Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1935


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sharat Chandra Chattopadhyay (also known as Sharat Chandra) was a well known Bengali novelist. Some of his works have been made into feature films in many languages. It is said that more than 50 films have been madethat are based on or inspired from his novels. Apart from some well known Hindi films such as ‘Devdas’ (1935, 1955, 2002) and ‘Parineeta’ (1953, 2005), there were other Hindi films based on his novels and stories such as ‘Pujarin’ (1936), ‘Kashinath’ (1943), ‘Biraj Bahu’ (1954), ‘Majhli Didi’ (1967), ‘Chhoti Bahu’ (1971), ‘Khushboo’ (1975), ‘Swami’ (1977) etc. But the most talked about film based on his novel is ‘Devdas’.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Music director Rai Chand Boral (1903-81) is credited with bringing playback to Hindi cinema with the number “Main khush hona chaahoon khush ho na sakoon”, a chorus song in the New Theatre production Dhoop Chhaaon (1935). A personna no less than the doyen of Hinsustani Cine Sangeet, the late Anil Biswas, reportedly complimented Boral, recepient of the prestigious Dadasaheb Phalke Award in 1978, as the Father of Indian Cinema Music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A ‘raagini’ coming alive – that would be an experience worth paying for with everything in life, including life itself. Imagine the circumstance – a private ‘sangeet sabha’ – musical congregation. The singer singing at the request of and in the honor of his spiritual guru. He renders Raag Jaunpuri, with such intense affection – and after some time a moment comes to pass where the entire gathering is transported into a magical surrealism, and the people present actually envision a very beautiful lady bedecked in fine jewellery and attire, slowly ambling amongst them. It is not an individual experience, but a vision perceived by many who were present. A worried guru motions the singer to slow down, and fade away the singing. But the vision persists. Eventually, the guru directs the singer to render Raag Bhairavi, and slowly the apparition fades away.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Nagendranath Sanyal, more famously known as Pahari Sanyal, was born on 22nd February, 1906, in Darjeeling. Being born in the hilly region, he got the nickname as Pahari, a name that stuck for the rest of his life. His school education was completed in Lucknow. After completing his schooling, he enrolled in Benaras Hindu University, in engineering course. But his destiny and his interest dictated otherwise. He dropped engineering studies and joined classes for Hindustani classical music at Morris college in Lucknow. He learnt both classical vocal music and also instrumental music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contrributor to this blog.

Everything that Saigal Saab has rendered, is special. And then, whatever one is listening, in the moment, always seems more special than the others. That is the magic of this voice, no matter how many times one may have heard that particular song or ghazal before. Many ghazal singers have come after Saigal Saab, but somehow, when one listens to a ghazal rendered by him, there does not seem to be anything better, anything to compare in the world.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Karwaane e Hayaat is a 1935 production from New Theatres, Calcutta. It is a costume adventure drama directed by Premankur Athorty. Drawn up in the early years of the industry, this film is a trendsetter and a precursor to many other films that will follow over the years, using the same theme with some variations.
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