Posts Tagged ‘D N Madhok’
Jhoom jhoom kar baadal aaye
Posted on: December 21, 2011
For music lovers of Hindi movie music, there is a vast repository of well known songs to chose from. And if one wants to go off the beaten track and savour songs that few people even know exist, then there is an equally vast repository of musical gems. In this blog, we keep discovering such unheard gems from times gone by, almost on a regular basis.
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“Bilwamangal” (1954), a Minar Movies production was directed by D N Madhok. C H Atma played the title role in this movie and Suraiyya played his love angle. Nirupa Roy, Asha Mathus, Ulhas etc were the other actors to figure in this movie.
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I have discussed as many as eight songs from “Bilwamangal” (1954) already in the blog. Majority of songs of this movie were sung by C H Atma and Suraiyya, who played the lead roles in this movie.
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“Bilwamangal” (1954) is a movie which was a Minar Movie productions and it was directed by D N Madhok. I have already discussed as many as seven songs from this movie.
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“Bilwamangal” (1954) is a movie which was a Minar Movie productions and it was directed by D N Madhok. I have already discussed as many as six songs from this movie.
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“Rasiya” (1950) is a movie that never saw the light of the day as it was shelved midway. A few songs of this movie were already recorded by them and they had become popular as well.
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“Rasiya” (1950) is a movie that was never released. This movie, which had Bharat Bhushan and Nirupa Roy in lead roles had a few songs recorded and released though.
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Aayi deewaali aayi deewaali
Posted on: October 26, 2011
This deewaali (26th october 2011) is the fourth deewaali for this blog. Yes, it is unbelievable, but true to realise that this blog is celebrating its fourth deewaali today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
I apologize to the readers if they feel that I seem to be stuck in the second half of 60s, while I am selecting songs from Usha Khanna’s films. It seems to be true. Hard as I may try, I am not able to extricate myself from the films of the years from 1966 to 1970. And the reason is that I simply keep bumping into one wonderful gem after another, and the music itself compels me to continue writing about this era of Usha ji’s career. From all counts that I can admit so far, the 60s was the most prolific and the also the most tuneful decade for this composer.
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