Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Aruna Irani


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4829 Post No. : 16609

Hullo Atuldom

Day 1 of Sharad Navratr. Ashwin Navratr. Various names for the same festival, various ways to celebrate. I have received pictures of ‘Ghatta-sthapana’, ‘Devi Shailputri’, and of course the South Indian ‘Bomma Kolu’ (or Golu depending on your mother tongue). There is a lot of beauty in the manner in which we decorate our Gods and enjoy the festival. There are special offerings, poojas, archanas, bhajans and BHOJANS too (going by the name ‘Bhog’). Then there is the ever so colour raas garba in Western India, Gujarat and Maharashtra in particular. (May not be organised on a grand scale this year, as we are still worried about the consequences of the Pandemic. Grandeur can wait)

Here is a Devi Maa bhajan to kick-off the festivites. It is from the 1978 release ‘Khoon Ki Pukaar’, the synposis of which is there in this post. The movie was directed by Ramesh Ahuja for Tahir Hussain’s TV Films. It had songs penned by Hasrat Jaipuri and Gauhar Kanpuri and music director was Bappi Lahiri. Today’s song is sung by Mohd. Rafi and Lata Mangeshkar and on-screen, both, Pran and Vinod Khanna lip-sync to Rafisaab’s voice and Aruna Irani sings in Lata didi’s voice. We can also see Shabana Azmi and Reeta Bhaduri seated among the devotees of the temple.

As per what I have seen a few years back, this song is used by Amjad Khan (Daku Zaalim Singh) to send a message to Daku Sher Singh (VK); who is recovering under the care of pujari Baba (ex. Dr. Bhushan played by Pran); through Bijli (Aruna Irani). That should make viewers understand what Aruna Irani and VK are exchanging in sign language (‘ishaaron ishaaron mein’ sounds better, I suppose)

With this we also remember the ever oh-so-handsome and oh-so-good looking Vinod Khanna for his birth anniversary which was yesterday. He would have been only 75.

Audio (Longer)

Video


Song-Jai ambe maa bolo Jai Durge maa bolo (Khoon Ki Pukaar)(1978) Singers-Rafi, Lata, Lyrics-Hasrat Jaipuri, MD-Bappi Lahiri
Chorus

Lyrics

jai jai maa aa aa
jai jai maa aa
jai maa aa aa
rom rom tera naam pukaare
tu hi sabke kaam sanwaare

jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa

tere dwaare ae ae
tere dwaare jo bhi aaya
jeewan paaya maa
sabse nyaari
aprampaari
teri chhaaya maa
hum pe rahe teri nazar
teri dagar sachhi dagar
tu hai maa sabki maa
ho o
hum pe rahe teri nazar
teri dagar sachhi dagar
tu hai maa sabki maa
bolo
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa

jai jai maa aa maa
jai jai maa jai maa
tere bina aa aa
kuchh bhi nahin ee ee
jo o bhi hai ae sab yahaan aan
jai jai maa aa maa
jai jai maa jai maa
oopar waala aa aa
oopar waala khol chuka hai
tera yeh thikaana
inn charnon mein ae ae
inn charnon mein pada hua hai
kab se prem khazaana
maaya teri jisko miley
usko sada chain miley
meri maa devi maa
ho oo
maaya teri jisko miley
usko sada chain miley
meri maa devi maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa

jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge ma

jai jai maa aa maa
jai jai maa jai maa
teri leela aaa
tu hi jaane ae ae
tu u hai devi maa aaa aaa
jai jai maa aaa maa
jai jai maa jai maa
tere bande ae ae
tere bande kitne sundar
jinko toone banaaya
un bandon se pyaar kare jo
usne tujhko paaya
mera jeewan tere charan
de de mujhe pyaar ka dhan
sun le maa meri maa
ho o
mera jeewan tere charan
de de mujhe pyaar ka dhan
sun le maa meri ma
bolo
jai ambe maa bolo
jai durge maa bolo

jai ambe maa bolo
jai durge maa
jai ambe maa bolo
(jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)
jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)

jai ambe maa bolo (jai maa aa)
jai durge maa bolo (aaaa)
jai ambe maa bolo (aaaa)
jai durge ma (aaaa)

jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa
jai ambe maa bolo
jai durge maa bolo
jai ambe maa bolo
jai durge maa


This article is written by Pevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4709 Post No. : 16415

Hullo Atuldom

Let me begin with a confession. I am very bad at buying gifts. As a youngster, dependent on pocket money, I used to make do with buying greeting cards and either posting it to my near and dear or hand-delivery (which was cheaper). Things were kind of simple. Things were simpler if I could find someone to share expenses. Oh yes, those days people used to share or go-dutch (I am sure that is not the correct expression in the scenario of buying greeting cards, but for want of a better word), at least in my circle, then I used to buy some fancier cards. There was a category of people for whom the gifting used to be a card accompanied by some memorabilia or chocolates etc. It was similar at the time of my birthdays too and I have almost all the cards I received saved up and I access them occasionally and remember those days. In fact I have even saved up the cards which my kids received in the first few years of their life. But things have changed with the turn of the millennium, decade etc.

These days people are into wishing through the social media. We see the closest relative post a message on some public forum and all friends, relatives – close ones and not so close ones- follow the leader. The person who is being wished is overwhelmed with the deluge of messages. The youngsters, who began the practice of using social media, have again changed there methodology- they call the birthday boy/girl at the stroke of midnight. That is really sweet of these people. And in this last year when it has been impossible to wish anyone on a one-to-one basis, people have discovered a way out. These days there are ‘Zoom Parties’ and that is a different feel altogether. My sisters, brothers and kids – nieces and nephews- introduced me to this form of party last year on our wedding anniversary.

Personally I still like to call the person concerned and wish. I did that two days back when my Kaaki (aunt) turned 80 and yesterday when my dear mom-in-law went a year closer to 90.

And for today I have decided to wish my dear friend of Atuldom with this post. He is a person who is my inspiration in the sense that he learnt so many skills after retirement meaning there is no age-limit to learn anything new. He has no prejudices as regards the age of music he listens to- meaning he is of the opinion there are good and bad songs/ music in all ages and times. He may not go out of his way seeking songs of new movies but appreciates good work when he sees it. He is generous in sharing his knowledge. He is among the few persons who I am comfortable in chatting with and can pick up the phone and start talking as if there is no gap in communication. The mornings of the WhatsApp group associated with the blog begin with his “GOOD MORNING” messages and we treasure the beautiful thoughts that come with it. (I am sorry if I don’t respond to each one of them but I do wait for them)

We in Atuldom like to think of him as our IN-HOUSE ENCYCLOPEDIA and I prefer addressing him as Guruji or Arunji. Yes today is our dear Arunkumar Deshmukhji’s birthday. All his posts are so well-researched that I am sure it is a big time consuming activity for him considering that he also has his responsibilities of being a doting father and proud grandfather. May God give you all the energy needed to keep the posts coming in at a steady pace and we see your 1000th post soon.

For today I have not chosen any “Happy Birthday” but the song with this post has a very young, baby-face Aruna Irani trying to get a middle-aged Madan Puri drunk. I don’t remember much of the movie so I will not be able to tell why Aruna Irani is doing so. The song is from a movie called “Ek Paheli” (1971) which was produced by Kuldip Talwar, directed by Naresh Kumar who had made a few movies with Rajendra Kumar as hero. If this was a post by our today’s birthday boy he would have given a brief about Naresh Kumar too I can only make the statement that possibly he was Rajendra Kumar’s family.

“Ek Paheli” had Feroz Khan and Tanuja leading a cast of Sanjeev Kumar, Madan Puri, Aruna Irani, Rajendranath, Tun Tun, Jeevan etc. Usha Khanna was the music director and song were written by Asad Bhopali. Suman Kalyanpur, Mohd Rafi and Usha Khanna were the playback singers.

Asad Bhopali has given songs which have been popular and can be heard on the radio and music systems regularly. Songs like ‘woh jab yaad aaye’; ‘kismat bigadi duniya badali’; ‘sau baar janam lenge’; the fun song in the late ’70s ‘ram dulaari maike gayi’. Today’s generation or those in their 30s currently will remember Asaduallah Khan (Asad Bhopali) for the songs of ‘Maine Pyar Kiya’ (1989) which was among the last movies that he wrote songs for. He passed away in 1990 at Bhopal. Thanking Asad Bhopali for today’s song and numerous others that he wrote for movies since his debut in 1949.

Audio

Video

Song-Ye raat ye jawaani ye botal sharaab ki (Ek Paheli)(1971) Singer-Suman Kalyanpur, Lyrics-Asad Bhopali, MD-Usha Khanna

Lyrics

ye raat ye jawaani
ye botal sharaab ki
ye raat ye jawaani
ye botal sharaab ki
ho jaaye iss taraf bhi
inaayat janaab ki
kahiye gilaas bhar doon
kahiye gilaas bhar doon

masti bhari nigaahon se chhalki hui sharaab
masti bhari nigaahon se chhalki hui sharaab
pi leeje behisaab
pila deeje behisaab
kahiye gilaas bhar doon
kahiye gilaas bhar doon

behke bhi dagmagaaye bhi hum donon saath saath
behke bhi dagmagaaye bhi hum donon saath saath
itni piye ko hosh na aaye tamaam raat
kahiye gilaas bhar doon
kahiye gilaas bhar doon

ye daur yoonhi aur abhi chalne deejiye
ye daur yoonhi aur abhi chalne deejiye
jaldi na keeje raat zara dhhalne deejiye
kahiye gilaas bhar doon
kahiye gilaas bhar doon
ye raat ye jawaani
ye botal sharaab ki
ho jaaye iss taraf bhi
inaayat janaab ki
kahiye gilaas bhar doon
kahiye gilaas bhar doon


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4668 Post No. : 16342

#The Decade of Seventies – 1971 – 1980 #
———————————————————–
# Bhoole-Bisre Geet # 135 # Asha Bhonsle-Kishore Kumar duets#
———————————————–

Today 29th April is ‘international dance day’!!!

If we go by the dictionary meaning of dance, it is ‘a series of steps and movements which you do to music’ and so the dancing is ‘the action of moving to music’.

Many of us like to dance but are too shy to break into a dance in public or even among friends (people like me). People like me will not dance if requested specifically but will dance without any insistence sometimes…. man mutaabiq ‘maahaul’ hona chaahiye bas, man aur sharir donon hi naachne lagte hain 😊

People may differ on what exactly ‘correct dance’ is. I think ‘dance’ is a state of mind. It is spontaneous when you like some music or want to express one’s joy sometimes. It may even be a process of swaying your body- sometimes to the accompaniment of humming or singing.

Classical dance or dance art form and traditional dance are ‘respected’ dance forms and are not part of this discussion today. That is a separate domain, and I am not an authority to speak on that.

Today I present this song, which according to me is a super dance number in its own way where Mehmood and Aruna Irani are performing on the song and also dancing.

I have mentioned it in my earlier posts that I like Mehmood’s dancing. Watching him dance often causes me to do a jig or two myself. 😊

Let us move to today’s movie now. The movie is ‘Man Mandir-1971’.

I associate this movie mainly with its song ‘jaadugar tere nainaa’. Other songs of this movie are also nice songs but they are lesser heard ones. Today’s song is one of them. I was not aware of this song till I checked for the remaining song from this movie ‘Man Mandir-1971’. I remember to have heard this song in the past but I had forgotten which movie it was from.

“Man Mandir-1971” was produced by Sudesh Kumar and directed by Chanakya for Vijayshree Pictures, Bombay. The movie had Waheeda Rehman, Sanjeev Kumar, Sudesh Kumar, David, Sunder, Randhir, Onkar, Jagadishraj, Aruna Irani, Manorama, Indumati, Kumudini Shanker, Helen, Ravikant, Mansaram, Mac Mohan, Paul Sharma, Parsuram, Som Haksar, Nayampally, Krishan Kumar, Farooq Jaipuri, Jagdish Sharma, Baby Kalpana, Master Chikoo, Mehmood etc in it.
The movie introduced Rakesh Roshan and Kanchan.

The movie had six songs in it. Five songs have been covered in the past.

SNo Song Title Posted On
01 Ae meri aankhon ke pehle sapne (multiple version song) 02.07.2009
02 Jaadugar tere nainaa, dil jaayegaa back ke kahaan 30.07.2009
03 Ho munna jaayegaa baazaar 10.03.2011
04 Tum abhi kamsin ho tum abhi naadaan ho 10.03.2021

Today’s song is the sixth and final song from “Man Mandir -1971” to appear in the blog. The song is sung by Asha Bhonsle and Kishore Kumar. Rajinder Krishan is the lyricist. Music is composed by Laxmikant Pyarelal.

The song is picturised on Mehmood and Aruna Irani.

Let us now enjoy today’s song and say ‘Yippeeee’ to ‘Man Mandir-1971’.

Video

Audio

Song-Aaja aajaa nahin abhi nahin (Man Mandir)(1971) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Rajinder Krishan, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

aa aa
unhoon
aajaa
nahin
abhi nahin
abhi nahin ee

aa aa
unhoon
aajaa aajaa
nahin
abhi nahin
abhi nahin

teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aa haa
aajaa aajaa
aa haa
abhi nahin
abhi nahin

teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee

tu zaalim tarsaati jaa
tadpenge
tadpaati jaa
nadi kinaare
kab tak pyaasaa
khadaa rahoon
samjhaati jaa
o zaalim tarsaati jaa
tadpenge
tadpaati jaa
nadi kinaare
kab tak pyaasaa
khadaa rahoon
samjhaati jaa
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee

aa aa
aahaa
aajaa aajaa
an hunh
abhi nahin
abhi nahin

teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee

ankhiyon ko takraane do
dil aaye to aane do
sabar ka daaman
chhoote naa
pyaar javaan ho jaane do
ankhiyon ko takraane do
dil aaye to aane do
sabar ka daaman
chhoote naa
pyaar javaan ho jaane do

umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
aa hmm
aajaa aajaa
nahin ee
abhi nahin
abhi nahin

teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee

soch samajh kar pyaar karen
kyon jhoothhaa iqraar karen

dil se ho dil ka yaaraanaa
honthhon se inkaar karen
soch samajh kar pyaar karen
kyon jhoothhaa iqraar karen

dil se ho dil ka yaaraanaa
honthhon se inkaar karen
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
un hoon
aajaa aajaa
nahin ee
abhi nahin
abhi nahin

teri naa naa mein
haan ka mazaa hai
umr padi hai
jaldi kya hai
abhi nahin
kabhi sahi ee
aa aa
un hoon
o aajaa aajaa
nahin ee
aa aa
aa haan
aajaa aajaa
nahin ee
aa aa
aa haa
aajaa aajaa
aa haan
aa aa
un hon
aajaa aajaa
un hoon
aa aa
hmm hmm
aajaa aajaa
un hoon


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4592 Post No. : 16217

“Phir Wahi Raat”(1980) was produced by N N Sippy and directed by Danny Denzongpa. This suspense film had Rajesh Khanna, Kim, Danny Denzongpa, Aruna Irani, Jagdeep, A K Hangal, Tamanna, Lalita Pawar, Shashikala, Suresh Oberoi, Bhagwan Dada, Mukri, Om Shivpuri, Shubha Khote etc in it.

I have not watched this movie, but the movie appears quite an interesting movie, going by the story as contained in its wikipedia page:

Asha(Kim) lives in a hostel and troubled by the nightmares of her deceased aunt. The hostel warden (Lalita Pawar) and her friend Shobha (Aruna Irani) take her to a psychiatrist Dr Vijay (Rajesh Khanna). Doctor finds nothing wrong with her and advises her to get away from old memories. Parents of other girl’s from the hostel complains the administration about Asha’s behaviour and she was told to vacate the place.

Asha decides to go to her ancestral home. Dr Vijay and Shobha accompanies her. The huge manor is taken care of by Vishwanath (A.K. Hanglal) and his daughter Gauri (Tamanna). Dr Vijay and Asha develop a bond and after a few days Dr Vijay goes back to city for some work. Same night Asha sees a scary looking woman walking in the corridors. The woman keeps haunting her every night and Asha’s condition worsens. Dr Vijay comes back to help her and meets Asha’s cousin Ashok (Danny) in the manor.

Dr Vijay and Ashok plan a big party on the occasion of Asha’s birthday. Ashok calls his wife who lives abroad to join them. Ashok’s wife arrives, when Asha is cutting her birthday cake. Asha gets shocked to see her as she is the same woman who is haunting her from last many days in the house. She gets panicked and stabs Ashok’s wife, who succumbs to her injuries and dies on the spot. Police inspector Sharma (Suresh Oberoi), who is a guest of the party arrests Asha on the charge of murder. The court suspends the hearing as Asha’s condition is not stable and she is not suitable to go through the legal process.

Dr Vijay treats Asha and tries to get the answer why Asha killed Ashok’s wife. He tells Asha that Ashok’s wife arrives in India on the same day and there is no possibility that Asha saw her before her birthday in that house. But Asha is adamant that it was Ashok’s wife who was haunting her.

Gauri also gets killed after a few days. Shobha starts watching another woman walking around the house. Dr Vijay investigates further with the help of Inspector Sharma and solve the mystery at the end exposing a web of lies and greed.

This story piqued my interest and I have thought of watching this movie to find about the mystery. Watching this movie on the big screen during its original run in 1980 would have been the best way to watch the movie. Watching this movie 40 years, and that too on a tiny laptop, sitting alone would not be the same. 95 % of the thril and anticipation and suspence of watcing the movie with others would be missing.

The movie had six songs in it. Three songs have been covered in the past.

Here is the fourth song from “Phir Wahi Raat”(1980) to appear in the blog. The song is sung by Kishore Kumar, Asha Bhonsle and Sushma Shreshtha. Majrooh Sultanpuri is the lyricist. Music is composed by R D Burman.

The song is picturised as a car song on Rajesh Khanna, Aruna Irani and Kim.

The tune of the some sounds familiar. It is same as that of Meri soni meri tamanna jhoothha nahin hai mera pyaar (Yaadon Ki Baaraat). If this movie is called “Phir Wahi Raat”, then this tune can be called “Phir Wahi tune”. 🙂

Lyrics of this song were sent to me by Avinash Scrapwala long ago. Today happens to be his birthday. So we take this opportunity to wish him happy birthday and many happy returns of the day,

Video

Audio

Song-Dekho idhar dekho (Phir Wahi Raat)(1980) Singers-Kishore Kumar, Asha Bhonsle, Sushma Shreshtha, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics(Provided by Avinash Scrapwala)

Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa
Dekho idhar dekho
La la la la la la
Ae mere humsafar
La la la la la
Jeewan ke safar mein
La la la la
Peechhe mud ke kyaa dekhnaa

Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa

Beeti huyee baaton ka gham chhodo
Zara
Aao bolo hanso
Mausam badal gayaa chalo
Aanewaali bahaaron mein baso o

Are Beeti huyee baaton ka gam chhodo
Zara aao bolo hanso
Aha
Mausam badal gayaa chalo
Aanewaali bahaaron mein baso
Dekho idhar dekho
Ae mere humsafar

Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa

Haree haree phoolon bhari
Raahon mein zindagi kho gayi

Aa aa aa aa aa
La la la la
Haree haree phoolon bhari
Raahon mein zindagi kho gayi

O ghamon ke din gaye to phir
Hawaa bhi kya suhaani ho gayee

La la la la
La la la la
La la la la

Ghamon ke din gaye to phir
Hawaa bhi kya suhaani ho gayee ee

Dekho idhar dekho
La la la la. la la
Ae mere humsafar
La la la la…
Jeewan ke safar mein
La la la la la la
Peechhe mud ke kyaa dekhnaa
Dekho idhar dekho
Ae mere humsafar
Jeewan ke safar mein
Peechhe mud ke kyaa dekhnaa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4483 Post No. : 15995

Sahir Ludhianvi & His Music Directors-1 – (one movie collaboration only)
————————————————————————————

Welcome all to this post.

Some of you would be surprised to see a ‘Sahir’ related post here today again, because we celebrated Sahir yesterday on his ‘Remembrance Day’ and paid our tributes.

But today’s day is also important for us. It the birthday of one of the founding members of this blog and our beloved Raja Saab. So here is wishing Raja Saab a very happy birthday and ‘many many happy returns of the day’ and ‘healthy, peaceful and ‘full of music- life’ ahead.

And I am sure he is going to enjoy this song in ‘Punjabi’ folk based song as I am aware of his love for ‘Punjabi folk based’ songs.

Well he is also a Sahir fan so a song from Sahir. And he is Kaka fan too. So, we have Rajesh Khanna making an appearance in this song in the movie ‘Dhanwaan-1981’, and if I am correct, he lip-syncs the one stanza in Amit Kumar’s voice. But that is not covered in the video of the song though the audio version of this song is having it.

Not only that we have one more ‘celebration’ here today.

Regulars on the blog might be remembering that I had mentioned in my earlier post with the ‘couplet song’ ‘aap abhi ishq ki tehzeeb se aagaah nahin’ from ‘Dil Hi To Hai’ (1963), that I had prepared an excel sheet for Sahir and his music directors with the number of songs in the movies where Sahir Ludhianvi was lyricist and was going to share it with a new series.

But somehow this series got delayed and what a better occasion than today. Today we discuss Sahir’s association with music directors where they collaborated for only ‘one movie’ (or ‘only one song in some cases).

Today’s song is composed by Hridaynath Mangeshkar from the ‘1981’ movie ‘Dhanwaan’.
And today 26th October’2020 (born on 26th October 1937) is the eighty-third birth anniversary of Hridaynath Mangeshkar. So here is wishing him too a very happy birthday and healthy and peaceful life ahead.

Coming to the list of music directors where Sahir had only one film association the list as given below; (I have tried to compile the details accurately as possible, and would request readers to bring to my notice if any mistake is there and forgive me for that error).

S.no Name of the Movie Year Music Director Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Aazadi Ki Raah Pe 1948 G.D. Kapoor 1 4 4
2 Alif Laila 1953 Shyam Sundar 8 8 8
3 Humsafar 1953 Ali Akbar Khan 7 8 8
4 Sholey 1953 Dhani Ram 1 1 1
5 Saavdhan 1954 Vasant Ramchandra 7 7 7
6 Chingaari 1955 Manohar 1 1 1
7 Didi 1959 Sudha Malhotra 1 1 1
8 Laal Nishaan 1959 Nirmal Kumar 1 1 1
9 Girl Friend 1960 Hemant Kumar 7 7 7
10 Maasoom 1960 Robin Banerjee 1 1 1
11 Bahurani 1963 C. Ramchandra 7 7 7
12 Bhaai Ho To Aisa 1972 Sonik Omi 1 5 5
13 Nawaab Saahib 1978 C. Arjun 5 4 5
14 Kaalaa Patthar* 1979 Rajesh Roshan 7 6 7
15 Dhanwaan 1981 Hridaynath Mangeshkar 4 5 5
Total 15 movies 59 66 67

(*jageya jageya considered as two-part song)

Coming back to the today’s movie, Dhanwaan-1981” was directed by Surendra Mohan for ‘Film Nagar, Bombay’. It was produced by Sohanlal Kanwar.

This movie had Rajesh Khanna, Reena Roy, Rakesh Roshan, Shakti Kapoor, Pinchoo Kapoor, Vijayendra, Mazhar Khan (there were two persons with same name Mazhar Khan(reference-HFGK)), Aruna Irani, Birbal, Kamal Deep, Chandrashekhar, Ajit Kumar, S.N. Tripathi, Madhok Sharma, Baljeet Mineria, Master Vikas, Om Prakash and others.

This movie was passed by Censor Board on 01.07.1981.

This movie had five songs (to be corrected on the blog) written by Sahir Ludhianvi and composed by Hridaynath Mangeshkar.

Here is the list of songs as per their appearing order in HFGK Vol-VI (1981-1985). Four songs have already been posted on the blog;

Song Posted On
Idhar aa aa aa bhi jaa 21.02.2013
Kuchh log mohabbat ko vyopaar samajhte hain 07.01.2020
Ye aankhen dekh kar ham saari duniya bhool jaate hain 11.09.2008
Maaro bhar bhar kar pichkaari 13.03.2017
Ho balle balle bhai reshmi dupatta waaliye … Being posted today

Last but not the least, to add the above celebrations, this movie ‘Dhanwaan-1981’ gets ‘Yippeeee’ed’ on the blog today with all its songs covered.

Let us now enjoy today’s ‘nok-jhonk’ song 😊 sung by Lata Mangeshkar, Mahendra Kapoor and Amit Kumar…

Mazhar Khan and Aruna Irani are lip syncing in the voices of Mahendra Kapoor and Lata Mangeshkar respectively. I guess that the Amit Kumar’s voice is for Rajesh Khanna who resolves the ‘nok-jhonk’ and make Aruna Irani accept the proposal of Mazhar Khan. However, the video for the Amit Kumar part is not available. The lyrics as per the audio link which is a longer version.

Let us now enjoy this foot tapping entertaining song. 😊

Video (Partial)

Audio (Full)

Song-Ho balle balle bhai reshmi dupatte waaliye (Dhanwan)(1981) Singers-Mahendra Kapoor, Lata, Amit Kumar, Lyrics-Sahir Ludhianvi, MD- Hridaynath Mangeshkar
All
Male chorus
Female chorus

Lyrics

ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
tera roop lashkaare maare
reshmi dupatte waaliye ae
ho tauba tauba
ye gora rang aafat hai
tauba tauba
ye gora rang aafat hai
peechhe pad gaye saare kunwaare

gora rang aafat hai

ho balle balle
bhai duniya ke jamghat mein
sabhi dil milne ke mele ae
duniya ke jamghat mein ae
haa jaa jaa
jaa jaa ke main naa tere haath aaun
chaahe laakh tu paapad bele ae

main naa tere
haath aaun

hai ke jamghat mein ae
sabhi dil milne ke mele ae

main naa tere
haath aaun
chaahe laakh tu paapad bele ae

ho balle balle balle
maan jawaani ka
gori aashiqon ki qadar naa jaane
maan jawaani ka
ha jaa jaa jaa jaa
ke main naa tere munh lagti ee
badaa aaya qadar karaane ae

main naa tere munh lagti

ho balle balle bhai
ham hi mein aib kya hai
tujhe kisika to ghar hai basaana
ham hi mein aib kya hai
tauba
tauba
tauba
tauba
tauba

haaye
tauba
haaye
tauba
haaye
tauba
tauba

tauba tauba ke main naa tere ghar jaaun
chaahe pad jaaye thaane jaanaa

main naa tere ghar jaaun

baliye ae ae ae ae
goriye
soniye
baliye ae
baliye
ho balle balle
ke buddhi ho ke tarsegi
koyi aayega na haath pakadne
buddhi ho ke tarsegi
are jaa jaa
jaa jaa
ke tere jaise laakhon hain
kayi aayenge naak ragadne

tere jaise laakhon hain
ho balle balle
bhai reshmi dupatte waaliye
ho tera roop lashkaare maare
reshmi dupatte waaliye ae
aa haa

jawaani phir naa aaye
karegi haaye haaye
aa haa karegi haay haaye
mera gham tu kyun khaaye
tujhe kyun neend na aaye

aa haa
tujhe kyun neend na aaye

jo tujhpar aankh tikaaye ae ae
wo tera maan badhaaye
jo tujhpar aankh tikaaye
wo tera maan badhaaye
wo tera maan badhaaye

tu chaahe mar bhi jaaye
ye jatti haath na aaye

aa haa
ye jatti haath na aaye

naa jab tak haan kahlaaye
ye jatt waapas naa jaaye
aa haa
ye jatt waapas naa jaaye

jo mujhko haath lagaaye ae
wo apnaa sar tudwaaye

jo mujhko haath lagaaye
wo apnaa sar tudwaaye
wo apnaa sar tudwaaye

jo mujhko haath lagaaye
wo apnaa sar tudwaaye

aa haa
wo apnaa sar tudwaaye

ho balle balle
bhai tere aage haath jodtaa
ho balle balle
bhai tere aage haath jodtaa
jaat jisne akhaade jeete ae

tere aage haath jodtaa
baliye ae ae ae
soniye
soniye
baliye baliye
balle balle
bhai tere aage haath jodtaa aa

achchaa achchaa to aaj maine
haan kar di
achchaa achchaa to aaj maine
haan kar di
ise taalte bahot din beete ae

aaj maine haan kar di
ho balle balle
bhai reshmi dupatte waaliye
ho balle balle
bhai reshmi dupatte waaliye
oye tera roop lashkaare maare ae
reshmi dupatte waaliye ae

aa haa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4472 Post No. : 15972

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 106 # Tribute to Music Director Shankar #
——————————————————————————————–

Today 15th October is (15.10.1922) is ninety-eighth Birth Anniversary of the genius music director Shankar Singh Raghuvanshi or known popularly as Shankar of Shankar-Jaikishan duo.

He was born on 15th October’1922 at Hyderabad Deccan in the then state of Hyderabad.
And left this mortal world at the age of sixty-four on 26th April’1986 at Bombay.

As a tribute to him I am presenting a song from the 1977 movie ‘Duniyaadaari’.

One beautiful song from this movie has been posted on the blog on 15th October’2012 which was ‘naao kaaghaz ki gehraa hai paani’ …

As we are all aware the golden period of Shankar-Jaikishan was already over as the HFM embarked in the decade of seventies. The lot of R.D. Burman, Laxmikant-Pyarelal, Kalyanji-Anandji and many others were already producing chart burster music that was getting popular among the masses.

I would like to reproduce the ‘text’ here what Atul ji had said about Shankar-Jaikishan and the ending of their ‘era’ in his article while posting the first song of this movie ‘Duniyaadaari-1977’.

Shankar Jaikishan, the most dominant music directors during the golden era of Hindi movie music ruled the roost for two decades from 1949 to 1968 till R D Burman rose like a meteor and changed the rules of the game.

Many other developments took place during that time. One of those developments was that Jaikishan died in 1970 and that way the Shankar Jaikishan jodi was physically separated. Moreover, “Mera Naam Joker” (1970) flopped and after that Raj Kapoor made up his mind to overhaul his musical team making a clen break from his tried and trusted musical team of the past two decades.

Shankar continued to compose music under the name of Shankar Jaikishan. But the time passed, assignments from top banners gradually dried up and Shankar ended up composing music for lesser banners. His songs from mid 1970s onwards were not quite as popular as the music of his heydays.

Nevertheless, Shankar composed some memorable songs even in his second innings as a solo music director, even if they are not as well-known as the music of his earlier decades.

Today’s movie is one such movie whose songs are quite nice and were popular I think (since I have not watched this movie) and other notable movies to mention I think is ‘Sanyaasi-1975’ whose songs were heard everywhere on radio and loudspeakers. Songs of ‘Resham Ki Dori-1974’ were also nice songs if we consider them as composed by Shankar solely.

In the previous month while paying our tributes to Jaikishan on his Remembrance Day I had mentioned about the year 1971 and had wrote that; -“Shankar Jaikishan ruled the music charts in 1971 with their ‘Zindagi ek safar hai suhaana’ ranking top of the annual ‘Binaca Geetmala’ list. ”

In 1971 Shankar Jaikishan composed music for as many as seventeen movies out of 115 released movies that year. Moreover there was an un-released movie as well viz. ‘Bombay Talkie-1971’ making it a total of eighteen movies for the year for Shankar Jaikishan.

That was for 1971. Let us now have a look on the number of movies in which the name of Shankar-Jaikishan appeared as Music Director from 1972 to till 1977.
(we will again have a look on their filmography from 1978 to 1986 in future posts).

S.No. Year No of Movies No of Movies ‘Released’ in the Year
01 1972 08 131
02 1973 07 137
03 1974 07 132
04 1975 05 118
05 1976 Nil 105
06 1977 02 134
Total 29 movies

S.No. Movie Passed by Censor Board on Lyricist/s
1972
01 Aanbaan 15.04.1972 Hasrat Jaipuri, Gulshan Bawra
02 Aankh Michouli 26.04.1972 Rajinder Krishan
03 Aankhon Aankhon Mein 05.04.1972 Hasrat Jaipuri, Verma Malik
04 Bandagi 17.05.1972 Rajinder Krishan
05 Beimaan 05.06.1972 Verma Malik
06 Dil Daulat Duniya 12.06.1972 Hasrat Jaipuri, Neeraj, Shaily Shailendra, Verma Malik
07 Jungle Mein Mangal 27.12.1972 Hasrat Jaipuri+Neeraj
08 Rivaaj 19.08.1972 Kaifi Azmi, Indeevar, S.H. Bihari, Neeraj, Anjaan, Hasrat Jaipuri
1973
01 Aaj Ki Taazaa Khabar 30.07.1973 Hasrat Jaipuri
02 Archanaa 01.10.1973 Hasrat Jaipuri, Indeevar, Neeraj
03 Chori Chori 04.12.1973 Gulshan Bawra
04 Daaman Aur Aag 08.01.1973 Hasrat Jaipuri
05 Door Naheen Manzil * 03.10.1973 Anjaan, Indeevar
06 Nainaa 10.09.1973 Hasrat Jaipuri, Indeevar, Kaifi Azmi
07 Pyaar Ka Rishtaa 30.01.1973 Shakeel Badayuni, Indeevar
1974
01 Chhote Sarkaar 14.08.1974 Rajinder Krishan
02 Insaaniyat 16.05.1974 Hasrat Jaipuri, Indeevar
03 International Crook 19.07.1974 Aziz Kashmiri
04 Meraa Vachan Geetaa Ki Qasam 23.07.1974 Hasrat Jaipuri
5 Resham Ki Dori 12.08.1974 Neeraj, Hasrat Jaipuri, Indeevar
06 Taarzan Meraa Saathi* 24.12.1974
07 Vachan 23.05.1974 Hasrat Jaipuri, Kiran Kalyani, Shaily Shailendra
1975
01 Do Jhooth 10.06.1975 Verma Malik, M.G. Hashmat, Vishweshwar Sharma, Vithalbhai Patel
02 Love In Bombay 31.01.1975 Majrooh Sultanpuri, Kishore Kumar+Anand Dutta
03 Neelima 16.09.1975 Majrooh Sultanpuri, Anjum Jaipuri
04 Saazish 03.02.1975 Hasrat Jaipuri
05 Sanyaasi 09.10.1975 Indeevar, Hasrat Jaipuri, Verma Malik, M.G. Hashmat, Vishweshwar Sharma, Vithalbhai Patel
1976
Nil
1977
01 Dhoop Chhaaon 23.03.1977 Kaifi Azmi, Vithalbhai Patel, Vishweshwar Sharma, Virendra Mishra
02 Duniyaadaari 22.10.1977 M.G. Hashmat, Vishweshwar Sharma, Prabha Thakur, Vithalbhai Patel

Coming back to today’s movie now ‘Duniyaadaari-1977’, it was directed by Ram Kelkar for ‘Filmnagar, Bombay’. Ram Kelkar was also the writer of this movie. It was produced by Sohanlal Kanwar. Smt Vijayalaxmi was the co-producer of this movie.

It had Nutan, Vinod Mehra, Parikshit Sahni, Bindiya Goswami, Ranjeet, Asrani, Aruna Irani and Om Prakash, with Shashikala, Kanhaiyalal, Dr Shreeram Lagoo, Helen, Sulochana, Jayshree T., Meena T., and supported by Kuljit, Birbal, Bihari, Tun Tun, S.N. Tripathi, Chandrashekhar, Karan Deewan, Bharat Bhushan, Rajan Haksar, Asha Potdar, C.S. Dubey, Sheikh, Lamba, Kamal Deep and others. Vijay Arora, Radha Saluja, Raj Mehra and Rama Vij make special appearance in this movie. Editing of this movie was done by Nand Kumar,

This movie had six songs written by M.G. Hashmat (two songs), Vishweshwar Sharma (two songs), and Prabha Thakur and Vithhalbhai Patel wrote one song each.

Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Usha Mangeshkar, Amit Kumar and Shobha Gurtu (and Anwar, Khan Saheb and Naseem Chopda as mentioned in HFGK, not mentioned in the titles of the movie)

Music is composed by Shankar-Jaikishan.

This movie was passed by Censor Board on 22.10.1977.

Let us now enjoy today’s song … On screen Asrani and Aruna Irani are performing and lip syncing the song in the voices of Amit Kumar and Asha Bhonsle respectively.

The song was embedded deep in my subconscious memory and I had forgotten about it. It was only during last year when I was in Kenya that at some instance I broke into humming (singing could also be the correct word? 😊 ). After that I looked for its details and got to know that it is from this movie ‘Duniyaadaari-1977’.

Let us now enjoy this song and pay our tributes to the genius music director Shankar today. I hope you will enjoy today’s song …

I would also request knowledgeable readers to throw more light on this movie and its songs.

(Note: – for those interested to watch this movie, it is slated for premier on ‘YouTube’ on 31.10.2020)

Audio (Full song)

Song-Teen baje bola thha baj gaye chaar (Duniyaadaari)(1977) Amit Kumar, Asha Bhonsle, Lyrics-M G Hashmat, MD-Shankar Jaikishan
Both
Asrani
Aruna Irani

Lyrics

Priyaa aa

hey arey arey arey ha ..
Priyaa
arey ye kya kar rahe ho
wo main nahin hoon

hya … oh
to Priyaa kyun nahin aayi

mujhe kya maaloom
usne to kahaa thha ke main teen baje aaungi

ho teen baje bola thha
baj gaye chaar
aur kitni der tak
karoon intezaar
arrey teen baje bola thha
baj gaye chaar
aur kitni der tak
karoon intezaar
ghadiyaan intezaar ki
guzaar ke dikhaaunga
aaj mil jaaye to
udaa ke le jaaunga
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
hey ae
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
lagtaa hai phans gayi
aaj nahin aayegi
duniyaa se daregi to
pyaar kya nibhaayegi

hey ae teen baje bolaa thha
baj gaye chaar

chaar paanch chhe kya
saat bajenge
din dhalegaa yahin
raat hogi ee ee

arey apnaa to bistar
yahin pe lagegaa
jab talak naa
mulaaqaat hogi ee
haan aan aan
pyaar ke raaste mein
subah tak
khadi duniyaa ki deewaar hogi

duniyaa ki deewaar ko
tod ke dikhaaungaa
aaj mil jaaye to
udaa ke le jaaunga
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
badi natkhat hai wo
nakhre dikhaayengi
pyaar jitnaa karoge
wo utnaa tadpaayegi

hey hey
teen baje bola thha
baj gaye chaar

haan aa
ye lo uski chitthi ee

chitthi mein likha hai
raat mein aana
aur andhere mein seetie
ee bajaanaa aa
dil ke mandir mein ghanti
bajegi
ghar se niklegi kar ke
bahaanaa aa
aa lekin guru hai gharwaale
unki nazron se khud ko bachaana

aa
arey guruon ka mahaaguru
ban ke dikhaaunga
aaj mil jaaye to
udaa ke le jaaunga
hee oo
teen baje bola thha
baj gaye chaar
aur kitni der tak
karoge intezaar
lagtaa hai phans gayi
aaj nahin aayegi
duniyaa se daregi to
pyaar kya nibhaayegi

arey teen baje bola thha
baj gaye chaar
nahin aayegi to kya karoge
uski chaukhat pe jaake maroonga
naa naa naa naa
tum maroge to
mera kya hogaa

hee hee
o pirchhi gaana aa ??
hee hee
pirchhi gaanaa aa ??

sunke aawaaz meri
dhadkan ki
teri aankhon mein aaya
kyun paani ee ee ee
pyaar maine
chhupaana to chaahaa
aansoo kah gaye
dil ki kahaani ee ee
aakhri saans tak
tere saath main
ab guzaarungi ye zindagaani

arey ban gayi baat
ab baaraat leke aaungaa
aaj mil gayi hai
udaa ke le jaaunga
aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa

aaj mil gayi hai
udaa ke le jaaunga
laa la la la laa laa
laa la la la la laa laa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4431 Post No. : 15864

Remembrance day of Mukri :

Mukri also spelled as Muqri was an Indian film actor, who worked as a comedian in Hindi films. Born as Muhammad Umar Mukri in Alibagh, in Kokani Muslim Family, he started his film career with the film Pratima along with noted film actor Dilip Kumar in 1945. Born of 5th January 1922, he left for heavenly abode on 4th September’2000 at the age of 72 years.

Mukri was seen in many films in character roles and comic role. One movie which comes to mind in ‘Ram aur Shyam”. Here also he featured with Dilip Kumar as his friend.

Today is the 20th death anniversary, so as a tribute, I have found a wonderful comic song picturized on Mukri and Mehmood. The film is ‘Madhavi’(1969), with Laxmikant –Pyarelal and Anand Bakshi as music director and lyricist. The movie had very good songs, I hear. This is the only Rafi song picturized on Mukri which remained to be posted, going by the information is Rafi sahab’s excel sheet. I expect, Mukri may not be as prolific as Mehmood, Johhny Walker or Agha. So there are most likely fewer songs where he actually sings. In this song Manna De is giving playback for Mehmood and Rafi Sahab is singing for Mukri. Now, in the absence of song video, how can I be certain of this ? I have searched on youtube, though the movie “Madhavi” is available, video of only one song is there. All other songs, only audio is available, including the song being posted. Actually, on closer inspection, there are voices of both Mehmood and Mukri are there is the song along with the singers. This is a comic song in real terms, maybe a rip-off on “Padosan” songs.

It was my husband who confirmed the playback for Mehmood and Mukri. As I was noting the lyrics this evening, he asked from where I had found this song from ‘Madhavi”. This is not a known song for me, but may husband knows the songs of this film very well.

The name did ring a bell that I had contributed the lyrics of Lata solo of the two songs posted :

parda hata de mukhda dikha de
saanjh sawere adharon pe mere

My husband also helpfully given the story outline of this costume drama film of Kings, Princes and Princesses. Sanjay Khan is a prince and Deepa, in title role of Madhavi, is a princess. Mehmood and Mukri are all part of the Sanjay Khan’s entourage. This songs is performed on stage. Pran is the Senapati of Sanjay Khan, and he has this dialogue as his ‘takiya kalaam” :

“Shaadi karungaa to sirf madhavi se, warna maut se !”

Video

Audio

Song-Saamne mere paani bharte… na karoon band tere chhand tingu (Madhavi)(1969) Singers-Manna Dey, Rafi, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

Aa eeeeee
ae eeeeeee
aaaaaaaa aaaa
ae……
saamne mere paani bharte
baden baden kaviraaj
arey ik chhota sa machhar aayaa aaa
mujh se ladne aaj
hee hee hee heeee
hamm mmm
he he he he he
machhar boltaa hai
khatmal ke bachhe

(Laughter)
na karun band tere chhand
thingu
hey thingu
to mera naam nahin
na karoon
na karoon band tere chhand
thingu
hey thingu
to mera naam nahin

hey………
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin
kavita
kavita chhod re
chal daud lambu
hey lambu
yeh teraa kaam nahin

yaad karaa dungaa main nani ee ee
nani ee
yaad karaa dungaa main nani
(coughing sound)
paani
jis ki bhains ussi ki laatthi
jis ka ghoda ussi ki kaatthi
naach na jaane
da da triga da
naach na jaane
aangan tedha

tu to hai Mathura ka peeda aa

gaaliyaan denaa
baat hai gandi ee

ye kavita hai
ya tuk bandi

hey ea ea ea
hey ea ea ea
hey ea ea ea
hey ea ea ea

na doon main
na doon main
tod tere jod tthingu
hey tthingu
to meraa naam nahin

kavita
kavita chhod re
chal daud lambu
hey lambu

yeh teraa kaam nahin

“>ek to dhelaa
uss pe khotaa
ek to chhotaa
uss pe motaa
main lekhak sansaar chalaaun un
chalaaun

meeaunw
main lekhak sansaar chalaaun
main sainik talwaar chalaaun
aa jaa
arey aa jaa
nahi
aa jaa
jaa jaa
arey aa jaa aa jaa
sainki lekhak se na ladnaa
wah wah wah wah
phir se padhnaa

sainik lekhak se na ladnaa
maaroongaa
aage na badhnaa
bol gagan pe kitne taare
aaj ginoongaa raat ko pyaare
yeh gori mujh pe hai marti
lekin mujh se pyaar hai karti
oye oye oye oye oye oye oye
oyo oyo oyo oyo oyo oyo
peyn peyn teyn teny peyn peyn
peyn peyn teyn teny peyn peyn
…… ………
……. ………

chup
tu maali
tere haathh mein khurpee
bol
bol bol
chup kyun ho gayaa
tu maali
ter haath mein khurpee

khurpee
mmmmm
mmm
tu teli
tu teli
tere sar pe kolhu

nai
nai
nai
nai
nai
nai
qaafiyaa nahi milaa

arey qafiyaa nahi milaa to kya huaa
wazan se to maregaa aa
(Laughter)


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4426 Post No. : 15847

———————————————–————————————
Blog 10-Year Challenge (2010-2020) – Song No. 65
———————————————————————————–

Ten years ago on this day (30 august 2010), six songs from six different movies were covered in the blog. Here are the details:-

Movie title-Year Remarks
Aaj apni mehnaton ka mujhko samra mil Doctor-1941 All songs covered
Ham unke paas aate hain Nayaa Ghar-1953 All songs covered
Kismat banaane waale zaraa saamne to aa Pardes-1950 All songs covered
Arre taubaa ye teri adaa 12’ O Clock -1958 All songs covered
Aaya re khilaune waalaa Bachpan-1970 02 songs posted
Muhabbat bade kaam ki cheez hai Trishul-1978 All songs covered

We can observe that five out of six movies that figured on the blog have been YIPPEED by now. Only “Bachpan”(1970) still has a few songs left to be covered.

Only two songs from “Bachpan”(1970) have been covered on far. First song was discussed ten years ago, and the next song in 2016. Here are the details:-

Song Posted On
Aaya re khilaune waalaa 30.08.2010
Mother Mary maa ham tere dulaare hain 25.12.2016

The song under discussion today is sung by Lata. Anand Bakshi is the lyricist. Music is composed by Laxmikant Pyarelal. The song is picturised on Aruna Irani as a desi UP-Bihar version of cabarat song. Joginder Shelly and Anwar Hussain are als visible.

Lyrics of this song were sent by Prakashchandra while BTYC details were sent by Avinash Scrapwala.

audio link:

video link:

Song-Prem ka rog lagaa loon kaise jee ko main saanwariya(Bachpan)(1970) Singer-Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics(Provided by Prakashchandra)

prem ka rog lagaa loon kaisey
jee ko main sanwariya
hho balma chhoti si
chhoti si meri baali umariyaa
balma chhoti si
chhoti si meri baali umariya
kaahey ko najariya se tu giraaye bijuriya
hho balma chhoti si
chhoti si meri baali umariya
balma chhoti si
chhoti si meri baali umariyaa

kaliyon si bholi bhali
piya phoolon ki main hoon daali
kaliyon si bholi bhali..ee
piya phoolon ki main hoon daali
arrey mitti ki main hoon gudiyaa
ahhaa mitti ki main hoon gudiyaa
naajuk sheeshey ki main hoon pyaali
panghat se utthaa ke laaoon
kaisey main gagariya
hho balma patli si
patli si meri naajuk kamariya
balma patli si
patli si meri naajuk kamariya
prem ka rog lagaa loon kaisey
jee ko main sanwariya
hho balma chhoti si
chhoti si meri baali umariya
balma chhoti si
chhoti si meri baali umariyaa

nanhi si ek kiran hoon
abhi itni si main sajan hoon
nanhi si ek kiran hoon oon
abhi itni si main sajan hoon
chaloon tham tham ke dar se aissey ae
chaloon
tham tham ke dar se aissey jaissey
main chaahoon main pawan hoon
rimjhim rimjhim barsoon kaisey
bann ke main badariya
hho balma pyaasi si
pyaasi si meri vyaakul najariyaa
balma pyaasi si
pyaasi si meri vyaakul najariyaa
prem ka rog lagaa loon kaisey
jee ko main sanwariya
hho balma chhoti si
chhoti si meri baali umariyaa
balma chhoti si
chhoti si meri baali umariyaa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4414 Post No. : 15817 Movie Count :

4360

Hullo Atuldom

At the outset I must admit that I am a little confused as I write this post. The person/ celebrity/ actress/ star for whose birthday this is, has aged gracefully and looks fabulous even now. But I am confused about her year of birth. When I wrote this post Phir Bhor Bhayee Jaaga Madhuban in 2018 I found information on various sites on the internet by which I had mentioned that she was turning 64. Over the last few weeks I am finding information by which she would be 74 this year. Can a person age 10 years in two years?

Let me explain. In the past few weeks, during this lockdown, one of the satellite channels, showed an old episode of one their dance reality shows where Bindu and Aruna Irani were guests of honour (found out today that they are cousins). This must have been one of the episodes which was originally telecast in the last two years. And I told my husband (bless him for enduring all these re-runs with me) that Bindu turns 69 this year and Aruna Irani is a few years younger and how well she has looked after herself and maintained herself. Then as I was googling to confirm the dates of birth of the two, I was surprised to see that the year of birth is given as 1946. Anyways there is a saying “not to ask a lady her age and a man his wage.” So, let us just wish our dear Aruna Irani a very Happy and healthy life.

She has had along wait before she could settle in life with a man who loved her. She made her debut in movies at a young age of 8 or 9 playing the young Azra in “Gunga Jamuna”. She had to give up on schooling so that she could help support the family which had financial problems and could not educate all eight children. I find that this is the story of many actors of that time. Her father was an Irani and mother a Hindu. Her brothers Indra Kumar (who made the Aamir Khan Madhuri Dixit starrer DIL), Adi Irani (plays mainly character roles in movies and television), Firoz Irani (also an actor. producer, writer, director) are all well settled in the entertainment industry and she has had a major hand in setting them up.

She claims that she was a bad dancer who learnt dancing on-the-job. We have seen her comic side in movies where she had paired with Mehmood in the 70s and later in movies where she was with Asrani and Kadar Khan. She was the topmost actress in Gujarati movies even as she played supporting characters in Hindi, Marathi, Kannada etc. I remember seeing her in the Tamil remake of “Deewar” essaying the same mujra as she had done in Hindi- the song “koi mar jaaye kisi pe yeh kahan dekha hai”. She has produced and directed a few serials and acted in them too.
Today, for her birthday we will be seeing her as a not-so-young bua to Karisma Kapoor and Pooja Batra who are elated that she has finally found someone and likes him enough to think of marrying him. The song is at the engagement of the bua with Pooja’s fiance’s (Sanjay Dutt) uncle/ chachaji Rai Bahadur (Govinda). This movie has the two heroes trying to woo the heroines only Govinda has to double up as chacha and bhatija. In the process, before the niece the bua gets wooed.

The song is from David Dhawan directed “Haseena Maan Jaayegi” (1999) which had Anupam Kher playing the father of the girls, Kadar Khan played father of the boys. A part of the movie is inspired by “Pyaar Kiye Jaa” and we have Govinda donning a grey wig and beard and playing his own chacha. Paresh Rawal, Ashish Vidyarthi adding spice to this all round comedy.

The song is in the voices of Sonu Nigam, Kavita Krishnamurthy and Ravi Shankar (hearing this name for the first time). Anu Malik is the music director and Sameer the lyrics in-charge.

Audio

Video

Song-Dulha bhi laajawaab hai dulhan bhi laajawaab (Haseena Maan Jaayegi)(1999) Singers-Sonu Nigam, Kavita Krisnamurthy, Ravishankar, Lyrics-Sameer, MD-Anu Malik

Lyrics

aaaaa aaaaaa
aaaaa oooooo

rab ne bhi khoob jodi haye
rab ne bhi khoob jodi banaayi hai janaab
dulha bhi laajawaab hai
dulhan bhi laajawaab
rab ne bhi khoob jodi banaayi hai janaab
rab ne bhi khoob jodi banaayi hai janaab
dulha bhi laajawaab hai
dulhan bhi laajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

ni sa sa re sa sa
ga sa sa re sa sa
ni sa sa re sa sa
ga sa sa re sa sa
pa pa pa ma ma ma
ga ga ga re re
ma ma ma
ga ga ga re re re sa

dulha hai laal peda
dulhan hai rasmalai
dulhe ne aise dekha
dulhan ko sharm aayi

besharm choodiyon se
aati hai ye sadayein
na der kar o dulhe
jaldi se tham baahein

dulha jo chale tan ke
dulhan ki choodi khanke
dono ka milan hoga
lagta hai aaj jam ke
dulhan chunar ke peeche
sharmaake chupti jaaye
dulhe ki nazar se woh
lagta hai bachhti jaaye
ho oo
honthon pe halka halka
honthon pe halka halka
aane laga hai jaam
dulha bhi lajawaab hai
dulhan bhi lajawaab

dulha bhi lajawaab hai
dulhan bhi lajawaab

baaghon mein bhi na hoga
koi gulaab aisa
dulhe pe aaj dekho
aaya shabab kaisa

foote hai dil me laddu
armaan machal rahe
pyaasi jawaaniya hai
tan man pighal rahe hai

haaaaaan haaaaaye ae ae ae
haw haw haw haw
haw haw hawww
kaisa hai haal mera
yaaron mai kya bataaoo
maare khushi ke dekho
paagal na main ho jaaoon
kaajal se rang kaala
jaa ke zara churaalo
logo buri nazar se
mujhko zara bachha lo

hooo
poori huyi tamanna aaaa hoo
poori hui tamanna
sach ho gaye hai khwaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

dulha bhi lajawaab hai
dulhan bhi lajawaab

rab ne bhi khoob jodi banayi hai janaab
rab ne bhi khoob jodi banayi hai janaab
dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

dulha bhi lajawaab hai
dulhan bhi lajawaab
dulha bhi lajawaab hai
dulhan bhi lajawaab

aaaa aaaaaaaa
aaaaaaaa aaaaaa
aaaaaaaa


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4388 Post No. : 15749

Hullo Atuldom

Today’s song is sure to get a “How Come?” reaction from all concerned, even Atulji and Sudhirji will probably include it in the category of “How come this song was not posted earlier?” and “How did I forget to post this song earlier?”. Also I know we have fans of today’s song among the followers of the blog who will say “How did we miss it in all these 12 years of the blog?” I, who regularly try and send a song for the birthday and anniversary of the main actor in this song, also kept putting it off for God Knows what occasion!!!

But better late than never. And here is an all-time popular song.

There are hundreds of multi-version songs in filmdom. Usually we will have the same song sung as happy and sad, male- female, family reunion versions etc. Today’s is a hatke (different) multi-version song. It cannot be categorized as Happy-Sad or Male -female versions. In both versions of this song all the characters involved lip-sync. There are two couples, hence four singers. And finally, the mood of the songs are “roothna-manaana” and/or “teasing song”. I won’t call it eve-teasing as one song has the girls teasing the guys. There is equality here. 😉
The first version (in the movie) happens when the boys -Chuttan and Puttan land up accidentally in the house of Shaila (Aruna Irani) and she walks in, with her friend Poonam (Anjana -she was not yet Anjaana Mumtaz then). The girls have the upper hand in this version as they threaten the boys of handing them over to her father (Jeevan) or Poonam’s inspector brother (Chandrashekar). The song closes with the girls tying up the boys.

The second one is in Mahabaleswar where the boys are in hiding from their strict father (Ashok Kumar). I must mention here that I was reminded of this movie because of Guruji’s recent post where he mentioned the actress who played the mother character to Chuttan (Mehmood) and Puttan (Vinod Mehra). This movie “Do Phool” was a 1973 release which was directed by S. Ramanathan, a remake of the Tamil “Anubavi Raja Anubavi”. The movie had four songs written by Majrooh Sultanpuri which were set to music by R D Burman. Only one song from this movie Muthukodi kawaadi hadaa is present on the blog, posted way back in 2009.

Here is the next one today, which also happens to be Mehmood’s 16th anniversary. It is in the vocals of Asha, Usha, Kishore and Mehmood.

Audio Part I

Video Part I

Audio Part II

Video Part II

Song-Maaf Karo Maaf Karo (Do Phool)(1973) Singers-Asha Bhonsle, Usha Mangeshkar, Kishore Kumar, Mehmood, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

———————
Part I
———————

maaf karo
maaf karo
ha jaane do
ha jaane do
arey haye allah
arey haye allah
chhod do na
chhod do na
arre paagal ho gaye ho kya aa tum
baba maaf karo
ha baba maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum

leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
leke roop aisa
dhool mein tum meri jaan firo na
aao jaan-e-jaana
mere dil ki sadak pe chalo na
socho zara
ladki hoon main
itna na sharminda karo
aankhon se tum maro mujhe
thokar se phir zinda karo

(girls blabbering)
chhup
ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum

kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
kaahe bhaagti ho
zaalima hoon main aisa bura kya
kyun hai aisi jaldi
koi wada kisi se kiya kya
jaane bhi do
peecche hato
aage mere kyun ho khade
dekh ke chalo
ae gulbadan
raaho mein hum
bhi hai pade

(mujhe toh rona aa raha hai
mat ro mat ro baby mat ro
chhup)

ma ma ma maaf karo
ma ma ma maaf karo
ja ja ja jaane do
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chh chh chh chhod do na
chh chh chh chhod do na
arre paagal ho gaye ho kya aa tum
m m maaf karo
m m maaf karo
j j jaane do
j j jaane do
hai hai hai allah
hai hai hai allah
chh chh chhod do na
chh chh chhod do na
arre paagal ho gaye ho kya aa tum

————–
Part II
————–

chtu chtu chtu
ho maaf karo,
haan maaf karo
jaane do,
arre jaane do
hai allah,
hai hai allah
chhod do na,
chhod chhod do na
chup

ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chup

aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
ha ha ha
aaye pyar se ho ho
chori chori sitaaron ki chhaiya
ta ra raa
tumko pyaar hi ke
kacche dhaage mein bandha hai saiyyan
keh toh raha
hoon main sanam
maafi karo galti hui
bandhan toh ab (aa)
khulta nahi (oh)
karte raho ui ui
(maine kaha tha na,
tune mujhe fasaaya
tune mujhe fasaaya,
tune
tune mujhe fansaya,
tune, main kaha tha)
chup

ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum

vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main toh maaroongi phoolon ki jhadi
ha ha ha
vaada tha milan ka
badi deri se hoon main toh khadi, ta ra raa
jhoothe baalma ko
main to maaroongi phoolon ki jhadi
nazuk hoon main,
dhakka na do
ro doonga main,
meri kasam
rona nahi,
main bhi kahin rone lagoon
teri kasam
mat ro, mat ro, main kehta hoon mat ro
mat ro
chhup

ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
ma ma ma maaf karo,
ma ma ma maaf karo
ja ja ja jaane do,
ja ja ja jaane do
hai hai hai hai allah
hai hai hai hai allah
chho chho chho chhod do na
chho chho chho chhod do na
arre paagal ho gayi ho kya aa, tum
chhup


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16670

Number of movies covered in the blog

Movies with all their songs covered =1291
Total Number of movies covered=4543

Total visits so far

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Active for more than 4000 days.

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