Posts Tagged ‘Minu Mumtaz’
Raat chaandni samay suhaana hai
Posted on: January 9, 2023
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5288 | Post No. : | 17321 |
This new year 2023 has seen lots and lots of debutant movies being introduced to the blog. as many as seven movies made their debuts in the blog in this new year. One of the movies had just one song in it. So its debut coincided with its getting YIPPEED as well. We did not have a “proper” YIPpying of the movie so far.
To make up for that, here is the first “proper” Yippying occasion in the blog in 2023. The movie getting YIPPEED is “Basant”(1960).
“Basant”(1960) was produced and directed by Bibhuti Mitra for Mitra Productions Bombay. The movie had Nutan, Shammi Kapoor, Minoo Mumtaz,Kammoo,Cuckoo(guest artiste), Murad, Vittaldas Panchotia, Jagadish Kamal, Gyani, Rajendar, V.Namade, Rawley, ShyamLal And Johnny Walker in it.
This movie was not an original movie. It drew heavily from earlier movies which in turn drew heavily from yet other movies. The movie was a mixture of “Safar”(1946) and “Shabnam”(1949), which were hit movies made by Bibhuti Mitra in the past taking inspiration from Hollywood movies “It happened one night”(1934) and “Love Affair”(1939), later remade as “An Affair to remember”(1957).
Great Memsaab, when she was actively reviewing Hindi movies, had posted a long and funny review of this movie.
An excerpt, which was earlier quoted while discussing this movie, is quoted here again:-
“Take the plot of It Happened One Night, sprinkle in some ingredients from An Affair To Remember, then stir in a third plot which is completely nuts, and voila! it’s Basant. Two of my favorite Hollywood films and some masala craziness for the price of one Hindi film! Sure, there are huge plot holes and it’s nonsensical at times, but what do I care—especially when the hero and heroine are my beloved Shammi Kapoor and beautiful Nutan. They are great together: his nonchalant silliness complements her feisty character perfectly.
Plus, there’s Pran! and lovely music from OP Nayyar.Meenakshi Rai (Nutan) is the spoiled daughter of millionaire Rai Bahadur (Murad). We know that she’s a modern girl because she wears trousers and says “My foot!” a lot. She wants to marry Rajesh (Pran), a man of whom her father disapproves strongly.
Her father is escorting her to Calcutta by train to get her away from Rajesh, but she disembarks at another stop in the middle of the night as he is sleeping. Her bag is stolen on the platform by a scoundrel named Billoo (Johnny Walker) and she chases him to a nearby fairground, where she recovers her bag but discovers that her father already has the police after her.
To escape them, she takes to the stage and sings a lovely song (“Raaste Mein”) with a guy named Ashim (Shammi Kapoor). But when she returns to the train station to catch the Bombay train, it’s crawling with police and her father is there! So is Ashim, who has figured out who she is; he’s traveling to Bombay as well.
She decides to take the bus instead and sits next to Billoo—who steals all the money from her purse when she isn’t looking. For some reason never explained, Ashim is on the bus too, and sees a police roadblock ahead. He pushes Billoo aside and saves her from detection.
They enact a hilarious drama of a possessive husband and his shrewish wife, and the policeman flees to avoid getting involved. Shammi and Nutan are really fun to watch as he continues to needle her (and imitates her “My foot!” at every opportunity), and she gives it back to him as good as she gets.
To escape further notice, Meenakshi and Ashim take to the side roads. When Billoo the con man sees a poster with her photo and a Rs 50,000 reward, he starts trailing them. There is a lot of other comic side plot action with Johnny, but I won’t go into it here. He is pretty funny, though.
As Meenakshi and Ashim head towards Bombay by whatever transport they can find, they argue a lot but are getting acquainted too. She tells him that she is headstrong because her father has always been so controlling, and she is longing for a little freedom. They are so CUTE together.
Back in Bombay, Rai Bahadur just wants his daughter back, and is even willing to compromise with Rajesh.
But Ashim and Meenakshi are falling in love.
So true! When the two reach her home in Bombay, she confesses her feelings to Ashim. He tells her to meet him after one month apart, as a test to make sure their love is true. This seemed like a bad idea in An Affair To Remember, and it seems like a bad idea now, but she happily agrees.
Unfortunately, Rajesh is waiting in the wings, and he needs her money. On Meenakshi’s birthday—which Ashim attends in disguise—Rai Bahadur announces her engagement to Rajesh, as promised. Ashim is furious and confronts her, but she reassures him that she loves him. Rajesh overhears them, and sends his thugs to kill Ashim when he goes on a trip to deliver a valuable necklace in this place (our lunatic third plot development):
On the night when they are to meet, Meenakshi has a car accident and is paralyzed from her waist down. Rai Bahadur dies of a heart attack when he hears the news. When she recovers enough to leave the hospital in a wheelchair, Rajesh tells her that Ashim is dead too.
Poor Meenakshi is bereft. Is Ashim really dead? If not, where is he? Did he show up for their rendezvous and think her absence meant she had decided to marry Rajesh? Will she marry Rajesh? Will she ever walk again?
Oh, the drama! The tears! The beauty of Shammi! “
Reading the above, we can realise that “Chori Chori”(1956) and “Dil Hai Ke Maanta Nahin”(1991) also used the same story.
Despite borrowing heavily from all time hit movies, “Basant”(1960) failed at the box office.
We are discussing songs of “Basant”(1960) so let us now coonfine us to songs. The movie had as many as 14 songs ! In a movie running around three hours, one third of time must have been taken by the songs themselves !
One notices that Asha Bhonsle’s voice figures in all 14 songs. It is easily a record for a singer to lend his/her voice in each and every song of a movie where the song count is so high.
The movie had as many as 10 Rafi-Asha Bhonsle duets. Easily a record in a movie for a duet singing pair. In addition, they figured in another song, that also had the voice of S D Batish.
O P Nayyar, the music director, clearly belived in one size fits all policy. All male actors lip synced in Rafi’s voice. All female actors lip synced in Asha Bhonsle’s voice. It the process, Asha Bhonsle lent her voice to Nutan, Kammo and Minu Mumtaz in different songs ! Video of four songs are not available, so who knows, she may have lent her voice to some more female actors in the movie. If all videos were available, then I would not be surprised to find that Johny Walker and Kammo had more songs picturised on them in the movie than Shammi Kapoor and Nutan !
As discussed above, the movie had 14 songs in it. 13 songs have already been covered.
Here is the list of the 13 songs that have been covered in the blog so far:-
| Blog post number | SongDate of posting | Singer(s) | Remarks | |
|---|---|---|---|---|
| 1860 | Peechhe hat hat hat babu chhed naa | 4 September 2009 | Asha Bhonsle | Picturised on Nutan |
| 2815 | Mere dil pe lagaake darling apne naam ki chit | 20 August 2010 | Rafi, Asha Bhonsle | Picturised on Johny Walker and Kammo |
| 6054 | Raaste mein ik haseen | 4 June 2012 | Rafi, Asha Bhonsle | Picturised on Shammi Kapoor and Nutan |
| 6779 | Chori chori ik ishaara ho gaya hai | 3 october 2012 | Rafi, Asha Bhonsle | Picturised on Shammi Kapoor and Nutan |
| 7296 | Baaje waala Patiyaale waala | 31 December 2012 | Rafi, Asha Bhonsle | Picturised on Johny Walker and Kammo, Post by Sudhir |
| 8529 | Nainon mein sooraj ki kirnen | 14 August 2013 | Rafi, Asha Bhonsle | Picturised on Shammi Kapoor and Nutan |
| 9967 | Ukkad dukkad bamba | 15 July 2014 | Asha Bhonsle | Picturised on Minu Mumtaz and Shammi Kapoor, Post by Sudhir |
| 11240 | Hamne unke saamne pehle to khanzar rakh diya | 2 July 2015 | Rafi, Asha Bhonsle, S D Batish | Picturised on Shammi Kapoor, Kammo and Johny Walker |
| 13030 | Mere lahange mein ghunghroo lagaa de | 11 March 2017 | Asha Bhonsle, Rafi | Picturised on Nutan, Shammi Kapoor, Johny Walker |
| 13203 | Duniya pakki four twenty | 28 April 2017 | Rafi, Asha Bhonsle | Picturised on Johny Walker, Video unavailable , Post by Arunkumar Deshmukh |
| 16772 | O madam Nancy you are my fancy | 16 January 2022 | Rafi, Asha Bhonsle | Video unavailable, Post by nahm |
| 17130 | Jee chaahta hai khench loon tasweer aapki (Basant) | 8 September 2022 | Asha Bhonsle, Rafi | Video not available, post by nahm |
| 17311 | Idhar main khoobsoorat hoon (Basant) | 5 January 2023 | Asha Bhonsle, Rafi | Video not available |
We can see that this movie had a very long and eventful stay in the blog. The songs of this movie have been discussed not only by me, but also by Sudhir Jee, Arunkumar Deshmukh jee and nahm jee. We have discussed quite a few topics, while covering these songs, including introduction to some of our regulars.
Finally the movie gets YIPPEED in the blog with its 14th and final song. This song is sung by Asha Bhonsle and chorus. It is picturised on Minu Mumtaz and others.
Qamar Jalalabadi, whose remembrance day falls today, is the lyricist of the song. So this song serves as a tribute to him.
O P Nayyar is the music director of course.
Most of our posts these days appear in the early morning. But this song is about “Raat chaandni”, so postig it in the morning would have appeared inappropriate. so I am posting this song, when it is night. It is not quite “chaandni raat”(full moon night), that day was three days ago on 6 january 2023), but the moon is still full enough to be able to shed its chaandni tonight. So the setting for the song is appropriate enough.
So here is this 14th and final song from “Basant”(1960). Lyrics of this song were sent to me by Prakashchandra.
With this song, all the songs of “Basant”(1960) get covered in the blog and the movie thus joins the list of movies that have been YIPPEED in the blog.
video link (Longer song)
Audio (shorter song)
Song-Raat chaandni samay suhaana hai (Basant)(1960) Singer-Asha Bhonsle, Lyrics-Qamar Jalalabadi, MD-O P Nayyar
Male chorus
Female chorus
All chorus
Lyrics(Based on Video link)(Provided by Prakashchandra)
raat chaandni samay suhaana hai
balley balley balley ae ae ae ae
raat chaandni samay suhaana hai
balley balley balley ae ae ae ae
tohey milega preetam pyaaraa
chhori hho
hoyye chhori..eee
tohey milega preetam pyaaraa
chhori hho
hoyye chhori…eee
ahhaa haa hhaaa aaa
kotlaa chhupaake jummeraat aayi hai ae ae
aaj mere sainyyan ki baaraat aayi hai ae
aaj mere sainyyaan ki baaraat aayi hai
kotlaa chhapaake jummeraat aayi hai ae ae
aaj tere sainyyaan ki baaraat aayi hai
ho o o aaj mere sainyyan ki baaraat aayi hai
raat chaandni samay suhaana hai
hho balley balley balley ae ae ae ae
sabhi baaraati taaron jaisey
dulha chanda jaisa
haayye rey chanda jaisaa
ghoonghat ke pat khol ke dekho
roop hai mera kaisa
haayye rey roop hai kaisaa aaaa
ghoonghat ke pat khol ke dekho (haa aaa haa aaaa)
roop hai tera kaisaa (haa aaa hhhaaaa aaaa)
tumhare roop hai kaisaa (haa aaa hhhaaaa aaaa)
haayye rey mar mar ke zaalim raat aayi hai ae ae
aaj tere sainyyaan ki baaraat aayi hai
ho o o aaj mere sainyyaan ki baaraat aayi hai
kotlaa chhapaake jummeraat aayi hai ae ae
aaj tere sainyyan ki baaraat aayi hai
ho o o aaj mere sainyyan ki baaraat aayi hai ae
raat chaandni samay suhaana hai
hho balley balley balley ae ae ae ae
log bichhaayen sej pe kaliyaan
maine bichhaayeen ankhiyaan
teri raah mein ankhiyaan
aisee waisi baat na kehna
dhadke mori chhatiyaan
haayye rey dhadke chhatiyaan aaan
aisee waisee baat na kehna
dhadke mori chhatiyaan (haaa haaaa haaa)
hayye rey dhakdke chhatiyaan (haaa haaaa haaa)
taras taras ke ghadi milan ki haath aayi hai ae aeyye
aaj tere sainyyan ki baaraat aayi hai
ho o o aaj mere saiyyan ki baaraat aayi hai ae ae
kotlaa chhapaake jummeraat aayi hai
aaj tere sainyyan ki baaraat aayi hai
ho o ho aaj mere sainyyaan ki baaraat aayi hai ae
raat chaandni samay suhaana hai
hha balley balley balley ae ae
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4909 | Post No. : | 16722 |
“Ghoonghat”(1960) was produced by S S Wasan and directed by Ramanand Sagar for Gemini Studios, Madras. This movie had Bharat Bhushan, Pradeep Kumar, Bina Rai, Asha Parekh, Leela Chitnis, Rajendranath, Rehman, Agha, Minu Mumtaz etc.
The movie had ten songs in it. Nine songs have been covered in the past. Here are their details :-
| Blog post number | Song | Date of post | Singer(s) |
|---|---|---|---|
| 1271 | Laage na mora jiyaa | 13 May 2009 | Lata |
| 1278 | Mori chham chham baaje paayaliyaa | 14 May 2009 | Lata |
| 1871 | Kyaa kyaa nazaare dikhaatin hain ankhiyaan | 6 September 2009 | Asha Bhonsle, Mahendra Kapoor |
| 2929 | Do nain mile do phool khile | 8 September 2010 | Mahendra Kapoor, Asha Bhonsle |
| 2958 | Haay re insaan ki majbooriyaan | 13 September 2010 | Rafi |
| 5688 | Ye zindagi ka mausam aur ye samaa suhaana | 24 March 2012 | Asha Bhonsle, Rafi |
| 15874 | Meri pat raakho Giridhaari | 8 September 2020 | Lata |
| 15885 | Dil na kahin lagaana zaalim hai ye zamaanaa | 13 September 2020 | Asha Bhonsle |
| 16710 | Jaa ree sakhi saj dhaj ke | 21 December 2021 | Asha Bhonsle |
Here is the tenth and final song from “Ghoonghat”(1960) to appear in the blog. This song is sung by Asha Bhonsle. Shakeel Badayuni is the lyricist. Music is composed by Ravi.
The song is picturised on Minoo Mumtaz and Bina Rai, with Minoo Mumtaz giving Bina Rai (playing bride) important advice on how to deal with her would be husband.
Shakeel Badayuni is the lyricist. Music is composed by Ravi.
With this song, the title song of the movie, all the songs of “Ghoonghat”(1960) have been covered. “Ghoonghat”(1960) thus joins the list of movies that have been YIPPEED in the blog.
Song-Gori ghoonghat mein mukhda chhupaao na (Ghoonghat)(1960) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi
Lyrics
gori ghoonghat mein mukhda chhupaao na
ye to naina ladaane ki raat hai
gori ghoonghat mein mukhda chhupaao na
ye to naina ladaane ki raat hai
hamen gusse se
haan hamen gusse se aankhen dikhaao na
ye to hansne hansaane ki raat hai
aaj tu kaahe ko sharmaati hai
ye ghadi roz nahin aati hai
aane waale hain piya milne ko
phool hain dil ke tere khilne ko
tujhko rasiya ki nazar lootegi lootegi
aaj nainon ki sharam tootegi
kaahe tere ye nain
tera dil hai bechain
sakhi hamse yoon daaman chhudaao na
ye to milne milaane ki raat hai
gori ghoonghat mein
ai ai o
gori ghoonghat mein
mukhda chupaao na
ye to naina ladaane ki raat hai
aaj ki raat zara chup rahna
dil ki baaten na balam se kahna
wo agar chheden to bal kha jaana
unki baaton mein na tu aa jaana
mard ki zaat ko tu kya jaane
kya jaane
bade chaalaak hain ye deewaane
kabhi painyya padenge kabhi vinti karenge
un se kahna ke jaao sataao na
arre ye to nakhre dikhaane ki raat hai
gori ghoonghat mein haaye daiyya
gori ghoonghat mein mukhda chupaao na
ye to naina ladaane ki raat hai
hamen gusse se aankhen dikhaao na
ye to hansne hansaane ki raat hai
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4448 | Post No. : | 15902 |
Dancing has been an integral part of Indian cinema even during the era of silent films. In most of the silent films, dancing was mostly confined to courtesans which the society saw it in a negative way. It was only after sound films came in 1931, the film makers started looking for actors who could also sing and dance. So, multi-tasking was the buzz word for the main actors during the early period of sound films. Some actors like Mumtaz Ali, Sunita Devi, Shahzaadi etc were known for their dancing skills though they also acted in supporting roles. Even some lead actors like Molina Devi of New Theatres (remember her dance in ‘Kaarwaan-e-Hayat’, 1935), Radha Rani of Bombay, Mumtaz Shanti and even Leela Chitnis in the film ‘Kanchan’ (1941) were required to dance as part of their roles. By the start of 1940, Sadhana Bose from Bengal joined Hindi films as a classical dancer in the lead/supporting roles.
A few trained dancers like Sitara Devi and Auzurie joined the Hindi film industry by the middle of 1930s. While Sitara Devi was trained both in Hindustani classical and western dances, Auzurie was trained in folk and western dances. Unfortunately, many of their films of 1930s with dances are not available for viewing. While Sitara Devi graduated to heroine and side heroine’s roles in the 1940s, Auzurie continued to work in the films mainly as a dancer.
The success of Sitara Devi and Auzurie in Hindi films seems to have prompted the film makers to have dance song numbers in most of the Hindi films in mid-40s onward. This gave the more scope for trained dancers to join Hindi films. One of the prominent dancers to join Hindi films was Cuckoo in mid-40s. She set a trend in Hindi films by her dance numbers to have at least one dance sequence in most of the Hindi films in the second half of the 1940s and thereafter. The important of her dance numbers in Hindi films can be gauged by the fact that during 1944-50, she danced in as many as 74 films.
With Cuckoo’s popularity as a dancer, some more prominent dancers joined Hindi films like Kumkum in 1947, Mohana Cabral in 1948, Roopmala in 1949, Sheila Vaz, Helen and Padmini, all in 1951. By the middle of 1950s, Hindi film makers had a good number of dancers to choose. One of the dancers who joined Hindi films in the second half of 1950s was Minu Mumtaz. Based on the book, ‘Mehmood – A Man of Many Moods’ (2005) by Hanif Zaveri and ‘The Incredibly Beautiful Minoo Mumtaz’ in YouTube Channel, ‘Tabassum Talkies’, I have attempted a short write-up covering the life story of Minu Mumtaz below:
Minu Mumtaz (real name: Malikunnisa Ali) was born on April 26, 1942 in Mumbai. She was one of the eight siblings of Mumtaz Ali, the popular dancer, singer and supporting actor of the Bombay Talkies in the 1930s and 40s. Mehmood, the comedian was her elder brother and the actor Anwar Ali was her youngest brother.
The family which was enjoying from the money and fame of Mumtaz Ali in the 40s, drifted to poverty due to his excessive drinking. He lost all money, houses, cars and even household items just to satisfy his addiction to drinking. With this, the responsibility of looking after a large family fell on Mehmood, being the eldest son. But he was not getting enough money from his odd jobs to look after a large family. It was Minu Mumtaz who thought of working in the films. She had learnt dance from her father and used to perform dances in her father’s dance troupe, ‘Mumtaz Ali Nites’. But her mother was against any one working in the films as she felt that it was the films which made her husband, Mumtaz Ali the victim of drinking habit.
But the financial condition in the family had become extremely precarious. A time came when it was difficult to manage even two-time meals. One day Minu Mumtaz along with her elder sister, Khairunnisa met Nanubhai Vakil for work in his film who was directing ‘Sakhi Hatim’ (1955. When he came to know that she was the daughter of Mumtaz Ali, he gave her a small role in the film. This was the beginning of her filmy career. She got more films with her dance numbers. With her song in ‘CID’ (1956), she got recognition as a good dancer. Thereafter, there was no looking back for Minu Mumtaz as she got many films, enhancing her status from a dancer to character actors, side roles with the heroines and in a few films even as a heroine.
During the shooting of her film ‘Bandhan’ (1956), Meena Kumari, who had become the sister-in-law of Mehmood, having married her younger sister, Madhu in 1952, gave Malikannisa the screen name ‘Meenu’ to rhyme with Meena. Because of the efforts of Minu Mumtaz, the family got to live in a comfortable position. Mehmood used to say that Minu Mumtaz is not her younger sister but she is like an elder brother to him. Of course, after his box office hit film, ‘Chhoti Bahen’ (1959), Mehmood’s luck also turned for the better in his filmy career to become a star comedian and later the producer and the director.
Minu Mumtaz married S. A. Akbar in 1963 who had directed Mehmood’s ‘Chhote Nawab’ (1961). The family first shifted to Kuwait and thereafter moved to Canada where she resides now.
I have gone through Minu Mumtaz’s filmography as well as songs picturised on her which throws some interesting information. During her active years of filmy career, Minu Mumtaz worked in around 75+ films. Almost equal numbers of songs have been picturised on her. In some films, she had more than one song to her credit. She was in the lead roles in ‘Black Cat’ (1959) and ‘Ghar Ghar Ki Baat’ (1959).
Johny Walker was like a member of the entire Mumtaz Ali family and he was consulted on important family matters. The marriage of Mehmood with Madhu was decided fixed in Johny Walker’s house. I feel that Johny Walker has been instrumental in pushing up her filmy career at least in the initial stages. This is borne out by the fact that Minu Mumtaz worked with Johny Walker in as many as 23 films of which in most of these films, she paired with him. Her brother, Mehmood had worked with her in 14 films of which 9 films pertain to the years when Mehmood had not firmly established in Hindi film industry.
As I said earlier, around 75 songs have been picturised on Minu Mumtaz. Our Blog has covered as many as 69 songs. I have given below links of a few of her popular songs for ready reference:
main hoon Johny badaa toofaani – ‘Maai Baap’ (1957)
boojh mera kya naam re – ‘C.I.D.’ (1956)
aji chale aao aji chale aao – ‘Halaaku’ (1956)
meri jaan meri jaan pyaar kisi se – ‘Yahudi’ (1958)
sitaare raah takte hain – ‘Black Cat’ (1959)
jaanu jaanu re chhupke kaun aaya – ‘Insaan Jaag Utha’ (1959)
saaqiyaa aaj mujhe neend nahin aayegi – ‘Sahib Biwi Aur Ghulam’ (1962)
thodi der ke liye mere ho jaao – ‘Akeli Mat Jaiyyo’ (1963)
On the basis of the listing of Minu Mumtaz songs on the Blog as well as the video clips of her songs available on the video sharing platforms, I have been able to identify six songs picturised on Minu Mumtaz for which video clips are available and are yet to be covered in the Blog. I present one of those six songs from the film ‘Jagga Daaku’ (1959). The song is ‘teri kasam tujhko sanam pyaar kiya re’ sung by Geeta Dutt. Obviously, the song is picurised as a dance by Minu Mumtaz. Jairaj is present in the entire duration of the song. The song is written by B D Mishra which is set to music by S N Tripathi.
Unfortunately, the picture as well as audio qualities of the song on video clip are not good. At two places, there are breaks in the song. So, I have based the lyrics on the audio clip which has a better-quality audio.
As happened with me when I heard the song, I am sure that most of the senior visitors to the Blog would recall that they had heard this song long back but did not relate to the film.
This is the second song to appear in the Blog out of 6 songs in ‘Jagga Daaku’ (1959).
Audio Clip:
Video Clip:
Song-Teri kasam tujhko sanam pyaar kiya re (Jagga Daaku)(1959) Singer-Geeta Dutt, Lyrics-B D Mishra, MD-S N Tripathi
Lyrics
teri kasam
teri kasam tujhko sanam pyaar kiya re
teri mohabbat ne bekraar kiya re
bekraar kiya re
haay
teri kasam
tu jo muskuraaya
tu jo muskuraaya
halka sa nasha chhaaya
madhosh hoke maine tujh pe apna dil lutaaya
tu jo muskuraaya
halka sa nasha chhaaya
madhosh hoke maine tujh pe apna dil lutaaya
tujh pe apna dil lutaaya
haay
teri kasam
teri kasam tujhko sanam pyaar kiya re
teri mohabbat ne bekaraar kiya re
bekaraar kiya re
haay
teri kasam
pyaar pehla pehla
pyaar pehla pehla
ikraar pehla pehla
ye pehli pehli haar ka izhaar pehla pehla
pyaar pehla pehla
ikraar pehla pehla
ye pehli pehli haar ka
izhaar pehla pehla
izhaar pehla pehla
haay
teri kasam
teri kasam tujhko sanam pyaar kiya re
teri mohabbat ne bekaraar kiya re
bekaraar kiya re
haay
teri kasam
naaz mera tu hai
naaz mera tu hai
andaaz mera tu hai
tu raaz zindagi hai
mere dil ki aarzoo hai
naaz mera tu hai
andaaz mera tu hai
tu raaz zindagi hai
mere dil ki aarzoo hai
mere dil ki aarzoo hai
haay
teri kasam
teri kasam tujhko sanam pyaar kiya re
teri mohabbat ne bekaraar kiya re
bekaraar kiya re
haay
teri kasam
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
4440 | Post No. : | 15885 |
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Blog 10-Year Challenge (2010-2020) – Song No. 78
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This day ten years ago viz 13 september 2010 saw six songs getting covered. The fist post appeared at 6:06 AM whereas the sixth and final post of the day appeared at 17:37 AM. Six songs posted within 91 minutes. That is called making short work of the daily blog target ! 🙂
Here are the details of the six songs discussed on 9 september 2010:-
| Blog Post number | Song | Movie Year of release | Remarks |
|---|---|---|---|
| 2957 | Man letaa hai angdaayi | Anmol Ghadi 1946 | YIPPEED |
| 2958 | Haay re insaan ki majbooriyaan | Ghoonghat 1960 | 7 songs covered out of 10 |
| 2959 | Jhanan jhanjhanaa ke apni paayal | Aashiq 1962 | YIPPEED |
| 2960 | Chale jaanaa zaraa thahro Multiple version song | Around the world 1967 | YIPPEED |
| 2961 | Ba hosho hawaas mein deewaanaa | Night in London 1967 | YIPPEED |
| 2962 | One two three baby yaa yaa yaa | Kismat 1968 | YIPPEED |
As can be seen from the above table, five movies out of six whose songs were covered ten years ago have since been YIPPEED. “Anmol Ghadi”(1946) and “Kismat”(1968) got YIPPEED ten years back on this day viz on 13 september 2010 !
So, that leaves us with “Ghoonghat”(1960) as the sole movie eligible for today’s blog Ten year challenge.
As many as seven songs of “Ghoonghat”(1960) have been covered so far. Here are the details:-
| Song | Posted On |
|---|---|
| Laage naa moraa jiyaa | 13.05.2009 |
| Mori chham chham baaje paayaliyaa | 14.05.2009 |
| Kyaa kyaa nazaaren dikhaatin hai ankhiyaan | 06.09.2009 |
| Do nain milye do phool khiley | 08.09.2010 |
| Haay re insaan ki majbooriyaan | 13.09.2010 |
| Ye zindagi ka mausam aur ye samaa suhaanaa | 24.03.2012 |
| Meri pat raakho Giridhaari | 8.09.2020 |
Here is the eighth song from Ghoonghat”(1960) to appear in the blog. This song is a stage dance performance song. It is sung by Asha Bhonsle and it is picturised on Helen and others. No, it is not a cabarat song, rather it is a proper desi dance performance, where Helen lip syncs in not just Hindi but also in Tamil, Bangla and Punjabi, accompanied by the appropriate regional dances as well.
The picturisation shows Helen and others on stage. Dancing legend Gopi Krishna also joins during the Tamil part of the song.
The audience seated in the front row include Pradeep Kumar, Bina Rai, Minu Mumtaz etc.
Shakeel Badayuni is the lyricist. Music is composed by Ravi.
Lyrics of the song were sent to me by Prakashchandra, who has done a gallant job in attempting to note down the lyrics of all the languages. I request our knowledgeable readers to help suggest corrections in the lyrics wherever applicable.
video link (Full)
audio link part 1
audio link part 2nd
Song-Dil na kahin lagaana zaalim hai ye zamaana (Ghoonghat)(1960) Singer-Asha Bhonsle, Lyrics-Shakeel Badayuni, MD-Ravi
Lyrics(Provided by Prakashchandra)
dil na kahin lagaana
zaalim hai ye zamanaa
dil na kahin lagaana
zaalim hai ye zamanaa
pyaar koi jo kare duniya kare haa…aa aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare
haayye
dil na kahin lagaanaa
zaalim hai ye zamaanaa..aaa
raste mein ik din mila mujhe ik dilwaala
raste mein ik din mila mujhe ik dilwaala
kehne laga woh teri ankhiyon ka main hoon matwaala
main ne na jaana
mujhe dekhe hai zamaanaa
main to masti mein gaane lagi
yeroo putti puwwaayye inne chinanney
mmm….tongammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney
mmm….tungammillam perumme inne chinanney
yeroo putti puwwaayye inne chinanney (haaan…aaan…aaan…aaannn )
mmm….tungammillam perumme inne chinanney( aaan…aaan…aaan…aaannn )
duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa..aaaye/bachaa
dil na kahin lagaana
zaalim hai ye zamaana
pyar koi jo kare duniya kare
haa..aayye
dil na kahin lagaanaa
zaalim hai ye zamanaa
raste mein ek din mila mujhe baanka ik chhailaa
raste mein ek din mila mujhe baanka ik chhailaa
kehne lagaa woh tere saamne to chandaa bhi hai maila
main ne na jaana mujhe dekhe hai zamanaa
main to masti mein gaane lagi
tumee jey aamaar
o go tumee jey aamaar
kaane kaane shudho
ek baar bolo
tumi jey aamaar aar
tumi jey aamaar (shotti go oo ooo o o o)
o go tumi jey amaar (oo oooo oooo ooo)
tumi jey amaar(oo oooo oooo ooo)
o go tumi jey amaar (oo oooo oooo ooo)
duniya daraane lagi
baatein banaane lagi
bhaagi rey main to apni jaan bachaa.. aa aaye
dil na kahin lagaana
zaalim hai ye zamaanaa
pyar koi jo kare duniya kare
haayye haayye ae
dil na kahin lagaanaa
zaalim hai ye zamaanaa
raste mein ik din mila mujhe ik albela
raste mein ik din mila mujhe ik albela
kehne lagaa o beli tere bina dil hai akela
maine na jaanaa mujhe dekhe hai zamaana
main to masti mein gaane lagi
heyye
hadippa hadippa adippaa
balley balley balley balley balley balley ae
oyye kuwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwen wakirey waaliyaan
main kehniyaan
kar chhatri di chhaaon mein chhaa vikhaawe bainiyaan aan
oyye kunwe wakirey waaliyaan aan aan aan
ho o o o hoo o o o ho o oo o o o o
oyye kunwen wakire waaliyaan sunnnn kikraaawein
kikra laayeen bahaar mele mitraa den aen aen aen
oyye kunwen wakire waaliyaan ?? kikraaawein
kikra laayi bahaar mele mitraawein aen aen
oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye oyye
balley balley balley balley balley balley ae ae
oyye oyye oyye oyye
oooooooooo
hadippa hadippa hadippa hadippa hadippa
balley balley balley balley ae ae
o o o o o o o o oo
balley balley
oyye oyye oyye oo oooooo
Ye ras teri baaton ka chocolate
Posted on: January 10, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3463 | Post No. : | 13897 |
In Hindi movies,a typical “expression of love” genre of song finds the gentleman praising the lady in poetic terms, viz comparing her eyes with lake, her talk with clinging of bells (or koyal ki kook) etc. But when the gentleman in question is someone like Johny Walker then one may well find the lady being likened with items that are more mundane and more common place. Here is a Johny Walker song where lady’s eyes are compared with “omlette” and her talk with “chocolate”. The lady herself is compared to a mango fruit that has freshly fallen from its branch. 🙂
This fun song is from “Ghar Basa Ke Dekho”(1963). This movie was directed by Kishore Sahu for Ratnadeep Pictures, Bombay. This “social” movie had Manoj Kumar, Savitri, Rajshree, Sudesh Kumar, Mehmood, Shyama, Johny Walker, Minu Mumtaz, Lalita Pawar, Leela Mishra, Randheer, Shivraj, Uma Khosla, Narmada Shankar, Champak Lala etc in it.
The song is the fifth (out of six) to figure in the blog. It is sung by Rafi. Rajinder Krishan is the lyricist. Music is composed by Chitragupta. The song is picturised on Johny Walker and Minu Mumtaz.
Audio
Video
Song-Ye ras teri baaton ka chocolate(Ghar Basa Ke Dekho)(1963) Singer-Rafi, Lyrics-Rajinder Krishan, MD-Chitragupta
Lyrics
ye ras teri baaton ka
chocolate
ye jaadu teri aankhon ka
omlette
ye ghera teri zulfon ka baby
dil ko gaya lapet
ye ras teri baaton ka
chocolate
ye jaadu teri aankhon ka
omlette
ye ghera teri zulfon ka baby
dil ko gaya lapet
honth tere hain ya kaliyaan
ya misri ki do daliyaan
honth tere hain ya kaliyaan
ya misri ki do daliyaan
naak teri hai chaurangi
aankhen paris ki galiyaan
ye ras teri baaton ka
chocolate
ye jaadu teri aankhon ka
omlette
ye ghera teri zulfon ka baby
dil ko gaya lapet
shirin hai ya heer hai tu
husn ki ek tasveer hai tu
shirin hai ya heer hai tu
husn ki ek tasveer hai tu
dekh ke tujhko chain pade
shimla ya kashmir hai tu
ye ras teri baaton ka
chocolate
ye jaadu teri aankhon ka
omlette
ye ghera teri zulfon ka baby
dil ko gaya lapet
ek chhalakta jaam hai tu
yaa ke avadh ki shaam hai tu
ek chhalakta jaam hai tu
yaa ke avadh ki shaam hai tu
husn tera tauba tauba
daal se tapka aam hai tu
ye ras teri baaton ka
chocolate
ye jaadu teri aankhon ka
omlette
ye ghera teri zulfon ka baby
dil ko gaya lapet
ye ras teri baaton ka
chocolate
ye jaadu teri aankhon ka
omlette
ye ghera teri zulfon ka baby
dil ko gaya lapet
Aankh mila kar vaar karoongi roko
Posted on: April 7, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Kaala Aadmi”(1960) was produced and directed by Ved-Madan for Natraj Productions, Bombay. The movie had Ashok Kumar, Shyama, Mehmood, Johny Walker, Sheila Vaz, Minu Mumtaz, Raj Mehra, Amar, Baij Sharma, Neelofar, Brahm Dutt, Rammohan etc in it.
Read more on this topic…
Kisi ka dil lena ho
Posted on: March 3, 2017
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all Atulwaasis
We had two opportunities to meet fellow Atulwaasis last year- one when guruji visited Bangalore and next when Avinashji visited. Both have given me lasting memories. I also liked Avinashji’s idea of getting Atul’s Banjaarey to sign an autograph with their thoughts to make up a Collage of Autographs. It was to show something about our interests or as Avinashji has said in his write up on the Gangout—Man Ki Baat. It has showed that most were in a philosophical mood and had unknowingly or unintentionally contributed to the thought (my own thinking too) “Zindagi kaisi hai paheli/ Kal kya hoga kisiko pata”- the very basis of a Banjaara’s (Nomad’s) life. One of the songs which I keep humming a lot also points to the same thought of Zindagi being a Paheli—and that song is Aage Bhi Jaane Na Tu, Peeche Bhi Jaane Na Tu, Jo Bhi Hain Bas Yehi Ek Pal Hai.
Read more on this topic…
So jaa re chandaa so jaa
Posted on: January 5, 2017
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo Everybody
January seems to be the month when a few of the music composers of the Hindi film industry bid adieu to the mortal world. Naashad, RD Burman, C. Ramachandra, Jaidev, O.P.Nayyar, Sardar Malik etc all have their death anniversaries this month.
Read more on this topic…
Nagri nagri naach rahi hoon
Posted on: June 8, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
People who are experienced Hindi movie watchers will know that songs and dance play the same role in these movies as the term “black hole” plays in Astronomy. Wherever in doubt, introduce a song and dance (or a black hole) as the case may be and your target audience is satisfied. 🙂
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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