Posts Tagged ‘Bharat Vyas’
Pyaar kar le milaa le nazar
Posted on: May 27, 2024
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5792 | Post No. : | 18325 |
Today’s song is from a Costume film Roop Sundari-1964.
This routine ” King-Queen-Vazir” type C grade film was directed by Chandrakant (Gaur). His name is not very famous, but he was one of those artistes of the first generation of Hindi films, who was a multi-faceted person. He was an actor, producer, director, Lyricist and a music director. In the early phase of the Hindi films, being “a jack of all trades’ was a guarantee of a permanent job in a film studio and a sure way of survival with respect. I remember another such artiste – Badri prasad. He was an actor- first as a Hero and then as a character artiste, Producer, Director, lyricist, Singer, Music Director and also a Choreographer. (He was a Sanskrit scholar too and an author, according to his daughter). I remember his roles in films like ” Albela”-1951 and ” Hum sab chor Hai”-1956.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5750 | Post No. : | 18274 | Movie Count : |
4965 |
‘Maan Apmaan’ (1979) was produced and directed by N V Deshpande. The cast included Sanjeev Kumar, Kanan Kaushal, Sushma Shiromani, Usha Solanki, Gajanan Jagirdar, Dhumal. Mohan Choti, Ratnamala, Asit Sen, Jayshree T, Shammi, Vishwa Mehra, Neelam etc. As per IMDb, the film was in the making since 1968 with Sanjeev Kumar and Kanan Kaushal (who, at that time, were yet to get established as successful actors). The film got delayed and at one time it was almost shelved. It was only when Sanjeev Kumar became a star and Kanan Kaushal came into limelight with her box office hit film, ‘Jai Santoshi Mata’ (1975), the film was revived, reshot and released in August 1979. The film was dubbed in Gujarati also.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5665 | Post No. : | 18167 |
‘Phoolon Ke Haar’ (1951) was directed by GP Pawar for Shreekant Studio, Bombay. This ‘social’ movie had Nigar Sultana, Geeta Bali, Nasir Khan, Heeralal, Mangla, Sundar, Yashodhara Katju, Kamal, Bhupen Kapoor, Rani Shakuntala, Natyal, Rammurty, Madhav Kale etc in it.
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- In: Asha Bhonsle solo | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Happy song | Introduction song | joie de vivre | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Songs of 1950s (1951 to 1960) | Songs of 1958 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5663 | Post No. : | 18165 |
Today’s song is from a costume film ‘Raj Pratigya’ (1958).
This is yet another film, with a story of King and Queen. I have seen this film and have its story with me. Otherwise also, the film’s title and the cast are a clear giveaway enough to declare this film as a Raja-Rani film. The only difference is, this film’s story is based on the background of 2 warring kingdoms, Magadh and Malawa, which existed in olden times in India. After seeing such films, one gets the answer why and how the Mughals or the Europeans could win in India and managed to rule it despite the population being majority Hindus and the rulers in a disciplined minority. The majority was busy fighting among themselves rather than with the invaders jointly !
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Kaase karoon main pukaar re
Posted on: January 17, 2024
- In: Arvind Pandya Songs | Asha Bhonsle songs | Asha Bhosle - Arvind Pandya Duet | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Lover's Complaint | Lyrics contributed by readers | Missing the beloved | Post by Arunkumar Deshmukh | Separation song | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5661 | Post No. : | 18162 |
Today’s song is from a folk tale based film ‘Naulakha Haar’ (1953).
The film was inspired by the famous folk tale of Rajasthan about the love story of Alha-Udal, with the background of 2 warring kingdoms. A lot of cinematic liberty is taken while writing the film story, in order to make the film appealing to more types of audience. Films on famous folk tales are not uncommon in the Hindi film industry. In fact they are a great source of imagination to form hundreds of stories, with desirable changes in the script. Hindi film makers have been making films on such traditional folk stories from all over India. When they exhausted such stories they turned to stories from Arabia and Europe too, besides our own Mythology and Puranas. Some of the love stories I remember offhand , which were made into Hindi films are….
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Jai Bhaarti vande Bhaarti
Posted on: December 18, 2023
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5631 | Post No. : | 18120 |
Today’s song is from an inspirational religious film Jagadguru Shankaracharya-1955.
In Mahabharat, there is a dialogue between Lord Shri Krishna and Arjun. The legend says that when Kauravas and Pandavas stood opposite each others for a war on Kurukshetra, Dhritrashtra,the blind father of Kauravas asked Sanjay- who had the divine power of seeing the war at Kurukshetra- to describe him the war happenings. Sanjay starts and in the course of his reporting, the entire Geeta too is narrated.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5526 | Post No. : | 17976 |
Today’s song – it is a Bhajan – is from the film Patit Paawan-(1955).
The “Same Name Confusion” is applicable not only to artistes and others working in films, but it fully applies to Film Titles as well. In fact, film titles are more of a culprit than the people working in films, because the incidence of repetitions is several times more in film titles. A field where the Same Name film is made in 7 different years is more dangerous than the same names of artistes, which may not be more than 3 or 4 operating in the same period to cause confusion. That is the reason a film should not be mentioned without its year in which it is censored/ released to avoid confusion.
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