Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


“Jogan” (1950) was a movie produced by Ranjit Movietone and directed by Kidar Sharma. The story was different and was regarded as a risky proposition by the other leading directors of the time, who on listening to the one line plot (disturbing the sanyas of a jogan) refused to have anything to do with the movie. Then Kidar Sharma himself decided to take up the challenge at the encouragement of Chandulal Shah,the producer, who developed the story of the movie from the one line brief. The fact that the plot of the movie was written by Chandulal Shah was not known for half a century since Chandulal Shah had refused to take the credits.
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“Swami Vivekanand” (1955), by now an obscure movie on the life of Swami Vivekanand, was produced and directed by Amar Mallick. This movie had Ajit Prakash, Suprabha Mukerji, Bharati Devi, Manoranjan Bhattacharji, Anuva Gupta etc in it. This movie obviously was not meant to entertain and as a rsult the movie did not do well at the box office.
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“Jogan” is a movie which was made in 1950, but the person writing the story of this movie remained unnamed till 1999. It was in 1999 that Kidar Sharma, the director of the movie revealed that the story of “Jogan” (1950) was written by Chandulal Shah, but he declined to take the credit , and as a result, the credits of the movie carried a question mark instead of a name for half a century.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the beginning of the 30s, when the talking films made a debut on the Indian silver screen, and Calcutta was the premier center for film making, with a gathering of renowned stalwarts guiding the industry through its infancy. Names like BN Sircar, Nitin Bose, PC Barua, Debaki Bose, Premankur Atorthy, Prafulla Roy, Kidar Sharma, Aga Hashr Kashmiri, RC Boral, Pankaj Mullick and many more come to mind when one thinks of the film industry, Calcutta and 1930s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 1920s and 30s, and also later, Pankaj Babu’s affinity for Rabindra Sangeet has had a significant influence in making this music form popular with the general public. He had made a choice of music as his calling in life, at a very early age, and although he joined college, but he did not go ahead with higher education. He first became a student of the noted musician Durgadas Bannerjee, and then later studied music under Dinendranath Tagore. Dinendranath or Dinu Thakur, as he was popularly called, is the grandson of Rabindranath Tagore’s eldest brother, Dipendranath Tagore. This association brought Pankaj Babu into the culturally rich environment of the Jorasanko Thakur Bari, the ancestral home of the Tagore family. It had an everlasting influence on him, and the influence of this culture is visible in all his works.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The saga of Saigal Saab is known based on the memories that have been treasured by his family members, friends and associates. There is very little written documentary record of his life available, in terms of journals, letters or interviews. His departure at a young age of 43 years, did not allow an opportunity that many famous persona have, of writing or authorizing a biography, as they reach into the later decades of their lives. Very little, if any, is available in terms of written articles etc. from the 15 years (1931-1946) that he was in the limelight for the entire nation. His music, and the collection of anecdotal memories, is the legacy remaining, with which to know and fathom this extraordinary performer.
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