Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Qamar Jalalabadi


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Shirish Kanekar is my favourite author in Marathi. He started his career as a journalist in Indian Express and later worked for many publications. He writes on Cricket and Old films-actors and music. He knows many cricketers as well as many yeateryear actors, composers and has interviewed them. He has written 20-25 books so far and also done several Stand up shows on cricket and Films in many countries.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Wow, and what a wonderfully melodious gem this one turns out to be. And an absolutely fantastic Rafi – Asha duet. In fact this was actually the song that I had prepared for posting yesterday, in the run up to the 300th Rafi – Asha duet and 200th song by Qamar Jalaalabaadi. Almost at the last moment, I got this message from Atul ji, requesting me to post the ‘Baaje Waala, Patiaayaale Waala’ instead. And so I switched the songs. And as I had the lyrics all ready to go, I am posting this as one of the songs to welcome in the new year. The melody and the tempo of music is so uplifting, it is a befitting piece of music to play on a celebration like today.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Well one of these days, we may come to the bottom of this ocean of melody. Well yes, after all, the music that was created in the first four decades – has been created, and it is not possible to add to it anymore. And so one day we would have discovered all that is there to discover, and would have discussed it here on this blog. But as of now, there is still so much out there in front of us that thankfully, it is still going to be many years before this treasure gets exhausted. And I am sure there is enough for a lifetime. 🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Type casting in the film world does not always apply to actors only. Artists in other categories also sometimes suffer the vagaries of being type cast into a particular mould. And much as they try to get away from that image, the perception of the success factor somehow conspires to keep them tied down to the image. There are hugely talented artists in all categories who have been sidelined, much before their full potential could be enjoyed by the viewers and listeners. Granted that there can me more reasons for their fading away before time, but yes, this typecasting has been a significant factor.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There is something special about Johnny Walker lip synching Rafi. One is that Rafi Sb of course sings with the true sound of fun and jest, as required by the situation. Along with that, Johnny Walker’s antics, the twitch of his smile and the twinkle in his eyes are more than enough to convince you that he too is thoroughly enjoying himself as he is performing. Take any song of these two together and one can feel the heightened quantum of fun and entertainment.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

When the music is by Ganesh, one can be assured of a very lilting and melodious fare. ‘Anjaam’, a B grade film from 1968, has got a treasure of some excellent grade A music. Four wonderful songs from this film are already represented on this blog. Here is the fifth song from this film, another wonderful memory from the radio years.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

So there is one more film that makes its debut on the blog today. ‘Chale Hain Sasuraal’ is a film from 1966, produced under the banner of Krishnadeep Productions, directed by Dharam Kumar. A typical grade B film with Helen and Chandrashekhar in lead roles. The rest of the star cast includes Bhagwaan, Meenakshi, Madhumati, Sherry, Sunder, Tuntun, Aruna Irani, Mirza Musahrraf, Sheikh, Polson, Indira Bansal, Dilip Dutt, Jerry, Jilaani, Thakur, Anwari, Raj Deewan, Maqbool, Bimla Kashmiri, RN Nambiar. The music for this film comes from the baton of C Arjun. And the lyrics are from the pen of Qamar Jalaalabaadi.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the long string of ‘Ustad’ films, here is one that is a new entrant for this blog. ‘Birju Ustad’ is a 1964 film from the banner of Movie Miracles, Bombay, directed by Manu Desai. The cast of actors is almost the standard fare – Sheikh Mukhtar and Chandrashekhar are in this movie. The rest of the star cast includes Vijaya Choudhary, Mukri, Uma Dutt, Tuntun, Minoo Mumtaz, Ridkoo, Jyoti Desai, Nazir Kashmiri, Kamal Mohan, Fazal, Karim, Haroon, Ajit, Shamina, E Tarapore, Frooque, Prem Sagar, TN Charlie, Jerry Mason, Appa Khaire, Jeet Waala, Sunanda, Rafia Sultana.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1965 film ‘Johar Mehmood in Goa’ is a veritable treasure house of wonderful songs and music. A popular hit in its own time, this film still continues to be known for the songs. Of the total of eight songs, four song are already represented on this blog. This duet here now becomes the fifth song from this film to make it here.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Shabistaan’ (1951) – the film that saw the sensational and tragic end of a very young and handsome star, who had broken into the popular imagination of the cinegoers just two or three years earlier. Called by some as the Eroll Flynn of Hindi cinema, Shyam was all of 31 years old when he died following the injuries sustained in a fall from horseback while shooting for this film. Historians have speculated that the course of Hindi cinema in the 1950s would have been very different, had this accident not happened.
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