Posts Tagged ‘Aruna Irani’
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5616 | Post No. : | 18095 | Movie Count : |
4857 |
2 December 2023 was the 9th Remembrance Day of Deven Verma (23/10/1937 – 02/12/2014) who had taken comical performances in Hindi films on a different level. Gulzar had said about Deven Verma that he was not a comedian but an actor. I think, he must have made this statement with his experience of working with him in ‘Angoor’ (1982). His performance was devoid of buffoonery but was loaded with gentle humour, wit, and pun. His wife, Roopa Ganguly had said that her husband was a witty person in his real life.
I first came to know about Deven Verma in the film ‘Devar’ (1966) which I had watched in a theatre upon its release. His role in the film had a shade of a villain because he had married Sharmila Tagore in deceit who was a sweat heart of his cousin, Dharmendra. In the same year, I had also watched ‘Anupama’ (1966) in which Dharmendra, Deven Verma and Sharmila Tagore again acted together. But in this film, Deven Verma has a positive role. He does not go ahead with his planned marriage with Sharmila Tagore. It is his friend, Dharmendra who marries her. In the 1970s and 1980s, Deven Verma had majorly transformed himself in the humourous roles.
Deven Verma (Real name: Devendu Verma) was born in Kutchh to a Rajasthani father and Gujarati mother. He had two elder sisters and two younger sisters. His father, Baldev Singh Verma had a business in silver. Later, he also became a film distributor in partnership with his friend. The family shifted to Pune because his elder sister got admission for MBBS in Pune. Deven Verma, after completion of his school in Panchgani, joined Wadia College in Pune from where he completed B.A. in Political Science and Sociology in 1957.
During his college days in Pune, Deven Verma participated in plays and youth festivals. He was also a part of the Pune delegation representing the city at Youth Festivals in Delhi. His father wanted him to become a lawyer whereas he was more interested in becoming an actor. In keeping with the wishes of his father, Deven Verma, after graduation, joined Government Law College in Mumbai. During this period, he got involved in stage shows with Johny Whiskey, doing mimicry of film artists. The stage shows made him to leave his law study halfway. It was his one-act play at a function of the North India Punjabi Association when producer-director, B R Chopra who was in the audience, picked him for the film, ‘Dharmaputra’ (1961) at a monthly salary of Rs.600/-. The film failed at the box office.
Deven Verma continued with his stage shows in India and abroad. On return from stage shows abroad, A V Meiyappan of AVM Studios hired him on a contract for Rs.1500/- per month, for three years. He had to shift to Madras (Chennai) where he underwent training in acting. In the meanwhile, B R Chopra’s ‘Gumraah’ (1963) got released in which he had a role of a servant of Ashok Kumar. The film was a box office success. A V Meiyappan asked him to choose between Chennai and Mumbai and he decided to shift to Mumbai after a year.
On returning to Mumbai, Deven Verma did ‘Qawwali Ki Raat’ (1964). Next, he did ‘Devar’ (1966), ‘Anupama’ (1966) and a Bhojpuri film, ‘Nahihar Chhutal Jaaye’ (1964) in which he was in the lead role with Kumkum. But none of the films resulted in pushing his acting career. Unable to make much headway in his acting career, Deven Verma turned producer with ‘Yakeen’ (1969), directed by Brij Sadanah. The film was a box office success. Next, he produced and directed ‘Naadan’ (1971) and ‘Bada Kabootar’ (1973).
Deven Verma’s acting career took off with ‘Chori Mera Kaam’ (1975) for which he got his first Filmfare Award for the Best Comedian. With this, he was flooded with many acting assignments. During 1976-78, his 28 films and during 1979-82, his 30 films were released. His notable performances in humourous roles were in the films of Hrishikesh Mukherjee ( ‘Golmaal’ 1979, ‘Rang Birangee’, 1983), Gulzar (‘Angoor’, 1982) and Basu Chatterjee (‘Khatta Meetha’, 1978, ‘Priyatama’ 1978, ‘Dillagi’ 1978). In ‘Angoor’ (1982), he gave a memorable performance in which he and Sanjeev Kumar played double roles. Deven Verma won the Filmfare Award for the Best Comedian in this film.
Deven Verma worked with Ashok Kumar in maximum number of his films. He was also a regular visitor to his home during which he and Roopa Ganguly, Ashok Kumar’s younger daughter, fell in love. They wanted to get married. But Ashok Kumar delayed giving his consent for the marriage by telling him that she was too young, and he would decide later. Finally, it was Kishore Kumar who intervened to get them married.
During his 4 decades in Hindi films, Deven Verma acted in about 150 films and produced/directed 7 films. His last released film was ‘Calcutta Mail’ (2003). He had also worked in some TV serials in the 1990s.
Deven Verma announced his retirement from the films after the death of his father-in-law, Ashok Kumar in December 2001. After the completion of his remaining acting assignments, he permanently shifted to Kalyani Nagar, Pune where he had bought a bungalow in 1993 with the intention of settling there.
Deven Verma passed away on December 2, 2014, in his house in Pune due to heart attack and kidney failure.
‘Chhuppa Chhuppi’ (1981) was probably the only Hindi film in which Deven Verma got the lead role with Aruna Irani. The film was produced by Ram Films and was directed by Arun Jaitly, the only Hindi film he directed. The other cast of the film included Madan Puri, Shammi, Paintal, Indra Kumar, Satyen Kapoo, Aparna Chaudhary, Helen, Sunder, Seema Deo, Keshto Mukherjee, Tun Tun, Master Bhagwan etc. The film belongs to ‘detective comedy’ genre.
The gist of the film’s story is as under:
Rani (Aruna Irani) is the daughter of a wealthy parents (Madan Puri and Shammi) and stays in Delhi. Due to pressure of marriage from her parents, Rani runs away from her parents and lands in Mumbai. She stays in a hotel. She gets a job as a Secretary to private detective, William Bose (Deven Verma) who was brought up in an orphanage for which he monetarily helps.
Rani’s parents search almost all the places in Delhi where Rani is likely to visit but still there is no trace of her. They do not wish to lodge a missing person’s complaint with the police as this may spoil the marriage plan. They presume that Rani may have gone to Mumbai as she often used to say to her parents for a visit. Rani’s father engages a private Detective, Bose, for investigating Rani’s whereabouts at a fee of Rs.50000/- which Bose needs to give it to the orphanage for surgery on one of the orphan boys. With this, Rani is in the verge of getting exposed.
Rani plays a trick. She intercepts the photo of her sent by her father to Bose and replaces with some other photo from a studio which happens to be that of Rossie (Aparna Chaudhary) who is the sweat heart of a smuggler (Satyen Kapoo). Bose is after Rossie believing her to be Rani to capture her and get Rs.50000/-. Smuggler believes that Bose is trying to expose his smuggling business through Rossie. What follows is the situational comedy in which smuggler trashes Bose while trying to capture Rossie. In his second attempt, Bose is able to capture Rossie and brings her to the police station to be handed over to Rani’s parents.
Rani’s parents reaches police station. However, their happiness is short-lived as the girl in the police custody is not Rani who is actually watching all these events from a safe distance. Rani realises that getting Rs.50000/- from her parents is important to Bose as he is required to pay that sum to the hospital for the surgery of an orphan boy. She promises Bose that by the next day, she would find Rani and hand her over to the parents to get him the money.
The next day, Rani makes a visit to her parents in their hotel room and surrenders herself by telling them that Bose has sent her. Parents are happy and Bose is called at the hotel room to get his fess. But he refuses to accept the money by telling them that he has not done anything, but it is Rani who has come in her own volition. But Rani forces Bose to accept the money and return it when he gets reward of the like amount from the police in helping them to nab the smuggler. At the end, Rani’s parents have not only got back their daughter but also Bose as a bridegroom for her.
The film had 7 songs written by Lokendra (6) and Arun Jaitley (1) which were set to music by Bhuban-Hari (Pandit Bhubaneshwar Mishra-Pandit Hari Prasad Chaurasia). The duo have composed music for many Odiya films.
Pandit Bhubaneshwar Mishra was the doyen of Odiya traditional music. Trained in both Hindustani and Carnatic classical music, he was throughout associated with Guru Kelucharan Mahapatra and Sanjukta Panigrahi, in composing music for their Odissi dances. Just as music director, Sudhir Phadke is well known in composing music for G D Madgulkar’s ‘Geet Ramayan’ in Marathi, Pandit Bhubaneshwar Mishra has done pioneering work in composing music for the Jayadeva’s ‘Geeta Govinda’ in Odiya.
I am presenting the first song from the film, ‘Chhuppa Chhuppi’ (1981), ‘dheere dheere lo kahaan aa gaye hain ye kadam’ to appear on the Blog. The song is written by Lokendra and is rendered by Anuradha Paudwal. The song is picturised on Aruna Irani and Deven Verma as a background song when they realise for the first time that they are in love with each other.
Note: The biography of Deven Verma is mainly based on his interview which was published in http://www.rediff.com on July 23, 2013.
Video Clip:
Audio Clip:
Song-Dheere dheere lo kahaan aa gaye hain ye kadam (Chhupa Chhupi)(1981) Singer-Anuradha Paudwal, Lyrics-Lokendra, MD-Bhuban Hari
Lyrics (based on audio clip):
dheere dheere lo kahaan
aa gaye hain ye kadam
dheere dheere lo kahaan
aa gaye hain ye kadam
kal kahaan thhe
ab kahaan hain
kal kahaan thhe
ab kahaan hain
kal kahaan jaayenge hum
dheere dheere lo kahaan
aa gaye hain ye kadam
dheere dheere lo kahaan..
ghaayal tera tan paagal mera mann
jaage hai dil mein kaahe ye uljhan
ghaayal tera tan paagal mera mann
jaage hain dil mein kaahe ye uljhan
koi to aaye
mohe bataaye
koi to aaye
mohe bataaye
kaisi hai dil mein ye jalan
dheere dheere lo kahaan
aa gaye hain ye kadam
dheere dheere lo kahaan..
maine to… rokaa
jee bhar ke… tokaa
maine to… rokaa
jee bhar ke tokaa
khul hi gaya par dil kaa jharokhaa
khul hi gaya par dil kaa jharokhaa
poochhoon main jee se
chhuppa chhuppi se
poochhoon main jee se
chhuppa chhuppi se
chubh gayi jaisi ye chubhan
dheere dheere lo kahaan
aa gaye hain ye kadam
dheere dheere lo kahaan..
ab na daroongi dil ki karoongi
tu hai bas mera sab ko kahoongi
ab na daroongi dil ki karoongi
tu hai bas mera sab ko kahoongi
main to manaaoon tujhko hi paaun
main to manaaoonn tujhko hi paaun
chaahe jitne hon janam
dheere dheere lo kahaan
aa gaye hain ye kadam
kal kahaan thhe
ab kahaan hain
kal kahaan thhe
ab kahaan hain
kal kahaan jaayenge hum
dheere dheere lo kahaan
aa gaye hain ye kadam
dheere dheere lo kahaan..
Mera phool badan kumhlaaye re
Posted on: November 15, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5598 | Post No. : | 18073 | Movie Count : |
4848 |
In Hindi film industry, there are some well-known cinematographers who have turned directors. Some of them had a successful stint as director while some had to revert to cinematography. A few of the names who graduated from cinematographer to director were Nitin Bose, Bimal Roy, Fali Mistry, Ravi Nagaich, Govind Nihalani, Santosh Sivan etc. Some of them worked simultaneously as a cinematographer and a director in some films.
I guess, it must be a challenging for a cinematographer to be a director and a cinematographer at the same time in a film. While a cinematographer is mainly concern with light, the composition of shots, the camera movements etc, a director is mainly concerned with the performances of the actors facing the camera as detailed in the screenplay written in consultation with him. The scenes conceived by the director have wider perspective through his eyes while the cinematographer sees them performing through his camera lenses. Sometime the coverage area of performances as watched by the director may not fit in the camera frames. Hence it becomes necessaity for a director-cinematographer to have an experienced chief assistant director to assist him.
I find from the online sources that Ravi Nagaich, the Cinematographer and Director has a good number of films in which he was director-cinematographer. And he had a good success ratio in such films in terms of box office results. Most of his films belonged to the genre of spy thriller/action which required some trick photography and the special effects.
I came to know about Ravi Nagaich for the first time when I watched his first Hindi film as a director, ‘Farz’ (1967) in the theatre. I was attracted to this film because it was a spy thriller in the format of James Bond films. I had already watched two James Bond films, ‘Dr. No’ (1962) and ‘From Russia With Love’ (1963). I was curious as to how the film was adapted to the Indian setting. With ‘Jigri Dost’ (1969), ‘Himmat’ (1970), ‘Keemat’ (1973 and ‘Kaala Sona’ (1975), Ravi Nagaich’s name had become synonymous with action/thriller films providing pure entertainment for the audience.
Born in Atruali (Aligarh district), Ravikant Nagaich (05/07/1931 – 06/01/1991) was regarded as a wizard of the special effects cinematography. Unfortunately, he is one of the least discussed film personalities on the internet. I did not find a detailed profile on him except a couple of short articles which did not give any background as to how he landed in the Telugu film industry in early 1960s. The earliest reference to his association with the film was in Wadia Brothers’ ‘Zimbo’ (1958) where his name appeared as an assistant to photography. So, his initial training in cinematography and special effects may be from the Wadia Brothers under their regular, Babubhai Mistry, a wizard in special effects.
Those days, Telugu film producers used to prefer mythological films, mostly with N T Rama Rao as the lead actor. Ravi Nagaich with his experience in trick photography and special effects got an early opportunity to become an independent cinematographer for Telugu film, ‘Seetha Ram Kalyanam’ (1961). After working as cinematographer in about half-a dozen Telugu films, Ravi Nagaich directed his first Hindi film, ‘Farz’ (1967) which was based on a Telugu hit film, ‘Gudachari 116’ (1966) for which he was the cinematographer. The film became a runway hit making Jeetendra in the role of a ‘deshi’ James Bond, a star and Ravi Nagaich, his successful foray in the film direction.
Ravi Nagaich’s subsequent Hindi films such as ‘Jigri Dost’ (1969), ‘Himmat’ (1970), ‘The Train’ (1970), ‘Haseenon Ka Devta’ (1971), ‘Keemat’ (1973), ‘Kaala Sona’ (1975), ‘Surakasha’ (1979), ‘Waardaat’ (1981), ‘Saahas’ (1981), ‘Raksha’ (1981) and ’Shapath’ (1984) followed his trade-mark genre of action-thriller with fast paced narratives. He had also directed a few films in the genre of romantic dramas such as ‘Pyaaar Ki Kahaani’ (1971), ‘Mere Jeevan Saathhi’ (1972) etc. While in the 1970s, most of his films became box office hit, in the 1980s, his preferred genre of films was becoming out of date resulting in a series of flop films for him. ‘Duty’ (1986) with Govinda was his last Hindi film as a director which failed at the box office. Probably Govinda in the role of a tough cop in the film was not what the audience expected to watch him. He directed his last film in Kannada, a 3D children’s film, ‘Super Boy’ (1986).
During his filmy career, Ravi Nagaich directed 25 Hindi films. His films followed the format of mainstream cinema with emphasis on pure entertainment for the audience. Ravi Nagaich had groomed Teja, his assistant in Cinematography while in Mumbai. Unfortunately, Ravi Nagaich passed away on January 6, 1991, depriving him of watching the success of his protégé, who has now become one of the top most producer-director-cinematographer in Telugu film industry.
‘Rani Aur Lalpari’ (1975) was Ravi Nagaich’s only film in the genre of children’s musical fantasy (one can also tag the film as ‘Fairy Tale’) for which he was the director and the cinematographer. The film was produced under the banner of Guru Enterprising Movies, Madras (now Chennai). Baby Rani was in the lead role with Reena Roy in the role of Lalpari. Rest of the cast was star-studded which included Rajendra Kumar, Asha Parekh, Jeetendra, Neetu Singh, Prem Nath, Feroz Khan, Agha, Ramesh Deo, Seema Deo, Aruna Irani, Mahipal, Padma Khanna, Jagdeep, Janakidas, Lalita Kumari, Narendra Nath, Preeti Ganguly, Deny Denzongpa etc. The film’s story and screenplay were written by the well-known Marathi poet, lyricist and writer, G D Madgulkar.
The story of the film is as under:
Rajendra (Rajendra Kumar) and his wife, Kamla (Asha Parekh) live with their daughter Rani (Baby Rani), her maternal uncle, Ramlal (Satyen Kappu) and the aunt (Lalita Kumari). Rajendra leaves for a long business tour leaving Kamla and Rani with her selfish uncle, Ramlal and his cruel wife. After the completion of his business trip, Rajendra is on his way back home when the family gets the news that he has died in a plane accident. Shortly thereafter, Rani’s mother, Kamla goes into coma, and she is almost clinically dead. This leaves Rani to face the cruelty of her aunt and the uncle Ramlal.
Pappu (Master Abbas) is Rani’s best friend with whom she shares her problems with him about the aunt who treats her cruely. After listening her, Pappu tells her that her story is the same that of Cinderella. He tells her the story of Cinderella in which Lalpari takes Cinderella to heaven. He suggests Rani to meet Lalpari (Reena Roy) who will take her to heaven to bring her mother to life. From here onwards, Rani is in her imaginary travel to heaven.
Lalpari takes Rani to heaven, and she pleads with Yamaraj (Prem Nath) to make her mother alive so that she can take her back to the earth. Yamaraj says that those who come here cannot go back. He says that other than this, he can give her any boon. She asks Yamaraj to give her a younger brother. He gives her that boon and asks her as to where her younger brother is. She says that he is yet to be born. By asking this boon, Rani has actually tricked Yamaraj to make her mother live. Thus, Rani succeeds in bringing back alive her mother. She also meets her father who is also alive, as he was only injured in the plane accidents.
The film had 8 songs written by Balkavi Bairagi and set to music by Vasant Desai. Two of the songs are very longish in duration. The first one is the song depicting the story of Cinderella which is of nearly 20 minutes duration. It is picturised mainly on Jeetendra, Neetu Singh and Reena Roy. The second longish song depicts the story of Gullivar (Feroz Khan) which is of nearly 8 minutes duration. In this song, there is a lot of trick photography and special effects.
I am presenting the first song from the film which is a different song than the two longish songs discussed above. The song is ‘mera phool badan kumhlaaye re’, rendered by Asha Bhosle. The song is picturised on Aruna Irani in the role of Menaka, the celestial nymph to seduce Chitragupt (Jagdeep) to get information on whereabouts of Rani’s mother and father from his records.
Video Clip:
Song-Mera phool badan kumhlaaye re (Raani aur Laalpari)(1975) Singer-Asha Bhonsle, Lyrics-Balkavi Bairaagi, MD-Vasant Desai
Chorus
Lyrics
hmmhmmhmm
hmmhmmhmm
aa aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
aa aa aa
aa aa aa aa
mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o piya baadal banke barso
o piya baadal banke barso
o mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o o o
o o o o
meri kanak chhadi si kamar
kamar mein bhanwar
bhanwar bhi gehra aa aa aa
mera sone jaisa rang
rang mein racha basa har ang
ang pe kaamdev ka pehra aa aa aa
bin maali baag sukhaaye ae ae ae
o mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o o o
o o o o
main chandan van ki gandh
gandh mein palken karli band
adhar par rasbheeje angaare
anoothi aag kare manoharee
kahaan hai ras ki madhur phuhaar
baras ja ek nahin sau baar
ye tapan sahi na jaaye ae ae ae
o mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
o piya baadal banke barso
o piya baadal banke barso
mera phool badan kumhlaaye re
mera phool badan kumhlaaye re
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5315 | Post No. : | 17432 |
———————————————–—————————————
Blog 10-Year Challenge (2013-2023) – Song No. 22
————————————————————————————–
On this date ten years back viz on 6 February 2013, seven songs from sevendifferent movies were covered in the blog. Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 7453 | Ho morey baalma kaahe maari kataar | Shair (1949) | Shamshad Begam- Rafi duet. Movie YIPPEED by now |
| 7454 | Koi dard hamaara kya samjhe | Rangeeli(1952) | Lata Mangeshkar solo. 3 songs covered out of 9 by now |
| 7455 | Ham bhi karte hain pyaar samajh mein aaya | College Girl (1960) | Rafi-Lata duet. Movie YIPPEED by now |
| 7456 | Phoolon taley ham tumse miley | Nadirshah (1968) | Lata Mangeshkar solo. Movie YIPPEED by now |
| 7457 | Tu mera din hai main teri raat | Sanyaasi (1975) | Suman Kalyanpur-Mukesh duet. 7 songs covered out of 9 by now |
| 7458 | Band lifaafe mein jaise | Chalta Purza (1977) | Lata-Kishore Kumar duet. Movie YIPPEED by now |
| 7459 | Teriya teriya | Chaalis Baba Ek Chor(1954) | Lata-C Ramchandra duet. 8 songs covered out of 12 by now |
We observe that four movies (out of seven) whose songs were covered in the blog on this date ten years ago (on 6 February 2013) have since been YIPPEED. We also observe that as many as five songs had the voice of Lata Mangeshkar in them.
Five Lata Mangeshkar songs have been covered in the blog today ten years later as well. Only one of them iscovered under Blog Ten Year Challenge.
“Sanyasi”(1975) is another movie which qualifies for BTYC challenge today.
“Sanyasi”(1975) was produced and directed by Sohanlal Kanwar for Filmnagar, Bombay. The movie had Manoj Kumar, PremNath, Prem Chopra, Hema Malini, Brahma Bhardwaj, Aruna Irani, Sulochana Latkar, Pran, Kamini Kaushal, Indrani Mukherjee, Chandrashekhar, Shailesh Kumar, Raj Mehra, Helen, Aparna Chowdhary, Jayashree T, Hari Shivdasani, Brahm Bhardwaj, Murad, V.Gopal, Rajpal, Kuljeet, Kamaldeep, Keshav Rana, Yunus Parvez, C.S.Dubey, Narbada Shankar, Tiger, Shera, Romeo,
G.A.Sheikh, Dinesh Hingoo, Bihari, Darshan Arora, Sabina, Sheila, Madhup Sharma, Krishna Kumar, Kumari Naaz, Nazima, Monty Nath, Surendra Rahi, Gurcharan Pohli etc in it.
“Sanyaasi”(1975) had nine songs in it. Seven songs have already been covered in the blog.
Here is the eighth song from the movie to appear in the blog. The song is sung by Lata Mangeshkar. Hasrat Jaipuri is the lyricist. Music is composed by Shankar Jaikishan.
The song is picturised as a mujra dance song on Aruna Irani, with Premnath playing her accomplice who also gets to utter a few lines. Raj Mehra and Prem Chopra are also seen in the picturisation.
Lyrics of the song were sent to me by Prakashchandra.
Audio link:
Video link (Longer)
Song-Shaam e furqat ka dhhal gaya saaya re (Sanyaasi)(1975) Singer-Lata Mangeshkar, Lyrics-Hasrat Jaipuri, MD-Shankar Jaikishan
Premnath
Lyrics(Provided by Prakashchandra)
sitaare doobney ae lagey
haayye
siskiyaan lekar
charaag bujhney lage
haayye
hichkiyaan lekar
haaa aa aaa…aaaa
koyal khadak ke mast kare
jab aalaap se
dil ke walwaley dab jaayenge
table ki thaap
shaam-e-phurqat
shaam-e-phurqat
ka dhal gayaa saayaa rey
shaam-e-phurqat
ka dhal gayaa saayaa rey
aanewaalaa sajan nahin aayaa re
shaam-e-phurqat
ka dhal gayaa saayaa rey
aanewaalaa sajan nahin
aayaa re ae ae
shaam-e-phurqat
ka dhal gayaa saayaa rey ae
meri adaa
sabse judaa
log huye mujhpe fidaa aa
aaa aaa
aaa aaa aaa
door na baithho
dekhney waalon
paas toh aao
dil se lagaa lo
aaj hai maukaa aaa
armaan nikaalo
raadhey ae shaam
apnaa aashiq
apnaa ashiq tum hee ko banaayaa rey
apne aashiq tum hi ko banaayaa rey
aanewaalaa sajan nahin aayaa rey
shaam-e-phurqat ka dhal gayaa saayaa rey
naam mera aaa aaa aaaa
chaaron taraf
shor meraa aaa aaa
chaaron taraf
jiss ne bhi dekhaa meraa nazaaraa
har koyee bola
maaraa rey maaraa
jaan se pyaaraa
meraa ishaaraa
raadhe shyaam
apni chutkee pe
apni chutkee pe
sabko nachaayaa rey
apni chutkee pe
sabko nachaayaa rey
aanewaalaa sajan nahin aayaa rey
shaam-e-phurqat ka dhal gayaa saayaa rey
baat koyee
chhup naa sakee
jiss ne kahee
mujhse kahee eee eee eee eee eee
sab ke dilon kaa raaz bhi le loon
aur dilon se
jhoom ke kheloon
inn noton ke ae haar bhi pehnoon
raadhe shyaam
bann gayaa kaam
meri paayal
meri paayal ne toofaan uthhaayaa rey
meri paayal ne toofaan uthhaayaa rey
shaam-e-phurqat ka dhal gayaa saayaa re ae
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5280 | Post No. : | 17301 | Movie Count : |
4656 |
Hullo Atuldom
Wishing the followers of the blog A Very Happy 2023. Hope the year brings joy & contentment to one & all.
Presenting a fun song to start the year. It is from the 14/11/1986 released “Insaaf Ki Awaaz”. It was directed by B. Gopal, who was essentially a director of Telugu films who had also directed two Hindi Films, the other being “Kanoon Apna Apna” (1989).
“Insaaf Ki Awaaz” (IKA) was produced by D. Rama Naidu, who had produced close to 130 films in 13 Indian languages before he passed away in 2015. His other Hindi films were ‘Prem Nagar’ (1974), ‘Dildaar’ (1977), ‘Anari’ (1993- the Hindi debut of his younger son Venkatesh), ‘Hum Aapke Dil Mein Rehte Hain’ (1999), ‘Aaghaaz’ (2000), ‘Kuch Tum Kaho Kuch Hum Kahein’ (2002)- all of which were remakes of his successful Telugu films.
‘IKA’ starred Rekha as the avenging angel (a cop too), with Raj Babbar as her husband and Anil Kapoor as her brother. Richa Sharma, Nilu Phule, Sushma Seth, Anupam Kher, Shafi Inamdaar, Gulshan Grover, Roopesh Kumar, Tej Sapru, Jagdeep, Parikshit Sahni, etc formed the rest of the cast. Of course, ‘IAK’ was a made in South film, so it needed Kadar Khan, Asrani and Aruna Irani. Aruna Irani & Asrani formed part of the love triangle with Jagdeep being the 3rd angle. Kadar Khan was the head of the villains brigade with Anupam Kher, Gulshan Grover, Roopesh Kumar and Tej Sapru were the rest of the brigade.
Just by telling that Rekha played an avenging cop we should understand what the story of the movie was. I had not seen it at the time of the theatrical release but got to see it last week, when some channels were screening Anil Kapoor films. I have read somewhere that Anil Kapoor was mighty pleased when Rekha was roped in for the role which Smita Patil was going to play originally; he was a huge fan of Rekha.
‘IAK’ had music by Bappi Lahiri and songs written by Indeevar. Today’s song is a parody where we have Aruna Irani torn between her husband Jagdeep and paramour Asrani. They mouth a parody of songs that were famous in the 80s, all Bappi Lahiri creations. The songs have been rewritten to suit the situation and recorded in S Janaki- Kishore Kumar voices.
Wishing Govardhan Asrani- popular simply as Asrani- on turning 83. He has acted in close to 350 films, mostly as a comedian. He has also produced and directed a few films. He was first seen as Biswajeet’s friend in “Hare Kaanch Ki Choodiyan” (1967), and then followed ‘Satyakam’, ‘Mere Apne’, and and and numerous other movies where he had some memorable role. ‘Sholay’ gave him a new identity and he was made to enact a caricature of the ‘angrezon ke zamaane ka jailor’ in many movie that followed.
Happy Birthday to this versatile actor who was last seen in ‘Bunty Aur Babli’ (2021 which was a sequel of the 2005 hit).
Song-Raadha pyaar de pyaar de pyaar de re (Insaaf Ki aawaaz)(1986) Singers-Kishore Kumar, S Janaki, Lyrics-Indeewar, MD-Bappi Lahiri
Both
Lyrics
o o
o o
o o o
aa aa aa aa aa
aa aa aa
raadha
o
raadha
o
prem gaadhaa
haaye
Raadha pyaar de pyaar de pyaar de re
raadha pyaar de
peechhe swaaami tera chaahe mujhko maar de re
raadha pyaar de
flute ki tu raani hai aur flute ka main raaja
milke hum tum donon bajaayen
pyaar ka baaja aaja raadha pyaar de ae
ye flute mein jo maza hai
ajeeb ye nasha nasha hai
ye flute ka hai pyaara mandar
rahenge donon band andar
jhoom jhoom jhoom baja
choom choom choom baja
flute flute flute baja
haan
o o o o
band kar
band kar
teri ye baansuri ki bakwaas
baanke o baanke o baanke baanke baanke re
kyun mere ghar mein tu jhaanke
murli bajaake gaana sunaake
kyun meri biwi ko taake
sun sun ke tera gaana bajaana
danda bhi mera kaanpe kaanpe
baanke o baanke o baanke baanke baanke re
kyun mere ghar mein tu jhaanke
flutee flutee flutee teri
baaaje baaje baaje baaje
sunke main to main to main to
raazi raazi raazi raazi
teri murli hai nyaari
haaye haaye
mujhe lagti hai pyaari
oye oye
raat din murli bajaaye ja aa aa
dil ko mere tu churaaye ja aa
yeah
I am a flute master
I am a flute master
koi bhi nadi ho
hamko to jamuna kinaara hai
aahaa
tu jahaan wo aangan vrindawan jaisa pyaara hai
haha
I am a flute master
I am a flute master
jee to chaahe
murli ko tod daaloon main
aahaa
aahaa
teri gardan hi marod daloon main
todoon
marodoon
pyaar tujhe mehnga pad jaayega
jail mein tu pada pada sadd jaayega
murli ko arzi bana doon main abhi
gair ki tu biwi ko na chhedega kabhi
ji to chaahe
haan
nadiya mein paani
paani mein naiyya
naiyya mein premi do
chale hain premi do
ghar hamne chhoda
har rishta toda
ab jo chaahe ho
chale hain premi do
chale hain premi do o
chale hain premi do o
o o o
are kidhar gayi
kidhar gayi re
meri biwi bhaag gayi
bhag gayi re
bhaag gayee
bhaag gayee
meri biwi wiwi
meri biwi bhaag gayee re
he he
o o o
boohoohoohoo
biwi bina chain kahaan re ae ae
biwi meri bhaag gayi re ae ae ae
jab dil hi toot gaya aa
jab ghar hi toot gaya hai
hum reh ke kya karenge
flute bajaake koi ee ee
mera ghar hi loot gaya aa aa aa
loot gaya aa aa
loot gaya aaa
aahaah ah
- In: Asha Bhonsle - Usha Mangeshkar duet | Asha Bhonsle songs | Blog Ten Year Challenge (2012-2022) | Dance song | Duet | Guest posts | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1971 | Synchronised dance | Usha Mangeshkar songs | Yearwise breakup of songs
- Leave a Comment
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5277 | Post No. : | 17289 |
———————————————–—————————————
Blog 10-Year Challenge (2012-2022) – Song No. 138
————————————————————————————–
This month ‘December’ was a special month for the blog ten years back i.e., in 2012.
The blog tally hit a double hundred exactly and clocked 200 posts in ‘December 2022’. This was the ‘sixth’ double hundred for the blog after July-August-September’2011, and August & Sepetember’2012 where the blog scored over two hundred posts in single month.
The overall average per day for this month was well above six songs per day. But when we look for today’s day i.e.,29th December’ ten years back in 2012 the blog saw twelve songs posted in a single day !
Regulars on the blog now-a-days or those associated with the blog in recent years would not believe this 😊 but, that is the fact.
Following is the list of songs posted on 29.12.2012 in ascending order (i.e., the last song of the day appears at the bottom of this list below)
| Song | Movie title(Year) | Remarks |
|---|---|---|
| Chinchpokli chinchpokli | Shabistaan(1951) | All songs covered by now |
| Meethhi meethhi yaad teri dil tadpaa gayee | Great Show of India(1958) | 01 song posted only |
| Aji tum aur ham hon saath saath | Marine Drive(1955 ) | All songs covered |
| Ho ruk jaa ruk jaa ruk jaa laut kea aana hoga | Changez Khan(1957) | All songs covered |
| Kaho meri Sarkar tabeeyat kaisi hai | Trunk Call(1960) | 01 song posted only |
| Hatt jaao deewaane aaye | Singapore(1960) | All songs covered |
| Badhaayee ho badhaayee janam din ki tumko | Mera Munna(1967) | 01 song posted only |
| Tumhaare dil ko ulfat ka nishaana karke chhodenge | Johar Mehmood In Hong Kong(1971) | 4 of 6 songs posted |
| Ham unko dekhte hain | Benazir(1964) | All songs covered by now |
| Ram kare babua hamaar phulwaa ko | Anuraag(1972) | All songs covered by now |
| Kis ki sadaayen mujhko bulaayen | Red Rose(1980 ) | All songs covered by now |
| Shakti de maa | Ashaanti(1982) | 3 of 5 songs posted |
From the above table we can see that out of the twelve movies represented on the blog on 29.12.2012, seven movies have already been ‘Yippeeee’ed on the blog or covered with all their songs on the blog. So today we have five movies viz. ‘Great Show of India-1958’, ‘Trunk Call-1960’, ‘Mera Munna-1967’, ‘Johar Mehmood in Hong Kong-1971’, and ‘Ashanti-1982’.
I am presenting a song from the movie ‘Johar Mehmood in Hon Kong-1971’ today under this ‘blog ten-year challenge’ of today. Lyrics for this song have been sent by Prakash ji.
“Johar Mehmood in Hongkong” (1971) was produced by Madan Chopra and K.Z. Sheth. It was directed by S.A. Akbar and was presented by M.O. Bawazir for Mahesh Ashish.
The movie had I.S. Johar, Mehmood, Sonia Sahni, Aruna Irani, Tiwari, Kamal Kapoor, Tuntun, Manorama, Madhumati, Haroon, and Pran. Agha, Mukri, Jr. Mehmood, Polson, Shaikh, B.B. Bhalla, Raj Kishore, Khairati, Murad appears as Guest Artistes in this movie.
This movie was written by I.S. Johar who also wrote the screenplay and dialogues for this movie. Vithal Bankar was the editor for this movie.
Music for this movie was composed by Kalyanji-Anandji who were assisted by Babla and where Parte was the arranger and Frank Fernand the Conductor.
There were Six songs in this movie penned by Qamar Jalalabadi (four songs) and two songs are jointly credited to Qamar Jalalabadi and Indeevar (as per HFGK).
Asha Bhonsle, Mohd Rafi, Mukesh, Shamshad Begam, Manna Dey and Usha Timothi gave their voices to the songs in this movie.
As per HFGK Lakshmi Shankar, Usha Khanna and Usha Mangeshkar’s voice has been in one song each, however their names are not mentioned in the titles of this movie (available on YT).
So far four songs from this movie have been posted on the blog. Today’s song is the fifth song from this movie to appear on the blog.
Here is the list of songs in this movie :-
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Tumhaare dil ko ulfat ka | Laxmi Shankar, Usha Timothy, chorus | 29.12.2012 |
| 02 | Nathaniyaa haale to badaa mazaa hoye | Shamshad Begam | 23.04.2021 |
| 03 | Jalti hai duniyaa jalti rahe | Mukesh, Usha Khanna, chorus | 30.06.2012 |
| 04 | Ham to tere hai deewaane | Mohd Rafi, Manna Dey | |
| 05 | Laagaa laagaa jhulaniyaa ka dhakka | Asha Bhonsle, Usha Mangeshkar | Being discussed today |
| 06 | Aayo aayo nav-raatri tyohaar | Mohd Rafi, Mukesh, Chorus | 10.10.2018 |
Let us now enjoy today’s song which is performed on screen by Sonia Sahni and Aruna Irani. We can also see Kamal Kapoor, I.S. Johar, Mehmood, Tun Tun, Tiwari, Pran, Ramayan and others in the picturisation of the song.
Let us now enjoy the today’s entertaining song and ‘push’ this movie a step closer to the ‘Yippeeee-land’. 😊
As mentioned above lyrics for today’s song was sent by Prakashchandra.
Song-Laaga laaga jhulaniya ka dhakka balam Kalkatta pahunch gaye (Johar Mehmood in Hongkong)(1971)Singers – Asha Bhonsle, Usha Mangeshkar Lyrics – Qamar Jalalabadi, MD – Kalyanji-Anandji
Both
Lyrics (Provided by Prakashchandra)
laagaa rey lagaa rey laagaa rey laaga laagaa
hho laagaa laagaa..aaa
laagaa lagaaa jhulaniyaa ka dhakkaa
balam Calcutta pahunch gaye
hoye hoye hoye ae
balam Calcutta pahunch gaye ae
ho paataa kaataa
aisaa kaataa nazariyon se pattaa
balam Calcutta pahunch gaye ae
balam Calcutta pahunch gaye ae
armaan reh gaye ae dil mein dil ke
kuchh bhi na paayaa unn`se mil ke
armaan reh gaye ae dil mein dil ke
kuchh bhi na paayaa unn`se mil ke
woh khilaadi thhe anaadi
woh khilaadi anaadi
na jaane dil ka khel
maine maaraaa….aaa
maine maaraa jo chhakkey pe sattaa
balam Calcutta pahunch gaye
balam Calcutta pahunch gaye
laagaa laagaa jhulaniyaa ka dhakka
balam Calcutta pahunch gaye
balam Calcutta pahunch gaye
usne chaahaa..aaa dey doon dhokhaa
hamne samjhaa..aa ye hai maukaa
usne chaahaa dey doon dhokhaa
hamne samjhaa ye hai maukaa
lagey daaon
ajee aao
lagey daaon ki aao
hamaari hogi jeet
maine kaisaa…aaa
maine kaisaa phiraayaaa hai matkaa
balam Calcutta pahunch gaye ae
balam Calcutta pahunch gaye
laagaa laagaa jhulaniyaa ka dhakkaa
balam Calcutta pahunch gaye ae
balam Calcutta pahunch gaye
hum to unn`se ae badlaa lenge
din mein taare dikhlaa denge
hum to unn`se ae badlaa lenge
din mein taare dikhlaa denge
woh deewaane
woh kyaa jaane
woh deewaane kyaa jaane
hamaare dil ka raaz
maine maaraa
maine maaraa nishaana woh pakkaa
balam Calcutta pahunch gaye..ae
balam Calcutta pahunch gaye
laagaa laagaa jhulaniyaa ka dhakka
balam Calcutta pahunch gaye
balam Calcutta pahunch gaye ae
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
5198 | Post No. : | 17180 |
Hullo Atuldom
Top three actors of the golden era of Hindi cinema (from mid 1940s to late 1960s) were Dilip-Dev-Raj. They were nearly of the same age though their debut years were “Jwar Bhata” (Dilip Kumar) in 1944, “Hum Ek Hain” which came in 1946 (Dev Anand) and “Valmiki” also in 1946 which had Raj Kapoor in his first adult role but it was a tiny role. The three of them carved their own path and were the dominant stars of the Golden Era. Raj Kapoor went on to become a much-acclaimed actor-director earning him the title of ‘The greatest Showman’, Dev Anand also became an actor-director and was usually associated with slick and stylish city-based films and became popular for his trendy fashion sense as well, and Dilip Kumar came to be hailed as the greatest actor and set a high bar for future generations to emulate.
However, ironically all three never got the opportunity to come together on screen and act in a single film. Maybe no director or story writer could conceive a script to bring these stars together. However, there were two films where two of the three acted as co-stars and these two films therefore are rare treasures to be appreciated and preserved for this unique aspect.
The above are the thoughts expressed by a blogger in this post.
I had similar thoughts about the troika of the 1970s Jeetendra- Amitabh Bachchan- Rajesh Khanna and have stated it in this post. On further rewinding I recalled “Anand” (1970), “Namak Haram” (1973), “Gehri Chaal” (1973) & “Dharam Kaanta” (1982). That is a list of movies which had Amitabh Bachchan & Rajesh Khanna; Jeetendra & Amitabh Bachchan; and Rajesh Khanna & Jeetendra. But there were non after these. I am sure, readers will agree that it was a loss for Hindi Movie buffs. Here I would like to mention that Amitabh Bachchan was the last to make his debut in Hindi films; the other two had their first releases in 1964 and 1966.
This was a post to celebrate Jeetendra turning 80. With today’s post we are wishing The Big B- as many of his fans address him- on turning 80. He is still very active and his last movie released on 7th October.
For the last 10-15 years he has been playing roles of older characters but mostly roles specially written keeping his abilities in mind. “Piku” one of his recent movies had him play an eccentric 70 year old father of an architect (Deepika Padukone), living in Delhi. His act of the Hypochondriac with chronic constipation, who traces every problem to his bowel movements is a standout from his recent movies. In 2020, we saw him play a stingy old ghar jamai Chunnan ‘Mirza’ Nawab in ‘Gulabo Sitabo”. That role won him a Critics Best Actor award at the 66th Filmfare Awards. This man is still getting roles which get him awards.
Since 2000 he has been the host of the Indian version of “Who Wants to be a Millionaire?” i.e. “Kaun Banega Crorepati?” (KBC for short) and people who know me know that I am addicted to that show. But then my family and friends will say that I am addicted to anything that so much as shows Amitabh Bachchan’s shadow. I will stop any job at hand if I spot “Sholay”, “Deewar”, “Amar Akbar Anthony”, “Khuddar”, “Trishul”, “Don”, “Satte Pe Satta”, “Mahaan” and “Bhootnath”, “Piku”, “Black”, “Ab Tumhaare Hawaale Watan Saathiyo” and most of the 200 movies (maybe I will give a few of his initial movies a miss) that he has acted in, over the last 53 years. And when there is such a huge library of movies and songs to choose from getting the one that highlights the person’s abilities is not easy.
The song that I have chosen shows Amitabh Bachchan with Aruna Irani who incidentally was the first heroine who played AB Sr’s romantic interest in the 1972 released “Bombay To Goa”. There is an interview of Aruna Irani that keeps popping up on YouTube where she speaks of how uncomfortable AB Sr. used to be in the dance sequences of “Bombay To Goa”. AB Sr. was always good at action, emotion, comedy etc; today’s song will show the improvement that had come in his dancing over the years.
The song is from the 1983 released “Mahaan” which was directed by S. Ramanathan. If I am not wrong he had directed “Bombay To Goa” also. “Mahaan” had AB Sr. in a triple role of father and sons who are twins. Waheeda Rehman, Zeenat Aman and Parveen Babi played the heroines. Amjad Khan led the brigade of villains that included Kadar Khan, Shakti Kapoor, Sujit Kumar, Mac Mohan. Ashok Kumar, Mukri, Urmila Bhatt, Aruna Irani and Meenakshi (or was it Nandita Thakur) who formed the rest of the cast. The songs were written by Anjaan and RD Burman was the music director. Asha Bhonsle, Kishore Kumar, Amit Kumar, RD Burman and Amitabh Bachchan were the playback singers used.
Happy 80th Birthday to the Darling of the masses. Happy Birthday to the Big B. Happy Birthday to Amitabh Bachchan.
Song-Har chhori raani hiyaan har chhora raaja(Mahaan)(1983) Singer-Kishore Kumar, Lyrics-Anjaan, MD-R D Burman
Lyrics
hmmm mm mm
ee galiyan ka dharam alag hai
alag hai reet riwaaz
kaa samjhe
na samjhe to samajh lo hamse
ham samjhaa den aaj
har chhori raani hiyaan
har chhora raaja
har chhori raani hiyaan
har chhora raaja
magar kabhi baja nahin
hiyaan band baaja
magar kabhi baja nahin
hiyaan band baaja
aawara galiyan ki pariyaan
dekh uthhe dil jhoom
waah waah
kya maza
aawara galiyan ki pariyaan
dekh uthhe dil jhoom
itar paan gajre ki mahak
ghunghru mujre ki dhoom
chanchhan chhanan chhanan
khankhan khanan khanan
chanchhan chhanan chhanan
khanan khanan
natkhat chhori
ban ke chakori
chanchal gori
kare dil ki chori
kabhi lachak lachak kar
kabhi chhamak chhamak kar
kabhi jhatak jhatak kar
kabhi matak matak kar
kabhi latkau latkau
kabhi jhatkau jhatkau
kabhi thumkau thumkau
kabhi matkau matkau
lachak lachak chhamak chhamak
jhatak jhatak matak matak
palat tera dhyaan kidhar hai bhai
har chhori raani hiyaan
har chhora raaja
haan
har chhori raani hiyaan
har chhora raaja
magar kabhi baja nahin
hiyaan band baaja
magar kabhi baja nahin
hiyaan band baaja
suno suno
ee aasik maasuk ke jhagde
ee meethi takraar
aa haa haa haa
ee aasik masuk ke jhagde
ee meethi takraar
baat baat mein baat badhe to chale teg talwaar
are chal gayi laathi
badi mar gulaati
are chal gayi laathi
badi mar gulaati
chheer vayra
tamacha koochh
chheer vayra
tamacha kooch
chheer vayra
tamacha kooch
aah
are bam babam bam bambu
tad patrika tambu
kabhi tadip tad kabhi satykam
kabhi kurukshetar ka lambu
bambu
tambu
kabhi tadip tad kabhi satykam
kabhi kurukshetar ka lambu
bar jorikar na sainya
ho bar jori kar na sainya
ho meri chhod chhod bainya
chhod baiya
ho padoon painyaan
palat tera dhyan kidhar hai bhai
har chhori raani hiyaan
har chhora raaja
bhai
har chhori raani hiyaan
har chhora raaja
magar kabhi baja nahin
hiyaan band baaja
magar kabhi baja nahin
hiyaan band baaja
hey shiv shambhu
uthha ke taal tamboora
aur ukhaaaad de tambu
are hiya raat bhar raas rachaawen
dharam k thekedar
sach to ee hai
inhi ke dum pe chale hai ee baazaar
khabardar hoshiyar thaanedar hawaldar
pahredar aur jamaadar
pakad lo in bandaron ko
aur
suno suno in ghonchu paakhandiyon ke kaarykram
arre vadki jinko sunke toot jaayenge tumhaare saare bharam
arre din bhar ye jogi re jogi
haa
raat bhar ye bhogi re bhogi
dekho re dekho
roop ke lobhi kaise hai ye dhongi re dhongi
inki najar me hum saare hain mooli gajar aalu gobhi
har chhori raani hiyaan
har chhora raaja
haan
har chhori raani hiyaan
har chhora raaja
magar kabhi baja nahin
hiyaan band baaja
magar kabhi baja nahin
hiyaan band baaja
Samjha main kismat khul gayi
Posted on: January 21, 2022
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4935 | Post No. : | 16781 |
———————
‘PANCHAM-RAFI’ Jodi’s Variety Songs – 7
———————————————————
When I started as a ‘new contributor’ to this blog I had shared a Kishore Kumar song from the movie ‘Paanch Dushman-1973’ to Atul ji.
I was in fact not aware of this song before that, and it was my boss then, who, noticing my interest in music, had asked me about the link of the song.
He in turn was asked by one of his friends who was looking for this song. Both were aware of few lines of this song and about the singer only, and nothing more – like about the movie’s name etc. I was successful in locating this song. Later I also shared it to the blog. This song was posted on the blog on October 03, 2012.
The movie ‘Paanch Dushman-1973’ itself was an ‘obscure movie’ for me. However, our inhouse encyclopaedia Shri. Arunkumar ji, in his comment on this post, had mentioned in detail about this movie which I am reproducing here below.
October 03, 2012
Atul ji,
PAANCH DUSHMAN-1973 was a film made under the banner of M.G.O. Films, Bombay. It was produced by Manu Narang but Directed by Bimal Rawal. The music of R.D. Burman had lyrics from Majrooh. There were 6 songs,3 solos and 3 duets. Solos were by KK-2 and Rafi-1,Duets of Asha/KK-2 and Lata/KK-1.The other songs are better than the above song.
The cast was Lead pair of MANU NARANG and RAJEE,both were first timers.Manu Narang was the son of S.D.Narang, the famous Producer/Director, who himself was a dashing Hero in the 40s.Films like KHAZANCHI-1941 were big hits-not because of Narang, but because of superb Debut by SHAMSHAD Begum in Hindi films. She had sung ALL 9 song-Solos-in the Debut film and created a sort of record, unbroken till today.
Manu Narang was one time the famed Playboy of the 50s and 60s and was in the news for all wrong reasons. There are umpteen stories of him and his Rang reliayan…………
No one can predict why a Hindi film succeeds. This film PAANCH DUSHMAN had the essential ingredients of a successful Masala film. It had a good looking youthful new lead pair, one of the best Music Directors, Best singers, very good story line,5 Villains (Pran, Shatrughna, Manmohan, Vinod khanna and Prem Chopda),
6 comedians (Mehmood, Mukri, Mohan choti, Agha, Sunder and Bramhachary),2 Cabaret dancers (Aruna Irani and Helen) an eternal weeping Maa-Baap (Durga Khote and Nazir Hussain), but HARD LUCK! This murder mystery did not succeed…..
This period in Hindi films was of stories of Smugglers, desh ke Dushman etc. Accordingly, the storyline went like…
Sunil (Manu Narang) is accused of murdering his own brother Raju and a Prostitute. He and his lover Reeta (Rajee) learn that the real motive of the murder was Diamonds. So, to tap the real murderer, Sunil poses as a Dimond merchant cum a Prince. The 5 villains are lured who go after the best Diamonds that he has. Finally, with the help of his friends, lover and a helping Police Inspector (Jagdish Raj), the real culprit is captured.
Despite dances, drama and mystery, fight and little weeping by Hero’s crippled parents, the public showed its back to the film and very quickly, the film went in hiding.
-AD
393
In later years this movie was re-released in ‘1987’ with the title as ‘Daulat Ke Dushman. Though its music was created by none other than our beloved Pancham Da, this movie remained a not-so familiar movie for me.
“Paanch Dushman’ (alias ‘Daulat Ke Dushman) was directed by Bimal Rawal. It was produced by Manu Narang. It had Manu, Rajee, Aruna Irani, Sunder, Mukri, Mohan Choti, Durga Khote, Nassir Hussain, Sujata, Yograj, Jagdish Raj, Brahmachari, Agha, Helen, and Mehmood.
Story, screenplay, and dialogues of this movie were written by Dr Balkishan Mauj.
Editing of this movie was done by H.B. Pathare.
This movie was passed by Censor Board on 24.01.1973. (This movie will turn ‘fifty’ next year 😊)
Kishore Kumar, Lata Mangeshkar, Mohd Rafi, and Asha Bhonsle, and Manna Dey had given their voices to the songs in this movie.
This movie had seven songs (six plus one added later) written by Majrooh Sultanpuri and composed by R.D. Burman.
| SNo | Song-Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Jeana to hai par aye dil kahaan | Kishore Kumar | 03.10.2012 |
| 02 | Aaj jamaa hai kunj gali mein | Asha Bhonsle, Kishore Kumar | |
| 03 | Ham to hain sab ke yaar | Asha Bhonsle, Kishore Kumar | |
| 04 | Samjha main kismat khul gayi | Mohd Rafi | |
| 05 | Jo bhi huaa hai pyaar mein huaa hai | Kishore Kumar | |
| 06 | Jaana hai hamen to jahaan qaraar miley | Lata Mangeshkar, Kishore Kumar | |
| 07 | Sonaa chaandi jhoothhi daulat… Sachchi daulat pyaar | * Manna Dey |
(Note: – The ‘Addenda’ of HFGK Vol-V (1971-1980) mentions that ‘this movie was later released in 1987 with the title ‘Paanch Dushman’ ‘alias’ ‘Daulat Ke Dushman’, with this additional song ‘Sonaa chaandi jhoothhi daulat, sachchi daulat pyaar … sung by Manna Dey.)
(*appears as first song in the movie in the background of titles)
In 2015 I got my first copy of HFGK i.e., HFGK Vol-V (1971-1980) but I had never gone through other songs of this movie since then. Also, they were not available then. Now songs of this movie are uploaded by music lovers and we can now listen to all songs of this movie.
Recently while browsing through the blog, I noticed that only one song of this movie was posted in 2012. Soon this movie will be completing its ‘ten years’ run on the blog without adding the second song. So, I checked and found today’s song which is sung by Rafi Saab. This is the only song sung by him in this movie and that fits the bill for my series of ‘Pancham-Rafi Songs’ where I have discussed songs where Rafi Saab had sung only one song in the movie where music was composed by R.D. Burman.
When I listened to today’s song for this post and listened to its’ link with dialogues, I immediately identified the voice of Mehmood. So, yes! this is a song of Rafi Saab sung for Mehmood.
Let us now enjoy today’s song in Rafi Saab’s voice singing for Mehmood. The song is picturised on Mehmood and Aruna Irani.
Here is this entertaining song …
Video (Partial)
Audio (Without dialogues)
Audio (With dialogues)
Song-Samjha main kismat khul gayi (Paanch Dushman)(1973) Singer-Rafi, Lyrics-Majrooh Sultanpuri, MD-R D Burman
Lyrics
samjha main
kismat khul gayi
samjha main
kismat khul gayi
mujhko raam budhhiya
mil gayi
samjha main
kismat khul gayi
mujhko raam budhhiya
mil gayi
arey pahunchaa jab uski mehfil mein
kya kya armaan thhe dil ke
sab reh gaye dil mein
samjha main
kismat khul gayi
mujhko raam budhhiya
mil gayi
soch rahaa thha main
hai meri mehbooba
chandaa ka ik tukdaa aa
jhoom ke dekhoongaa
choom ke dekhoongaa
goraa goraa mukhdaa aa aa
soch rahaa thha main
hai meri mehbooba
chandaa ka ik tukdaa aa
jhoom ke dekhoongaa
choom ke dekhoongaa
goraa goraa mukhdaa aa
yahi dhun thhi
basoongaa main
jawaan gaalon ke til mein
kya kya armaan thhe dil ke
sab rah gaye dil mein
samjha main
kismat khul gayi
mujhko raam budhhiya
mil gayi
dekh singaar uska
main to yahi samjhaa
hai koyi sooratwaali
chehre ki laali ko
ponchh ke dekha to
nikli budhhiyaa kaali ee ee
dekh singaar uska
main to yahi samjhaa
hai koyi sooratwaali
chehre ki laali ko
ponchh ke dekha to
nikli budhhiyaa kaali
dukhi ban ke
padaa hoon main
mohabbat ki ee
manzil mein
kya kya armaan thhe dil ke
sab reh gaye dil mein
samjha main
kismat khul gayi
mujhko raam budhhiya
mil gayi
arey pahunchaa jab uski mehfil mein
kya kya armaan thhe dil ke
sab reh gaye dil mein
samjha main
kismat khul gayi
mujhko raam budhhiya
mil gayi
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4829 | Post No. : | 16609 |
Hullo Atuldom
Day 1 of Sharad Navratr. Ashwin Navratr. Various names for the same festival, various ways to celebrate. I have received pictures of ‘Ghatta-sthapana’, ‘Devi Shailputri’, and of course the South Indian ‘Bomma Kolu’ (or Golu depending on your mother tongue). There is a lot of beauty in the manner in which we decorate our Gods and enjoy the festival. There are special offerings, poojas, archanas, bhajans and BHOJANS too (going by the name ‘Bhog’). Then there is the ever so colour raas garba in Western India, Gujarat and Maharashtra in particular. (May not be organised on a grand scale this year, as we are still worried about the consequences of the Pandemic. Grandeur can wait)
Here is a Devi Maa bhajan to kick-off the festivites. It is from the 1978 release ‘Khoon Ki Pukaar’, the synposis of which is there in this post. The movie was directed by Ramesh Ahuja for Tahir Hussain’s TV Films. It had songs penned by Hasrat Jaipuri and Gauhar Kanpuri and music director was Bappi Lahiri. Today’s song is sung by Mohd. Rafi and Lata Mangeshkar and on-screen, both, Pran and Vinod Khanna lip-sync to Rafisaab’s voice and Aruna Irani sings in Lata didi’s voice. We can also see Shabana Azmi and Reeta Bhaduri seated among the devotees of the temple.
As per what I have seen a few years back, this song is used by Amjad Khan (Daku Zaalim Singh) to send a message to Daku Sher Singh (VK); who is recovering under the care of pujari Baba (ex. Dr. Bhushan played by Pran); through Bijli (Aruna Irani). That should make viewers understand what Aruna Irani and VK are exchanging in sign language (‘ishaaron ishaaron mein’ sounds better, I suppose)
With this we also remember the ever oh-so-handsome and oh-so-good looking Vinod Khanna for his birth anniversary which was yesterday. He would have been only 75.
Audio (Longer)
Video
Song-Jai ambe maa bolo Jai Durge maa bolo (Khoon Ki Pukaar)(1978) Singers-Rafi, Lata, Lyrics-Hasrat Jaipuri, MD-Bappi Lahiri
Chorus
Lyrics
jai jai maa aa aa
jai jai maa aa
jai maa aa aa
rom rom tera naam pukaare
tu hi sabke kaam sanwaare
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
tere dwaare ae ae
tere dwaare jo bhi aaya
jeewan paaya maa
sabse nyaari
aprampaari
teri chhaaya maa
hum pe rahe teri nazar
teri dagar sachhi dagar
tu hai maa sabki maa
ho o
hum pe rahe teri nazar
teri dagar sachhi dagar
tu hai maa sabki maa
bolo
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai jai maa aa maa
jai jai maa jai maa
tere bina aa aa
kuchh bhi nahin ee ee
jo o bhi hai ae sab yahaan aan
jai jai maa aa maa
jai jai maa jai maa
oopar waala aa aa
oopar waala khol chuka hai
tera yeh thikaana
inn charnon mein ae ae
inn charnon mein pada hua hai
kab se prem khazaana
maaya teri jisko miley
usko sada chain miley
meri maa devi maa
ho oo
maaya teri jisko miley
usko sada chain miley
meri maa devi maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge ma
jai jai maa aa maa
jai jai maa jai maa
teri leela aaa
tu hi jaane ae ae
tu u hai devi maa aaa aaa
jai jai maa aaa maa
jai jai maa jai maa
tere bande ae ae
tere bande kitne sundar
jinko toone banaaya
un bandon se pyaar kare jo
usne tujhko paaya
mera jeewan tere charan
de de mujhe pyaar ka dhan
sun le maa meri maa
ho o
mera jeewan tere charan
de de mujhe pyaar ka dhan
sun le maa meri ma
bolo
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
This article is written by Pevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4709 | Post No. : | 16415 |
Hullo Atuldom
Let me begin with a confession. I am very bad at buying gifts. As a youngster, dependent on pocket money, I used to make do with buying greeting cards and either posting it to my near and dear or hand-delivery (which was cheaper). Things were kind of simple. Things were simpler if I could find someone to share expenses. Oh yes, those days people used to share or go-dutch (I am sure that is not the correct expression in the scenario of buying greeting cards, but for want of a better word), at least in my circle, then I used to buy some fancier cards. There was a category of people for whom the gifting used to be a card accompanied by some memorabilia or chocolates etc. It was similar at the time of my birthdays too and I have almost all the cards I received saved up and I access them occasionally and remember those days. In fact I have even saved up the cards which my kids received in the first few years of their life. But things have changed with the turn of the millennium, decade etc.
These days people are into wishing through the social media. We see the closest relative post a message on some public forum and all friends, relatives – close ones and not so close ones- follow the leader. The person who is being wished is overwhelmed with the deluge of messages. The youngsters, who began the practice of using social media, have again changed there methodology- they call the birthday boy/girl at the stroke of midnight. That is really sweet of these people. And in this last year when it has been impossible to wish anyone on a one-to-one basis, people have discovered a way out. These days there are ‘Zoom Parties’ and that is a different feel altogether. My sisters, brothers and kids – nieces and nephews- introduced me to this form of party last year on our wedding anniversary.
Personally I still like to call the person concerned and wish. I did that two days back when my Kaaki (aunt) turned 80 and yesterday when my dear mom-in-law went a year closer to 90.
And for today I have decided to wish my dear friend of Atuldom with this post. He is a person who is my inspiration in the sense that he learnt so many skills after retirement meaning there is no age-limit to learn anything new. He has no prejudices as regards the age of music he listens to- meaning he is of the opinion there are good and bad songs/ music in all ages and times. He may not go out of his way seeking songs of new movies but appreciates good work when he sees it. He is generous in sharing his knowledge. He is among the few persons who I am comfortable in chatting with and can pick up the phone and start talking as if there is no gap in communication. The mornings of the WhatsApp group associated with the blog begin with his “GOOD MORNING” messages and we treasure the beautiful thoughts that come with it. (I am sorry if I don’t respond to each one of them but I do wait for them)
We in Atuldom like to think of him as our IN-HOUSE ENCYCLOPEDIA and I prefer addressing him as Guruji or Arunji. Yes today is our dear Arunkumar Deshmukhji’s birthday. All his posts are so well-researched that I am sure it is a big time consuming activity for him considering that he also has his responsibilities of being a doting father and proud grandfather. May God give you all the energy needed to keep the posts coming in at a steady pace and we see your 1000th post soon.
For today I have not chosen any “Happy Birthday” but the song with this post has a very young, baby-face Aruna Irani trying to get a middle-aged Madan Puri drunk. I don’t remember much of the movie so I will not be able to tell why Aruna Irani is doing so. The song is from a movie called “Ek Paheli” (1971) which was produced by Kuldip Talwar, directed by Naresh Kumar who had made a few movies with Rajendra Kumar as hero. If this was a post by our today’s birthday boy he would have given a brief about Naresh Kumar too I can only make the statement that possibly he was Rajendra Kumar’s family.
“Ek Paheli” had Feroz Khan and Tanuja leading a cast of Sanjeev Kumar, Madan Puri, Aruna Irani, Rajendranath, Tun Tun, Jeevan etc. Usha Khanna was the music director and song were written by Asad Bhopali. Suman Kalyanpur, Mohd Rafi and Usha Khanna were the playback singers.
Asad Bhopali has given songs which have been popular and can be heard on the radio and music systems regularly. Songs like ‘woh jab yaad aaye’; ‘kismat bigadi duniya badali’; ‘sau baar janam lenge’; the fun song in the late ’70s ‘ram dulaari maike gayi’. Today’s generation or those in their 30s currently will remember Asaduallah Khan (Asad Bhopali) for the songs of ‘Maine Pyar Kiya’ (1989) which was among the last movies that he wrote songs for. He passed away in 1990 at Bhopal. Thanking Asad Bhopali for today’s song and numerous others that he wrote for movies since his debut in 1949.
Audio
Video
Song-Ye raat ye jawaani ye botal sharaab ki (Ek Paheli)(1971) Singer-Suman Kalyanpur, Lyrics-Asad Bhopali, MD-Usha Khanna
Lyrics
ye raat ye jawaani
ye botal sharaab ki
ye raat ye jawaani
ye botal sharaab ki
ho jaaye iss taraf bhi
inaayat janaab ki
kahiye gilaas bhar doon
kahiye gilaas bhar doon
masti bhari nigaahon se chhalki hui sharaab
masti bhari nigaahon se chhalki hui sharaab
pi leeje behisaab
pila deeje behisaab
kahiye gilaas bhar doon
kahiye gilaas bhar doon
behke bhi dagmagaaye bhi hum donon saath saath
behke bhi dagmagaaye bhi hum donon saath saath
itni piye ko hosh na aaye tamaam raat
kahiye gilaas bhar doon
kahiye gilaas bhar doon
ye daur yoonhi aur abhi chalne deejiye
ye daur yoonhi aur abhi chalne deejiye
jaldi na keeje raat zara dhhalne deejiye
kahiye gilaas bhar doon
kahiye gilaas bhar doon
ye raat ye jawaani
ye botal sharaab ki
ho jaaye iss taraf bhi
inaayat janaab ki
kahiye gilaas bhar doon
kahiye gilaas bhar doon
Aajaa aajaa nahin abhi nahin
Posted on: April 29, 2021
- In: Asha Bhonsle songs | Dance song | Duet | expression of love | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Asha Bhonsle duet | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1971 | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
4668 | Post No. : | 16342 |
#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 135 # Asha Bhonsle-Kishore Kumar duets#
———————————————–
Today 29th April is ‘international dance day’!!!
If we go by the dictionary meaning of dance, it is ‘a series of steps and movements which you do to music’ and so the dancing is ‘the action of moving to music’.
Many of us like to dance but are too shy to break into a dance in public or even among friends (people like me). People like me will not dance if requested specifically but will dance without any insistence sometimes…. man mutaabiq ‘maahaul’ hona chaahiye bas, man aur sharir donon hi naachne lagte hain 😊
People may differ on what exactly ‘correct dance’ is. I think ‘dance’ is a state of mind. It is spontaneous when you like some music or want to express one’s joy sometimes. It may even be a process of swaying your body- sometimes to the accompaniment of humming or singing.
Classical dance or dance art form and traditional dance are ‘respected’ dance forms and are not part of this discussion today. That is a separate domain, and I am not an authority to speak on that.
Today I present this song, which according to me is a super dance number in its own way where Mehmood and Aruna Irani are performing on the song and also dancing.
I have mentioned it in my earlier posts that I like Mehmood’s dancing. Watching him dance often causes me to do a jig or two myself. 😊
Let us move to today’s movie now. The movie is ‘Man Mandir-1971’.
I associate this movie mainly with its song ‘jaadugar tere nainaa’. Other songs of this movie are also nice songs but they are lesser heard ones. Today’s song is one of them. I was not aware of this song till I checked for the remaining song from this movie ‘Man Mandir-1971’. I remember to have heard this song in the past but I had forgotten which movie it was from.
“Man Mandir-1971” was produced by Sudesh Kumar and directed by Chanakya for Vijayshree Pictures, Bombay. The movie had Waheeda Rehman, Sanjeev Kumar, Sudesh Kumar, David, Sunder, Randhir, Onkar, Jagadishraj, Aruna Irani, Manorama, Indumati, Kumudini Shanker, Helen, Ravikant, Mansaram, Mac Mohan, Paul Sharma, Parsuram, Som Haksar, Nayampally, Krishan Kumar, Farooq Jaipuri, Jagdish Sharma, Baby Kalpana, Master Chikoo, Mehmood etc in it.
The movie introduced Rakesh Roshan and Kanchan.
The movie had six songs in it. Five songs have been covered in the past.
| SNo | Song Title | Posted On |
|---|---|---|
| 01 | Ae meri aankhon ke pehle sapne (multiple version song) | 02.07.2009 |
| 02 | Jaadugar tere nainaa, dil jaayegaa back ke kahaan | 30.07.2009 |
| 03 | Ho munna jaayegaa baazaar | 10.03.2011 |
| 04 | Tum abhi kamsin ho tum abhi naadaan ho | 10.03.2021 |
Today’s song is the sixth and final song from “Man Mandir -1971” to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Rajinder Krishan is the lyricist. Music is composed by Laxmikant Pyarelal.
The song is picturised on Mehmood and Aruna Irani.
Let us now enjoy today’s song and say ‘Yippeeee’ to ‘Man Mandir-1971’.
Video
Audio
Song-Aaja aajaa nahin abhi nahin (Man Mandir)(1971) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal
Lyrics(Provided by Prakashchandra)
aa aa
unhoon
aajaa
nahin
abhi nahin
abhi nahin ee
aa aa
unhoon
aajaa aajaa
nahin
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aa haa
aajaa aajaa
aa haa
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
tu zaalim tarsaati jaa
tadpenge
tadpaati jaa
nadi kinaare
kab tak pyaasaa
khadaa rahoon
samjhaati jaa
o zaalim tarsaati jaa
tadpenge
tadpaati jaa
nadi kinaare
kab tak pyaasaa
khadaa rahoon
samjhaati jaa
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aahaa
aajaa aajaa
an hunh
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
ankhiyon ko takraane do
dil aaye to aane do
sabar ka daaman
chhoote naa
pyaar javaan ho jaane do
ankhiyon ko takraane do
dil aaye to aane do
sabar ka daaman
chhoote naa
pyaar javaan ho jaane do
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aa hmm
aajaa aajaa
nahin ee
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
soch samajh kar pyaar karen
kyon jhoothhaa iqraar karen
dil se ho dil ka yaaraanaa
honthhon se inkaar karen
soch samajh kar pyaar karen
kyon jhoothhaa iqraar karen
dil se ho dil ka yaaraanaa
honthhon se inkaar karen
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
un hoon
aajaa aajaa
nahin ee
abhi nahin
abhi nahin
teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
un hoon
o aajaa aajaa
nahin ee
aa aa
aa haan
aajaa aajaa
nahin ee
aa aa
aa haa
aajaa aajaa
aa haan
aa aa
un hon
aajaa aajaa
un hoon
aa aa
hmm hmm
aajaa aajaa
un hoon
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
Recent comments