Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is a tradition or convention in most of the schools that just before the start of the classes in the morning, students collectively sing a prayer. During my early school days – probably in 1952 or 1953, I remember, we used to sing a prayer ‘pitu maatu sahaayak swami sakhaa tum hi ek naath hamaare ho’. In the absence of public address system, the prayer used to be sung by 4-5 students from our class who had aptitude in singing and others in the class would sing with them in tandem.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my ‘crazy’ days of collecting 78 RPM gramophone records of rare gems of old Hindi films songs, I realised that there were many old Hindi films of early 50s whose gramophone records in 78 RPM format were not available at all. Some of the songs of such films were “sajaan ki ot leke” (Zevaraat, 1949), “yaad aane waale kyon yaad aa rahe hain” (Anmol Ratan, 1950), “preetam meri duniyaa mein do din to rahe hote” (Adaa, 1951), “baandh preeti phool dor” (Malti Madhav, 1951), “main saagar ki mast lahar” (Dhuaan, 1953), “bhool jaa sapne suhaane bhool jaa” (Rajdhani, 1956) etc. I had spent long hours in some of the prominent record shops in Mumbai for buying gramophone records of these and other rare songs but did not succeed at all. Those days, EPs/LPs records had made their presence in the records shops and these were displayed on the front side of the shops while 78 RPM records were relegated to the far end of the shops. In some shops, 78 RPM records were stored in ante-rooms full of dust.
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This article is writtten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The ghazal ‘ae mohabbat tere anjaam pe ronaa aayaa’ and Begum Akhtar are inseparable. If ‘deewaana banaana hai to deewaana banaa de’ (1925) heralded the arrival of Begum Akhtar as a ghazal singer, ‘ae mohabbat tere anjaam pe ronaa aayaa’ (early 1950s) consolidated her position in ghazal singing paving the way for her to be bestowed upon the title of ‘mallika-e-ghazal’ later. I came to know about Begum Akhtar in my younger days only because of this ghazal which was regularly played on the radio. The simple words in this ghazal with the captivating style of Begum Akhtar’s rendition attracted not only the connoisseurs of ghazals but also the commoners. No wonder, the sales of gramophone records of this ghazal attained the stature of a platinum disc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are singing voices. Then there are voices that sing. And then there is SD Burman – affectionately Sachin Da, or just plain Dada, to most people in the industry, a voice that stands apart from everyone else.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Reverberating through the caverns of mind, comes this deep and soothing baritone voice of CH Atma. This song is another priceless and incomparable gem that he has renderded as a non-film offering.
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This article is wtitten by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Curiosity is a natural emotion every man has. One is always curious to know about his friends, environment, neighbours, even enemies. This curiosity becomes an urge when the subject of curiosity is a celebrity. Celebrities always show only one side of their life, usually the positive one. People are anxious to know more about them, their private lives etc. That is why autobiographies of celebrities are lapped up by the public.
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“Sargam” (1950) was a Filmistan Production movie. It was directed by P L Santoshi, The movie had Raj Kapoor, Rehana, Om Prakash, Mumtaz Ali, Paro, Ratan Kumar, Chandabai, Rajendra, David Abraham, Tabassum, Radha Krishnan, Samson, Vijayalaxmi, Ramsingh, S. L. Puri, Sudesh etc in it.
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