Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for March 2013


When I had watched “Mother India” (1957) for the first time during late 1970s/ early 1980s, I did not realise that the movie had so many songs in it. I throught that the movie have about five or six songs in it. As it is, we have already discussed as many as ten songs from this movie in the blog and there are some more songs still left to be discussed.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Majrooh Sulatanpuri’s filmy career as a lyricist started with ‘Shah Jehan’ (1946) under the music direction of Naushad. In the same year, he also wrote lyrics for ‘Keemat’ (1946) for which Naushad was the music director. It was only after the success of ‘Andaz’ (1949) that Majrooh Sultanpuri got his foothold in Hindi film industry. Unfortunately, this success was short lived as he was arrested in 1949 for his anti-establishment poems. He was given an option of either to apologise or face two years of prison. He opted for the later. At the time of his arrest, he was writing lyrics for the film ‘Aarzoo’ (1950) and it was his first collaboration with the music director Anil Biswas. This film also became a hit and all the songs including the iconic song ae dil mujhe aisi jagah le chal became very popular.
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The first Hindi Tarzan movie was “Toofaani Tarzan” (1937). In this movie John Cawas played Tarzan and Jane was played by Gulshan. This movie was a Wadia Movietone production. It was directed by Homi Wadia. Other important actors in the movie were Boman Shroff, Chandrashekhar, Nazira, Dalpat, Ahmed Dilwar etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ganesh Sharma, the prodigious composer and the creator of melodies of everlasting memories. Pick up any film done by him, any song created by him, and as you listen, and if you are not aware of the identity of the music director, you will surely wonder who would it be, the creator of such a lovely melody. Somehow, the combination of the tones, the octaves and the emphases make the tunes created by this hugely talented musician simply touch a very endearing nerve, and the heart simply wants to sing along with the flow of the song.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Shammi Kapoor had acted in over a dozen films as a lead actor in early 50s, most of which flopped at the box office. Chor Bazaar (1954) was one film. It was produced under the banner of All India Pictures and it was directed by P N Arora. The star cast included Shammi Kapoor, Sumitra Devi, Chitra, Om Prakash, Kammo, Amir, Cuckoo. Parshuram etc with a guest appearance by Wasti. This film had six songs all written by Shakeel Badayuni and set to music by Sardar Malik. I remembered the name of this film only because of an immortal song “huyi ye hamse naadaani teri mehefil mein aa baithhe” from this film which I had heard on my younger days on radio. Recently, I had seen this film on the VCD that I have with me. As usual with almost all VCDs of old films, the film lacks continuity in some places because of lots of cuts. I did not find one song ” Har dar ki thokerein hain” sung by Lata Mangeshkar in the VCD.
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Timir Baran (10 july 1904- 28 march 1987) was a pioneer of Indian movie music. He was one of those who brought Indian movie music out of the influence of theatre music and enabled it to acquire its own distinct identity. He was a classically trained musician. Trained under Ustad Allauddin Khan of Maihar Gharana, Timir Bran was an expert in playing Sarod, Clarinet and banjo.
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