Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Bewafa


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5135 Post No. : 17092

‘Bewafa’ (1952) was produced by Nargis and directed by Directed by ML Anand for the Arts, Bombay. The movie had Nargis, Ashok Kumar, Raj Kapoor, Neelam, Siddiquie, Sybil, Advani, Nizam, Sheel, Ghosh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4428 Post No. : 15853

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Blog 10-Year Challenge (2010-2020) – Song No. 68
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The date ten years ago, viz 1 september 2010 saw as many as seven songs getting discussed in the blog. First post of the aday appeared at 5:45 AM and the seventh post at 9:01 AM ! Ten years from that day, I am surprised myself how I was able to cover seven songs in a matter of little over three hours !

Here are the details of these songs :-

Song Movie title-Year Remarks
Koi nahin mera iss duniyaa mein Daag-1952 All songs covered
Dil matwaalaa laakh sambhaalaa Bewafaa-1952 05 songs posted
Chupke chupke rukte rukte Paying Guest-1957 All songs covered
Dil todna kisi ka ye zindagi nahin hai Pooja Ke Phool-1964 All songs covered
Ye dil hai muhabbat ka pyaasaa Dil Ne Phir Yaad Kiyaa-1966 All songs covered
Daanton taley dabaa kar honth Doli-1969 All songs covered
Tadap ye din raat ki Amrapaali-1966 All songs covered

As many as six out of the seven movies that figured ten years ago, have already been YIPPEED by now. “Bewafa”(1952) is the only movie that still has a few songs left to be covered and that makes this movie the only movie eligible for “Blog Ten Year Challenge” for today (1 september 2020).
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from a Raj-Nargis film Bewafa-52 and it is sung by Talat Mahmood.

It is not very common that Talat sang for Raj Kapoor. Raj was convinced that only the voice of Mukesh suited him, so in all the films that he produced or directed, he used to try using Mukesh for his songs. However,as a true Professional, if he were to work for some other producer or under a different Director, he followed the policy of strict Non-interference. So, in such films, we see other singers giving playback to Raj Kapoor, depending on the choice of the producer or director. Talat sang a total of ten songs for Raj Kapoor in 4 films, as following-
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My younger days were made more enjoyable by Talat’s songs. Though I was born and brought up in Hyderabad state- a Muslim ruled state(The Nizam was the king ruling on 85 % Hindu population….exactly opposite of Raja Harisingh of Kashmir ruling on 85% Muslims ! ), initially I was not much interested in Urdu Gazals etc. My interest in Urdu Gazals was ignited and further nurtured by by the way Talat sang them.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Directed by M.L. Anand, Bewefa (1952) was a Raj Kapoor-Nargis-Ashok Kumar love triangle. Both versions of its iconic song “Dil matwaalaa laakh sambhaalaa” rendered separately by Talat Mahmood and Lata Mangeshkar are already on this blog. Video clips of its most others numbers too are on YouTube. But the video clip of a superlative Lata number Badnaseebi kaa gilaa ai dil-e-naashaad na kar has gone missing. I am not sure if this number was only recorded but not included in the movie itself. But if it was shot, it would be reasonable to assume that it was on Nargis herself exhorting herself to desist lamenting her ill-fate.
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