Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘O P Nayyar


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the year 1952 dawned, Geeta ji had been singing in Hindi films now for about 6 years, and had an incredible 500+ songs already behind her. On the other hand, the soon to be famous OP Nayyar had composed the background score for Kaneez in 1949, and this film, Aasmaan, was going to be his debut as an independent music director. He became known as a maverick composer and the Melody Maestro in the coming years. OP Nayyar went through a phase in the 50s when All India Radio shunned his music as being too trendy, and Radio Ceylon became the remote beacon for music lovers to listen to his songs. In the mid to late 1950s, he became the highest paid composer in the industry, and the first one to command contracts worth one lakh (and more) for composing.
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Sunday, 14th August 2011 brought us the sad news that Shammi Kapoor was no more. We knew that Shammi Kapoor needed dialysis three times a week and he was wheelchair bound for years, and that he was 79 years old, still this news that came as a shock.
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“Aar Paar” (1954) was a milestone in the history of Hindi movies. It was one of the first suspense thrillers in Hindi movies. The music of this movie broke new grounds. The music was a breathtaking combination of Indian and Western influences. The same could be said about the picturisation of the movie and its songs. It is quite obvious that the makers of this movie had drawn inspiration liberally from western movies and from western music.
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“Aar Paar” (1954) was clearly a milestone in the annals of Hindi movies. The songs of this movie were quite different from the kinds of songs that the music lovers were used to. And all the songs of the movie became popular and remain popular to this day. In fact there are so many popular songs in this movie that it is easy to lose count of them.
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Public have a se idea about the roles that the two genders play and they are used to the same roles being played by them in Hindi movies too. But sometimes movie makers come up with situations when the two genders behave in a rather unusual manner not expected of that gender and that makes amusing viewing for the public and subsequently more visits to the cinema hall for the movie makers.
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“Saawan Ki Ghataa” (1966) was a movie directed by Shakti Samant. I find that the screenplay of this movie was written by Gulshan Nanda, the leading Hindi novelist of those days. So it leads me to think that this movie could well be based on a novel by Gulshan Nanda. Incedentally, movies like “Kati Patang”, Jheel Ke Us paar” etc are some of the movies based on Gulshan Nanda’s novels.
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Most music lovers, including myself, would think that O P Nayyar’s best phase as a music director was the 1950s. Indeed, professionally he ruled the roost in the 1950s, so much so that many other established music directors too were instructed by their producers to create O P Nayyar kind of music. and we have in fact noticed the music of some other music directors resembling O P Nayyar music in that decade.
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