Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Ragini


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6040 Post No. : 18805

‘Sitamgar’ (1958) was a Hindi dubbed version of Tamil film, ‘Uthama Puthiran’ (Perfect Son, 1958) which was produced by S Krishnamoorthy, T Govindrajan and C V Sridhar under the banner of Venus Pictures and was directed by T Prakash Rao. The cast included Sivaji Ganesan, Padmni, M R Radha, Ragini, Kannamba, M N Nambiar, K V Thangavelu, Helen, Reeta and Chandra etc. The Tamil film itself was a remake of another Tamil film of the same name released in 1940. This film was loosely based on the third part, ‘The Man in the Iron Mask’ (1847) of Alexander Dumas’s novel ‘The Vicomte of Bragelonne: Ten Years Later’. The Tamil version of the film was a box office hit which put Sivaji Ganesan in Super Star league among the Tamil film actors.
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Normally it is believed that O P Nayyar composed music for only two Shammi Kapoor movies, viz. “Tumsa Nahin Dekha” (1957) and “Kashmir Ki Kali”(1964). But that is not correct. O P Nayyar also composed the music of “Mujrim” (1958). This was an Eagle Films Production. It was produced by F C Mehra and directed by O P Ralhan. The movie had Shammi Kapoor, Ragini, Shubha Khote, Kamal Kapoor, S. N. Banerjee, Tun Tun, Mumtaz Begum, Amrit Rana, Abdul, Agha Miraz, Ratan Gaurang, Sood, Johnny Walker, Geeta Bali, Murad, Ramesh Thakur, Padmini etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Mukesh was regarded as Raj Kapoor’s voice. The film audience accepted it, though in my view, Raj Kapoor’s voice matched more with that of Manna Dey. I came across a somewhat similar situation albeit on a smaller scale in the 40s with reference to a lead actor of that time viz Ragini and the playback singer Zeenat Begum. It is said that Zeenat Begum’s voice matched so much with that of Ragini that many filmgoers of that time felt that it was Ragini who was singing for herself on the screen. Obviously, during that period, Zeenat Begum became the main playback singer for Ragini and with this tag, she became the playback singer for many lead actors of that time. For those to whom these two names do not ring any bells, here are their brief profiles (with inputs from various sources on the internet).
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In 1950s, it was difficult to imagine a music director making his mark without using the voice of Lata. But there were two music directors who achieved this seemingly impossible feat. One was O P Nayyar who never used Lata’s voice in even once in his career. Another music director who stopped using Lata’s voice in 1950s was S D Burman.
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