Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Rajinder Krishan


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6102 Post No. : 18912

Today’s song is from the comedy film Hangama-1952.

1952 was an year which was going through a lean period for Hindi films. Increased costs of Film production, escalating rates of stars and music Directors, establishment of Star System in place of earlier Studio System, increasing taxes, decreasing number of Cinema Halls etc caused a worry in the film industry. Financiers with Black money were making films – in 1952 the number of Hindi films made went up to 105 from 97 of 1951, but dropped again to 98 in 1953. Most films were of lower quality. Because of superior music there were some great films too, but the situation was grave nevertheless.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6096 Post No. : 18903

‘Jwaala’ (1970) was produced and directed by M V Raman under the banner of Raman Productions. The star cast included Madhubala, Sunil Dutt, Pran, Sohrab Modi, Ulhas, Raj Mehra, Jagirdar, Asha Parekh, Kamla Lakshman, Vijaylaxmi, Lalita Pawar, Naaz, Chaman Puri, Shivraj, Mukri, Goga Kapoor, Kammo, Daisy Irani etc. This is the only film of Madhubala which was completely shot in color. Goga Kapoor, theatre actor, made his debut with this film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6081 Post No. : 18873

Filmistan Studio was formed by Shashadhar Mukherjee, Ashok Kumar, Rai Bahadur Chunnilal and Gyan Mukherjee in 1943 after they left Bombay Talkies due to differences with Devika Rani. She had taken over the charge of the Bombay Talkies after the death of her husband, Himanshu Rai in 1940. ‘Chal Chal Re Naujawaan’ (1944) was Filmistan’s maiden film. Thereafter, Filmistan had produced box office successful films such as ‘Do Bhai’ (1947), ‘Shaheed’ (1948), ‘Shabnam’ (1949). Samaadhi’ (1950) and ‘Sargam’(1950). After the death of Rai Bahadur Chunnilal in 1950, Tolaram Jalan took over the Filmistan while Shashadhar Mukherjee continued as its Creative Head. Post-1950, Filmistan produced successful films like ‘Anarkali’ (1953), ‘Naastik’ (1954), ‘Naagin’ (1954), ‘Munimji’ (1955), ‘Tumsa Nahi Dekha’ (1957), ‘Paying Guest’ (1957) etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6055 Post No. : 18836

‘Senapati’ (1961) was produced by Jai Gopal Mohla under the banner Mohla Films and was directed by Kedar Kapoor. The star cast included Prithviraj Kapoor, Nalini Jaywant, Amarnath, Veena, K N Singh, Tiwari, Helen, Durga Khote, Chaman Puri, Heera Sawant, Rajan Kapoor, Janakidas, Jeevan Kala, Madhumati etc. I heard the name of the producer, J G Mohla for the first time. Before this film, he had produced ’Insaan’ (1952) and ‘Ehsaan’ (1954). After ‘Senapati’ (1961), he seems to have vanished from Hindi films. But when I saw the name of Madan Mohla as the Associate Producer of this film, it gave me a hint of some connection with J G Mohla. Madan Mohla is a familiar name because of some of his box office hit films like ‘Sharafat’ (1972), ‘Raja Jani’ (1974), ‘Dus Numbri’ (1976) etc. The online search revealed that Madan Mohla was the son of Jai Gopal Mohla (J G Mohla). Incidentally, Madan Mohla was also the assistant director under director Kedar Kapoor for this film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6053 Post No. : 18832

‘Talaash’ (1957) was produced by Daulatram and I M Anand and was directed by Vishram Bedekar. The star cast included Ashok Kumar, Beena Rai, Ameeta, Raj Mehra, Mridula, Radhika, Chaman Puri, Bhushan Tiwari, Nazir Kashmiri, Heera Sawant etc. Gajanan Jagirdar and Yakub made their guest appearances in the film.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6048 Post No. : 18823

Today’s song is from a South-made movie – Devta-1956. This song ” Phoolon ke mele….” was quite popular and famous in those days. I was surprised to find that it was yet to feature on this Blog. I am glad that it waited for me !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6046 Post No. : 18816

Today’s song is from the film Sipahiya-1949.

Many film artists – actors, singers, directors etc – have written their autobiography. If you take a look at all these, the females have more autobios than the males, for reasons not known to me. In my last few years of activity in the arena of old films, I have collected many books and have received many books as ‘Gifts’ from the authors. Among these, there are many autobios, including the autobio of C Ramchandra, music director of today’s film Sipahiya-1949.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is his 1500th article in the blog.

Blog Day :

6038 Post No. : 18801

This is my 1500th article on this Blog !

It’s difficult for me to believe that in a span of 148 months or 4440 days I wrote 1500 articles on one Blog alone. Articles written on other Blogs and sites are not included in this. Those are about 200. Add to it my 9 books already published (5 Solo and 4 co-authored). Over 500 film reviews and comments on this and other Blogs which are about 700 +. Being a methodical person, I have kept records of all these. Learning ABCD of work on Computers at the age of 70 years, I could do all this at this age is the Greatest Blessing of the Almighty. Thanks to Him !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6024 Post No. : 18764

Remembering today, the music director, Chitragupt on his 34th Remembrance Day.

Chitragupt Shrivastava (16/11/1917 – 12/01/1991) was a double post-graduate in Economics and Journalism. He got a job as a lecturer in Patna University. His elder brother, Braj Nandan ‘Azaad’ was a freedom fighter who was also the editor of ‘Indian Nation’ and its Hindi counterpart, ‘Aryavrata’. Besides, he was also a percussionist as a hobby. Chitragupt was also interested in music and had undergone basic training in Hindustani classical music.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5997 Post No. : 18689

‘Maa Baap’ (1960) was produced by Trikambhai Dave under the banner of Ratnadeep Pictures and was directed by V M Vyas. The star cast included Rajendra Kumar and Kamini Kadam in lead roles supported by Pran, Anwar Hussain, Bipin Gupta, Leela Chitnis, M Kumar, Leela Mishra, Kuldeep Kaur, Baby Naaz, Kammo, Keshav Rana, Sunder etc. The film belonged to the genre of family drama. This was the third successive film of Rajendra Kumar pairing with Kamini Kadam who had made her debut in ‘Talaaq’ (1958) in a lead role with Rajendra Kumar. Her next film with Rajendra Kumar was Santaan’ (1959).
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