Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1930s (1931 to 1940)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song by Pankaj Babu, is a non film offering. Another one of his iconic recordings that is without comparison. Another great favorite of mine for many decades. It appears that during the years from 1930s to 50s, there was a more serious interest in music, as in there is a huge body of great music that was recorded as non-film music. I am not saying that the recording of non-film music is any less in the current years, but the content and quality is a matter of debate. No doubt there are some good quality songs that still get produced, but compared to the entire music that gets generated in a year, the percentage of music that is memorable, and that carries along with the collective memory of the society is definitely diminishing. When one thinks of the singers of the 30s, 40s and 50s, names like Saigal Saab, Pankaj Babu, Jagmohan, KC Dey, and more, their level of good quality memorable songs, in films and outside of films, is almost one hundred percent of what has been recorded. Rather, it is a misfortune that probably a much larger body of their work, as part of live programs and music conferences that happened in those years, is lost now, because it is not recorded, either as audio or even as documentary records of what all they sang. And yet, we are fortunate that we have, what ever that is available on record.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A tongue in cheek song, if ever there was one. The first line itself suggests that this one is going to be a very very interesting song. Recorded sometimes late 30s or so, this is a gem of a song from the pen of Pt. Madhur. What a pace and a rhythm, reminds one of, ‘aayee bahaar aaj aayee bahaar’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The film ‘Manzil’ is a 1936 production from New Theatres Calcutta, directed by P Barua. The star cast includes Jamuna, Molina Devi, Prithviraj Kapoor, KC Dey, PC Barua, Nemo, Harimati, Sitaara, Shor, Indu Mukherjee. The songs of this film are written by Aarzoo Lucknowi and Asgar Hussain ‘Shor’. The music composition is by RC Boral, assisted by Pankaj Mullick. The screenplay is based on the novel ‘Grih Daah’ by Saratchandra Chatterjee.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 1920s and 30s, and also later, Pankaj Babu’s affinity for Rabindra Sangeet has had a significant influence in making this music form popular with the general public. He had made a choice of music as his calling in life, at a very early age, and although he joined college, but he did not go ahead with higher education. He first became a student of the noted musician Durgadas Bannerjee, and then later studied music under Dinendranath Tagore. Dinendranath or Dinu Thakur, as he was popularly called, is the grandson of Rabindranath Tagore’s eldest brother, Dipendranath Tagore. This association brought Pankaj Babu into the culturally rich environment of the Jorasanko Thakur Bari, the ancestral home of the Tagore family. It had an everlasting influence on him, and the influence of this culture is visible in all his works.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The innovator in Pankaj Babu has been responsible for some very remarkable additions to the sound and music aspect of the film industry. He was probably the first music arranger and orchestra conductor to introduce the use of western musical forms and instruments in the music for films in India. He is credited with introducing the use of instruments like piano and accordion, in the music compositions for Hindi and Bengali films that he worked on.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the world of Indian cinema, most famous names are known and recognized for specific contributions, in specific aspects of film making. There are a rare few, whose breadth of talent goes beyond a single aspect, and whose influence and impact is evident on the society at large, and not just on the film industry. Their contributions are limited not just to the movie goers and critics, but pervade across the culture. Pankaj Babu is one such luminary figure. Composer, musician, audio innovator, singer, music director, teacher and a part-time actor, he is a colossal figure not only in the field of cinema but recognized as one of the greatest cultural icons of Bengal.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Radio broadcast services were introduced in India in 1927. The first establishment to broadcast radio signals for public consumption was a private company named India Broadcasting Corporation (IBC). This company was the forerunner of All India Radio (AIR).
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Very little information is available about the movie “Zamaana” (1938). This movie was produced by Krishn M and directed by Raam Daryani and it had actors like Ameena, Bansi Karnataki, Gope,Gulab, Hansa Wadkar,Jeewan, Majid, Nazir, Padma Devi, Vasant etc.
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“Musaafir” (1940) is a movie about which very little information is available on line. This movie was directed by Chaturbhuj Doshi and the movie had actors like Ishwarlal , Khurshid , Vasanti , Yakub , Bhupatrai , Kesari , Mirza Musharaf, Bhagwandas , Noor Mohammad Charlie etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Pankaj Mullick, the name that shines in the Bengali music and culture as one of the brightest stars. Most of us are familiar with Pankaj Babu as being an accomplished composer and singer. But, much more than that, he was an innovator par excellence. Not many are familiar with the fact that this gifted musician, through his experimentation with providing music to films, originated the concept of background music in Indian cinema, to accentuate the emotions, the action and the pace of the scenes on screen.
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