Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1930s (1931 to 1940)’ Category


This article is written by Vidur Sury, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

Here is the second song of the tribute series to great playback singer and singer – actress Amirbai Karnataki Ji. This is her second song from the major hit Narsi Bhagat (1940). One duet of Amirbai and Durga Khote from this film has already been discussed.
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This article is written by Vidur Sury, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

Thanks to Atul Sir, now I have the pleasure of writing a series on songs by immortal singer Amirbai Karnataki Ji.

My first song will be the earliest among those not yet on this blog, and this is from Narsi Bhagat (1940), one of her early famous films.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 5-Badri Prasad
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Hindi films have seen many beautiful actresses. Some beauties were legendary, not only in their times, but also for ever, e.g. Leela Naidu. There were some handsome actors also like Nandrekar, Chandramohan, Nazmul Hussain, Prithviraj Kapoor etc.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music director Rai Chand Boral (1903-81) is credited with bringing playback to Hindi cinema with the number “Main khush hona chaahoon khush ho na sakoon”, a chorus song in the New Theatre production Dhoop Chhaaon (1935). A personna no less than the doyen of Hinsustani Cine Sangeet, the late Anil Biswas, reportedly complimented Boral, recepient of the prestigious Dadasaheb Phalke Award in 1978, as the Father of Indian Cinema Music.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are various categories of films, based on the source of their story. They can be 1) Mythological, 2)Historical, 3) Fantasy, 4)stories cooked up by the ‘story Department’, 5)Films copied from/remade from other languages and 6) Films based on famous Novels, Plays or Epics written by wellknown authors.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Connoisseurs of vintage Hindi film songs while listening to songs like jaao jaao ae mere sadhjo raho guru ke sang and baba man ki aankhen khol, would identify these songs with K C Dey without blinking their eye lids. The name K C Dey and kirtan songs (devotional and philosophical songs) are inseparable. Since he was blind, this genre of songs suited him best when he was also acting and singing in the films. Whenever I listened to his filmy songs, I felt that his voice quality suited well for thumri and ghazals. Little did I know at that time that he was also an accomplished Hindustani classical and bhajan singer with more than one hundred NFS in Hindi, Urdu and Bengali to his credit. I also find from his discography that he had recorded at least four Gujarati devotional songs in 1942.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the early era of Talkie films the Film Companies which were well known were Imperial, New Theatres, British Dominion, Kohinoor, Krishna, Maharashtra, Ranjit, Saraswati, Sharada film company etc. Most of these companies continued from the silent era. Slowly many film companies stopped or got merged with existing companies. But one name stood out even in those days and that was PRABHAT FILM COMPANY or PFC.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The era of silent films in India started in 1913, when 2 films were made-Raja Harishchandra and Mohini Bhasmasur. One would think that this must have started a spate of Silent films, but surprisingly, in 1914, 1915 and 1916 only 1 Silent Film each was produced. From 1916 it started with 5 films till 1931, when the age of Talkies arrived with Alam Ara.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of the people other than the die hard connoisseurs of filmy and non-filmy music, may not be aware that Sachin Dev Burman (S D Burman) started his musical career as a singer on All India Radio Calcutta (Kolkatta) in early 30s. During his early period of musical journey, he had sung many Bengali non-filmy songs some of them written by such distinguished personalities like Jasimuddin and Kazi Nazrul Islam. I was pleasantly surprised to know that he had also rendered Hindustani classical thumris like preet mein huye badnaam in concerts at Allahabad and Calcutta.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie and a regular contributor to this blog.

A few months back, I came across a thumri ‘ro ro nain gawaaun sajanwaa aan milo’ sung by Ashraf Khan. I liked this thumri and assumed it to be a traditional thumri bandish rather than from a Hindi film. I marked it in my play list and forgot about it. It was only when I read an article on actor-singer Ashraf Khan written by Arun Kumar Deshmukh as part of a series of his articles on some lesser known singers for this blog that I realised that the thumri sung by Ashraf Khan which I referred to earlier was in fact a thumri based song from the film ‘Baaghbaan’ (1938).
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