Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6424 | Post No. : | 19939 |
Remembering Nalini Jayawant (18/02/1926 – 20/12/2010) on the occasion of her 100th birth anniversary today, February 18, 2026. She was one of the top actress of the golden period of 1950s of Hindi films. Unfortunately, like Suraiya, Nalini Jaywant also took early retirement from films when her films of the 1960s failed one after another. Once voted as a most photogenic face of Hindi films, she spent her post-retirement life as a recluse to such an extent that her death on December 20, 2010, got noticed only after a couple of days.
Nalini Jaywant had two distinct phases of her filmy career. The first phase began with her debut film ‘Radhika’ (1941) produced by Chimanbhai Desai and directed by his son, Virendra Desai. In this film, she sang for herself. Her second film to release was Mehboob Khan’s ‘Bahen’ (1941) where she was paired with Sheikh Mukhtar in the role of his younger sister. This was followed by ‘Nirdosh’ (1941) with Mukesh, ‘Aankh Michauli’ (1942) with Satish Batra and ‘Aadab Arz’ (1943) with Karan Diwan. These films did not work out good in the box office front but Nalini Jaywant established herself in the Hindi film industry as an accomplished actress.
Sometime in 1945, Nalini Jaywant married Virendra Desai who was already married with children. This was not liked by his father, Chimanbhai Desai who expelled Virendra Desai from the house and removed him from his film production company, Amar Films. Later, Nalini Jaywant and Virendra Desai signed a 2-year contract with Filmistan, as an actress and as a director, respectively. However, both of them did not get any assignment during the period of contract. This gap was long enough for the film industry to forget their existence. Once the contract with Filmistan came to an end, Nalini Jaywant and Virendra Desai jointly produced ‘Gunjan’ (1948) which failed at the box. Soon Nalini Jaywant divorced Virendra Desai in 1948.
The second phase of Nalini Jaywant’s filmy career started with ‘Anokha Pyaar’ (1948) with Dilip Kumar and Nargis. This film gave her new lease of life in her filmy career. Film critics praised her in the role of a flower girl. ‘Shikast’ (1953) was a milestone in her career in which she paired with Dilip Kumar. She got a rare praise from Dilip Kumar for her brilliant performance in the film.
The real take off in her filmi career came from ‘Samaadhi’ (1950) in which she paired with Ashok Kumar for the first time. This was followed by another big success for her in ‘Sangraam’ (1950), once again pairing with Ashok Kumar. The success of Ashok Kumar-Nalini Jaywant combination resulted in both working together in as many as 11 films during 1950-58.
The box office success of ‘Naastik’ (1954) in which she was paired with Ajit resulted her working with Ajit in 11 films. Her pairing with Dev Anand in ‘Munimji’ (1955) and with Shammi Kapoor in ‘Ham Sab Chor Hain’ (1956) resulted in box office success of these films. For her performance in ‘Kala Paani’ (1958) with Dev Anand, she got the Filmfare Best Supporting Actress award. But after this film, Nalini Jaywant did not have films much to talk about. From the beginning of the 1960s, film offers started declining. Many new leading actresses like Asha Parekh, Sadhana and Saira Bano had joined the film industry.
The box office failure of ‘Amar Rahe Ye Pyaar’ (1961) jointly produced by Radhakrishan and Prabhu Dayal and directed by Prabhu Dayal financially broke both of them. While Radhakrishan committed suicide, Prabhu Dayal who by that time had married Nalini Jaywant, became an alcohol addict. ‘Bombay Racecourse’ (1965) was virtually her last film in a lead role though, Toofan Main Pyaar Kahaan; (1966) was her last released film in the lead role. After the release of these two films, she had almost retired from her filmy career until she accepted character roles in two films, ‘Bandish’ (1980) and ‘Naastik’ (1983).
In a rare interview of Nalini Jaywant published in the Deccan Herald after her death in 2010, she regretted that she could get to show her acting prowess only in films like ‘Anokha Pyaar’ (1948), ‘Sangraam’ (1950), ‘Shikast’ (1953), ‘Raahi’ (1953) and ‘Kaala Paani’ (1958). She said that she was not interested in making a comeback in films when the offer came for a character role in ‘Naastik’ (1983). But she had to accept it after many requests from Pran and Promod Chakravarty.
Nalini Jayawant died of a heart attack but was found dead after 3 days of her death in her bungalow by neighbours, due to the continuing howling by her two pet dogs. She was staying alone after the death of her husband, Prabhu Dayal in 2001 and was leading a life of a recluse with a couple of pet dogs to give her the company. A distant relative of her is said to have taken her body on a municipal ambulance and cremated her.
On the occasion of Nalini Jaywant’s 100th birth anniversary, I have selected a song from ‘Toofaan Mein Pyaar Kahaan’ (1966), her last film in the lead role and also her last film with Ashok Kumar in lead roles. I had already given the film’s detailed story in my article while covering one of its song, le pee zaraa aur pee. The gist of the story is as under:
Shamu (Ashok Kumar) is a truck driver of Mahajan (Tiwari), a smuggler who indulges in business of smuggled good across the border with Sikkim. He lives in a den with Mahajan and others when they are not on duty. Although Shamu feels bad about serving Mahajan for his smuggling activities, he has to do this for taking care of Rami (Achala Sachdev), a Tibetan and her daughter as promised by him at the time of the death of her husband.
In a different village, Shanta (Nalini Jaywant) is being readied to depart for her marriage with Raimohan (Tarun Bose) against her wish. She runs away from the house. Shamu gives her shelter in his den in an adjoining room with a condition that she should find a different place to stay as his den is full of bad people. Shanta finds Shamu a kind-hearted person. Next day, Mahajan visits the den, Shanta introduces herself as the wife of Shamu for her own safety. Pulma (Jayshree Gadkar), who runs a tea shop and is in love with Shamu, does not believe that Shanta is Shamu’s wife. By now Shamu has fallen in love with Shanta and has decided to propose her for the marriage. One day, Shamu visits her room to propose her for the marriage. He sees a letter written by Raimohan to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for hand in marriage. Next morning, before Shanta could explain to Shamu about Raimohan, she finds that Shamu has left the place with Pulma.
Raimohan with the help of Mahajan conspire to kidnap Shanta to sell her across the border at a high price. Shanta now takes shelter in Rami’s house from where she is kidnapped by Raimohan and Mahajan. When Shamu comes to know about Shanta’s kidnapping, he takes out his truck with Pulma and follows the jeep in which Shanta is being taken. While driving on a jig jag hill road, the jeep roles down from road to valley killing Shanta, Raimohan and Mahajan. While consoling Shamu, Pulma reiterates her love for him.
The film had eight songs written by Prem Dhawan which were set to music by Chitragupt. Three songs have been covered on the Blog. On the occasion of the 100th birth anniversary of Nalini Jaywant, I am presenting a song, ‘jaane kaisa hai ye pyaar’ rendered by Lata Mangeshkar and picturised on Nalini Jaywant.
The context of the song is that after Shamu (Ashok Kumar) gives shelter to a runaway girl Shanta (Nalini Jaywant) in his den, she has started liking him for his kind heartedness which soon turns into her love for him. But she is not sure whether he loves her. In this song, Shanta expresses her feelings toward Shamu and doubts whenter Shamu knows about her feelings toward him. Later, she comes to know about his reciprocal feelings toward her through Pulma (Jayshree Gadkar). With this, Shanta expects that Shamu would propose her in his next meeting. Shamu does come to her room with the intention of proposing her. However, in her room, Shamu gets a letter to read which is a letter written by Raimohan (Tarun Boase) to Shanta about their impending marriage. He assumes that Shanta is in love with Raimohan, and he has no right to ask for her hand in marriage. Before she could explain the reality, Shamu has left his place of dwelling.
Video Clip:
Audio Clip:
Song-Jaane kaisa hai ye pyaar (Toofaan Mein Pyaar Kahaan)(1966) Singer-Lata, Lyricist-Prem Dhawan, MD-Chitragupta
Lyrics:
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane na
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane na
gaaoon jiske main geet haaye
wahee meree preet dekho jaane na
naye naye rang meree ankhiyon mein chhaaye
kaisee kaisee tasveeren sapnon mein aaye
naye naye rang meree ankhiyon mein chhaaye
kaisee kaisee tasveeren sapnon mein aaye
kisee kee sadaayen mujhe door se bulaayen
chalee jaaoon main naadaan
aaye
kahaan se ye taan koyee jaane naa
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane naa
pehle to samjhee main dekha koi sapnaa
hone lagaa dheere dheere phir koi apnaa
pehle to samjhee main dekha koi sapnaa
hone laga dheere dheere phir koi apnaa
bada meethha laage ab to raaton ko tadapnaa
maara jisne ye teer
haaye
wahee meree peer pahchaane na
jaane kaisa hai ye pyaar
aayee kaisee ye bahaar
jiya maane naa
gaaoon jiske main geet
haaye
wahee meree preet dekho jaane naa
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Blog Day : |
6423 | Post No. : | 19937 |
“Jaadu Mahal”(1962) was produced and directed by Akku for Akku Films, Bombay. Azad and Helen are the lead pair. Others in the cast are Hiralal, Krishna Kumari, Ram Kumar, Sheikh, Hira Sawant, Tun Tun, Akram, Parshuram, Habib, Jilaani, Zippy, Laali, Ajit, Rekha, Dilip, Bholanath, Trilok Nath, Baadshah, Daatu etc.
There were six songs in the movie. Two songs have been covered in the blog
Here is the third song from “Jaadu Mahal”(1962) to appear in the blog. This song is sung by Suman Kalyanpur with male and female and chorus. Shewan Rizvi is the lyricist. Music is composed by Bulo C Rani.
Only audio of the song is available. It appears to be a dance song. I request our knowledgeable readers to throw light on the movie as well as on the picturisation of the song.
Song-Ghazab kee chaal hai anokhee baat hai(Jaadu Mahal)(1962) Singer-Suman Kalyanpur, Lyricist-Shewan Rizvi, MD-Bulo C Rani
Male chorus
Female chorus
Lyrics
Ghazab kee chaal hai
anokhee baat hai
dham dham dham dham
dham dham dhol baje
hey dham dham dhol baje
hoye
naacho re naacho re naacho naacho naacho
naacho naacho naacho re
naacho re naacho re naacho naacho naacho
naacho naacho naacho re
Ghazab kee chaal hai
anokhee baat hai
Ghazab kee chaal hai
anokhee baat hai
Ghazab kee chaal hai
anokhee baat hai
Ghazab kee chaal hai
anokhee baat hai
o o o o re
o o o re
pee ke daras kee hoon main pyaasee
pee ke mukh pe chhaayee udaasee
kitnee buree hai pyaar kee kismat
dard e judaai
dard e muhabbat
kitnee buree hai pyaar kee kismat
dard e judaai
dard e muhabbat
naacho re naacho re naacho naacho naacho
naacho naacho naacho re
naacho re naacho re naacho naacho naacho
naacho naacho naacho re
Ghazab kee chaal hai
anokhee baat hai
Ghazab kee chaal hai
anokhee baat hai
Ghazab kee chaal hai
anokhee baat hai
Ghazab kee chaal hai
anokhee baat hai
o o o re
o o o re
jhuk ke tamaashaa dekhne waale
dukh ke bhanwar se kaun nikaale
dhartee aur aakaash ke maalik
doob rahee hai naav bachaa le
dhartee aur aakaash ke maalik
doob rahee hai naav bachaa le
naacho re naacho re naacho naacho naacho
naacho naacho naacho re
naacho re naacho re naacho naacho naacho
naacho naacho naacho re
Ghazab kee chaal hai
anokhee baat hai
dhartee aur aakaash ke maalik
doob rahee hai naav bachaa le
dhartee aur aakaash ke maalik
doob rahee hai naav bachaa le
dhartee aur aakaash ke maalik
doob rahee hai naav bachaa le
doob rahee hai naav bachaa le
Kya kahoon aaj kya baat hai
Posted on: February 14, 2026
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Blog Day : |
6420 | Post No. : | 19927 |
“Dillagi”(1966) was produced by Tony Walker and directed by S Banneerjee for Golden Films, Bombay. The movie had Mala Sinha, Sanjay ,Nazima, Vijay Kumar and Johny walker in lead roles. Others in the cast were Jagirdar, Amar, Keshav Rana, Khurshid, Hammad,Tun tun, Moolchand, Parvin Paul, Tony Walker and Bela Bose. They were supported by Zeb Sultana, Shabana, Roop Kumari, Ravikant, Ratan Gaurang, Tulsi, Aziz, Maqsood, Manjeet, Abdul Jabbar, Suresh, N Misra, Samarlal Damani, Ajay Kumar, Abdul Kader, Sherfu and Baxi.
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Jise ye duniya thhukraaye
Posted on: February 8, 2026
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6414 | Post No. : | 19906 |
“Darpan”(1970) was produced and directed by A Subba Rao for Babu Movies combines (P) Limited. The movie had Sunil Dutt, Waheeda Rehman, Rehmaan, Sulochana Latkar, Jagdeep, Ramesh Deo, Lalita Pawaar, Sonia Sahni, Mukhri, Achala Sachdev, Baby Guddi, Shammi etc in it.
“Darpan”(1970) had seven songs in it. Five songs have been covered in the past.
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Holee aayee re holee aayee
Posted on: February 6, 2026
- In: "Holi" festival song | Asha Bhonsle songs | Century post by Guest poster | Century songs for the blog | Dance song | Duet | Festival song | Guest poster century song | Guest posts | Holi song | Mukesh songs | Mukesh-Asha Bhonsle duet | Post by Mahesh Mamadapur | Songs of 1960s (1961 to 1970) | Songs of 1970 | Yearwise breakup of songs
- 18 Comments
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is his 100th post on Mukesh as a playback singer.
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Blog Day : |
6412 | Post No. : | 19899 |
Mukesh and his Co-Singers –16
I begin this very special post with a video of Asha Bhosale ji on her own youtube channel.
A short video wherein she speaks about her first 3 songs in Hindi Films.
I tried to trace the chronological accuracy of the songs enlisted in the video. What I found was that the films mentioned seem to be correct, but she has sung two songs in her second film and so her duet in Lekh (1949) could be her fourth and she mentions it as her third.
Sometime later, I will try to trace the exact chronology, but what matters for this post is her first duet in Hindi Films.
A duet with none other than Mukesh.
I request readers to watch the interesting video as Asha ji talks of her initial days in the industry.
I wish the video was fully on Mukesh, but then she digresses on some other topic.
Anyway, her first interaction with Mukesh is quite interesting and only reaffirms and confirms the godly title given to Mukesh, “a noble soul”.
As is evident from the video, Mukesh right from his initial days had no qualms on worldly pleasures and led a simple, honest and righteous life. No wonder the voice emanating from such a noble soul continues to enthral music lovers all over the world to this day.
Coming to this post, I call it special as it is my 100th Mukesh post on the blog.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6410 | Post No. : | 19888 |
#the Decade of Sixties – 1961 – 1970 #
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This song is from an un-released movie ‘Phir Bahaar Aayee’ from the year 1968 as mentioned by sources on internet. Very little information is available about this movie in Geet Kosh though seven songs for this movieare listed there. Movie was produced under the banner of Fazli brothers.The director’s name is not known.
The cast of this movie is not known. However it is known that Kamal Rajasthani was the music director. Out of the seven songs, lyricist’s name for individual two songs is mentioned as Naqsh Lyallpuri and Dr Momin Mohiuddin. Lyricist for the remaining five songs is not known. The singers for this movie are Mohd Rafi, Krishna Kalle, Suman Kalyanpur, and Usha Balsawar. I had earlier shared a song in the voice of Mohd Rafi.
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Samjho zara kehtee hai kya
Posted on: February 3, 2026
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6409 | Post No. : | 19885 |
Hullo Atuldom
Shatranj (meaning Chess) is a 1969 released, spy thriller film co-produced and directed by S. S. Vasan (in his final directorial venture.) N.N. Sippy was the co-producer. It starred Rajendra Kumar and Waheeda Rehman in the lead, with Mehmood, Madan Puri, Shashikala, Helen, Achala Sachdev, Manmohan Krishna and Agha in pivotal roles.
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Koyee na jaane bin tere Raam
Posted on: February 3, 2026
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Blog Day : |
6409 | Post No. : | 19882 |
“Maa Aur Mamta”(1970) was Produced by M.M.Malhotra and Baldev Pushkarna and directed by Asit Sen for Suchitra Kala Mandir, Bombay. The movie had Ashok Kumar, Nutan, Jeetendra, Mumtaz, Rehman, Sujit Kumar, Shabnam, Roopesh Kumar, Nirupa Roy, Birbal, Shivraj, Leela Misra, Brahm Bhardwaj, Keshto Mukerji, Karan Diwan, Paro, Bilquis, Dilip Dutt, Machhar, Madhu Apte, Jayant etc in it.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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