Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Suman Kalyanpur solo’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

January 28th is the birth day of playback singer Suman Kalyanpur. She is a living example of how the career of a talented singer can be marred by a close resemblance of the voice of the numero uno singer in the field, in her case Lata Mangeshkar. Naturally, film industry preferred the reigning queen rather than giving enough opportunity to Suman Kalyanpur to prove her worth. She was mostly used as a substitute for Lata Mangeshkar when the latter was not available for recording the songs. Alternatively, she would get the singing assignments in low budget films. In the circumstances, I thought that she would have utilised her spare time in recording many NFSs. I find that even in respect of NFSs, Suman Kalyanpur is lagging in numbers in comparison to other top playback singers like Lata Mangeshkar, Asha Bhonsle, Mohammed Rafi, Mukesh etc. Was she really interested in pursuing playback singing career ? She is known to be a very private and low profile person. Only those who were close to her could get to know her mind. It took Ameen Sayani more than 40 years to persuade her to give an interview for a radio programme. Subsequently, she has given a couple of interviews through which we have come across some more information about her singing career.
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“Geet” (1970) was a Saagar Art International Production. It was produced and directed by Ramanand Saagar. The movie had Rajendra Kumar, Mala Sinha, Sujit Kumar, Kum Kum, Nazir Hussain, Daisy Irani, Bhagwan, TunTun, Manmohan Krisha ,Ashoo, Paro, Husn Bano, HiraLaal, Keshto Mukherjee, Omkar Aima, Radheshyaam, Shyam Kapoor, RamAvtaar, Chaman Puri, Mirza Musharraf, Braham Bhardwaj, Dilip Dutt, Narbada Shankar, Ram Murti, H P Sharma etc in it.
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Today (2 october) is Mahatma Gandhi’s birthday. Mahatma Gandhi (2 october 1869- 30 january 1948), who is regarded as the Father of the nation was arguably one of the the greatest and most influential human beings of the modern era of mankind. Two of the movements that he initiated had Global application. They are Anti colonialism and Anti apartheid. Another major movement that he championed was anti touchability against a uniquely Indian social practice. All these movemnents have today become full fledged movements with official approval.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I browse through my collection, through the YouTube, and through the Geet Kosh, I have jotted down a fairly long list of films that are still waiting in the wings to find an entry on this blog. And they satisfy two very important criteria that are kind of a thumb rule here. Most of these films are rare and obscure, and more importantly, they have music and songs that are just superb. Rather, these films carry songs that may not be all obscure, they have been popular, or at least played often on the radio, and are in the public memory. But the information about their creators, and the films to which these belong is not easy to relate.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I am not a keen watcher of period movies but do buy VCDs/DVDs of such movies mainly for watching the fabulous songs. Recently, I watched NOOR JEHAN (1967) with a view to ascertaining whether the VCD contained the only Lata Mangeshkar song ‘ raat ki mehfil sooni sooni’ in it. In this process, I saw the entire movie. As I expected, the song was excluded from the VCD. In fact, it is said that this song was not included in the original print of the film. Despite some mindless cuts in the VCD version affecting the continuity of the screen play and the bad quality of video, I did not feel a total let down by the film. The story which I knew from the history books was interesting one from the point of view of cinematic presentation. The film was shot on lavish sets and outdoor locations in keeping with the period movie theme.
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