Posts Tagged ‘O P Nayyar’
Public have a se idea about the roles that the two genders play and they are used to the same roles being played by them in Hindi movies too. But sometimes movie makers come up with situations when the two genders behave in a rather unusual manner not expected of that gender and that makes amusing viewing for the public and subsequently more visits to the cinema hall for the movie makers.
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“Saawan Ki Ghataa” (1966) was a movie directed by Shakti Samant. I find that the screenplay of this movie was written by Gulshan Nanda, the leading Hindi novelist of those days. So it leads me to think that this movie could well be based on a novel by Gulshan Nanda. Incedentally, movies like “Kati Patang”, Jheel Ke Us paar” etc are some of the movies based on Gulshan Nanda’s novels.
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Surma mera niraalaa
Posted on: August 4, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Celebrating and remembering Kishore Da on the anniversary of his birth today. 🙂
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Dekh ke teri nazar beqaraar ho gaye
Posted on: July 29, 2011
“Howrah Bridge” (1958) was a landmark movie in the annals of Hindi movie club songs. This movie had not one but two club songs that went on to become immortal clu songs. One was of course the Helen song Mera naam Chin Chin Choo and the other was the Madhubala song Aayiye meharbaan (Howrah Bridge) .
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Akeli hoon main piyaa aa
Posted on: July 23, 2011
Most music lovers, including myself, would think that O P Nayyar’s best phase as a music director was the 1950s. Indeed, professionally he ruled the roost in the 1950s, so much so that many other established music directors too were instructed by their producers to create O P Nayyar kind of music. and we have in fact noticed the music of some other music directors resembling O P Nayyar music in that decade.
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Yehi wo jagah hai yehi wo fizaayen
Posted on: July 23, 2011
O P Nayyar was at the peak of his musical and professional prowess in 1950s. By 1960s, he was on the decline. But even then, he continued to create some sublime music till late into 1960s. I in fact feel that his compositions are arguably of better quality, even if they did not become as popular as his compositions of 1950s.
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Ham pe ilzaam ye kyun hai
Posted on: July 19, 2011
Here is a Helen song with a difference.In this song, Helen is not performing a cabarat or even a mujra. Rather she is emoting like a “normal” actress. Yes, Helen had a big enough role in this movie called “Kahin Din Kahin Raat” (1968).
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Dil par huaa aisaa jaadoo
Posted on: July 4, 2011
Guru Dutt, like Meena Kumari , is today known for his tragic roles. But he, like Meena Kumari, began his career playing bubbly happy characters.
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I have heard this song many a times but I was not aware of its details till recently. It is only just now that I have come to know that this song is from “Saawan Ki Ghata” (1966). The song is sung by Asha Bhonsle. The music is composed by O P Nayyar.
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Zulfon ko hataa le chehre se
Posted on: June 25, 2011
I just realised two facts. One fact is that the hair of leading ladies in Hindi movies play an important part in Hindi movies, especially in songs. when the Hero needs to sing a song in praise of her, what are the things about her that he can mention? He will sing about her face- likening it to Chaand(Moon), he will sing about her eyes, likening them to deep lakes. Another important body part that find much mention in the paens that hero sings for the lady are her hairs, which are called “zulf” in Hindi song parlance and they are often likened to Ghata (viz black rain bearing clouds). Heroine being compared to moon,lakes, cloud ! Hindi movie lyricists must have paid enough attention in their geography classes, it would seem to me, at least when these geographical topics were being discussed.
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