Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had mentioned in one of my earlier write-ups that all the songs from the film ANMOL RATAN (1950) were very rare to get in the 70s even with the individual collectors. Though the film failed miserably at the box office, all the songs from this film were the forgotten ‘ratans’ (gems). We are fortunate that majority of the songs from this film are now available on the internet as audio clips. There are 11 songs in the film of which 5 songs have been discussed in this blog.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently our Mr. Sadanand Kamath has posted on this Blog two superb numbers by Jaganmoy Mitra, better known as Jagmohan Sursagar, together with rich information (and links) on this veritable ocean of melody. They are: O varsha ke pehle baadal from Meghdoot (1945), and a non-filmy song Mat kar saaj-singaar sundari.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Jagmohan Sursagar was known mostly for his non-filmy songs whether in Bengali or Hindi. After the success of his songs in ‘Meghdoot’ (1945), he collaborated with Faiyyaz Hashmi and Kamal Das Gupta for recording many non-filmy Hindi songs which became very popular. Faiyyaz Hashmi was a full time employee of EMI (HMV) at Calcutta. After bifurcation of British India, Faiyyaz Hashmi was transferred to Dhaka in 1947 and to Lahore a year thereafter to strengthen the office which was affected by the migration of many of its artists to India. With this, the collaboration of these trios virtually came to an end. Thereafter, Jagmohan Sursagar recorded some more Hindi non-film songs with different lyricists such as B C Madhur, Madhuraj, Rajinder Krishan etc. But most of these songs are silent on the name of the composer. It is believed that during this period, Jagmohan himself may have composed the music for most of his non-filmy songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In a book ‘Vedanta Treatise’ I have with me, four types of yogas have been prescribed for attainment of salvation. They are Bhakti (devotion), Gyaana (knowledge), Karma (activity) and Hata (compulsion). It is generally believed that devotion is the mother of all other yogas. Without devotion, all other yogas would be incomplete for attaining the objective. In this context, I recall an introduction by late C Rajagopalichari on a LP of M S Subbulaxmi’s immortal ‘Bhaj Govindam-Vishnu Shashtranamavali and I quote a part of it from the CD I have with me:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I listened to a song ‘is dil se teri yaad bhulaayi nahi jaati’ on YT sung by Mohammed Rafi. The song sounded familiar to me. My first impression was that this song was from an old film. But the uploader of the audio clip mentioned that it was a NFS composed by Hansraj Bahl. I never knew that Mohammed Rafi had sung any NFS under the baton of Hansraj Bahl. One of the regulars on YT whom I consider to be fairly reliable has mentioned that this song was written by Rajinder Krishan as he had heard his name being mentioned by the announcer on Radio Ceylon while playing this song. Since the composition as well as rendition of this song gave me an impression of a filmy song, I searched for other audio clips of the same song and got my hand on an audio clip where the uploader had claimed that the song was from the film ‘Kaneez’ (1949). The film had two music director – Ghulam Haider and Hansraj Bahl and the song was accredited by the uploader to Ghulam Haider-Hansraj Bahl.
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