Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘D N Madhok


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my childhood days, I had heard more about Suraiya than any other contemporary female actors like Mudhubala, Nargis etc. As I know now, both Madhubala and Nargis were more successful in terms of their box office hit films than that of Suraiya in the 50s. But it was Suraiya who was the most discussed star at that time. I guess that her charismatic personality invited keen interest from cinegoers and her fans in the same way as was the case with Rajesh Khanna in the 70s. The building in which she used to stay at Marine Drive was an important ‘tourist spot’ in those days for the visitors in the city. People would to wait for her ‘darshan’ which eluded most of them . After many years, this type of adulation was witnessed outside Rajesh Khanna’s bungalow in the 70s and Amitabh Bachchan’s bungalow even now.
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I have discussed songs from “Insaaf” (1956) and “Insaaf” (1966) in the past. It appears that a movie of this title was released at every 10 years inerval those days, seeing that there was a movie with this title in 1946 too. 🙂
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Being a music lover in the past was not as easy as it is today. Music was not as easily accessible to people as it is today. For most people, radio was the most affordable means of listening to music. And as one can guess, one could only listen to songs that the radio stations decided to play at their own nominated times. One could have record players too, but they were expensive and only the most well off people could afford them.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Shamim (also known as Shamim Bano and Shamim Kamal Pasha) was one of the female actors who was active in the 40s as a heroine/side heroine. She was the niece of Khursheed Bano, one of the top singer-actor of the 40s. I was not aware of Shamim until I found her name mentioned in Kidar Sharma’s autobiography ‘The One and Lonely Kidar Sharma’. There is a trivia mentioned in this book about selecting Shamim as the heroine of the film ‘Armaan’ (1942). Kidar Sharma insisted that Motilal and Shamim would be his hero and heroine for the film. Chandulal Shah, the owner of Ranjit Movietone said “ if you take Shamim, Khursheed will never work with you in any films as she is very jealous of her young and charming niece”.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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