Archive for April 2009
Murli waale murli bajaa
Posted on: April 24, 2009
I had posted a sopng from “Dillagi” (1949) and described that song as one that was played quite frequently in Radio Ceylon’s “purani filmon ke geet” programme in 1960s and 1970s.
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Jhoom jhoom ke naacho aaj
Posted on: April 24, 2009
I had posted a piano song from “Andaaz” (1949) yesterday. Here is another piano song from the same movie.
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Honth hain tere do laal heere
Posted on: April 23, 2009
O P Nayyar was one music director who reached the top without using Lata’s voice. He groomed Asha Bhonsle and he was responsible for her singing style.
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Mera man tera pyaasaa
Posted on: April 23, 2009
I have posted one song from “Gambler”(1970) in the past. Somhow I keep confusing among the songs of “Gambler”, “Guide”, “Prem Pujari” etc. All these movies had Dev Anand and Waheeda Rahman in them, if I am not mistaken, and all these movies had music by S D Burman.
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Tu mera chaand main teri chaandni
Posted on: April 23, 2009
When I listened to “Purani filmon ke geet” programme on Radio Ceylon in my younger days, this song “tu mera chand main teri chandni” used to get played so very often in that programme. If they had a popularity contest among all those old songs then this song would have won hands down in popularity, it seems to me.
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Here is another song that I never heard before. Not only is this song “new” for me, even the singer is “new” for me.
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Tu kahe agar
Posted on: April 23, 2009
It has been pointed out to me that I have posted only one song from “Andaz”(1949) whereas this movie was one of the biggest musical blockbusters of all time and a milestone in Bollywood history, musically as well as otherwise.
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Ghata ghanghor
Posted on: April 23, 2009
I had never heard this song before. And few people may have heard this song considering that this is from a very old movie called “Tansen” (1943). This movie, as the name suggests was the story of Tansen, the court singer of Akbar. The lead actors in this movie were K L Saigal and Khursheed.
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Dilip Kumar was known as tragedy king during the days I was growing up, but he would act in non tragedy roles too, though I was not aware of that in my younger days. And moreover, He was from the earlier generation, and I was growing up with the next generation of heroes ( Rajesh Khanna etc).
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Behind that jovial and boisterous exterior, Kishore Kumar hid a soft and sensitive interior. After “Chalti Ka naam Gaadi”, whichever movie he made were made on serious and sensitive subjects and were made as labour of love by him.
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