Archive for the ‘Songs of 1930s (1931 to 1940)’ Category
As I discover more songs of ‘Bandhan” (1940), I cannot but help feel that this movie must have stolen the heart of the movie goers during its time and Leela Chitnis would have become a heart throb of public, in case she was not one already. What a lovely performance from her in this movie. In this movie, she plays a playful and cheerful girl who is forever prepared to play a prank or too.
Read more on this topic…
Main baithhi thhi phulwaari mein
Posted on: August 22, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The non film songs of Saigal Saab almost entirely consist of ghazals by various poets. In this category, there is a handful of songs that are not ghazals. But what gems of semi classical creation these are. This particular song has a very unique distinction, making it an important and a rare song. This is probably the only song for which Saigal Saab is the lyricist, composer and singer, all together. Yes, the lyrics of this beautiful song are written by Saigal Saab himself.
Read more on this topic…
Apne bhaiyya ko naach nachaaoongi
Posted on: August 21, 2011
“Bandhan” (19408), though over seven decades old has songs that sound fresh and contemporary to me even to this date. And for that one has to admire the creators of these songs who created such timeless classic.
Read more on this topic…
Out of 110 movie songs sung by K L Saigal , 106 are available and 100 of them have been discussed in this blog. Searching for the 6 remaining songs not yet discussed in like searching for a needle in a haystack. After careful search, it has been revealed that this particular song from “Krorepati”(1936) had so far escaped from being posted. 😀
Read more on this topic…
Tum bin chain na aaye
Posted on: August 20, 2011
“Prem Nagar” (1940) is a movie that is today remembered as the debut movie of Naushad as an independent music director. He created some nice songs in it and with this, his career was launched in style.
Read more on this topic…
The more I learn about “Kangan” (1939), the more I get impressed. This movie must have been quite a sensation in its time.
Read more on this topic…
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The mellifluous voice of Saigal Saab has an enrapturing power that always casts a spell over the listeners. The range of his voice has a span that goes from the very base notes – ‘Bina Pankh Panchhi Hoon Mein’ (Tansen) all way to the higher octaves as in ‘Prem Ka Hai Is Jag Mein Panth Niraala’ (President). Saigal Saab’s voice as the rare ability to effortlessly accord the right expressions to each word, and make it glow distinctly. All his renditions leave a lasting impression in the mind, whether it be a love song ‘Baalam Aaye Baso Morey Mann Mein’ (Devdas), or a lullaby ‘So Jaa Raajkumari So Jaa’ (Zindagi), or an inspirational song ‘Hat Gayee Lo Kaari Ghataa’ (Lagan), a bhajan ‘Suno Suno Hey Kishan Kaalaa’ (non-film), a children’s song ‘Ek Raja Ka Beta Le Kar’ (President), or a song full of melancholy and pathos ‘Bina Pankh Panchhi Hoon Mein’ (Tansen).
Read more on this topic…
Piyu piyu bol piyu piyu bol
Posted on: August 19, 2011
Kavi Pradeep is known for writing lyrics that were hard hitting and straight from his heart. And the messages contained in his lyrics inspired a whole generation of Indians and continues to inspire the generations that followed.
Read more on this topic…
Ibn e mariam huaa karey koi
Posted on: August 19, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
If one were to try to understand the phenomena of Saigal Saab’s success in the world of show business, one simply has to resort to providence. The initial reactions of the people like RC Boral, BN Sircar, PC Barua, Nitin Bose on meeting him for the first time, was at best dismissive. Unusually tall, already balding above the forehead, irregular features, and when asked about his musical tutorship, he could not name a single Ustad, obscure or famous, under whom he could have learnt. And why, of all the places he arrived in Calcutta from Jalandhar, is a mystery that has no answers even now. And yet, there are volumes that have been written about the magic of his voice, and the account of his career. His voice was as if a divine endowment. One can speculate endlessly as to what could have been the course of cinematic history, had Saigal Saab lived longer. But better than this speculation, it is a succor that he was when he was, and has left behind a legacy that is a tremendous treasure.
Read more on this topic…
Kit gaye ho khewanhaar
Posted on: August 18, 2011
“Achhoot Kanya” (1936), a movie produced by Himanshu Rai was a movie on a daring subject of its time, viz untouchability. And the movie turned out to be a landmark movie on several counts.
Read more on this topic…
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments