Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1950


This article is writtten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The ghazal ‘ae mohabbat tere anjaam pe ronaa aayaa’ and Begum Akhtar are inseparable. If ‘deewaana banaana hai to deewaana banaa de’ (1925) heralded the arrival of Begum Akhtar as a ghazal singer, ‘ae mohabbat tere anjaam pe ronaa aayaa’ (early 1950s) consolidated her position in ghazal singing paving the way for her to be bestowed upon the title of ‘mallika-e-ghazal’ later. I came to know about Begum Akhtar in my younger days only because of this ghazal which was regularly played on the radio. The simple words in this ghazal with the captivating style of Begum Akhtar’s rendition attracted not only the connoisseurs of ghazals but also the commoners. No wonder, the sales of gramophone records of this ghazal attained the stature of a platinum disc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Reverberating through the caverns of mind, comes this deep and soothing baritone voice of CH Atma. This song is another priceless and incomparable gem that he has renderded as a non-film offering.
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This article is wtitten by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Curiosity is a natural emotion every man has. One is always curious to know about his friends, environment, neighbours, even enemies. This curiosity becomes an urge when the subject of curiosity is a celebrity. Celebrities always show only one side of their life, usually the positive one. People are anxious to know more about them, their private lives etc. That is why autobiographies of celebrities are lapped up by the public.
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“Sargam” (1950) was a Filmistan Production movie. It was directed by P L Santoshi, The movie had Raj Kapoor, Rehana, Om Prakash, Mumtaz Ali, Paro, Ratan Kumar, Chandabai, Rajendra, David Abraham, Tabassum, Radha Krishnan, Samson, Vijayalaxmi, Ramsingh, S. L. Puri, Sudesh etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Until 1970, I was only aware of old Hindi film songs from popular films like ‘Mahal’ (1949), ‘Barsaat’ (1949),’Malhar’ (1951),’Baiju Bawara’ (1952), ‘Ashiana’ (1952), ‘Patita’ (1953), ‘Anarkali’ (1953), ‘Seema’ (1955) and many more of such films. It was only when I was initiated by a friend into some lesser known gems from the films which I have never heard of, my interest in such songs grew. My friend used to arrange periodic meetings of like minded persons, mostly in his house. He had a mind boggling collections of such songs in 78 RPM gramophone records ( I guess, it was nearly 1000 in numbers). He had also had some audio cassettes containing lesser known songs recorded from Radio Ceylon and also from 78 RPM records held by some of his friends. During those meetings, he would select some rare songs and play on his Gerard record changer attached to his radiogram followed by discussions. Since I was a novice in this segment of old Hindi film songs, I was only a listener to those discussions. Later, I became aware of the fact that behind tha facade of popular old Hindi film songs, there exists a big store of lesser known jewels.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

The first time we hear of Khayyaam as a music director is in the 1951 film, ‘Pyaar Ki Baaten’. In this film, he shares the honors of music composition with Bulo C Rani. But certainly, this is not his first film as a music director. He has been active in the industry since 1948, albeit has was using a different name. In 1947-48 when he came to Bombay looking for opportunities as a music director, some producers and friends suggested to him not to use his original name, and so he adopted a pseduonym – Sharma ji. Under this name he composed music for three films, before reverting to his original name with the film, ‘Pyaar Ki Baaten’.
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