Posts Tagged ‘Pt Sudarshan’
Moorakh man howat kyun hairaan
Posted on: February 10, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
New Theatre, Calcutta’s “Dhoop Chhaaon”(1935), a remake of their Bangla movie “BhagyaChakra”(1935) was directed by Nitin Bose. The movie had Biswanath Bhaduri, Vikram Kapoor, K C Dey, Ajmat Bibi, Nawab, Kidar Sharma, Uma Shashi, Dev Bala, Nagendra Bala, Giridharilal Vaidhya, Babulal, Ahi Sanyal, Indu Mukherji, Trilok Kapoor etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
New Theatre, Calcutta’s “Dhoop Chhaaon”(1935), a remake of their Bangla movie “BhagyaChakra”(1935) was directed by Nitin Bose. The movie had Biswanath Bhaduri, Vikram Kapoor, K C Dey, Ajmat Bibi, Nawab, Kidar Sharma, Uma Shashi, Dev Bala, Nagendra Bala, Giridharilal Vaidhya, Babulal, Ahi Sanyal, Indu Mukherji, Trilok Kapoor etc in it.
This movie had the distinction of being the first movie where the concept of playback singing was introduced.
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Aakhir wo din aaya aaj
Posted on: November 12, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Dharti Mata”(1938) was directed by Nitin Bose for New Theatres, Calcutta. The movie had K L Saigal, Jagdeesh Sethi, Kamlesh Kumari, Nemo, Nawab, K C Dey, Uma Shashi, Vikram Kapoor, Shaam Laha etc in it.
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Panchhi ud chal apne desh
Posted on: July 27, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
GEMS FROM THE MIGRATORS….song No. 3
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Private life of a celebrity has always been a matter of curiosity for the common man and if the celebrity is from the show world like films ,then there is all attempts to dig out the ‘ behind the scene’ stories about the famous people.
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Aankhon mein muskuraaye jaa
Posted on: May 7, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VIBRANT 40S (Episode No. 12)
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Initially, when the Talkie films started, most of the actors and actresses of the silent era, who could speak Hindi/Urdu and sing a little got entry into these films. Soon many Anglo-Indian girls and actors like master Vithal, who could not speak Hindi properly, leave aside singing, had to be excluded from Talkie films.(Master Vithal who was selected as the Hero for India’s First Talkie film,”Aalam Ara”-1931, based on his looks,Physique and his silent film credentials-over the capable Mehboob Khan- gave such pathetic performance in his Hindi/Urdu dialogues that he had to be shown as Unconcious almost throughout the film to hide his poor diction of Hindi/Urdu dialogues.)
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Main khush hona chaahoon
Posted on: December 15, 2012
This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Music director Rai Chand Boral (1903-81) is credited with bringing playback to Hindi cinema with the number “Main khush hona chaahoon khush ho na sakoon”, a chorus song in the New Theatre production Dhoop Chhaaon (1935). A personna no less than the doyen of Hinsustani Cine Sangeet, the late Anil Biswas, reportedly complimented Boral, recepient of the prestigious Dadasaheb Phalke Award in 1978, as the Father of Indian Cinema Music.
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“Padosi” (1941) was a Prabhat Films production. It was produced and directed by V Shantaram. The movie had Balwant singh, Anees Khatoon, Mazhar Khan, Gajanan Jagirdar, D D Kashyap etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my school days, I had read about many heroic events of Indian history like Maharana Pratap viz. Emperor Akbar, Shivaji vs Aurangzeb, Rani Laxmibai vs. British East India Company etc. All the opponents were villains to me and I hated them for their wrong doings.
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“Dhoop Chhaaon” (1935) was a New Theatre Production. It was directed by Nitin Bose. The movie had Pahadi Sanyal, Uma Shashi, K C Dey etc.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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