Posts Tagged ‘Hemant Kumar’
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A voice that is a signature of mysteries. The deep bass vibrations resound like the echoing sound waves passing through the gullies and valleys of the mountainside, covered with moist and heavy fog, adding to the bass heaviness. Reminds one of ‘sannaata’ and ‘kahmoshi’ and ‘kohraa’ of the lonely pathways, being tread by a ‘raahgir’ – the ‘banjaara’ traveler walking alone and humming ‘chal akela. . .’.
Remembering Hemant Da on the anniversary of his passing away (26th September).
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Maidaan mein ham jo aa jaayen
Posted on: August 31, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Paayal” (1957) was produced by Joseph Thomas and directed by Joseth Telieth (Jr) for Madras Tailkies, Madras. The movie had Sunil Dutt, Padmini, Baby Naaz, David, Bipin Gupta, Achala Sachdev, Ragini, Agha, Minu Mumtaz, Shivraj, Pravin Paul etc in it.
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Aaraam se jo raaten kaaten
Posted on: June 18, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In 1952, this voice came to the fore with the rousing proclamation of “Vande Maatram, Vande Maatram”. This song, which comes from the seminal creation of Bankim Chandra Chatterji – ‘Anand Matth’, was first published in 1882. After the passing of the first war of independence in 1857, the undercurrents of anger and resistance were simmering across the country. But the voices of cohesive and decisive action were still to come a couple of decades later. With the publication of ‘Anand Mathh’, the nation and its people got a slogan that said everything in just two simple words. After this song came on the lips of the common man, over the years many musical interpretations have been pronounced. Most of them are based in classical music, and the most popular versions are gradual and lingering, in the mode of a prayer to the motherland.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Durgesh Nandini” (1956) was inspired and adopted from Bankim Chandra Chattopadhyay’s famous novel of the same name. The movie was produced by S Mukherji and directed by B Mitra. The movie had Pradeep Kumar, Bina Rai, Nigar Sultana, Nalini Jaywant, Jeevan, Ajit, I.S.Johar, D.K.Sapru, Murad, Bipin Gupta, Jankidas, Nayampalli, Sheila Vaz, Majnu etc in it.
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Chal re chal mere chaak chal re chal
Posted on: June 9, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHAJAN MALA – GOLDEN 50s….(Pushp – 11th)
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Today’s bhajan is from film Chakradhari-54. This film had become quite popular in the mid 50s due to its melodious bhajans. There were 13 songs in the film and 9 are already posted here. Today’s bhajan is the 10th.
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Jaane kahaan dekha hai
Posted on: June 2, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Many Colors of Love #16 – The Legends of Love
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And so wrote the scribe
hamaare pyaar ke kisse sunaaye jaayenge
yeh geet saare zamaane mein gaaye jaayenge
ham na honge fasaana hogaa
ham na honge fasaana hogaa
(Closing lines of the song “Aanewaale Ko Aana Hoga, Jaanewaale Ko Jaana Hoga”, film ‘Sohni Mahiwal’ (1958)
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Ek kali aur do patiyaan
Posted on: May 31, 2014
- In: Devnagri script lyrics by Sudhir | Feelings of heart | Hemant Kumar songs | Lata song | Lyrics by Avinash Scrapwala | Lyrics by Sudhir | Lyrics contributed by readers | Meena Kapoor songs | Song sung by three or more singers | Songs of 1950s (1951 to 1960) | Songs of 1953 | Yearwise breakup of songs
- 3 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Raahi”(1953) was a Naya Sansaar Production movie. It was directted by K A Abbas. The movie had Dev Anand, Nalini Jaiwant, Habib Tanvir, Balraj Sahni, K. Sethi, Manmohan Krishnan, Achla Sachdev, S. Michael, Rasheed, Shaukat Hashmi, David Abraham etc in it.
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Moh ka parda kaala hai
Posted on: May 26, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHAJAN MALA – GOLDEN 50s (Pushp-3)
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There is a class of people, who make faces when a Mythological film is mentioned. According to them, seeing such films is ” outdated ” and ” Fundamentalist ‘. They feel that those who see such films are way behind the times. These people forget that in the so called ” advanced” world of Hollywood, even today,Mythological,costume and Historical films are regularly produced. Only thing is that these films are no longer advertised on the same scale as was the case a few decades back.
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