Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the beginning of the 30s, when the talking films made a debut on the Indian silver screen, and Calcutta was the premier center for film making, with a gathering of renowned stalwarts guiding the industry through its infancy. Names like BN Sircar, Nitin Bose, PC Barua, Debaki Bose, Premankur Atorthy, Prafulla Roy, Kidar Sharma, Aga Hashr Kashmiri, RC Boral, Pankaj Mullick and many more come to mind when one thinks of the film industry, Calcutta and 1930s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 1920s and 30s, and also later, Pankaj Babu’s affinity for Rabindra Sangeet has had a significant influence in making this music form popular with the general public. He had made a choice of music as his calling in life, at a very early age, and although he joined college, but he did not go ahead with higher education. He first became a student of the noted musician Durgadas Bannerjee, and then later studied music under Dinendranath Tagore. Dinendranath or Dinu Thakur, as he was popularly called, is the grandson of Rabindranath Tagore’s eldest brother, Dipendranath Tagore. This association brought Pankaj Babu into the culturally rich environment of the Jorasanko Thakur Bari, the ancestral home of the Tagore family. It had an everlasting influence on him, and the influence of this culture is visible in all his works.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The saga of Saigal Saab is known based on the memories that have been treasured by his family members, friends and associates. There is very little written documentary record of his life available, in terms of journals, letters or interviews. His departure at a young age of 43 years, did not allow an opportunity that many famous persona have, of writing or authorizing a biography, as they reach into the later decades of their lives. Very little, if any, is available in terms of written articles etc. from the 15 years (1931-1946) that he was in the limelight for the entire nation. His music, and the collection of anecdotal memories, is the legacy remaining, with which to know and fathom this extraordinary performer.
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When one has to find details about Hindi movie songs, especially old songs, one has to be quite wary of the authenticity of the information. There are information about old songs that are incorrect. If such an information appears in one site, then it is faithfully cut and pasted by all other sites, and with time it becomes Gospel.
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“Chakradhaari” (1954) is a religious /mythological movie about Gora, a potter who lived in the present day Maharashtra in the 13th century. He became a leading Saint of the area and he was a contemporary of the other Saints of Maharashtra viz Saint Dnyaneshwar and Namdeo.
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“Chakradhaari” (1954) was a B grade religious/mythological movie that the mainstream movie goers did not much care about. such movies were mostly acreened in small towns, where there was sizeable audience for such kind of movies.
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