Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Prithviraj Kapoor


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6240 Post No. : 19293

#the Decade of Sixties – 1961 – 1970 #
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(Lyricist Kavi Pradeep-34)
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Today(18 August 2025) is the last Monday of shraavan month in Southern India as well as parts of Central India. We have been presenting Shiv stuti songs on the blog ever since shraawan month commenced in Northern India and subsequently in Southern and Central parts of India. Shraawan is over in Northern parts and now it is getting over in Southern and Central parts of India as well. Today we present another song devoted to Lord Shiva.. This song is from the movie “Balram Shrikrishna-1968”.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6163 Post No. : 19026

#the Decade of Sixties – 1961 – 1970 #
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(Lyricist Kavi Pradeep-18)
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“Harishchandra Taramati-1963” was directed by B.K. Adarsh for ‘Adarshlok, Bombay’. It was a movie of mythological genre. It had Prithviraj Kapoor, Jaimala, B.M. Vyas, Tiwari, P. Kailash, Naazi, Helen, Ulhas, Babu Raje, Nasreen, Saraswati, child artiste Babloo and others. Story of this movie was written by Pandit Madhur and Vishwanath Pandey and screenplay was written by Naval Mathur. Dialogue writing was by Adarsh himself. The editing of this movie was done by I.M. Kunnu. Geet Kosh mentions eight songs for this movie (including one three part song). As mentioned above Kavi Pradeep wrote all songs for this movie. Music was composed by Laxmikant-Pyarelal. “Harishchandra Taramati-1963” is the only movie where lyricist Kavi Pradeep and composers Laxmikant-Pyarelal came together and collaborated musically.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4209 Post No. : 15405

 

Preamble of the Indian Constitution

WE, THE PEOPLE OF INDIA, having solemnly resolved to constitute India into a SOVEREIGN SOCIALIST SECULAR DEMOCRATIC REPUBLIC and to secure to all its citizens:

JUSTICE, social, economic and political;

LIBERTY of thought, expression, belief, faith and worship;

EQUALITY of status and of opportunity;

and to promote among them all FRATERNITY assuring the dignity of the individual and the unity and integrity of the Nation;

IN OUR CONSTITUENT ASSEMBLY this twenty sixth day of November, 1949, do HEREBY ADOPT, ENACT AND GIVE TO OURSELVES THIS CONSTITUTION.

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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Anand Math” (1952) was a Filmistan Production. It was directed by Hemen Gupta. This movie had Prithviraj Kapoor, Geeta Bali, Ajit, Pradip Kumar, Bharat Bhushan, S. L. Puri, Jankidas, Ranjana, Murad etc in it.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

What can one achieve at a tender age of 20? Name ? Fame ? Fortune ?. Well to most of us, 20 is an age when we start aspiring for these things in life. However, a few men acquire all these and more even in their early twenties.

Remembering Jaikishen on his 44th death anniversary.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The union budget is being presented in the parliament today. Our able finance minister will be making this annual effort to analyze, manage and provide for the various expenses required to run this huge nation of almost 125 crore Indians. The success of the successive governments in honestly deciphering, managing and presenting a budget – well, it has been a questionable exercise over the years to say the least. The bane of the budget, and the misfortune of the entire nation, is the disastrous concept of deficit financing – a device used by the government (not just in India, but everywhere else in the world), wherein the budget outlay proposes expenses much more than the money that is there in government’s kitty.
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“Anand Math” (1952) is a novel written by Bankimchandra Chattopadhyay which was first published in 1882. This novel served as a major source of inspiration for Indian freedom fighters against the British rulers. The British rulers banned this novel and this ban was lifted only after India gained independence. “Vandematram”, a song contained in the novel became Indian’s national song.
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In mainstream Hindi movies of the golden era, there used to be a dance situation in a night club, which was tailor made for a cabarat dance by Helen. Movie makers whose movies were based on pre cabarat dance eras (viz Historical/mythological/Fantasy movies)also found dance situations where Helen and other dacing ladies were shown to dance in the courts of Kings.
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