later years. Probably the theory of diminishing marginal utility was being applied to me. Over a period of time, my quota of watching films came down from once a week to 2-3 films a year which is still in force. Because of this, I have missed many entertaining and a few quality films released especially in 80s and 90s.

It may sound strange but until yesterday, I was not aware that there was a film titled ‘Swati’ (1986). I do not recall having heard about this film from any one of my relatives and friends who have interest in Hindi films. What attracted me to know more about this film was that first, it was a film from a well-known banner, Prasad Productions. Secondly, its ensemble of star cast included Shashi Kapoor, Sharmila Tagore, Meenakshi Seshadri, Madhuri Dixit, Vinod Mehra, Sarika, Akbar Khan among others. I was not aware that Meenakshi Seshadri and Madhuri Dixit had worked together in a film. I came to know later that both of them had earlier worked together in ‘Aawaara Baap’ (1985).

From the synopsis of the film’s story, it appeared that Shashi Kapoor and Sharmila Tagore worked in this film in the role of an elderly couple. The combination of the actors under a well-known film production banner motivated me to watch the film, the DVD of which was available on-line. The film was a remake of a Telugu film of the same title which was released in 1984 and became the box office hit. The film was also remade in Kannada as ‘Usha’ (1986). The story of the film is as under:

Dr. Rajendra (Shashi Kapoor) is a doctor who runs a nursing home. Sharda (Sharmila Tagore) works as a nurse with Rajendra. An event in her life has happened which has forced her to live a life in anonymity and as a single mother (I will not go into the details). She has a grown up daughter, Swati (Meenakshi Seshadri). She is under the impression that her father has deserted her mother which had made her a feminist and outspoken. She hates hypocrisies and prejudices which dominate our society.

During one of her argumentative encounters with a group of males, Swati meets Ram Mohan (Akbar Khan) who is associated with some leftist group and always seen with writing slogans on the walls. After the initial hate relations with Ram Mohan, Swati falls in love with him. Dr. Rajendra has been a widower with a grown-up daughter, Anandi (Madhuri Dixit), a tomboyish type girl. She is in love with Kapil (Raja Bundela) simply because her idol is cricketer, Kapil Dev. She is also fond of asking her father as well Kapil puzzles to solve.

Swati thinks that after her marriage with Ram Mohan, her mother will be left alone. She needs a companion. Swati knows that her mother and Dr Rajendra like each other but due to societal constraints, both can not think of upgrading their fondness into a life partnership. Swati persuades her mother and Dr Rajendra to get married. His daughter, Anandi is happy that she would get a mother. The marriage takes place and Swati and her mother shift to Dr. Rajendra’s house. Things are now well settled. Both Swati and Anandi gel very well too. Anandi’s marriage with Kapil is also fixed.

One day, Swati finds an old man lying on the road unconscious. She takes him to Dr. Rajendra’s nursing home. The patient come into consciousness and tells his life story to Swati. It becomes apparent that he is Satya Prakash, Sharda’s fiancé and Swati’s real father. If the real story comes into light, it may affect the marriage of Anandi with Kapil. It is also likely to affect the relations of Rajendra and Sharda. But Swati steers the unforeseen problem taking into the confidence Rajendra after revealing him the real story and taking a promise from him that he would not reveal his patient’s identity to her mother. Satya Prakash knows that he has no chance of survival. His wish is to see Sharda for the last time.

On the day of marriage of Anandi with Kapil, Both Rajendra and Swati arrange to bring Satya Prakash to the marriage venue. He gets to see Sharda during the marriage ceremony from a balcony. After the kanyadan ceremony is over, Satya Prakash is happy to see Sharda. With happiness displayed over his face, Satya Prakash dies.

I found the film in keeping with tradition of Prasad Productions which is known for producing films in the genre of family drama. In the standard of 1980s, the story of the film is bold and broad-minded. From the title of the film, it is apparent that it is Meenakshi Seshadri’s film. I have not seen any film of Meenakshi Seshadri. So, it is the first time I am watching her performance in this film which is outstanding. She has displayed all the moods of her character in the film – from a hard-core feminist, a kind hearted daughter for her mother as well for those affected by the prejudice towards them in the society. Her best scene is the poignant moments in the film when she has to solve the issues arising out of a sudden appearance of real father. Madhuri Dikshit as a step sister of Meenakshi Seshadri has a light comical role which she performs very well. She has a lively presence in the film. Shashi Kapoor and Sharmila Tagore in the role of elderly couple look elegant. Dialogues by Rahi Masoom Reza is catchy.

Despite having good share of melodramatic contents, the film is not a tear-jerker. I found the film absorbing.

‘Swati’ (1986) had 5 songs none of which has been represented in the Blog. I present the first song from the film ‘shaadi mubaarak bole shehnaayi’ to appear on the Blog. The song is sung by Anuradha Paudwal and Alka Yagnik. The words are that of Anand Bakshi which are set to music by Laxmikant-Pyarelal. It is a marriage song picturised on Meenakshi Seshadri and Madhuri Dixit on the occasion of the marriage of their parents Sharmila Tagore and Shashi Kapoor.

With this, ’Swati’ (1986) makes its debut on the Blog.

Video Clip:

Song-Shaadi mubaarak bole shehnaayi (Swati)(1986) Singers-Anuradha Paudwal, Alka Yagnik, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both

Lyrics

shaadi ke din mummy daddy sun lo baat hamaari
ek dooje ke aaj huye tum chhod ke duniya saari
samjhe
shaadi mubaarak bole shehnaayi
o bole shehnaayi
badhaayi badhaayi badhaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi

dulhe ka sehra
dulhan ki doli
gaaye pawan purwaayi ee
badhaayi badhaayi badhaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi

ye baat hai yaad rakhne waali
ye shaadi sab shaadiyon se niraali
ye baat hai yaad rakhne waali
ye shaadi sab shaadiyon se niraali
jannat mein jode bante hain sabke
ye jodi humne banaayi ee
banaayi banaayi banaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi

aapas mein tum na
takraar karna
ik doosre se bahut pyaar karna
aapas mein tum na
takraar karna
ik doosre se bahut pyaar karna
koi na maane
koi na jaane
tum aise karna ladaayi
ladaayi ladaayi ladaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi

jeete raho tum
hanste raho tum
doodho nahaao phoolo phalo tum

jeete raho tum
hanste raho tum

doodho nahaao phoolo phalo tum
dil se dua lab pe aayi
badhaayi badhaayi badhaayi
shaadi mubarak bole shehnaayi
o bole shehnaayi
badhaayi badhaayi badhaayi
dulhe ka sehra
dulhan ki doli
gaaye pawan purwaayi ee
badhaayi badhaayi badhaayi
shaadi mubaarak bole shehnaayi
badhaayi badhaayi badhaayi
badhaayi badhaayi badhaayi
badhaayi badhaayi badhaayi


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4494 Post No. : 16024

06/11/2020 – 35th Remembrance day of Sanjeev Kumar

The song I am presenting today as a tribute to Sanjeev Kumar, the versatile actor, comic, romantic, angry young man, character actor and sometime villainous, actor and above all the Thakur of ‘Sholay’, is from the film ‘Love and God’ (1986). Sanjeev Kumar was born on 9th July, 1938 as Harihar Jethalal Jariwala , at Surat. His filmography lists 171 films from 1960 to 1994. He was just 48 years old when he died in 1985, though he had been doing the roles of old man since 70’s. In ‘Aandhi’ he is the patient hotelier husband of Suchitra Sen, caught between the ambitious father Rehman and his dutiful daughter. I have seen that film 4 decades ago, it is time to refresh the memory.

Who can forget the doctor in “Mausam”, singing “chhadi re chhadikaise gale meinpadi”. He was also one of the dedicated “Shatraj ke Khiladi”. The inspector in this, the lawyer in that plus the doctor in ‘Silsila’. Wah, come to think of it he was also one of the actors who had a profession. Be it a ‘darzi’ or a ‘domestic servant, nothing was too lowly for him. Who can forget the novelist in “Anamika”. It will be interesting to know if he played the role of a cook, or a librarian(possible), a professor, or a watchman, waiter etc.

Before I forget, he has the distinction of doing the role of Jaya Bahaduri (Bachchan)’s, husband, hero, friend, father, father-in-law etc.

The film “Love and God” was based on the story of Laila Majnu and Sanjeev Kumar eventually played the role of “Qais”(did Qais have a profession?) here, after the film was shelved and revived several times. Guru Dutt was originally cast in the role of ‘Qais’. The much delayed film by K. Asif was finally released in 1986 after even Sanjeev Kumar had died.

The song presented here is again a prayer (Du’aa) song, written by Khumar Barabankwi, composed by Naushad. Singers are the ever divine Mohammed Rafi Sahab and Lata Mangeshkar with Chorus. This du’aais very carefully following the protocol of prayer, in the sense, it starts with the devotion and how the Allah’s greatness is visible everywhere. Then first stanza talks how I am aggrieved and I have come to you, believing in you, with the hope in the heart. Second stanza has the appeal that all is in your hands and you will do as deemed best, you are the all merciful and save me from humiliation. Last stanza is the lament that I can’t bear this desolation, give the whole universe of others if you wish but grant me my one wish, i.e. my mohabbat.

Full audio :

Video:

Song-Gulshan gulshan sehra sehra barsen jalwe tere (Love and God)(1986) Singers-Rafi, Lata, Lyrics-Khumar Barabankwi, MD-Naushad
Chorus

Lyrics

Allah……
Allah…..
Allah…..
Allah…..
Allah…..
Allah…..

phoolon mein tu
zarron mein tu
dil mein tu hi
mere ae
Allah
Allah
gulshan gulshan
sehra sehra
barsen jalwe tere
Allah
Allah
phoolon mein tu
zarron mein tu
dil mein tu hi
mere Allah
Allah
gulshan gulshan
sehra sehra
barsen jalwe tere
Allah
Allah

jalte huye dil ke zakhmon ko
seene mein sajaa kar laaya hoon
jo daagh diye hain duniyaa ne
wo tujhko dikhaane aaya hoon
pyaar ki shama’en liye huye ae
dil mein charaaghan kiye huye ae
aa hi gaye deewaane tere ae
jaam-e-muhobbat piye huye
manzil manzil
mehfil mehfil
sunkar charche tere ae
Allah
Allah
gulshan gulshan
sehra sehra
barsen jalwe tere
Allah
Allah

jalne de isse ya bujhne de
ab kaam to ye bas teraa hai
raushan hai jo shama’a haathhon mein
ye jaltaa huaa dil meraa hai
ishq ki duniyaa mitey nahinee
ye shama’e tamanna bujhe nahineen
ek dar-e-jaanan ke siwaaaa
aur kahin sar jhuke nahin
rehmat waale
izzat rakh le
jaaun sadqe tere ae
Allah
Allah
Allah

Allah
gulshan gulshan
sehra sehra
barsen jalwe tere
Allah

Allah

insaan hoon main patthar to nahin
dil rakhhta hoon main bhi seene mein
kehne ke liye zindaa hoon magar
kuchh baat nahin hai jeene mein
aaj mujhe bhi khushi mile ae
bichhdi hui zindagi mile ae
auron ko de de donon jahaanan
mujhko muhobbat meri mile ae
rote aayen
hanste jaayen
bande dar se tere ae
Allah
Allah

gulshan gulshan
sehra sehra
barsen jalwe tere
Allah
Allah
Allah
AllahAllahAllahAllah
AllahAllahAllahAllah
AllahAllahAllahAllah
AllahAllahAllahAllah

Lailalailalailaaa
lailaaa
Lailalailalailaaa
lailaaa
Lailalailalailaaa
lailaaa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4383 Post No. : 15734 Movie Count :

4338

Hullo Atuldom

‘Amrit’ released on 27th June 1986. It was written, produced and directed by Mohan Kumar (01/06/1934- 10/11/2017) whose wife happened to be the sister-in-law of J Om Prakash, and actor Deepak Parashar happens to be his sister’s son. Mohan Kumar made films under his banner EmKay Films Pvt. Ltd. and began as writer-producer-director with ‘Aas Ka Panchhi’ (1961) which was a Filmyug Presentation.

‘Amrit’ has Smita Patil and Rajesh Khanna play senior citizens whose children ill-treat them after their respective spouses’ death. Amrit played by Rajesh Khanna has a son whose wife makes her father-in-law a male-nanny cum servant in-charge of buying essentials etc. Amrit loves his grandson very much and he in turn is hand-in-glove with the grandpa in eating chocolates and ice creams on the sly. Similarly, Kamla Devi played by Smita Patil has a son, daughter-in-law, daughter-in-law’s brother and a granddaughter for family where she is reduced to being a maid and nanny. Both the seniors come in contact with each other because of the grand kids who happen to be classmates and playmates. The seniors develop a rapport and look after each other when they fall sick and they have a group of sympathizers in the local doodhwala, dhabawala, and a jobless lawyer and his wife (Satish Shah, Birbal, Shafi Inamdar and Aruna Irani). This is unacceptable to their children who take that as an excuse to show the door to their parents. The elders re-locate and Amrit finds a job as a school bus conductor and Kamla devi takes to training ladies in tailoring etc. The grand kids come looking for the grandparents after they grow up and get married. Simple tear-jerker family drama movie.

Today on the occasion of Kaka’s (a.k.a. Rajesh Khanna) death anniversary, let us have a song from ‘Amrit’ which was one of his successful movies in the period after his reign as superstar. We have him minus his characteristic mannerisms in this movie. This movie was Kaka’s next association with Mohan Kumar after the successful ‘Avtaar’.

This song is a Karva Chauth song and Smita Patil is seen breaking her fast with Shashi Puri (guest appearance) playing her husband. Then we see Kaka going into flashback about his wife and their way of celebrating the festival. Zarina Wahab in a guest appearance plays the role of the wife. The song is written by Anand Bakshi to Laxmi-Pyare’s music. Anuradha Paudwal and Manhar Udhas are the playback.

I have seen this movie a few times and I am always amazed at the exact same red colour that both the ladies wear in this song and their accessories. Kamla Devi (Smita Patil) taking pains with accessories is understandable as she is in a better financial position as compared to Savitri (Zarina Wahab) who is the wife of a signalman at Rajpur station. By the time the song ends Savitri also joins in (she seems to have learnt it too). Another thing is both couple sing the same song. Kya baat hai!!!.  How?

Incidentally, Zarina Wahab who made her debut in 1974 in the Dev Anand produced and directed ‘Ishk Ishk Ishk’ celebrated her 61st birthday on 17th July. Here is wishing her belatedly, all happiness and health.

Thinking of Kaka today, on his 8th death anniversary.

Video

Audio

Song – Aur Nahin Kuchh Tumse Kehna  (Amrit) (1986) Singer – Anuradha Paudwal, Manhar Udhas, Lyrics – Anand Bakshi, MD – Lakshmikant Pyaarelal
Anuradha Paudwal + Manhar Udhas

Lyrics 

aur nahin kuchh tumse kehna
aur nahin kuchh tumse kehna
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

deep nahin to kaisi jyoti
deep nahin to kaisi jyoti
seep nahin to kaisa moti
seep nahin to kaisa moti
chaand bina kya chaandni hoti
chaand bina kya chaandni hoti
raat se din hai
din se raina
raat se din hai
din se raina
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

aur nahin kuchh tumse kehna
aur nahin kuchh tumse kehna
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

sita ke bin ram adhura 
sita ke bin ram adhura
radha ke bin shyam adhura 
radha ke bin shyam adhura
ek akela naam adhura 
ek akela naam adhura
tum hi kehna
yeh sach hai na 
tum hi kehna
yeh sach hai na
jeewan saathi
jeewan saathi 
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

kuchh dekhoon jab tumko dekhoon
kuchh dekhoon jab tumko dekhoon
chhod ke main sab tumko dekhoon
chhod ke main sab tumko dekhoon
jab dekhoon tab tumko dekhoon
jab dekhoon tab tumko dekhoon
aur na dekhen
kuchh yeh naina
aur na dekhen
kuchh yeh naina
jeewan saathi
jeewan saathi
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

rakh do pyaar ka naam kinaara 
rakh do pyaar ka naam kinaara
hum maujen ye jeewan dhaara 
hum maujen ye jeewan dhaara
behta jaaye ye jag saara 
behta jaaye ye jag saara
mujh se alag ho
kar mat behna 
mujh se alag ho
kar mat behna
jeewan saathi
jeewan saathi 
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna

aaa aaa aaaa
aur nahin kuchh tumse kehna 
aur nahin kuchh tumse kehna
jeewan saathi
jeewan saathi 
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna
jeewan saathi saath mein rehna 
jeewan saathi saath mein rehna

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

और नहीं कुछ तुमसे कहना
और नहीं कुछ तुमसे कहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

दीप नहीं तो कैसी ज्योति
दीप नहीं तो कैसी ज्योति
सीप नहीं तो कैसा मोती
सीप नहीं तो कैसा मोती
चाँद बिना क्या चाँदनी होती
चाँद बिना क्या चाँदनी होती
रात से दिन है
दिन से रैना
रात से दिन है
दिन से रैना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

और नहीं कुछ तुमसे कहना
और नहीं कुछ तुमसे कहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

सीता के बिन राम अधूरा
सीता के बिन राम अधूरा
राधा के बिन श्याम अधूरा
राधा के बिन श्याम अधूरा
एक अकेला नाम अधूरा
एक अकेला नाम अधूरा
तुम ही कहना
ये सच है ना
तुम ही कहना
ये सच है ना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

कुछ देखूँ जब तुमको देखूँ
कुछ देखूँ जब तुमको देखूँ
छोड़ के मैं सब तुमको देखूँ
छोड़ के मैं सब तुमको देखूँ
जब देखूँ तब तुमको देखूँ
जब देखूँ तब तुमको देखूँ
और ना देखें
कुछ ये नैना
और ना देखें
कुछ ये नैना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

रख दो प्यार का नाम किनारा
रख दो प्यार का नाम किनारा
हम मौजें ये जीवन धारा
हम मौजें ये जीवन धारा
बहता जाये ये जग सारा
बहता जाये ये जग सारा
मुझसे अलग हो
कर मत बहना
मुझसे अलग हो
कर मत बहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना

आsss आsss आssss
और नहीं कुछ तुमसे कहना
और नहीं कुछ तुमसे कहना
जीवन साथी
जीवन साथी
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना
जीवन साथी साथ में रहना


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4368 Post No. : 15698 Movie Count :

4328

Today 3rd July 2020 is the sixty-eighth birth anniversary (born on 3rd July 1952) of Singer Amit Kumar Ganguly or Amit Kumar.

On this occasion here is a song from the movie ‘Swarthi-1986’ sung by him.

“Swarthi-1986” was directed by Radhakant for ‘Filmnagar’. It was produced by Sohanlal Kanwar. Smt. Vijayalaxmi was the co-producer of this movie. It had Suresh Oberoi, Neeta Mehta, Shafi Inamdar, Komal Mahuvakar, Aruna Irani, Paintal, with Anupam Kher, supported by Chand Usmani, Arun Mathur, Baba, Vandana Shastri, Sunanda, Rana Jung Bahadur, Tulsi, Manjit Sikhwal, Kaka, Malik, Sehgal, Ashok Saxena, Amar Nath and Alka Noopur and others.

Story of this movie was written by Ram Kelkar. Editing of this movie was done by Satpal Suri and Narinder Arora.

This movie had six songs (including one multiple version song). Lyrics of these songs for this movie were written by M.G. Hashmat (four songs, including one multiple version song), Vishweshvar Sharma and Dilip Tahir (one song each). Music was composed by Sapan Jagmohan.

Amit Kumar, Anuradha Paudwal and Suresh Wadkar had given their voices to the songs in this movie.

Today’s song is written by M.G. Hashmat and sung by Amit Kumar. Sapan Jagmohan is the composer as mentioned above.

Let us now enjoy this entertaining song. Lyrics of this song were sent by Prakashchandra. Only audio of this song is available and my guess is that it must have been lip synced by Suresh Oberoi the hero of this movie. The other details of this movie are taken from the ‘titles’ of the movie available on YT link. However, the date of passing by Censor Board of this movie could not be confirmed.

When Prakash ji had sent this song, he had put a question mark against the year-1985/1986- of this movie and that prompted me to check for this movie details. However, since this movie is not mentioned in the HFGK Vol-VI (1981-1985) I guess the year of the release of this movie is 1986. I was also not aware of this movie name or its songs. And I was listening to this song first time, I think. Amit Kumar has sung the song in his style with gusto and it’s a nice song to enjoy. 😊

With this song ‘Swarthi-1986’ makes its debut on the blog. …

(audio)
Song-Mera to iraada hai jaan e mann (Swaarthi)(1986) Singer-Amit Kumar, Lyrics-M G Hashmat, MD-Sapan Jagmohan

Lyrics(Provided by Prakashchandra)

mera to iraadaa hai jaan-e-mann
teraa kyaa iraadaa hai jaan-e-mann
mera to iraadaa hai jaan-e-mann
ho o o mujhe bhi nashaa hai
tujhe bhi nashaa hai ae
mujhe bhi nashaa hai
tujhe bhi nashaa hai
dil ko na rok aajdil ke paas aane de
meraa to iraadaa hai jaan-e-mann
bol teraa kyaa iraadaa hai jaan-e-mann
meraa to iraadaa haijaan-e-mann…aaa

sab haseenon mein tera
maine intikhaab kiyaa
ek zarre ko
mohabbat ne aftaab kiyaa aa
kehne ko hanstaa hoon
samjho to rotaa hoon
rakh ke tasveer teri
dil pe roz sotaa hoon
kehne ko hanstaa hoon
samjho to rotaa hoon
rakh ke tasweer teri
dil pe roz sotaa hoon
kab ke bichhde aaj miley hain
bujhe bujhe dil milke jaley hain
dil ko na rok aaj dil ke paas aane de
aaj kaa to waadaa hai jaan-e-mann
meraa to iraadaa hai jaan-e-mann
bol tera kyaa iraadaa hai jaan-e-mann
lutf aisaa nahin
kisi jannat ke maikhaane mein
jo nazar aaye tere
husn ke paimaane mein ae
nazar hai aashiqanaa
adaa har maashooqanaa
aisey mehboob mausam mein hai mushkil door jaanaa aa
haan aa
nazar hai aashiqanaa
adaa har maashooqanaa
aisey mehboob mausam mein hai mushkil door jaanaa
kyon na badan ki aag bujhaa lein
pyaas ko peekar pyaas mitaa lein
dil ko na rok aaj dil ke paas aane de
raat ka taqaazaa hai jaan-e-mann
meraa to iraadaa hai jaan-e-mann
bol tera kyaa iraadaa haijaan-e-mann a a a

ho o o meri ungli mein tere
husn kaa aa nagina ho
maroon to munh pe tere
pyaarkaapaseenaa ho o o
ha hahee
husn to teraa hai
ishq to meraa hai
maze ke waaste hi
raat ka andheraa hai ae
husn to teraa hai
ishq to meraa hai
maze ke waaste hi
raat ka andheraa hai
ek duje mein kho jaayenge ae
chain se phir to so jaayenge
dil ko na rok aaj dil ke paas aane de
donon kaa hi faaydaa hai jaan-e-mann
meraa to iraadaa hai jaan-e-mann
bol teraa kyaa iraadaa hai jaan-e-mann
mujhe bhi nashaa hai
tujhe bhi nashaa hai ae
mujhe bhi nashaa hai
tujhe bhi nashaa hai
dil ko na rok aaj dil ke paas aane de
meraa to iraadaa hai jaan-e-mann
tera kya iraada hai jaan-e-mann
bol meraa to iraadaa hai jaan-e-mann
ha haha
ho hoho
heeheehee

———————————————–
Devnagri Script lyrics (Provided by Avinash Scrapwala)
————————————————
मेरा तो इरादा है जानेमन
तेरा क्या इरादा है जानेमन
मेरा तो इरादा है जानेमन
हो ओ ओ मुझे भी नशा है
तुझे भी नशा है ए
मुझे भी नशा है
तुझे भी नशा है
दिल को ना रोक आज दिल के पास आने दे
मेरा तो इरादा है जानेमन
बोल तेरा क्या इरादा है जानेमन
मेरा तो इरादा है जानेमन अ अ अ

सब हसीनों में तेरा
मैंने इन्तिखाब किया
एक ज़र्रे को
मोहब्बत ने आफताब किया आ
कहने को हंसता हूँ
समझो तो रोता हूँ
रख के तस्वीर तेरी
दिल पे रोज़ सोता हूँ
कब के बिछड़े आज मिले हैं
बुझे बुझे दिल मिलके जले हैं
दिल को ना रोक आज दिल के पास आने दे
आज का तो वादा है जानेमन
मेरा तो इरादा है जानेमन
बोल तेरा क्या इरादा है जानेमन

लुत्फ़ ऐसा नहीं
किसी जन्नत के मयखाने में
जो नज़र आये तेरे
हुस्न के पैमाने में ए
नज़र है आशिकाना
अदा हर माशूकाना
ऐसे महबूब मौसम में है मुश्किल दूर जाना आ
हाँ आ
नज़र है आशिकाना
अदा हर माशूकाना
ऐसे महबूब मौसम में है मुश्किल दूर जाना
क्यों न बदन कि आग बुझा लें
प्यास को पीकर प्यास मिटा लें
दिल को ना रोक आज दिल के पास आने दे
रात का तकाज़ा है जानेमन
बोल तेरा क्या इरादा है जानेमन अ अ अ

हो ओ ओ मेरी ऊँगली में तेरे
हुस्न का आ नगीना हो
मरूं तो मुंह पे तेरे
प्यार का पसीना हो ओ ओ
ह ह ही
हुस्न तो तेरा है
इश्क तो मेरा है
मज़े के वास्ते ही
रात का अन्धेरा है ए
हुस्न तो तेरा है
इश्क तो मेरा है
मज़े के वास्ते ही
रात का अन्धेरा है
एक दूजे में खो जायेंगे ए
चैन से फिर तो सो जायेंगे
दिल को ना रोक आज दिल के पास आने दे
दोनों का ही फायदा है जानेमन

मेरा तो इरादा है जानेमन
बोल तेरा क्या इरादा है जानेमन
मुझे भी नशा है
तुझे भी नशा है ए
मुझे भी नशा है
तुझे भी नशा है
दिल को ना रोक आज दिल के पास आने दे
मेरा तो इरादा है जानेमन
तेरा क्या इरादा है जानेमन
बोल मेरा तो इरादा है जानेमन
ह ह ह
हो हो हो
ही ही ही


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 4050 Post No. : 15179

shaam-e-gham ki kasam aaj ghamgeen hain ham

The evening in the first line turned into a night of sadness when I came to know from ASAD Group that Khayyam saab is no more with us. His popular songs started ringing in my ears. Those were the songs with which I have grown up from a teenager to a senior citizen. I had a disturbed sleep last night as some of his songs resonated intermittently in my mind. In the morning, I thought that the best way to get out of such feeling is to write a tributary article for Khayyam saab.

With his death, we have lost the last icon among the music directors of the golden period of Hindi film music He created his own ‘gharana’ of Hindi film music and very rarely deviated from it. The melodious songs he composed were mainly based on Hindustani classical raagas.

As I said, some of his songs were often coming to my mind. The emotional support song tum apna ranz-o-gham apni pareshaani mujhe de do was the one which gave me goosebumps. Not only Khayyam saab and Jagjit Kaur were creators of this melody, I felt that the latter was actually the emotional support system for the former. I identify wo subah kabhi to aayegi as optimistic in the midst of pessimism. I remember Khayyam saab in bahaaron mera jeevan bhi sanwaaron for its a long prelude of nearly 100 seconds of santoor, sitar and flute which created the right ambiance for Raag Pahadi based melody. Among other songs, how can I forget ye kya jagah hai doston and the ‘haunted feel’ song with pauses, ae dei-e-nadaan arzoo kya hai?

Khayyam saab who was so much committed to the quality of his musical compositions, selected only films with good story line. His musical compositions had the benefit of poetry rather than the lyrics. This is reflected in his working mostly with poets of repute like Sahir Ludhianvi, Kaifi Azmi, Jaan Nisar Akhtar, Raja Mehdi Ali Khan, Nida Fazli, Shahryar etc.

There was something for his young listeners and audiences too. Like hai kali kali ke lab par from ‘Lala Rukh’ (1958), a teasing song, jis pyaar mein ye haal ho us pyaar ki tauba from ‘Phir Subah Hogi’ (1958), a jazzy number rut jawaan jawaan raat meherbaan from ‘Aakhri Khat’ (1966), an aspiring love song, aankhon mein hamne aapke sapne sajaaye hain from ‘Thhodi Si Bewafaayi’(1980) and many more.

Coming from a highly educated family from Jalandhar, Khayyam saab could not complete even his high school studies as he was smitten by his idol, K L Saigal and Hindi films. His wish was to become an actor-singer like K L Saigal. Expelled by his father from his house for neglecting his studies, Khayyam saab came to Delhi and stayed with his uncle. Realising his nephew’s interest in music, his uncle arranged his musical training under Pandit Amarnath and his brothers, Husnlal and Bhagatram.

A filmy career which spanned over 7 decades, Khayyam saab started as an apprentice to music Director, G A Chishti in Lahore in 1945. He came to Mumbai in January 1947 with Rahman Verma who was also assisting G A Chishti. Khayyam saab sang his first song ‘dono jahaan teri mohabat mein haar ke’ a duet with Zohrabai Ambalewali under Husnlal-Bhagatram for the film ‘Romeo & Juliet’ (1947). His first film as a music director in partnership with Rehman Verma was ‘Heer Ranjha’ (1948) under the pseudo name Sharmaji-Vermaji.

The song which brought Khayyam saab into limelight was akele mein wo ghabraate to honge from ‘Biwi’ (1950), his third film. This did not help him much in his career path. ‘Footpath’ (1953) was his first film in which he gave the music under his real name, Khayyam on the advice of the film’s director, Zia Sarahadi. shaam-e-gham ki kasam aaj ghamheen hain hum from this film became very popular as a ‘blue mood’ song. Khayyam saab had revealed that he had used western symphony based interlude in this song, especially the first interlude.

The high points in musical compositions of Khayyam saab were reflected in all the songs of ‘Lala Rukh’ (1958), ‘Phir Subah Hogi’ (1958), ‘Shola Aur Shabnam (1961), ‘Shagoon’ (1964), ‘Mohabbat Isko Kehte Hai,’ (1965) and ‘Aakhri Khat’ (1966). Still the success in terms of recognition and box office alluded him. By this time, he had already spent about 2 decades in Hindi film industry but was not in the reckoning in the list of top music directors.

Sometime in the latter half of 1960s, Khayyam saab decided to take a sabbatical from Hindi film industry when he felt that the films he was being offered were not his worth. The sabbatical continued for nearly 8 years. During this period, he devoted his time and energy to compose some of his finest non-film songs among 200 odd songs. Here also he did with the top playback singers like Talat Mehmood and Mohammed Rafi. Begum Akhtar who was very close to Madan Mohan, chose Khayyam saab for composing ghazals for her LP Ghazal album in 1974.

Generally, it is said that once a film artist remains out of film industry for a long time, it is difficult for that artist to make a comeback. I think, Khayyam saab is the only among music directors who made a grand come back with the success of ‘Kabhie Kabhie’ (1976) for which he got Filmfare Award. The next feather in his cap was the outstanding music in ‘Umrao Jaan’ (1981). He was bestowed with National Award for music in this film. In his second coming, he remained active for about 10 years.

It was interesting to know that some of his best music compositions had come from films like ‘Phir Subah Hogi’ (1958), ‘Kabhie Kabhie‘(1976), Umrao Jaan’ (1981) and ‘Razia Sultan’ (1983) where he was not the first choice as a music director. How much efforts and pain he must have taken to prove his credentials to the respective producers/directors to make the music of these film extraordinaire to justify their faith in him.

I have always felt that God has been unkind to Khayyam saab. At every stage of his life – from his childhood time onward, he had to struggle for survival. It took nearly 3 decades to come under the category of a successful music director when ‘Kabhie Kabhie’ (1976) became successful. He got recognition from the film industry as well as from the Government. But his success gave him company for less than 10 years. When he had everything for his modest living, he lost his only son, Pradeep in March 2012. But Khayyam saab had no complaint against God. In almost all his interviews I had read and watched, he had always said ‘Allah ki meharbaani hai, waah Guruji ki kripa hai, Ishawar ki kripa hai’.

Khayyam saab had also composed songs for about dozen unreleased films, one of which was ‘Anjuman’ (1986). As a tribute to Khayyam saab, I am presenting one of songs from this film, ‘kab yaad mein tera saath nahin kab tera haath mein haath nahin’ which is close to my heart. This ‘Faiz Ahmed Faiz’s song is rendered by Khayyam saab and his wife, Jagjit Kaur. I think, this is the only film song which they have sung together.

I offer my condolences to the bereaved family and his friends.

Khayyam saab, you will always be with us through your melodious music.

Video Clip :

Audio Clip:

Song-Kab yaad mein tera saath nahin (Anjuman)(UR)(1986) Singers-Khayyam, Jagjit Kaur, Lyrics-Faiz Ahmad Faiz, MD-Khayyam
Both

Lyrics

kab yaad mein tera saath nahin
kab yaad mein tera saath nahin
kab haath mein tera haath nahin
kab yaad mein tera saath nahin
kab haath mein tera haath nahin
tab shukr ke apni raaton mein
tab shukr ke apni raaton mein
ab hijr ki koi raat nahin
tab shukr ke apni raaton mein
ab hijr ki koi raat nahin

maidaan-e-wafa darbaar nahin
jaana munsab ki poochh kahaan

maidaan-e-wafa darbaar nahin
yahaan munsab ki poochh kahaan
aashiq to kisi ka naam nahin
aashiq to kisi ka naam nahin
kuchh ishq kisi ki jaat nahin
aashiq to kisi ka naam nahin
kuchh ishq kisi ki jaat nahin
kab yaad mein tera sath nahin
kab haath mein tera haath nahin

jis dhaj se koi maqtal mein gaya
wo shaan salaamat rahti hai
jis dhaj se koi maqtal mein gaya
wo shaan salamat rahti hai

ye jaan to aani jaani hai
ye jaan to aani jaani hai
is jaan ki to koi baat nahin
ye jaan to aani jaani hai
is jaan ki to koi baat nahin
kab yaad mein tera saath nahin
kab haath mein tera haath nahin

gar baazi ishq ki baazi hai
jo chaaho laga do dar kaisa
gar baazi ishq ki baazi hai
jo chaho laga do dar kaisa
gar jeet gaye to kya kahna
gar jeet gaye to kya kahna
haare bhi to baazi maat nahin
gar jeet gaye to kya kahna
haare bhi to baazi maat nahin
kab yaad mein tera saath nahin
kab haath mein tera haath nahin
tab shukr ke apni raaton mein
ab hizr ki koi raat nahin


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

Total visits so far

  • 14,813,434 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 4000 days.

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