Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shatrughan Sinha


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5236 Post No. : 17231

“Do Ustaad”(1982) was produced and directed by S D Narang for Oriental Pictures, Bombay. The movie had Shatrughan Sinha, Reena Roy, Danny Denzongpa, Vikram, Nazneen, Nirupa Roy. They were supported by Jagdeep, Mukri, Kalpana Iyer, Jeevan, Narendra Nath, Sheetal, Jagdish Raj, Praveen Paul, Yusuf Khan, M.Rajan, Bably Gazala, Baby Pinky, Master Baboo, Master Rajesh, Master Nadeem, C.S.Dubey, Hercules, Punoo, Abhimanyu Sharma, Johny Whisky, Jugnu, Hamid, Manjeet, Sunil Dhawan, Goga Kapoor etc. Special appearances were made by Shakti Kapoor, Neeta Mehta, Dev Kumar, Komila Virk,B hagwan and S.D.Narang.

“Do Ustaad”(1982) had five songs in it. One song has been covered so far.

Here is the second song from “Do Ustaad”(1982) to appear in the blog. The song is sung by Asha Bhonsle. It is lip synced by Reena Roy on screen for Shatrughan Sinha as a mujra dance song. Jagdeep, Parveen Paul and Hercules are also seen in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

Video


Audio
[
Song-Us raat ki subahaa na hone doon (Do Ustaad)(1982) Singer-Asha Bhonsle, Lyrics-Verma Malik, MD-Bappi Lahiri

Lyrics(Provided by Prakashchandra)

us raat ki
subahaa naa hone doon
jis raat mein dilbar
saath rahey ae ae
us raat ki subahaa naa hone doon
jis raat mein dilbar
saath rahey aey ae ae
meraa dil ye duaayein maang rahaa
meraa dil ye duaayein maang rahaa aaa
woh raat hameshaa raat rahey ae ae
us raat ki subaha na hone doon oon

sooraj aur chaand ke
chehrey pe ae ae ae ae ae
sooraj aur chaand ke
chehrey pe
main apnaa aanchal phailaa doon
aur rok loon
waqt kee dhadkan ko o
har taraf andherey bikhraa doon
us kaalee raat ke pardey mein
us kaalee raat ke pardey mein aen
pardey ki na koyee baat rahey ae
meraa dil ye duaayein maang rahaa aa
woh raat hameshaa raat rahey ae ae
us raat kee subahaa na hone doon

main doob ke unkee
aankhon mein aen aen aen
main doob ke unki aankhon mein
woh..o pehli muhabbat maangoongi
sab kuchch apnaa de kar unko..o
ek raat ki jannat maangoongi
main pyaar muqammal kar loongee
main pyaar muqammal kar loongee
mere bas mein agar haalaat rahey ae ae ae
meraa dil ye duaayein maang rahaa
woh raat hameshaa raat rahey ae ae
us raat ki subaha naa hone doon..oon

baahon se lipat kar chhoo loongi ee ee ee
baahon se lipat kar chhoo loongee
unke dil kee gehraayiyon ko
apney ae naghmon se bhar doongee
main barson kee tanhaayiyon ko
kaamon mein umr guzaaroon jo
kadmon mein aen umr guzaaroon jo
mere haath mein unkaa haath rahey ae
meraa dil ye duaayein maang rahaa
woh raat hameshaa raat rahey ae ae
us raat ki subahaa naa hone doon..oon


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5200 Post No. : 17183 Movie Count :

4626

Hullo Atuldom

Todays’ song is from a forgotten movie of the late 1970s “Bagula Bhagat” (1979). It was directed by Harmesh Malhotra and produced by Gullu Sippy. It had a cast of Ashok Kumar, Shatrughan Sinha, Shabana Azmi, Kamini Kaushal, Padma Khanna, Mehmood Jr. etc. I think I saw a short video of the movie online somewhere and think I spied Anwar Hussain and Goga Kapoor as his henchman. It had music by Kalyanji Anandji and songs written by Anjaan. Kishore Kumar, Mahendra Kapoor, Amit Kumar and Asha Bhonsle as playback singers. The movie was written by Subhash Ghai and Bhalla.

I have no clue about the story of the movie, date of release etc. I landed on this movie in my quest for a song lip-synced by Ashok Kumar and sung by Kishore Kumar. I found the video of the movie on YouTube which is uploaded in three parts. It begins with a convict’s failed attempt at jumping a prison. Shatrughan Sinha plays a smart-alec who does small odd jobs of helping smugglers transport their illicit stuff for small remunerations. He is assigned a task by Anwar Hussain to help someone escape from prison.

The song with this post is when Shatru lands in prison to finish the assignment given and sees Ashok Kumar being hailed as a prisoner who is well known amongst inmates. Kishore Kumar is the voice for his brother Ashok Kumar and Amit Kumar sings for Shatru.

The song reminds of ‘do bechaare bina sahare’, from Victoria No. 203. There was a period in the 70s when we had many such Kishore Kumar- Ashok Kumar songs meaning Kishoreda singing for Dada Moni. And my hope is that we don’t run out of such songs as they are best to remember the brothers on their anniversaries. 13th October is Dada Moni Ashok Kumar’s birth anniversay and Kishoreda’s death anniversary. This pair of brothers have been responsible for entertaining audiences from the 30s when Dada Moni stepped into Bombay Talkies as lab assistant. And after a few years he stepped in front of the camera it is a different matter that he had not hankered after that career. He was busy in front of the screen for almost six decades.

Kishoreda, Dada Moni’s youngest brother, began his career as a chorus singer at Bombay Talkies and got his first independent break in 1948 with “Ziddi”. His first screen appearance may have been in 1946 “Shikari” which starred his older brother but he played the lead for the first time in 1951. He has more discography to his name compared to filmography. But this was one entertaining family where their sister was married to a producer, their other brother was also an actor. Amit Kumar followed his dad of being a singer/actor and Preethi Ganguly also went on to become an actor. Dada Moni’s granddaughter is actress Anuradha Patel, son-in-law was Deven Verma. So much talent in one family.

Thinking of the Ganguly brothers Ashok Kumar and Kishore Kumar .

Video


Audio

Song-Kya kya armaan dil mein thhe apne (Bagula Bhagat)(1979) Singers-Kishore Kumar, Amit Kumar, Lyrics-Anjaan, MD-Kalyanji Anandji
Chorus
All
Kishore Kumar + Amit Kumar

Lyrics

arre barson beete
yoonhi ee jeete
huyi na poori mann ki ee ee aas
jaise jaise ghat’te gaye ae din
badhti gayi ee ee her pyaas
arre udte panchchi ee dekh ke
pyaasa mann lalchaaye
phanse pade hain jaal mein hum toh
saiyyaad khada aa aa muskaaye

kya kya armaan
dil mein thhe apne
dil mein thhe apne
kya kya aarmaan
dil mein thhe apne
kya kya dekhe thhe
jeee ke sapne
jeene ke sapne
arre sapne reh gaye
sapne yaaron dekho
dekho
aake kahaan hum phans gaye hain
yaaron phans gaye hain
hum toh phans gaye hain
yaaron phans gaye hain

oh badi buri tarah hum
phans gaye hain
hum to phans gaye hain

kabhi hum bhi aazaad
panchchi thhe yaaron
kabhi hum bhi aazaad
panchchi thhe yaaron
bahaaron mein apna bhi
thha aashiyaana
haan thha aashiyaana
magar waqt ne ek
din rang badla
wo par kat gaye
wo luta aashiyaana
luta aashiyaana
luta aashiyaana

wo kya thha zamaana
ye kya hai zamaana
wo kya thha zamaana
ye kya hai zamaana

are dil ki reh gayi
dil mein yaaron dekho
dekho
aake kahaan hum phans gaye hain
yaaron phans gaye hain
yaaron phans gaye hain
yaaron fass gaye hain

oh badi buri tarah hum
phans gaye hain
yaaron fass gaye hain

o ho ho
ho ho ho o

yahaan zurm karne ko karte sabhi hain
yahan zurm karne ko karte sabhi hain
magar wo hain mujrim jo pakde gaye hain
jo pakde gaye hain
gunehgaar baaki toh aazaad hain sab
humi bediyo mein kyun jakde gaye hain
kyun jakde gaye hain
kyun jakde gaye hain

jo tum jakde gaye ho
haah
tumaari hi khata hai
haah
museebat jhelne mein
tumhe aata maza hai

tumhen aata maza hai
museebat jhelne mein
kise aata maza hai
magar majboor hain hum
nahin koi raasta hai
nahin koi raasta hai
hazaaron raaste hain
nahin tumko pata hai
usey milti hai manzil
jo manzil dhoondhta hai

jo manzil dhoondhta hai/font>
ada ye zindagi ki
humen bhi toh sikha do
andhere mein phanse hum
ujaala tum dikha do
ujaala tum dikha do
andhere ke panchchi
ujaale mein mud jaa
andhere ke panchchi
ujaale mein mud jaa
kabhi saath leke ye
pinjra bhi ud ja

kabhi saath leke ye
pinjra bhi ud ja

oh warna ye mat kehna
yaaron dekho
dekho
aake kahaan hum phans gaye hain
yaaron phans gaye hain

yaaron phans gaye hain
yaaron phans gaye hain

oh badi buri tarah hum
phans gaye hain

yaaron phans gaye hain
kya kya armaan
dil mein thhe apne

dil mein thhe apne
kya kya dekhe thhe
jeene ke sapne

jeene ke sapne
are sapne reh gaye
sapne yaaron dekho
dekho

hoy
aake kahaan hum phans gaye hain
yaaron phans gaye hain

yaaron phans gaye hain
yaaron phans gaye hain
yaaron phans gaye hain


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4947 Post No. : 16806

Like how Indians achieved freedom on 15 August 1947, most kids like me achieved their freedom when they started going to college. I achieved my freedom in may/ june 1978, when I passed my matriculation examination and got admitted to college. When I was in school, the only landmark I passed while commuting between home and school was the railway station. But now I came across almost all the movie halls of Ranchi as I commuted between home and college (St Xavier’s College, Ranchi). Being a college going person, I was considered grown up. In reality I was not even 16 at that time and I was not able to handle this new found freedom with responsibility.

So I began to watch movies with a vengeance when I should have been attending practical classes, that took place in the second half coinciding with the matinee show of movies.

It is not that I only watched matinee shows. There were occasions when I would be alone at home. Then I would watch evening and even night shows. Returning back on foot at midnight after the night show was no big deal for me. Law and order was that good in Ranchi those days. I am not aware how things are there today.

‘Jaani Dushman’ (1979) was much in news even before its release. It was supposed to be a mega movie, challenging all the mega movies that had come before, like say ‘Mughal e Azam’ (1960), ‘Waqt’ (1965), ‘Sholay’ (1975) etc. But there was a catch. The censor board felt that the movie was a ‘horror’ movie and watching it would be a dreadful exercise for weak hearts. So Censors, after lots of delays and objections, finally allowed the movie to get released with an A certificate.

I watched this movie in night show. The fact that it was a horror movie, and an A cerificate movie, and thirdly I myself was not an adult till that time did not deter me. Macho people in Bihar (Ranchi was still Bihar those days) did not care for such minor details. 🙂

When I watched the movie, I wondered what was the fuss about this being a ‘horror’ movie. There was no horror whatsoever as far as I was concerned. There was one scene where the ghost is supposedly seen rotating his head while this body is stationary. I could clearly detect that the body was actually built of cardboard, and the ghost (played by Sanjeev Kumar) stood inside the cardboard body and moved his body. Only the most naive people would fail to see this cheap ruse. Instead of feeling any horror, I felt pity at the makers of the movie as well as at the censors.

Even the movie was no great shakes. Indian movie makers have created a false narrative about ichchaadhaari naagin and they keep making movies on this theme. And the gullible movie watchers keep falling for this false narrative.

I was not much impressed with this movie. It was well past midnight when the night show ended and I returned back home on foot, walking some two kms. Most of the walk was along the road running parallel to the rail track going towards Ranchi Railway station.

This movie, which was a damp squib as far as I was concerned, was produced and directed by Raj Kumar Kohli for Shankar Movies, Bombay. The huge star cast of the movie included Sunil Dutt, Sanjeev Kumar, Shatrughan Sinha, Reena Roy, Neeta Mehta, Shobhini Singh, Roopesh Kumar, Madan Puri, Shakti, Anwar Hussain, Amrish Puri, Murad, Sulochana, Jayshree T., Indrani Mukherji, Aarti, Sheetal, Raza Murad, Jagdeep, Paintal Mac Mohan, Ram Soni, Maruti etc. Then there were special appearances by Vinod Mehra, Vikram, Prem Nath, Rekha, Neetu Singh, Bindiya Goswami, Sarika. Yogita Bali and Aruna Irani were in guest appearances. Then there was “above all- special apperance”- by Jeetendra.

Was I impressed by this star cast ? Not a chance. Where were the biggest names of the industry ? No Amitabh Bachchan, No Dharmendra, No Vinod Khanna. No Hema Malini, No Zeenat Aman, No Parveen Babi. I was suitably underwhelmed with the cast of the movie.

The songs of the movie were popular. The Rafi doli song soon became an iconic song, at par with his earlier doli song “Baabul ki Duaayen leti Jaa“. Apart from that I found most other songs s as just so so stuff.

The movie had six songs in it. Five songs have been covered in the blog so far. Here are the details of these five songs :-

Blog post number Song Date of post Singer (s)
459 Tere haathon mein pahna ke choodiyaan 28 December 2008 Rafi, Asha Bhonsle
11607 O meri jaan bol meri jaan 28 November 2015 Kishore KUmar, Anuradha Paudwal
14521 Mausam na koi bahaar jaisa 24 July 2018 Kishore Kumar, Mahendra Kapoor, Asha Bhonsle
15147 Chalo re doli uthhaao kahaar piya milan ki rut aayi 31 July 2019 Rafi
16751 Saare rishtey naate tod ke aa gayi 7 January 2022 Lata

Only one song from the movie is left to be covered. Here is that song.

This song is sung by Asha Bhonsle. Shatrughan Sinha utters a few words and that is enough for him to get credited as a singer in this song. Verma Malik is the lyricist. Music is composed by Laxmikant Pyarelal. The song is picturised on Reena Roy and Shatrughan Sinha. The previous song covered earlier this year was also picturised on Reena Roy but there it was sung by Lata Mangeshkar. Reena Roy singing separate songs in the voices of different Mangeshkar sisters in the same movie, this did not appear anything special those days, but with passage of time this must be regarded as something special. There may not be so many cases where the same actor sings in the voices of different siblings.

As mentioned earlier I did not find the songs of the movie (apart from one Rafi solo) any great shakes. But I was in a minority. With time, these songs have retained their popularity. Youngsters, may of them not even born when this movie was released appear quite impressed with the songs of the movie. This song, both its singing and picturisation gets favorable comments from most people watching this song on YouTube. When I think about it, I have to grudgingly admit that the songs of this movie are good songs to listen to.

I did not pay much attention to this song in the past. But now that I paid attention, I realise that it is nicely sung song by Asha Bhonsle. With this song, Asha Bhonsle silently and unnoticeably completes 2900 songs in the blog.

So, with this song, “Jaani Dushman”(1979) gets YIPPEED in the blog whereas Asha Bhonsle completes a barely believable 2900 songs in the blog.

Here is the song. Enjoy !


Song-Aisi waisi na samajh sajna(Jaani Dushman)(1979) Singers-Asha Bhonsle, Shatrughan Sinha, Lyrics-Verma Malik, MD-Laxmikant Pyarelal

Lyrics

aisi waisi na samajh sajna
aisi waisi na samajh sajna
jaan de doongi ya jaan le loongi
aisi waisi na samajh sajna
aisi waisi na samajh sajna
jaan de doongi ya jaan le loongi
aisi waisi na samajh sajna

itna to mera dil bhi
jaanta zaroor hai
kitni tu mere paas hai
aur kitni tu door hai

kaante ya phool jo bhi chaahe
ismein daal de
kaante ya phool jo bhi chaahe
ismein daal de
maine to zindagi ka daaman bichha diya
maine to zindagi ka daaman bichha diya
daaman bichha diya
abhi na tu samjhe mujhe apna
haan
mujhe apna
haaye mujhe apna aa aa
aisi waisi na samajh sajna
aisi waisi na samajh sajna
jaan de doongi ya jaan le loongi ee
aisi waisi na samajh sajna

jo dekh raha hoon kahin wo
khwaab to nahin
kaanton ke bhes mein chhupa
gulaab to nahin

is kadar tu ab dil ke kareeb hai
is kadar tu ab dil ke kareeb hai
lagta hai mere pyaar ka tu hi
naseeb hai
naseeb hai
maine jo kaha
use yaad
haan yaad
zara yaad rakhna aa aa
aisi waisi na samajh sajna
aisi waisi na samajh sajna
jaan de doongi ya jaan le loongi
aisi waisi na samajh sajna


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4940 Post No. : 16793

Rafi Sahab’s Legendary Associations – 10
———————————————————

73rd Republic Day of India

ek hai apni zameen
ek hai apna gagan
ek hai apna jahaan
ek hai apna watan
apne sabhi sukh ek hain
apne sabhi gham ek hain
aawaaz do
aawaaz do ham ek hain
ham ek hain

“What is it that I want? The same as you, the same as everyone else. I want to be physically safe and healthy, financially secure and personally happy. I want the same confidence in my abilities, in my environment and social acceptance. I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”
This is me, in conversation with a dear friend and a long-time colleague. This conversation happened some 15-16 years ago. Actually, we were on the same page in the topic, she was not coming from any opposite direction at all. But she was the one clear on the causes of a problem, I was the one confused.
But things are a lot clearer to me now, exactly what I wanted to explain at that time is more obvious now.

apne sabhi sukh ek hain
apne sabhi gham ek hain

The causes of happiness for the common man are the same everywhere, whatever is the religion, caste, race, region, language, state or country they are allied to. The aspirations are same and the apprehension and causes of sadness are also the same essentially. This is the way a social environment develops, where people go and join hands with each other in times of happiness and sadness.

Today the country is celebrating 73rd Republic Day.

The constitution gives us the right to live with dignity. What is a person’s dignity? it is not just the pride in its citizenship, its values and its integrity. A person’s dignity is the self-belief that I have done nothing wrong and don’t mean any harm to anyone. And a feeling of security, that me, my life, my livelihood and my family is safe. A sense of belonging that makes us feel responsible for the safety and security of fellow citizens and has assurance of reciprocation. Also, that I deserve all that I command. Personally, socially and professionally.

As a citizen it is a right to demand and acquire good education, an adequate health facility, a great judicial system and better law enforcement agencies, plus a media which gives us information, that really mattered. Real information, on what has been done to give the above rights to the citizens.

With the slow and gradual increase of opportunities in education and personal growth, the inequalities have also increased. A success story in monetary terms and career, is just not enough. It is also important to have balanced and broad-minded success stories. Rationality and seeing an issue in a truly international perspective are what will make a successful person intellectually empowered.

At the ripe old age of 75, we should have been a mature people.
Do we see enough, do we care enough?
Do we bother to call out the misbehaviour, of miscreants we see on the streets? Are we bold to speak out against injustice?
Are we smart enough to sift through the crap fed to us day in and day out in the guise of news and entertainment?
Do we bother to check the authenticity of WhatsApp forwards before sharing with other people?
Do we even care that our ‘can’t care less’ attitude is destroying the centuries old social fabric of our society and stripping us of our identity as a people, the whole world, looked at with respect?

Munshi Premchand said “Communalism, whenever it raises its head, it comes within a cloak. Because it is ashamed of coming alone or walking alone. “
Yes, at the age of 75, we are a nation of most young people in the world. Being second largest population in the world, with an average age of 28 years, the figures of young people and children are just hugest in the world. If these young people are a part of work force and aspire for personal growth and are able to collectively individually, contribute to the nation building, what can be built and achieved is mind boggling.
But are we looking at what the young population of this country is aspiring to be?
What is the ambition of an average Indian youngster?
what are their hopes?
What are their priorities?

It is very important to channelise the energies and ambitions of youth towards personal and professional excellence. There is enough talent, brains and hands in this country to make it an economic force. But for that we have to rise above the politics of religion, caste, us and they, region etc.

There was a story of cats and a monkey, we used to hear and read as children. Lately I have not seen it repeated anywhere. So here is the story for refreshing the memory of readers:

Two cats are fighting for a roti. The monkey comes and tells them to stop fighting and make two equal pieces of the roti. The cats agree and make two parts. The monkey tells them the two parts are not equal, one is larger and the other is smaller. He advises the cat holding the larger piece, to break a small part and give it to him, so both the cats have equal portions. The result is again the same, the parts of the roti the cats have are still not equal. So, the other cat is asked to break a small piece and give it to the monkey, to establish the equality. So on and so forth the dispute continues, till the whole roti is finished, while the cats remain empty handed in the end.

Similar is the case of inequality in opportunities in our set up. In the name of equalising those opportunities, the opportunists among us are gobbling up the parts and parcel. Keeping the marginalised sections divided and fighting imaginary/perceptive fights with each other. It is not a true cut and dried, there are multiple layers to these differences, perceptions of not getting a fair share of the ‘roti’. The majority/minorities tussle is but one layer of it and the cloak which Munish Premchand referred to. The real divide here is still the have’s and have nots. Then there is a gender divide, which is inherent and keeps getting uglier.

Where does all this leave the common man, with its apprehensions and aspirations? With their same dukh and sukh, I spoke about in the first para.
“I have the same worries and aspirations for future. Same apprehensions if the children will turn out well and have good careers or not.”

It is true, that once I had children, all my self-interests and care less impulsiveness gave way to worries of the future. Not the least of which was the worry for their safety, physical, emotional and psychological. Major part of their time was spent outside the home, in school and in the creche. How the things that they imbibe from the social atmosphere will affect their character, their thought processes and their choices and priorities? This was a cause of worry for me.

Yes, these ills in society are stemming for this one vice, i. e. selfishness. A few days ago, I had a big discussion with my son, regarding the self-interest of sections of society, and the marginalised sections of the society, who are still outside a certain margin. This margin is not unbreachable. We can see it breached in some developed states in the country. In most parts of the country, the focus of the populace is on the personal growth, better life quality and the common interests of the common man.

My son, interestingly was coming from the other direction in the discussion. I have managed to make an inroad in the way, he looks at opportunities for himself and for others, his fellow countrymen, who have the talent, ability and deserve to take their rightful place in the progress and development of the country, I hope, because he has not come to me with any counter-arguments on the topic :-).

This is my quest to make a balanced, truly intellectual success story out of my children. There is no ‘ism’ in this thought process, just a bit of logic and unselfishness. The conscious unwillingness to get embroiled in a conflict of interests which is a matter of perception. This really is a distraction, which our youth do not need.

The problems and issues in our country are centric and specific to our country. These have to be looked at with a prism of our own, not look for solutions to it, from examples of other nations and other societies.

I will move on to the song post.

The song is an iconic song from the 1981 film “Kranti’. The punch line, or the concluding line of the song is

Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa

“mera chana’ can be interpreted as ‘my passion’ or ‘my goal’, which really is to treat ‘khudgarzi’ i.e. selfishness as the enemy.

The song is iconic, as it has three legends of hindi film music singing it with the son of another legend. Mohammed Rafi, Kishore Kumar and Lata Mangeshkar are singing for Dilip Kumar, Shatrughan Sinha and Hema Malini, whereas Nitin Mukesh is giving playback to Manoj Kumar in the song, which is written by Santosh Anand and composed by Laxmikant-Pyarelal.

I used to hear the ‘sponsored programme’ of this film on Vividh bharati, I have seen the movie also long back. But I only recalled that Rafi Sahab is singing just one line for Dilip Kumar in this song. But now that I have seen and heard the song multiple times, the lines Rafi sahab is singing towards the end of the song, are definitely very significant and elevate the whole song to another level. The composition and orchestration have been kept very simple and basic by Laxmikant-pyarelal, so this is not a crowded song, with all these greats singing their parts, independently and together, with male and female chorus to add to the group.

This is the only song of these four singers. For Rafi sahab’s series, this must be the last such song remaining to be posted in the blog where Rafi sahab and Kishore Kumar are singing together, with or without Lata Mangeshkar and Nitin Mukesh. For Rafi-Lata duets, there are a few songs, at least one of them I plan to include in the series. So, this post takes care of Rafi sahab’s association with Kishore kumar, Nitin Mukesh and Santosh Anand.

Let us go to the song, and listen to the rendition which is a real ‘hair raising’ experience.

Audio:

Video:

Song-Chana jor garam baabu main laaya mazedaar chana jor garam(Kraanti)(1981) Singers-Lata Mangeshkar, Kishore Kumar, Nitin Mukesh, Mohammed Rafi, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Lata Mangeshkar + Kishore Kumar
Female chorus
Male chorus

Lyrics
(Provided by Avinash Scrapwala)

Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum ta ra
Tum tum ta ra ra ra
Tum tum taram
Tum tum ta ra ra ra
Tum tum taram

Tum tum taram taram
Tum tum taram taram
Duniya ke hain laakh dharam
Par apna ek karam
Chana jor garam

Chana jor garam baabu
Main laayi majedaar
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Mera chana bana hai a’alaa
Jis mein daala garam masaala
iss ko khaayegaa dilwaala
Chana jor garam
Mera chana khaa gayaa goraa
Mera chana khaa gayaa goraa
Khaa ke ban gayaa tagda ghodaa
Main ne pakad ke usse marodaa
Maar ke tangdi uss ko todaa
Chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Mere chane ki aankh sharaabi
Sharaabi ee
chane ki aankh sharaabi
Ho oo
Iss ke dekho gaal gulaabi
Gulaabi ee
dekho gaal gulaabi
ho …
iss ka koyi nahin jawaabi
iss ka koyi nahin jawaabi
jaise koyi kudi punjaabi
jaise koyi kudi punjaabi ee

naache chhanan chhanan
naache chhanan chhanan
kothhe chadh ke tainu pukaaraan
sun le mere balam
chana jor garam
Chana jor garam baabu
Main laayi majedaar
Chana jor garam

Meraa chana khaa gaye gore
Gore meraa
chana khaa gaye gore
ho gore
jo ginti mein hain thhode
ho phir bhi maare ham ko kode
phir bhi maare ham ko kode
Tum tum taram taram

Tum tum taram taram
Laakhon kode toote phir bhi
Toota na dum kham
chana jor garam
Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Chana jor garam baabu
Main laaya majedaar
Chana jor garam

Chana jor garam
Chana jor garam
Chana jor garam
Chana jor garam(hoo oooo)
Chana jor garam(oooooo)
Chana jor garam(aa aaaa)
Chana jor garam(aaa aaaa)
Chana jor garam(ooo oooo)
Chana jor garam(ooo oooo)
Aaa aaaaaa
Aaaaa aaaaaa
Aaaaa aaaa
Ooooo oooo
Oooooo oooo

Oooo oooooo
Ooooooo
Aaaa aaaaaa
Aaaaaa
Aaaaaaaa
Aaaaaa
Ho oooo oooo
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Sar kafan baandh ke niklaa hai
Deewaana hai yeh pagla hai
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Apnon se naataa jodegaa
Gairon se sar ko phodegaa
Apna yeh vachan nibhaayegaa
Maati ka karz chukaayegaa aa

chana hai apni marzi kaa
Marzi ka bhai marzi ka
Mit jaane ko mit jaayegaa
Azaad watan kar jaayegaa

Na to chori hai
Na to daakaa hai
Bas yeh to ek dhamaaka hai
Dhamaake mein aawaaz bhi hai
Ek soz bhi hai ae
Ek saaz bhi hai
Samjho to baat yeh saaf bhi hai
Aur na samjho to raaz bhi hai
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Apni dharti apna hai gagan
Yeh meraa hai meraa hai watan
Iss par jo aankh utthaayegaa
Zinda dafnaayaa jaayegaa
Mera chana hai apni marzi kaa

Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Mera chana hai apni marzi kaa
Marzi ka bhai marzi ka
Yeh dushman hai khudgarzi kaa
Khudgarzi ka khudgarzi kaa
Aaa aaaaa
Aaaa aaaaa
Aaaa aaaaa
Aaaa aaaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4916 Post No. : 16739 Movie Count :

4557

On this blog we often celebrate anniversaries of various artists of Hindi Films and Hindi Film Music. Time to time we also celebrate birthdays of our team members who are also known as ‘Atulites’. So today we are celebrating birthday of two Atulites and one well-wisher of this blog (read as ‘family members of the team members 😊).

This post is to wish Atulites Pradeep Raghunathan ji and Peevesie’s Mom ji a very happy birthday today. On behalf of all team members, I wish them a very happy birthday and many happy returns of the day. Also today is the birthday of my wife. So, we wish her too a very happy birthday and many happy returns of the day 😊 (she also has her ‘hand’ behind me – and she also has her share in my being a successful ‘Atulite’ for the last nine years four months… 😊)

As is customary for us, we will now listen to a song which suits today’s occasion perfectly. This is a ‘birthday celebration song’. It is from the ‘1989’ movie ‘Saaya’. I was not aware either of the song or this movie. I came across this song only a couple of days back (when I was looking for a birthday song).

‘Saaya-1989’ was directed by R. Keshu (I guess he is Keshu Ramsay) for ‘Century Films’. It was produced by Naval Kumar and presented by R.C. Kumar.

It had Shatrughan Sinha, Poonam Dhillon, Danny Denzongpa, with Pinchoo Kapoor, Viju Khote, Beena, Baby Tabassum, supported by Iftekhar, Anjali Sen, Shammi, Sudhir Dalvi, Darshan, Prakash and Kaajal Kiran.

Story and screenplay of this movie was written by Kumar Ramsay. Dialogues for this movie were written by Jagdish Kanwal. Shafi Ur Rahman was associate dialogue writer for this movie.

Editing of this movie was done by Bal Korde.

Lyrics for the songs in this movie were written by Anjaan and music was composed by Bappi Lahiri.

Asha Bhonsle, Nazia Hassan, Zoheb, Uttara Kelkar, and Munna were those whose voices was used for the songs in this movie.

Today’s song is sung by Asha Bhonsle. Poonam Dhillon lip-syncs the song on screen. Shatrughan Sinha and Baby Tabassum (whose birthday is being celebrated) are also seen alongwith many others.

Let us now enjoy this beautiful song and wish the birthday boys and birthday girls a very happy birthday today and a healthy and peaceful life ahead …

Video

Audio

Song-Janamdin mubaarak ho (Saaya)(1989) Singer-Asha Bhonsle, Lyrics-Anjaan, MD-Bappi Lahiri
Chorus

Lyrics

janamdin mubaarak ho o
janamdin mubaarak ho
tere liye main naachoon
tere liye main gaaun
jhoom ke saari raat
mere sang tu naache
mere sang tu gaaye
chhoote kabhi naa ye saath
happy haapy birthday to you
happy haapy birthday to you
happy haapy birthday to you
happy haapy birthday to you

janamdin mubaarak ho o

laa laa la laa laa la laa
laa laa la laa laa la laa

maathe ko choome chandaa ki kirnen
aankhon mein chamke sitaare
honthhon pe bikhre phoolon ki laali
hansti rahe tu sadaa
maathe ko choome chandaa ki kirnen
aankhon mein chamke sitaare
honthhon pe bikhre phoolon ki laali
hansti rahe tu sadaa aa
janamdin mubaarak ho o
janamdin mubaarak ho
tere liye main naachoon
tere liye main gaaun
jhoomke saari raat
happy haapy birthday to you
happy haapy birthday to you
happy haapy birthday to you
happy haapy birthday to you

janamdin mubaarak ho o 

laa la laa
laa la laa
la la laa la laa
la la laa la laa/font>

laa laa la laa laa la laa
laa laa la laa laa la laa

kadmon pe tere kaliyaan bichhaaye
gulshan ki mehki bahaarein
sar pe ho tere mamtaa ka aanchal
saaya rahe pyaar ka
kadmon pe tere kaliyaan bichhaaye
gulshan ki mehki bahaarein
sar pe ho tere mamtaa ka aanchal
saaya rahe pyaar ka
janamdin mubaarak ho o
janamdin mubaarak ho
tere liye main naachoon
tere liye main gaaun
jhoom ke saari raat
mere sang tu naache
mere sang tu gaaye
chhoote kabhi naa ye saath
janamdin mubaarak ho o

laa laa la laa laa la laa
laa laa la laa laa la laa
laa laa la laa laa la laa
laa laa la laa laa la laa
laa laa la laa laa la laa
laa laa la laa laa la laa


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4907 Post No. : 16717

Hullo Atuldom

The favourite singer of millions of Indian Mohammed Rafi was born on 24th December 1924. That means we, his fans, would have been celebrating his 97th birthday this year. But that was not to be. He just left this mortal world in July 1980 at the age of 55.

But we, his fans, need not be sad as he has left us a library full of music albums-both filmy and non-filmy. There will be many who will pay tributes to this great soul- the soft-spoken, gentle, kindhearted giant with their own personal touch. There will be programs across the various entertainment platforms that would highlight the music that Rafi saab was associated with.

For me, the day begins by listening to the Radio- Radio Ceylon to be exact- and figuring out which of the songs that are played there I have heard, and which I have never heard. Then I may move on to listening to other Radio stations.

Small Trivia:- Just found that Radio Ceylon is a year younger than Rafisaab. The precursor to Radio Ceylon- Colombo Radio – was formally launched on 16th December 1925.

I am sure we will be treated to the regular fare of Rafi hits like ‘o duniya ke rakhwaale’; ‘sukh ke sab saathi’; and possibly ‘ta ra ri ara ri ra ra ri’; ‘yeh chaand sa roshan chehera’; ‘pardesiyon se na ankhiyan milana,’ etc and a few more soulful numbers. We may also get a dose of his popular songs from the 70s like ‘o meri mehbooba, mehbooba mehbooba’, ‘kya hua tera wada’ etc. In between some channel will also squeeze in a ‘meri awaaz suno’; ‘dil ka soona saaz tarana dhoondega’; and some of his other great songs.

Additionally, we will have forwards from friends on WhatsApp and Facebook (the new age social platforms) that will give us links to sites that speak of the greatness of the Soul that Mohd. Rafi was.

Here is my tiny attempt to bring on-stage a song that was sung by the great Mohd Rafi under the baton of Ravi. It is a rarely heard song that was written by Verma Malik. It is from the 1977 release “Aadmi Sadak Ka”. Only one song from this film has been discussed on the blog so far and that was the most famous song of the movie viz. Aaj mere yaar ki shaadi hai. this was in 2013, eight years ago.

Today’s song features Zaheera, Shatrughan Sinha, Vikram (who was born Moin Uddin Shah), Sujit Kumar and Deven Verma. We see that Zaheera, Shatru and Vikram are in disguise.

‘Aadmi Sadak Ka’ was a produced and directed by Devendra Goel. It was a bilingual- made in Hindi and Marathi (called ‘Dost Asava Tar Asa’). It was the story of a well-placed family that has three sons (two of whom are married) and a daughter. The family falls into hard times when the patriarch dies, the family fortunes are usurped by the older two sons, at the behest of their wives, and the mother and the younger siblings are shown the door. The youngest son Chander (Vikram) takes up a job as a waiter and due to his good conduct keeps getting promoted and also becomes co-owner of the hotel. Now he is in competition with his older brothers and after the usual twists and turns the family is reunited and that brings the movie to ‘The End’.

With this post we also remember Deven Verma whose death anniversary was on 2nd December. He was born in Pune to Rajasthani father and Kutchi mother. He was son-in-law of Ashok Kumar, his wife was Rupa. He was a multi-talented actor who was appreciated in comic roles, but when I saw “Devar” (1966) I was stumped by the serious character he played. Devendu Verma (birth name of Deven Verma) died of a heart attack and kidney failure in 2014.
Here is the song with Anuradha Paudwal and Deven Verma singing with Mohd. Rafi.


Song-Bura na maano yaar dosti yaari mein (Aadmi Sadak Ka)(1977) Singers-Rafi, Anuradha Paudwal, Deven Verma,Lyrics-Verma Malik, MD-Ravi
Rafi + Anuradha Paudwal
Chorus

Lyrics

aa aa aa aa aa
aa aa aa aa aa

bura na maano yaar dosti yaari mein
bura na maano yaar dosti yaari mein
masti mein kuchh kehta hai
kehta hai
chaahe gaali deta hai
deta hai
gaali mein hai pyaar dosti yaari mein
arre gaali mein hai pyaar dosti yaari mein
bura na maano yaar dosti yaari mein
bura na mano yaar dosti yaari mein

har baat ko jaancho parkho
har baat ko naapo tolo
har baat ko naapo tolo
bhai har baat ko naapo tolo

jis baat ko tum na samjho
wo baat kabhi na bolo

wo baat kabhi na bolo bhai
wo baat kabhi na bolo

us baat ki keemat jaano jo baat zubaan pe aaye
jo baat banaane aaye hon
wo baat bigad na jaaye

ho jaaye na takraar dosti yaari mein
ho jaaye na takraar dosti yaari mein
ho jaaye na takraar dosti yaari mein
har gaali mein hai pyaar dosti yaari mein
bura na maano yaar dosti yaari mein

dete rahe humko dhokha tum
pyaar ka haath badha ke
pyaar ka haath badha ke bhai
pyaar ka haath badha ke

tum donon bade chor nikle
hamaare dil ka chain churaa ke
dil ka chain churaa ke bhai
dil ka chain churaa ke

tum kya jaano hain kya kya
dil mein armaan hamaare
hum badle sabhi chukaaye
jitne ehsaan tumhaare
ye karte hain ikraar dosti yaari mein
ye karte hain ikraar dosti yaari mein
ye karte hain ikraar dosti yaari mein
har gali mein hai pyaar dosti yaari mein
bura na maano yaar dosti yaari mein
lo hum bhi hain taiyyar dosti yaari mein
advance das hazaar dosti yaari mein
lo badla hai sansaar dosti yaari mein
beda hua hai paar dosti yaari mein

beda hua hai paar dosti yaari mein aenhaan haan
hrr
haan haan


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4742 Post No. : 1668 Movie Count :

4473

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLII: Year 1988
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1988.

In 1988, 130 Hindi movies containing 540 songs were released. Lata Mangeshkar got to sing in 21 of these movies and she sang 43 songs in these movies. So Lata Mangeshkar’s voice was heard in 16 % of the movies released in 1988. Her voice was heard in 8 % of the songs appearing in the movies of 1988.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1988 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Dharam Yudhh Rajesh Roshan 0 2 2 0 0 0 Kulwant Jaani
2 Do Waqt Ki Roti Laxmikant Pyarelal 0 2 1 0 1 0 Anand Bakshi
3 Ek Naya Rishta Khayyam 0 1 1 0 0 0 Naqsh Llayalpuri
4 Ganga Jamuna Saraswati Anu Malik 1 4 4 0 0 0 Indeewar (3) Prayagraj (1)
5 Gunaahon Ka Faislaa Bappi Lahiri 0 1 0 1 0 0 Anjaan
6 Hatya Bappi Lahiri 0 1 0 1 0 0 Indeewar
7 Hum To Chale Pardes Vijay Singh 0 2 2 0 0 0 Ravindra Peepat
8 Kabristaan Uttam Jagdeesh 0 1 1 0 0 0 Nida Fazli
9 Kab Tak Chup Rahoongi Bappi Lahiri 0 2 0 2 0 0 Indeewar (1) S H Bihari (1)
10 Khareeddaar Usha Khanna 0 1 1 0 0 0 Indeewar
11 Libaas R D Burman 4 4 2 2 0 0 Gulzar
12 Mil Gayi Manzil Mujhe R D Burman 0 1 1 0 0 0 Anand Bakshi
13 Naamumkin R D Burman 0 2 2 0 0 0 Anjaan
14 Paanch Faulaadi Uttam Jagdeesh 0 1 0 1 0 0 Nida Fazli
15 Paap Ki Duniya Bappi Lahiri 0 1 0 1 0 0 Anjaan
16 Raamavtaar Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
17 Saagar Sangam Bappi Lahiri 0 4 3 1 0 0 Anjaan
18 Shahanshah Amar Utpal 0 2 0 2 0 0 Anand Bakshi
19 Sone Pe Suhaaga Bappi Lahiri 0 1 0 1 0 0 Indeewar
20 Vijay Shiv Hari 1 3 1 1 0 1 Nida Fazli
21 Waaris Uttam Jagdeesh 1 5 2 3 0 0 Verma Malik (3) Sardar Panchhi (2)
Total 21 movies 11 MDs 7 43 24 17 1 1 12 lyricists

Lata Mangeshkar worked with 11 music directors and 12 lyricists in these 20 movies released in 1988. Laxmikant Pyarelal were the most prolific music directors with Lata, with 645 songs in HFM with Lata Mangeshkar by the end of 1988. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 329 Lata Mangeshkar and Kalyanji Anandji with 305 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Salil Chaudhary (108), Vasant Desai (104) and Rajesh Roshan (103). Together these sixteen music directors composed 3581 songs out of 4902 songs that Lata Mangeshkar had sung in Hindi movies till end of 1988. Anand Bakshi with 652 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (554), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (298), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (149). These ten lyricists had penned 3163 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1988 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 130 68 12 1
1960 48 movies 142 166 102 50 12 1
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 98 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 27 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 2 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 7 43 24 17 1 1
Total upto 1988 1754 movies 3689 4902 3242 1346 204 110

It can be seen from the table of 1988 that Lata Mangeshkar sang 43 songs in 21 movies released in 1988. So she made a recovery of sorts after singing the lowest number of songs in a year in 1987 (just 21).

7 songs sung by Lata Mangeshkar in movies of 1988 have been covered in the blog. That leaves us with 36 songs from movies of 1988 that are yet to be covered.

All Lata Mangeshkar songs of one movie of 1998, namely “Libaas”(1988) have been covered. So 36 Lata Mangeshkar songs from 20 movies of 1988 are still available for discussion in the blog.

Alphabetically “Dharam Yudhh”(1988) is the first movie of 1988 that offers us a Lata Mangeshkar song to be covered in the blog.

“Dharam Yudhh”(1988) was produced by Pawan Kumar (Secretary of Shatrughan Sinha) and directed by Sudarshan Nag for Amiya’s Bombay. The movie had Sunil Dutt, Shatrughan Sinha, Kimi Katkar, Aditya Pancholi, Suresh Oberoi, Saaniya, Sushma Sheth, Anjana Mumtaz, Ranjeet, Pran, Lalita Kumari(Sinha),Sunil Dhawan, Umesh Khanna, Rajesh Nigam, Prakash Johri, Anurag Sharma, Disco Shanti etc in it. This movie was a remake of Pakistani Punjaabi movie “Wadera”(1985).

“Dharam Yudhh”(1988) had six songs in it. It had one multiple version song which was sung by Lata Maneshkar. Here is that song. This bhai bahan song has two versions (happy and sad). Both are sung by Lata Mangeshkar. Kulwant Jani is the lyricist. Music is composed by Rajesh Roshan.

The happy version is picturised on Saania aka Saniya and Shatrughan Sinha in happier times with Shatrughan Sinha hoping to perform bidaai of his sister. The sad version shows the sister lying dead and it is her arthi instead of doli that is being carried ! One can also see Sunil Dutt, Lalita Kumari Sinha and Kimmi Katkar in the picturisation.

Lyrics of the song and other details were sent by Prakashchandra.

ith this song, “Dharam Yudhh”(1988) makes its debut in the blog.

Happy version
——————-
Audio link (longer)

Video link (shorter)

Sad version
Audio link(longer)

Video link (shorter)

Song-Bhaiyya bhi tu hai mera baabul bhi tu hai (Dharam Yudhh)(1988) Singer-Lata, Lyrics-Kulwant Jani, MD-Rajesh Roshan
Chorus

Lyrics(Provided by Prakashchandra)

—————————-
Happy version (Based on audio link)
—————————-

bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaa
ho o o o
ghar se vidaa karke
dil se tum apney ae ae
mujhko kabhee naa
bhulaanaa aan aa aa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaaa
ho o o o
ghar se vidaa karke
dil se tum apney ae
mujhko kabhee naa
bhulaanaa aa aa aa
bhaiyaa bhi tu hai aey ae
mera baabul bhi tu hai

sone ki thaali mein khilaayaa hai tooney
phoolon pe mujhko sulaayaa
pairon ke neechey mere
kaliyaan bichchaayeen een
sar pe rakhaa apnaa saayaa
ho o o saarey jahaan mein kahaan
tujhsaa milegaa
koyee bhi apnaa begaanaa aa aaa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishthon ki laaj nibhaanaa

angnaa mein tere maine
bachpan se ab tak
jee bhar ke kee hai manmaani
thodaa saa baaqi tere
ghar mein bachaa hai
ab to meraa daanaa paanee
ho oo o
main teri duniyaa se
jab door jaaoon oon
yaadon ke deepak jalaanaa aa aa aa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaa
ho o o o
ghar se vidaa kar ke
dil se tum apney ae
mujhko kabhee naa
bhulaanaa aa aa aa
bhaiyaa bhi tu hai aey ae
mera baabul bhi tu hai
bhaiyaa bhi tu hai aey
mera baabul bhi tu hai ae ae

————————————–
Sad version (based on audio link)
————————————–

barson paalo
poso beti ee
phir khud karo bidaayeee
bedardee duniyaa ne ae ae
kyun kar r
aisee ee reet banaayee ee

aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa
aaa aaa aaa

angnaa mein tere maine
bachpan se ab tak
jee bhar ke kee hai manmaanee
aaa aaa aaa aaa
thodaa saa baaqi tere (aaa aaa aaa)
ghar mein bachaa aa hai (aaa aaa aaa)
ab to meraa daanaa-paanee (aaa aaa aaa)
main teri duniyaa se
jab door jaaoon (aaa aaa aaa)
yaadon ke deepak (aaa aaa aaa)
jalaanaa aa aa aa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaaa
bhaiyaa bhi tu hai
mera baabul bhi tu hai
donon rishton ki laaj nibhaanaaa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4731 Post No. : 16451 Movie Count :

4466

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # 143 # Kalyanji-Anandji – Year 1975 (2)
———————————————–———————————————

Yesterday 30th June 2021 was the 93rd birth anniversary of Kalyanjibhai Virjibhai Shah (30 June 1928 – 24 August 2000) of the music director duo Kalyanji-Anandji.

On this occasion I am presenting a song from the ‘1975’ movie ‘Anokhaa’.

In the year ‘1975’ there were twelve films where the music was composed by Kalyanji-Anandji.

Here is the list of these movies and their status on the blog.

Sno. Title (Year) Censor certificate date Lyricist Represented on the Blog
1 Anokhaa(1975) 02.04.1975 Indeewar, Sawan Kumar Being introduced today
2 Apne Dushman(1975) 19.11.1975 Verma Malik, Qamar Jalalabadi
3 Bhoolaa Bhatkaa(1975) 13.10.1975 Anand Bakshi
4 Chori Mera Kaam(1975) 30.04.1975 Verma Malik Yes/Yippeeee’ed
5 Dharmaatmaa(1975) 30.04.1975 Indeewar Y
6 Do Thug(1975) 05.12.1975 Rajinder Krishan
7 Faraar(1975) 11.11.1975 Rajinder Krishan Y
8 Himaalaya Se Ooncha(1975) 15.04.1975 Indeewar Y
9 Monto(1975) 15.05.1975 Verma Malik
10 Rafoo Chakkar(1975) 02.01.1975 Gulshan Bawra Y
11 Uljhan(1975) 31.10.1975 M.G. Hashmat Y
12 Zorro(1975) 31.10.1975 Verma Malik

We can see in the above table that alphabetically ‘Anokhaa’ is the oldest movie which has so far not been represented on the blog from the year 1975 where music was composed by Kalyanji-Anandji.

Today we are going to listen to a song from this movie.

‘Anokhaa-1975’ was directed by Jugal Kishore for ‘Jugal Productions, Bombay’. It had Shatrughan Sinha, Zareena Wahab, A.K. Hangal, Imtiaz, Kanhaiyalal, Maruti, Jayshree T., Paintal, Mohan Shery, Jeevan, Hercules, Mirza Musharraf, Tulsi, Meher Mittal, Badri Prasad, Brijednra Mohan, Ved Gandhi, Vikrant, Omi Chopra, Ratnesh, Meher Banu, Chandar Singh, Mohan Jery, Bhupendra, Bipin Kumar, Bholanath, Master Kotak, Mahender Singh and others.
Meena T. makes a guest appearance in this movie.

This movie was passed by Censor Board on 02.04.1975.

This movie had five songs (including one two-part song) written by Indeevar (three songs, one of them a two-part song) and Sawan Kumar (two songs).

Here is the list of songs of this movie as given in HFGK Vol-V (1971-1980).

S.No. Song Title Singer/s Lyricist
01 Apna desh videsh kea age haath naa failaaye Mukesh, chorus Indeevar
02 part 1 Jab aayi hai wo gaaon se hamaar gori baala(part 1)1 Mahendra Kapoor, chorus Indeevar
02 part 2 Jab jaayega Shahar se gori ka ghar waala (part 2) Amit Kumar, chorus Indeevar
03 Jaaneman aap hamse muhabbat naa kijiye Mohd Rafi, Suman Kalyanpur Sawan Kumar
04 Meri baaton se tum bore ho gayi ho to Kishore Kumar, Usha Timothy Sawan Kumar
05 Dharti hai hamaari jaan, jaan lagaa kar boyen dhaan Mohd Rafi, chorus Indeevar

I have not watched this movie and I have not even listened to its songs earlier, so I would request knowledgeable readers to throw more light on this movie and its songs.

Today’s song is sung by Mohd Rafi and Suman Kalyanpur and on screen it is lip synced by Shatrughan Sinha and young looking Zareena Wahab. Paintal and others are also seen in the picturization of this song.

Lyrics for the today’s song are by Sawan Kumar and music is composed by Kalyanji-Anandji.

Let us listen to the song now …

Video

Audio

Song-Arre Jaaneman aap humse muhabbat na keejiye (Anokha)(1975) Singers – Mohd Rafi, Suman Kalyanpur, Lyrics – Sawan Kumar, Music – Kalyanji-Anandji
Chorus

Lyrics (as per audio link)

ae
ae jaaneman

tumhe to sabse pehle
chaahiye tha
bazm mein aanaa
kahenge log kya
shamma parwaanon ke baad aayi

jo pehle aa gayi hoti to
tum sab jal gaye hote ae
ye achchaa hi huaa ke
shamma
parwaanon ke baad aayi

arey jaaneman
hoye jaaneman
aap hamse muhabbat naa keejiye
jaaneman
aap hamse muhabbat naa keejiye
dekhiye do din mein
aapkaa
chehra utar gayaa aa aa a
dekhiye do din mein
aapkaa
chehra utar gayaa aa aa
janaab e man
haan janaab e man
jaa ke ghar aayeenaa to dekhiye
janaab e man
jaa ke ghar aayeenaa to dekhiye
chehraa hamaaraa yaa ke
tumhaaraa utar gayaa aa aa
chehraa hamaaraa yaa ke
tumhaaraa utar gayaa aa aa

jaan e man
janaab e man
oye jaaneman
janaab e man

maine jisko pyaar se dekha
dekha kabhi
arey maine jisko pyaar se dekha
dekha kabhi
armaan ban ke
armaan ban ke uske
dil mein utar gayaa aa
hamse nazar milaane ki
hamse nazar milaane ki
aap himmat naa keejiye ae
aap himmat naa keejiye

achchaa
jo teer nazar
jo teer nazar
chal gayaa
dekhoge mar gayaa aa
jo teer nazar
chal gayaa
dekhoge mar gayaa

jaaneman
hoye jaaneman
aap hamse muhabbat naa kijiye
janaab e man
jaa ke ghar aayeenaa to dekhiye

jaaneman
janaab e man

laa laa laa laa laa
laa laa laa laa laa
la la la la
la la la la la la la laa
la la la la la la la laa
la la la la la laal aa

dekh aashiq hain
mar bhi jaayenge ae
dekh aashiq hain
mar bhi jaayenge ae
leke nayaa janam laut aayenge
milenge tumhen phir sanam ham
milenge tumhen phir sanam ham
ishq tumhi se ham farmaayenge
ishq tumhi se ham farmaayenge ae
akadte kya ho
apni jaat dekho
akadte kya ho
apni jaat dekho
chhote munh aur badi baat dekho
ishq hamse karoge kya
hoob socha hai
ishq hamse karoge kya
khoob socha hai
zaraa dekho
haan apni aukaat dekho
zaraa dekho
haan apni aukaat dekho

roti rahogi raaton ko o
arey roti rahogi raaton ko
sakhiyon se lipat
lipat ke ae
sakhiyon se lipat
lipat ke
arey ishq nahin hai
ishq nahin hai
aisaa nashaa jo chadhke utar gaya
janaab e man
haan janaab e man
jaa ke ghar aayeenaa to dekhiye
chehraa hamaaraa
yaa ke
tumhaaraa utar gayaa aa aa

oye jaaneman
ho jaaneman
aap hamse muhabbat naa keejiye
dekhiye do din mein
aapkaa
chehra utar gayaa aa aa
janaab e man
ho jaaneman
janaab e man
janaane man …


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4598 Post No. : 16225

#The Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # 123 # Qawwalis – 8
——————————————-—–—————-——

Welcome all to the today’s ‘special post’. Special because, we pay our tributes to Khayyam Saab(18 February 1927 – 19 August 2019) on his ninety-fourth birth anniversary today on 18th February’2021.

On this occasion, we are going to listen to a ‘qawwali’ composed by him for the movie ‘Chambal Ki Kasam-1979’.

This ‘qawwali song’ under the above series is coming after a long gap of more than three and half years. The last time I had shared a ‘Qawwali’ was on 26.06.2017 and that qawaali too, like this one, was from the pen of Sahir Ludhianvi.

I had earlier planned to present today’s qawwali for the same occasion last year, however I was unable to send the article at that time.

We have one hundred and sixty-three songs under the category of ‘Qawwalis’.
Today’s ‘qawwali’ is only the second ‘qawwali composition’ of Khayyam Saab to appear on the blog.
The only previous Khayyam qawaali in the blog was this song from ‘Shankar Hussain-1976’ which was posted on 22.05.2011.

But the case with the lyricist Sahir Ludhianvi is totally different. He, so far has twenty-five of his ‘qawwali songs’ on the blog. And today’s song will be his twenty-sixth qawwali song on the blog (more statistics on ‘Qawwali’ on the blog will be coming here in future posts). 😊

Today’s ‘Qawwali’ written by Sahir Ludhianvi can be termed as a ‘social-muqaabla qawwali’ 😊 between a ‘law abiding Police officer’ and a person who has lost his faith in ‘law and order’ and hence doing ‘his self-styled justice with the ‘goons’ in the society’.

We are all aware that in our Hindi movies we have many types of qawwalis created for a particular situation taking a‘liberty’ from the purest form of ‘qawwali’ is i.e., ‘sufiana’…

“Chambal Ki Kasam-1979” was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora.

Pradeep Kumar and Amjad Khan makes a guest appearance and a special appearance in this movie respectively.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialogues were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
Sahir Ludhianvi is the lyricist for all the songs and music is composed by Khayyam Saab.

So far, five songs of this movie ‘Chambal Ki Kasam-1979’ have been posted on the blog as given below;

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016
Marta hai koi to mar jaaye 30.01.2021

Let us now enjoy to this wonderful ‘qawwali’ sung by Manna Dey and Mahendra Kapoor. It is performed on screen by Shatrughan Sinha (lip syncing in Manna Dey’s voice) and Raj Kumar (lip syncing in Mahendra Kapoor’s voice). The two actors are seen trying to score brownie points over the other in this lyrical muqaablaa -😊. Finally the ‘law’ has the last laugh in archtypical Hindi movie style …

Also seen in the picturization of this song are Nirupa Roy, Moushumi Chatterjee and Farida Jalal with many other artists.

This ‘qawwali’ composition by Khayyam Saab is in his own style and it grows on us if we listen to it more than once …

Remembering Khayyam Saab …

Video

Audio (Partial)

Song-Kaun hai mujrim kaun hai munsif (Chambal Ki Kasam)(1979) Singers-Mahendra Kapoor, Manna Dey, Lyrics-Sahir Ludhianvi, MD-Khayyam
Chorus

Lyrics

aa aa aa aa aa aa aa aa
aa aa aa aa aa aaa

aa aa aa aaa

jaaneman jo tera manshaa hain
wo ham jaante hain
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa

tu kisi bhes mein aaye
tujhe pehchaante hain

tum badi tez nazar rakhte ho
ham maante hain
arey hamse bachta nahin mujrim
ye sabhi jaante hain

aa ha ha
achchaa aa
to suniye

ho o
kaun hai mujrim
kaun hai munsif
o
kaun hai mujrim
kaun hai munsif
bahas hai bekaar
mujrim kaun nahin
kaun nahin mere yaar
mujrim kaun nahin
mere yaar

arey aisaa kaho naa
ho o
ek tumhi ho nek jahaan mein ae
ho ek tumhi ho nek jahaan mein
baaki sab badkaar
matlab ye niklaa

ye nikla mere yaar
matlab ye niklaa mere yaar

aisaa nahin hai wallaah

daake ke hain roop hazaaron
qatl ke laakhon dhandhe ae
asal se badhkar
hoye asal se badhkar
sood kamaayein
saahukaar ke phande ae
paani ke injection bechen
arey paani ke injection bechen
dhan ke lobhi bande
desh ke sewak ban kar netaa
khaayen kaum ke chande ae
desh ke sewak ban kar netaa
khaaye kaum ke chande

ho o
chor pakadne waale dekhe
ho o chor pakadne waale dekhe
chor ke saajhedaar
bhaashan rehne de
rehne de mere yaar
bhaashan rehne de mere yaar

arz ye hai kiblaa

jantaa aur sarkaar ke mujrim
hain sab aise bande ae
inki gardan
oye inki gardan naapenge
ik din qaanoon ke phande ae
jantaa inke khoon se apne ae
arey jantaa inke khoon se apne
haath kare kyon gande
ham maujood hain
ham rokenge
saare kaale dhandhe

ham maujood hain
ham rokenge
saare kaale dhandhe

ho o o
tum khud hi ban baithhe ho o
ho tum khud hi ban baithhe ho
qaanoon ke thekedaar
tumko kya bolen

kya bolen
sarkaar
tumko kya bolen sarkaar

arey bhaai aur kya karen ham

ho o o o
lambaa hai qaanoon ka rastaa
aur vakaalat mehangi ee ee
ho o o o
paap ke bojh se toot ke reh gayi
satya aur nyaay ki bahangi
hamne khud bandook uthhaa li
khench li ab talwaar
isme kya bigdaa
kya bigdaa mere yaar
isme kya bigdaa mere yaar

kiblaa mulahijaa ho
irshaad
irshaad

ho o o o
khoon ka badlaa khoon chalaa
to khoon bahegaa sadiyon
ho o o
aangan aangan dwaare dwaare
sog rahega sadiyon
nafrat se nafrat badhti hai
pyaar ka phal hai pyaar
nafrat jaane de

jaane de mere yaar
nafrat jaane de mere yaar

ab hamaari bhi suniye hazrat
aa aa aa aa aa aa aa aa a a a
qaatil ko jo qatl kare ae
usko qaatil mat kehnaa
kaayar ban’ne se behtar hai
baaghi ban kar rehnaa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aap ki ye bhool hai kiblaa
kaayar wo jo hathiyaaron ke
bal per jeena seekhe
insaan ho kar insaanon ke
khoon ko peena seekhe
arey ab bhi sudhar jaa
ab bhi khule hain
ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de ae

ab bhi sudhar jaa
ab bhi khule hain
pashchaataap ke dwaar
nafrat jaane de
jaane de mere yaar
nafrat jaane de mere yaar

pashchaataap
arey ham ko pashchaataap sikhaate
mar gaye kitne gyaani

wo khaali gyaani honge
wo khaali gyaani honge
par ham hai gyaani jaani

arey karte rahe hain karte rahenge
bhai karte rahe hain
karte rahenge
ham yoonhi manmaani
aage bhi manmaani ki
arey aage bhi manmaani ki
to goli padegi khaani

ha ha ha haa
arey maar sake jo hamen ae
arey maar sake jo hamen
wo goli bani nahin hain jaani
bani to hai
bani to hai par hamne
ab tak chaahi nahin chalaani

haan ha ha
aaj ye hasrat poori kar lo
bhai aaj ye hasrat poori kar lo
maukaa hai laasaani
bhai maukaa hai laasaani
mere jaani ee
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa
aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa

aa aa aa aa aa aa aa
aa aa aa aa aa aa aa aa


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4579 Post No. : 16191

Sahir Ludhianvi & His Music Directors-5 – (‘Five-movie’ collaboration only)
—————————————————————————–
Welcome all to today’s post. Today we have a song from the ‘1979’ movie ‘Chambal Ki Kasam’. Music for ‘Chambal Ki Kasam-1979’ was composed by Khayyam Saab.

Sahir Ludhianvi and Khayyam Saab collaborated for five movies as given in the table below.
Other than Khayyam Saab it was O.P. Nayyar with whom Sahir Ludhianvi’s collaboration was for the same number of movies i.e., five movies (though ‘Tumsa Nahin Dekha’ had only one song penned by Sahir and 12’ O Clock had two songs by Sahir)

S.no Movie Year MD Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 Bade Sarkar 1957 O.P. Nayyar 4 4 4
2 Naya Daur 1957 O.P. Nayyar 9 9 9
3 Tumsa Nahin Dekha 1957 O.P. Nayyar 1 1 1
4 12 O’Clock 1958 O.P. Nayyar 2 2 2
5 Phir Subah Hogi 1958 Khayyam 8 8 8
6 Sone Ki Chidiya 1958 O.P. Nayyar 7 7 7
7 Shagoon 1964 Khayyam 8 8 8
8 Kabhie Kabhie 1976 Khayyam 10 10 12
9 Trishul 1978 Khayyam 8 7 8
10 Chambal Ki Kasam 1979 Khayyam 4 8 8
Total 61 64 67

‘Chambal Ki Kasam-1979’ was an M.P.D. Productions presentation. It was produced by V L Murlidhar and directed by Ram Maheshwary. It had Raj Kumar, Shatrughan Sinha, Moushmi Chatterjee, Farida Jalal, Ranjeet, Nirupa Roy, Paintal, Gopal Sehgal, R. Tiwari, Usha Kiran, Peace Kanwal, Jagdish Raj, Nazir Hussain, Gufi, Paro Devi, Maruti, Uma Khosla, Raj Rani, Master Bhagwan, Gurucharan, Usha (Gwalior), Pandit Ganga Prasad (Gwalior), Mansaram, Master Rajesh, Master Rahul, Master Sonu, Master Rajiv, Baby Shaloo, and Manu Arora. Pradeep Kumar makes a guest appearance in this movie, whereas Amjad Khan makes a special appearance in this movie.

Story of this movie was written by M.K. Tamanna and Screenplay was written by Benoy Chatterjee. Dialogues of this movie were written by Sagar Sarhadi and Safdar Hussain. Additional Dialouges were by Ela Maheshwary. Editing for this movie was done by D.N. Pai and M.S. Shinde.

This movie was passed by Censor Board on 29.12.1979.

This movie had eight songs, which were sung by Jagjit Kaur, Lata Mangeshkar, Manna Dey, Mahendra Kapoor and Mohd Rafi.
As mentioned above music of this movie was composed by Khayyam Saab and lyrics for all the eight songs were penned by Sahir Ludhianvi.

Four songs of this movie have been posted on the blog so far.

Song Posted On
Simti huyi ye ghadiyaan 27.04.2012
Chanda re mere bhaiyya se kehna 02.08.2012
Parmeshwar rakhwaalaa tera 25.10.2014
She’r ka husn ho 09.12.2016

If we summarize the ‘Sahir-Music director collaboration’ statistics considering ‘one movie collaboration’ to ‘five-movies’ each we get the following table; (updated till today)

S.no MD No of movies together Songs of lyricist in the blog Song penned by lyricist in movie as per HFGK Song penned by lyricist in movie as per the book -The People’s Poet
1 G.D. Kapoor 1 1 4 4
2 Shyam Sundar 1 8 8 8
3 Ali Akbar Khan 1 7 8 8
4 Dhani Ram 1 1 1 1
5 Vasant Ramchandra 1 7 7 7
6 Manohar 1 1 1 1
7 Sudha Malhotra 1 1 1 1
8 Nirmal Kumar 1 1 1 1
9 Hemant Kumar 1 7 7 7
10 Robin Banerjee 1 1 1 1
11 C. Ramchandra 1 7 7 7
12 Sonik Omi 1 2 5 5
13 C. Arjun 1 5 4 5
14 Rajesh Roshan 1 7 6 7
15 Hridaynath Mangeshkar 1 5 5 5
16 Anil Biswas 2 8 8 7
17 Usha Khanna 2 3 3 3
18 Chitragupta 2 13 13 13
19 Sapan Chakravarty 2 11 11 12
20 Kalyanji-Anandji 2 7 9 9
21 Ravindra Jain 2 5 10 10
22 Madan Mohan 3 24 23 23
23 Jaidev 4 18 17 16
24 R.D. Burman 4 22 25 24
25 O.P. Nayyar 5 23 23 23
26 Khayyam 5 38 41 44
TOTAL 48 233 249 252

Today’s song is sung by Lata Mangeshkar and lip-synced on screen by Moushumi Chatterjee. Raj Kumar, Shatrughan Sinha, Paintal and others can also be seen in the picturization of this song.

Let us now enjoy this song.

Audio (Longer)

Video

Song-Marta hai koi to mar jaaye (Chambal Ki Kasam)(1979) Singer-Lata, Lyrics-Sahir Ludhianvi, MD-Khayyam

Lyrics(Provided by Prakashchandra)

martaa hai
koyi to mar jaaye
aa aa aa aa aa
martaa hai koyi to mar jaaye
ham apnaa nishaana kyun chhoden
ham apnaa nishaana kyun chhoden
dil waale bachaayen dil apnaa
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
ham teer chalaanaa kyun chhoden
dil waale bachaayen dil apnaa

majboor naa ho ton ishq hi kya
aa aa aa aa aa aa aa aa aa
majboor naa ho to ishq hi kya
magroor naa ho to husn hi kya
aa aa aa aa aa aa
tum ham ko manaanaa kyun chhodo
ham tumko sataanaa kyun chhoden
ham tumko sataanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
dil waale bachaayen dil apnaa

(dialogue by Rajkumar)

jo ham ko naseehat karte hain ae
jo ham ko nasihat karte hain
wo apnaa zamaanaa dekh chuke ae
dekh chuke ae ae ae
ham par bhi jawaani aayi hai
aa aa aa aa aa
ham par bhi jawaani aayi hai
ham apnaa zamaanaa kyun chhoden
ham apnaa zamaanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
martaa hai koyi to mar jaaye ae

duniyaa to hamaare saamne hai
ae ae ae ae
aa aa aa aa aa aa aa
duniyaa to hamaare saamne hai
Jannat ka pataa kya
ho ke naa ho o o o o o o o
jannat mein chhupi daulat ke liye
duniyaa ka khazaanaa kyun chhoden
dil waale bachaayen dil apnaa
ham teer chalaanaa kyun chhoden
martaa hai koyi to mar jaaye ae


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This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17200 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

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(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

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Number of movies covered in the blog

Movies with all their songs covered =1338
Total Number of movies covered=4642

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