Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1951


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 4-Pt Motiram
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Mayanagari Mumbai attracts people. Earlier, when it was BOMBAY (Bambai), it acted like a magnet for all those who wanted Name, Fame and Wealth. Bombay gave this all to the Lucky and the Desrving with both hands stretched fully.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The Shammi-Arjun starrer Malhaar (1951), which was conceived by S.K.Pal and directed by Harish, was first of the two films produced under the banner of Darling Films by singer Mukesh (the other being “Anuraag” in 1956). It had a young and largely inexperienced cast and crew, for many of whom it was their debut vehicle. The film was a showpiece of technical brilliance, especially the taut and precise editing by S. Prabhakar and deft cinematography by M. Rajaram, considering the equipment available to him in that era.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Guru Dutt and Dev Anand were good friends. Guru Dutt was senior to Dev Anand,having started in 1941 with Uday Shankar’s Cultural centre-Almoda to study Dance and drama. In 1944 Guru Dutt joined Prabhat Film company at Poona, where he met his two future friends- Rehman and Dev Anand. In 1946, he worked there as an assistant Director to P.L.Santoshi for “Hum Ek Hai” and also choreographed its dances. It was here that he developed a bond with Dev.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Guru Dutt is one of the few Hindi film personalities on whom one can find tonnes of information by way of articles, books and film documentaries. Within a short span of 13 years as a producer, director and actor, he left us with his rich legacy in about a dozen films. Under his own banner, Guru Dutt Films, he covered almost all the main genre of films – crime thriller, comedy, romance, social, melodrama and period. As an actor, his eyes spoke more than the dialogues. As a director, he was known for taking shots with unusual camera angles. The songs in his films narrated the story of the films on the continuum. His films were artistic within the ambit of what is called as popular commercial cinema. Even 48 years after his death, I guess, he has more fan followings than when he was alive. His films are the subject matter of intellectual discussions and they are a part of some film institutes’ curriculum.
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Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia is discussing some lesser known singers in the blog. He discussed two Desai sisters namely Vinodini and Pramodini. After marriage, they became known as Vinodini Dixit and Pramodini Patkar respectively.
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“Bahaar” (1951) was an A V M Production. It was directed by M V Raman. The movie had Karan Dewan, Vyjyanti Mala (making her Hindi movie debut), Pandhari Bhai, Pran, Tabassum, Gope, Shymalal, Chaman Puri, Leela Misra, Sunder, Om Prakash, etc in it.
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