Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Main Aur Mera Bhai


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Main Aur Mera Bhai”(1961) was directed by Dharam Kumar for Mahesh Pictures. The movie had Ajit and Ameeta in lead roles. The movie also had Mehmood, Nadira, Lalita Pawar, Mukri, Helen, Leela Mishra, Niranjan Sharma, Tuntun, Samson, Maqbool, Jagdish Raj, Raj Diwan, Nazeer Hussain etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Main Aur Mera Bhai”(1961) was directed by Dharam Kumar for Mahesh Pictures. The movie had Ajit and Ameeta in lead roles. The movie also had Mehmood, Nadira, Lalita Pawar, Mukri, Helen, Leela Mishra, Niranjan Sharma, Tuntun, Samson, Maqbool, Jagdish Raj, Raj Diwan, Nazeer Hussain etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 1
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The write up on this music director by AK ji (see here) opens with the lead in comment, that “. . . his music towers over his films”.  I am whole heartedly in agreement with this comment.  As he goes on to say that just “. . . one song of his – “Paas Baitho Tabiyat Bahal Jaayegi” (‘Punarmilan’, 1964) sung by Rafi Sb is enough to give him immortality.”  And then one reviews the list of films with him as the music director – ‘Main Aur Mera Bhai’ (1961), ‘Punar Milan’ (1964), ‘Ek Saal Pehle’ (1965), ‘Chale Hain Sasural’ (1966), ‘Suhsila’ (1966) aka ‘Subah Zaroor Aayegi’ (1977), and then of course the iconic ‘Jai Santoshi Maa’ (1975) – the film that gave its run for the money, in a stiff competition to the big time grosser of the same year (viz. ‘Sholay’), and still continues to be on the list top grossing films of all time.  About two decades of active work in the industry, with just sixteen films listed against his name.  But then, as AK ji says, it is just one song that confers immortality on him.

Remembering music director C Arjun on the anniversary of his passing away today (30 April).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is his 800th article in the blog.

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The Many Colors of Love #24 – Enticements of Love
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And so wrote the scribe

o dilbar jaaniye
tere hain hum tere
chhupa lenge
in aankhon mein
sanam hum gham tere

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Again, a long gap, which actually troubles me more than anything else. I am sure one of these days, Atul ji will add the following header to the top of one of my posts ; “This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a MOST-IRREGULAR-regular contributor to this blog.” 😀 😀
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It has intrigued me as to why Jaan Nisar Akhtar, who joined the film industry as a lyricist in early 50s was not as successful as his contemporaries such as Sahir Ludhianvi, Majrooh Sultanpuri and Shakeel Badayuni among others. I came to know about him as a lyricist when I bought a 78 RPM records of YASMIN (1954) in early 70s.
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