Archive for the ‘Century songs for the blog’ Category
- In: Century songs for the blog | Hemlata solo songs | Hemlata songs | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Lyrics contributor century song | Mahendra Kapoor solo | Mahendra Kapoor songs | Multiple version song | Songs of 1970s (1971 to 1980) | Songs of 1976 | Theme song | Title song | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Fakira” (1976) was produced by N N Sippy and directed by C R Dixit. The movie had Shashi Kapoor, Shabana Azmi, Asrani, Aruna Irani, Danny Denzongpa, Asit Sen, Ramesh Deo, Madan Puri, Shetty etc in it.
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Ding dong ding dong ding lalla
Posted on: February 3, 2014
- In: Artist century song in blog | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Geeta Dutt solo | Geeta Dutt songs | Guest posts | joie de vivre | Lyrics contributed by readers | Post by Sudhir | Rare song | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9400th song post in the blog.
It seems to me that we just did the century milestone. I simply turn around, had just taken one breath, and there is Atul ji’s message that we are on to the next century stone. Wo, I say to myself, this is not right. But then I check, and it is. 9400, OMG.
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Boot karoon main paalish baabu
Posted on: January 31, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Suron ki malika – Suraiya.
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There is no better epithet that so appropriately suits this princess of musical notes. A princess who has also been called the Cindrella of Hindi cinema. A possessor of remarkable beauty, a talent that oozes with the formal ‘adaayagi’ of the north Indian urdu ‘tehzeeb’, and a voice that casts a magic spell difficult to snap out of, Suraiya is the fulfillment of the feminine essence of the quintessential heroine of the silver screen. But despite being what she was, she was destined to remain a Cindrella, forever waiting for a companion, for her knight on a white horse. Thirty four is an age when most other artists are still on the rise in their careers, getting into their prime time. But for her, thirty four was the age when she retired from the industry, to spend the remaining four decades of her life in relative anonymity and reclusion.
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Tum chalo hamaare saath balma
Posted on: January 31, 2014
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“House No. 44″(1955) was directed by M K Burman for Navketan International Films. The movie had Dev Anand, Kalpana Kartik, K. N. Singh, Rashid Khan, Prabhu Dayal, Kumkum, Kammo, Zamboora, Bhagwan Sinha, Sheela Vaz etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9300th song post in the blog.
Ninety Three Hundred, and counting. The merry bandwagon continues to roll, and we come yet one more milestone closer to that target, that now seems oh so accessible. Congratulations, and more congratulations – to all friends and contributors who are making this journey so beautiful, so enjoyable, and oh yes, so much worth the while. A team effort that would simply be unparalleled anywhere in the annals of film and film music journalism and internet publication.
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Yoonhi huye badnaam sanwariya
Posted on: December 8, 2013
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Since time immemorial, classical and semi-classical ( thumri, dadra, khayal etc,) music have been the privilege mainly of the higher strata of the society. As such, they have not been as popular as the film music as the latter has a wider reach. Then we have the legacy and a rich heritage of regional folk music which remained within the confines of the respective regions. However, with the advent of talkies and playback singing from early 1930s, film songs based on the classical ragas, semi-classical and folk tunes have played a major role in popularising these genres of Indian music especially during the golden era of the film music. In a way, films have become the catalyst for providing equal opportunity to all across India to access music.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9100th song post in the blog.
“Aawaaz” (1956) was directed by Zia Sarhadi for Mehboob Productions. The movie had Rajendra Kumar and Nalini Jaiwant in lead roles alongwith Usha Kiran, Zul Vellani, Nazir Hussain, Leela Chitnis, D K Sapru, Jagdeep, Anwar Hussain, etc playing the support roles.
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- In: "Aankh" song | Artist century song in blog | Blog century song | Century songs for the blog | Dance song | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Sudhir | Rafi solo | Rafi songs | Semi Classical Dance | Semi Classical song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Thousandth song for the blog | Thousandth song in the blog | Yearwise breakup of songs
- 21 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 9000th song post in the blog.
Yesterday, just like that, I googled ‘nine thousand’. Did not expect to find anything really interesting and useful to write about. After all, it is just another number. But really, I was surprised. Wow, never thought I would find such an interesting information description that would be so appropriate for this huge milestone that we have arrived at today.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Patang” (1960) was directed by Hargovind Duggal and Hari Prakash for Asiatic Pictures. The movie had Rajendra Kumar, Mala Sinha, Om Prakash, Ullhas, Raj Mehra, Achla Sachdev, Manorama, Leela Misra, Randhir, Mohan Choti, Aruna etc in it.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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