Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1954


“Daaku Ki Ladki” (1954) is an extremely obscure movie by now. This movie was a Harish production movie. It was produced and directed by Harish. The movie had Geeta Bali, Sheikh Mukhtar, Arjun, Mukri, Deepa, Shivraj, Cuckoo, Sankatha Prasad etc in it.
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This article is written by Shekher Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

Without detracting one bit from her merit, capability and musico-longevity, I have to admit that I am not a fan of Asha Bhosle in the same manner as I am of Lataji. That said, there are quite a few of Ashaji’s evergreens – some of them lesser known than her racy raunchy numbers – which touch me more or less the same as some of Lataji’s best.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In around mid-50s, I used to often hear a song ‘chal chal re musaafir chal’ and I liked it. But I had no idea or rather I never ventured to know as to which film this song belonged. It was sometime in early 70s when I came across an used 78 RPM record of this song that I became aware of the film’s name and other details. The film was POOJA (1954) and it was a kind of surprise to me that the film which had Shanker-Jaikishan as music director had become an obscure film. No doubt, this film is yet to make a debut in this blog. Recently, I heard some more songs from this film on the internet. What a treasure of songs the film had.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The tribulations of life keep jumping from one whirlwind to another. Here is a bit of information that I should have shared on the blog some time back. So there is this loosely knit group of music lovers in Delhi, and they are planning a year long stint of programs to celebrate the 100th year of Indian Cinema.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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