Posts Tagged ‘Babita’
Khush Kar Diya Tu Ne Mere Rama
Posted on: May 22, 2018
- In: Celebration Song | Childbirth Celebration Song | Dance song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Folk Dance | Guest posts | Happy song | Lata song | Love song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Lata duet | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
- 9 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3595 | Post No. : | 14351 |
Mohammed Rafi – Duets – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 9
– – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – –
‘ख’ – खुश कर दिया तूने मेरे रामा
Yes, surely the Almighty God sent you here amongst us, only for singing and to add to the music on this earth. And what a wonderful treasure you have bequeathed to the lesser mortals of this earth. We shall always be indebted for this tremendous legacy you gave us.
Continuing with Rafi Sb’s duet series after a gap of – goodness, seventy two days. Wow. Anyway, back again with another rollicking duet, this time accompanied by Lata Mangeshkar.
And rollicking is just the word. The setting is Punjabi, the performance is a Punjabi Bhangra dance, and the occasion – one of the most awaited and the most celebrated in Indian families – birth of a male child.
The film is ‘Jeet’ from 1972. The main performers in this group dance song are Randhir Kapoor and Babita. The film being released in 1972, would have been in the making in 1971, the year that this lead pair tied the knot and became a real life couple. Ah but that story for another occasion, another post. Today, we are moving ahead with the duet series of Rafi Sb, getting to the 10th episode in this series, which promises to be long – going thru the entire Devnagri alphabet.
The film is produced under the banner of Babu Movies Combine, and is directed by A Subbarao. Besides the lead pair mentioned above, the other players in the star cast include Rajendra Nath, Rupesh Kumar, Jatin, Nana Palsikar, Anwar Hussain, Jeevan, Sundar, Hari Shivdasani, Dada Mirasi, Keshav Rana, Master Shahid, Heena Kausar, Sanjana, Sulochana Latakar, Manorama, Dulari, and Baby Sudha etc.
The film has six songs, three of which are already showcased on our blog. Goodness, that was 2009, all three songs posted so far. After a gap of nine years, we once again get an opportunity to revisit this film – today’s being the fourth song posted. All songs are written by Anand Bakshi. Music direction is by the duo of Laxmikant Pyaarelal.
On screen, we see a homely set of a village lane with houses lined up close to each other. Randhir and Babita are leading the bhangra dance event, with Sunder also part of the male dance group. In between, we see Dulari holding a baby (well, not looking too much new born, but oh well 🙂 ). There is another lady sitting next to her. I am guessing that she is Sanjana. I request other more knowledgeable readers and friends to please confirm or correct this guess. As per Prakash ji, the other lady is Heena Kausar. Plus, one of the dancers accompanying Babita is Sheela Ramchandran.
The event and the celebration is about the new born child, but quite apparently, the lead pair is spending more lines trying to woo each other and play the romantic love birds. Well in fact, it is just the mukhda lines that talk about the child birth celebrations. The entire verse set for both antaraas is just the romancing between the hero and the heroine. Quite a ‘filmi’ thing, right?
Enjoy this lively bhangra dance song; and I hope to speed up things on this series, let us see. 😉
Video (Partial)
Audio (Full)
Song – Khush Kar Diya Tu Ne Mere Rama (Jeet) (1971) Singer – Mohammed Rafi, Lata Mangeshkar, Lyrics – Anand Bakshi, MD – Laxmikant Pyaarelal
Lyrics (Provided by Prakashchandra)
[Based on Audio version]
khush kar diya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
oo oo oo
main is paar
te us paar
tu piyaa. . .
main is paar
te us paar
tu piyaa. . .
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
aayee hain bahaaren
kaise jaayen tere dwaare
mutiaare mere dil ki pukaarein
tere mere beech mein
lambi lambi galiyaan te
uchchi uchchi jag ki deewarein
o kaise beeten
o kaise beeten
judaai diaan shaamaan
ke munde da main mamma ban gaya
khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
oo oo oo oo
jindri na rol
aaja kol soniye. . .
jindri na rol
aaja kol moniye. . .
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
chhat se pukaare
jatt kar ke ishaare
hatt ho na jaaye meri badnaami
darr mat baandh ke sehra
main bana doonga
tujhko main munde di maami
mach gaya
mach gaya pind wich hangaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
haaye. . .
ye dil ye jaan
do jahaan
maang le. . .
ye dil ye jaan
do jahaan
maang le. . .
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
dena na tu dhokha
sainyaan khushi ka hai mauka
suchche motiyon ki main to loongi maala
taange mein bitha ke
boley sair kara doon
main hoon muflis taange waala
tera reshmi
tera reshmi kurta pajama
ke munde da tu mamma ban gaya
haaye rabba tainu laakh salaama
haaye rabba tainu
haaye rabba tainu laakh salaama
ke munde da tu mamma ban gaya
o khush kar diya tu ne mere rama
ke munde da main mamma ban gaya
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
खुश कर दिया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
ओ ओ ओ
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
मैं इस पार
ते उस पार
तू पिया॰ ॰ ॰
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
आई हैं बहारें
कैसे जाएँ तेरे द्वारे
मुटियारे मेरे दिल की पुकारें
तेरे मेरे बीच में
लंबी लंबी गलियाँ ते
उच्ची उच्ची जग की दीवारें
ओ कैसे बीतें
ओ कैसे बीतें
जुदाई दियाँ शामाँ
के मुंडे दा मैं मामा बन गया
खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
ओ ओ ओ ओ
जींदड़ी ना रोल
आजा कोल सोनिए॰ ॰ ॰
जींदड़ी ना रोल
आजा कोल मोनिए॰ ॰ ॰
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
छात्त से पुकारे
जाट्ट करके इशारे
हट्ट हो ना जाए मेरी बदनामी
डर मत बांध के सेहरा
मैं बना दूँगा
तुझको मैं मुंडे दी मामी
मच गया
मच गया पिंड विच हंगामा
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
हाय॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
ये दिल ये जान
दो जहान
मांग ले॰ ॰ ॰
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
देना ना तू धोखा
सैंया खुशी का है मौका
सुच्चे मोतियों की मैं तो लूँगी माला
टाँगे में बैठा के
बोले सैर करा दूँ
मैं हूँ मुफलिस टाँगे वाला
तेरा रेशमी
तेरा रेशमी कुर्ता पाजामा
के मुंडे दा तू मामा बन गया
हाय रब्बा तैनू लाक्ख सालामां
हाय रब्बा तैनू
हाय रब्बा तैनू लाक्ख सालामां
के मुंडे दा तू मामा बन गया
ओ खुश कर दिया तूने मेरे रामा
के मुंडे दा मैं मामा बन गया
Pyaar se dil bhar de
Posted on: February 7, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3491 | Post No. : | 14024 |
‘Kab Kyun Aur Kahaan’ (1970) was directed by Arjun Hingorani for Kapleshwar Films, Bombay. This ‘social’ movie had Dharmendra, Babita, Pran, Helen, Ashu, Dhumal, Asit Sen, Mohan Choti, Hari Shivdasani, Jankidas, Hiralal, Sujata, Shetty, Keshav Rana, Master Ratan, Murad, Yunus, Susheela, Ranveer Raj etc in it.
This movie had four songs in it. Two of these songs were covered in the blog in 2013.
The third song from the movie was covered in February 2018, viz after a long gap of over 1800 days. 🙂
The details of the songs discussed in the past are as under:
|
Song Title |
Post No. |
Post Date |
| Dil to dil hai kisi din machal jaayegaa | 7869 | 10-Apr-13 |
| Ye aankhen jhuki jhuki si | 8593 | 25-Aug-13 |
| Ho gaye tere ho gaye | 14011 | 4-Feb-18 |
Here is the next song, which is the fourth and final song from the movie. This song is sung by Rafi and Asha Bhonsle. Indeewar is the lyricist. Music is composed by Kalyanji Anandji. Lyrics of this song were sent to me by Avinash Scrapwala.
The song is picturised on Babita and Dharmendra as an “expression of love” genre of song with “pranay nivedan” being the sub genre. The gentleman requests “pyaar” and the lady responds with “nahin nahin” and “kabhi nahin” with metronomic precision. But experienced duet song listeners like me know that the lyrics of the last stanza of the song would change colour signifying that the “kabhi nahin” has been repealed and replaced with consent. 🙂
The song is picturised nicely at picturesque locations. I wonder if the locations shown in the picturisation still retain the same picture postcard beauty. Seeing that the picturisation took place half a century ago, it is highly unlikely that the localities retain the same appearance now.
With this delightful romantic song, ‘Kab Kyun Aur Kahaan’ (1970) joins the list of movies that have all their songs covered in the blog.
Song-Pyaar se dil bhar de(Kab Kyun aur Kahaan)(1970) Singers-Rafi, Asha Bhonsle, Lyrics-Indeewar, MD-Kalyanji Anandji
Both
Lyrics (Provided by Avinash Scrapwala)
pyaar se dil bhar de
nahin nahin
hum pe karam kar de
kabhi nahin
haaye
pyaar se dil bhar de
oon hoon
hum pe karam kar de
kabhi nahin
varna hum mar jaayenge o zaalim
naam tera le le
haaye allaah
chhod meri raahen
nahin nahin
chhod meri baahen
kabhi nahin
pyaar tujhe maange na milega
jaan bhale le le
allaah allaah
pyaar se dil bhar de
nahin nahin
hum pe karam kar de
kabhi nahin
lo mil gayi lehron se lehren
miley hain baadal baadal se ae
miley hain baadal baadal se
har koi dil bandhaa hua hai
kisi na kisi ke aanchal se ae
kisi na kisi ke aanchal se
tu bhi meri kismat likh de
apne pyaar ke kaajal se ae
chhod meri raahen
nahin nahin
chhod meri baahen
kabhi nahin
pyaar tujhe maange na milegaa
jaan bhale le le
allaah allaah
pyaar se dil bhar de
oon hoon
hum pe karam kar de
kabhi nahin
pyaar shama ne diya kisi ko
saari saari raat jali ee
saari saari raat jali
pyaar kali ne diya kisi ko
saare chaman mein baat chali ee
saare chaman mein baat chali
maine tujhko zara saa chaaha
rusva ho gayi gali gali ee
pyaar se dil bhar de
oon hoon
hum pe karam kar de
kabhi nahin
varna hum mar jaayenge o zaalim
naam tera le le
haaye allaah
chhod meri raahen
nahin nahin
chhod meri baahen
kabhi nahin
roop ka sooraj mere saamne
kyun hai mera din kaala aa
kyun hai mera din kaala
main hoon phir bhi pyaase ka pyaasa
paas hai amrit ka pyaala aa
paas hai amrit ka pyaala
allaah kaise chhudaaun main palla
padaa hai paagal se paala aa
pyaar se dil bhar de
nahin nahin
hum pe karam kar de
kabhi nahin
varna hum mar jaayenge o zaalim
naam tera le le
haaye allaah
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
aa ha ha ha ha
aa ha ha ha ha
hmm hmm hmm hmm hmm
hmm hmm hmm hmm hmm
———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————
प्यार से दिल भर दे
नहीं नहीं
हम पे करम कर दे
कभी नहीं
हाए
प्यार से दिल भर दे
ऊं हूम
हम पे करम कर दे
कभी नहीं
वरना हम मर जाएँगे ओ ज़ालिम
नाम तेरा ले ले
हाए अल्लाह
छोड़ मेरी राहें
नहीं नहीं
छोड़ मेरी बाहें
कभी नहीं
प्यार तुझे मांगे ना मिलेगा
जान भले ले ले
अल्लाह अल्लाह
प्यार से दिल भर दे
नहीं नहीं
हम पे करम कर दे
कभी नहीं
लो मिल गईं लहरों से लहरें
मिलें हैं बादल बादल से
मिलें हैं बादल बादल से
हो कोई दिल बंधा हुआ है
किसी ना किसी के आँचल से
किसी ना किसी के आँचल से
तू भी मेरी किस्मत लिख दे
अपने प्यार के काजल से
छोड़ मेरी राहें
नहीं नहीं
छोड़ मेरी बाहें
कभी नहीं
प्यार तुझे मांगे ना मिलेगा
जान भले ले ले
अल्लाह अल्लाह
प्यार से दिल भर दे
ऊँ हूँ
हम पे करम कर दे
कभी नहीं
प्यार शमा ने दिया किसी को
सारी सारी रात जली॰॰ई
सारी सारी रात जली
प्यार कली ने दिया किसी को
सारे चमन में बात चली॰॰ई
सारे चमन में बात चली
मैंने तुझको ज़रा सा चाहा
रुसवा हो गई गली गली
प्यार से दिल भर दे
ऊँ हूँ
हम पे करम कर दे
कभी नहीं
वरना हम मर जाएँगे ओ ज़ालिम
नाम तेरा ले ले
हाए अल्लाह
छोड़ मेरी राहें
नहीं नहीं
छोड़ मेरी बाहें
कभी नहीं
रूप का सूरज मेरे सामने
क्यों है मेरा दिन काला॰॰आ
क्यों है मेरा दिन काला
मैं हूँ फिर भी प्यासे का प्यासा
पास है अमृत का प्याला॰॰आ
पास है अमृत का प्याला
अल्लाह कैसे छुड़ाऊँ मैं पल्ला
पड़ा है पागल से पाला॰॰आ
प्यार से दिल भर दे
नहीं नहीं
हम पे करम कर दे
कभी नहीं
वरना हम मर जाएँगे ओ ज़ालिम
नाम तेरा ले ले
हाए अल्लाह
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
आ हा हा हा हा हा
आ हा हा हा हा हा
हम्मम हम्मम हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम हम्मम हम्मम
Ho gaye tere ho gaye
Posted on: February 4, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3488 | Post No. : | 14011 |
“Kab Kyon Aur Kahaan”(1970) was directed by Arjun Hingorani for Kapleshwar Films, Bombay. This “social” movie had Dharmendra, Babita, Pran, Helen, Ashu, Dhumal, Asit Sen, Mohan Choti, Hari Shivdasani, Jankidas, Hiralal, Sujata, Shetty, Keshav Rana, Master Ratan, Murad, Yunus, Susheela, Ranveer Raj etc in it.
This movie, the first of the KKK series of movies, had four songs in it. Two of these songs were covered in the blog long ago (in 2013 to be precise).
After a gap of nearly five years, here is the nex song from “Kab Kyon Aur Kahaan”(1970).
This song is sung by Lata. Indeewar is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on Babita and Dharmendra as an “expression of love” genre of song. Those were the days when lead pair of Hindi movies would keep changing their clothes throughout a song. This song faithfully sticks to that requirement. One can notice Babita, and Dharmendra changing their dresses in every stanza of the song.
Song-Ho gaye tere ho gaye (Kab Kyon aur Kahaan)(1970) Singer-Lata, Lyrics-Indeewar, MD-Kalyanji Anandji
Lyrics
ho gaye
tere ho gaye
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
meri manzil
teri raahon mein
meri manzil
teri raahon mein
meri duniya hai
teri baahon mein
donon baahen
donon baahon ke badle
de doongi do jahaan
ye na poochho
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
teri sangat
piya pyaari lage
teri sangat
piya pyaari lage
badi kam kam si
umr saari lage
tujhe paane
tujhe paane zamaane mein phir se aaungi
ye na poochho
ye na poochho
kab kyun aur kahaan
ho gaye
tere ho gaye
pyaar mein tere kho gaye
ye na poochho
kab kyun aur kahaan
ho gaye tere ho gaye
Sehmi Sehmi Kahaan Chali
Posted on: September 27, 2017
- In: "beach" song | "Fun on Sea" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Mahendra Kapoor solo | Mahendra Kapoor songs | Post by Raja | Romantic song | Songs of 1960s (1961 to 1970) | Songs of 1969 | Underwater Cinematography | Yearwise breakup of songs
- 9 Comments
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today we pay tribute here on the blog to Mahendra Kapoor, one of the well-known voices of the golden era of Hindi music, on the occasion of his 9th death anniversary. There are many ways to start this tribute but, instead of “getting my eye in”, let me, Sehwag-style, straightaway go for it. By “it”, I mean the elephant in the room.
Read more on this topic…
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Banphool”(1971) was directed by Vijay Bhatt for Filmlands, Bombay. This social movie had Jeetendra, Babita, Shatrughan Sinha, Ramesh Deo, Kanhaiyalal, Sundar, Hari Shivdasani, Poornima, Shabnam, Seema, Asrani, Laxmi Patel, Kamaldeep, Ridku, Durga Khote, Kavita, Hansraj, Neeta, Geeta, Jamini, Daksh, Chetna, Rajiv, Mohan, Tilak, Pranav, Madhuri, Damle etc in it.
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“Banphool”(1971) was directed by Vijay Bhatt for Filmlands, Bombay. This social movie had Jeetendra, Babita, Shatrughan Sinha, Ramesh Deo, Kanhaiyalal, Sundar, Hari Shivdasani, Poornima, Shabnam, Seema, Asrani, Laxmi Patel, Kamaldeep, Ridku, Durga Khote, Kavita, Hansraj, Neeta, Geeta, Jamini, Daksh, Chetna, Rajiv, Mohan, Tilak, Pranav, Madhuri, Damle etc in it.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
What can one achieve at a tender age of 20? Name ? Fame ? Fortune ?. Well to most of us, 20 is an age when we start aspiring for these things in life. However, a few men acquire all these and more even in their early twenties.
Remembering Jaikishen on his 44th death anniversary.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Seven years, nineteen films, a celebration wedding that was the talk of the tinsel town, and then handing over the torch to the next generation. That about sums up the career of the once beauty star – Babita. Greetings to her on the 67 birthday today (20th April).
The short lived career, however, was a scintillating one. She appeared opposite to practically all the top heroes in the industry at that time, and did a number of musical romantic films, as could have be the draw for the young and beautiful lady. It is known that GP Sippy first offered the role of Sheetal, the young widow with child, for his upcoming film ‘Andaz’ (1971) to Babita. After some in-family discussions, she turned down the role, possibly considering that it might work to be a negative for her career. Another youngster, Hema Malini, took on the role. Hema Malini had made her debut in 1969, three years after Babita’s debut (‘Dus Lakh’, 1966). Both are of the same age though, having the same year of birth. The trajectories of their subsequent careers and lives, tell their own stories.
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Ye jo ladki hai
Posted on: September 3, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rafi Sb – In The Seventies – 2
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(1971 – Duet)
The decade of the seventies brought in some significant changes in the landscape of Hindi film song. For one, it was the spectacular rise of Kishore Kumar as a playback singer.“Mere Sapnon Ki Raani” happened in 1969, and after that we see a meteoric rise in Kishore Da’s playback singing performances. The second significant aspect is the accompanying rise of the new age music spearheaded by music directors like RD Burman and Bappi Lahiri. The generations were changing, and the new generations lapped on the new age music coming from this new crop of composers. Sadly, however, the demise of melody was also acknowledged to have occurred in this decade.
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Aa jaa ya aa jaane de paas
Posted on: August 4, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Train travellers in India are quite used to crowding, not just in the lower classes, but even in upper classes. Getting privacy is the last thing they expect in a public transport system like Indian railways.
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