Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1942’ Category


“Station Master” (1942) is a very old movie. Little information was available on internet about this movie till we began to discuss songs from this movie in the blog. And then our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh shared all the information about this movie that one may be interested in.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regulkar contributor to this blog.

Folk music has played an important role in popularising Hindi film songs. The films’ producers and more so the music directors knew that folk music based film songs bring instant connectivity with the cine goers especially in the semi-urban and rural areas. The beats and rhythms of most of the folk music are good inspirations for music directors to customise the Hindi film songs accordingly. In the early years of Hindi film music following the advent of talkies, songs were mostly based on classical and semi-classical tunes which included the traditional devotional music. The earliest Hindi film songs recorded on a folk based tune as per my search of the Hindi film songs on the internet was a song bande naav ka langar chhod from ‘Kangan’ (1939) which appears to be based on a bhatiali ( boat man’s) folk song of Bengal. There may be a few more Hindi film songs in the 30s based on folk music.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my childhood days, I had heard more about Suraiya than any other contemporary female actors like Mudhubala, Nargis etc. As I know now, both Madhubala and Nargis were more successful in terms of their box office hit films than that of Suraiya in the 50s. But it was Suraiya who was the most discussed star at that time. I guess that her charismatic personality invited keen interest from cinegoers and her fans in the same way as was the case with Rajesh Khanna in the 70s. The building in which she used to stay at Marine Drive was an important ‘tourist spot’ in those days for the visitors in the city. People would to wait for her ‘darshan’ which eluded most of them . After many years, this type of adulation was witnessed outside Rajesh Khanna’s bungalow in the 70s and Amitabh Bachchan’s bungalow even now.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Voice of Mukesh #7
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As we had progressed from 1941 to 1942, one duet song for Mukesh was so far missing from the posts, on account of this song being unavailable anywhere I had checked at that point in time. Well, since then, things have changed, and now I have been able to recently acquire an audio recording of this song which I am posting online today. I must thank Shri Pradeep Sharma ji of Delhi, who has been very kind to share this song with me. I came in touch with Pradeep ji, just about one week ago. And in our very first meeting, he shared with me that he is a Mukesh fan, and has most of the songs by this singer. I immediately asked him whether he had this song. He confirmed it spontaneously. Mind you, all this exchange is happening as we meet for the first time, have just said hello, and the only next sentence he had said that he is a Mukesh fan. All other detailed introductions and discussion on collections and singers and songs, happened later. The request for the song, the confirmation and the promise to send it, happened first. And the next day, the song was sitting in my mailbox.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Voice of Mukesh #2
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Listening to the first song of Mukesh, ‘Dil Hi Bujhaa Huaa Ho To Fasl e Bahaar Kyaa’ from the film ‘Nirdosh’ (1941), one is suitably impressed by this maiden effort from a singer, whom we now know as a stalwart of the Hindi film music. But back then in 1941, this debut happened singularly unacknowledged, failing to impress the public, the music directors and film producers. With Saigal Saab’s voice reigning supreme at that time, most people wrote off this voice as another Saigal imitator, trying to make it good with a voice sounding like the great icon. And what with the icon still in full bloom and alive, this song by Mukesh failed to evoke any great level of interest. And so started the career of Mukesh, unimpressive and indifferent.
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